Peeples (2013)
| Theatrical Performance | ||
| Domestic Box Office | $9,177,065 | Details |
| International Box Office | $130,101 | |
| Worldwide Box Office | $9,307,166 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $2,890,033 | |
| Blu-ray Sales (estimated) | $545,868 | |
| Total | $3,435,901 | |
| OpusData ID: 171140100 More info... | ||
| Further financial details... | ||
Synopsis
Sparks fly when Wade Walker crashes the preppy Peeples annual reunion in the Hamptons to ask for their precious daughter Grace's hand in marriage. Wade might be a fish-out-of-water among this seemingly perfect East Coast clan, but he’s not about to let himself flounder. Instead, in a wild weekend of fun, dysfunction and hilarious surprises, Wade is about to discover there’s room for all kinds of Peeples in this family, no matter their differences. Writer and first-time director Tina Gordon Chism joins forces with Tyler Perry to present a laugh-out-loud look at the family ties that freak us out . . . but bind us together with love.
Metrics
| Opening Weekend: | $4,611,534 (50.3% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 98.6% (domestic box office/worldwide) |
| Production Budget: | $11,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 2,041 opening theaters/2,041 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,500,328 |
Movie Details
| Domestic Releases: | May 10th, 2013 (Wide) by Lionsgate |
| Video Release: | September 10th, 2013 by Lionsgate Home Entertainment, released as Tyler Perrys Presents Peeples |
| MPA Rating: | PG-13 for sexual content, drug material and language. (Rating bulletin 2237, 8/22/2012) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Ensemble |
| Plot point: | Addiction, African Americans, Dysfunctional Family, In-Laws / Future In-Laws, Rehab / Former Addict, Romance |
| Social setting: | Family Reunion |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lionsgate, 34th Street Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2013 | 4 | $4,611,534 | 2,041 | $2,259 | $4,611,534 | 1 | |
| May 17, 2013 | 9 | $2,159,980 | -53% | 2,041 | $1,058 | $7,867,757 | 2 |
| May 24, 2013 | 16 | $312,263 | -86% | 485 | $644 | $8,788,628 | 3 |
| May 31, 2013 | 29 | $67,799 | -78% | 121 | $560 | $9,040,663 | 4 |
| Jun 7, 2013 | 37 | $60,026 | -11% | 130 | $462 | $9,123,834 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 10, 2013 | 4 | $1,193,566 | 2,041 | $585 | $1,193,566 | 1 | ||
| May 11, 2013 | 6 | $1,737,100 | +46% | 2,041 | $851 | $2,930,666 | 2 | |
| May 12, 2013 | 3 | $1,680,868 | -3% | 2,041 | $824 | $4,611,534 | 3 | |
| May 13, 2013 | 6 | $303,254 | -82% | 2,041 | $149 | $4,914,788 | 4 | |
| May 14, 2013 | 6 | $346,818 | +14% | 2,041 | $170 | $5,261,606 | 5 | |
| May 15, 2013 | 6 | $244,704 | -29% | 2,041 | $120 | $5,506,310 | 6 | |
| May 16, 2013 | 7 | $201,467 | -18% | 2,041 | $99 | $5,707,777 | 7 | |
| May 17, 2013 | 7 | $622,133 | +209% | -48% | 2,041 | $305 | $6,329,910 | 8 |
| May 18, 2013 | 8 | $979,045 | +57% | -44% | 2,041 | $480 | $7,308,955 | 9 |
| May 19, 2013 | 9 | $558,802 | -43% | -67% | 2,041 | $274 | $7,867,757 | 10 |
| May 20, 2013 | 9 | $176,527 | -68% | -42% | 2,041 | $86 | $8,044,284 | 11 |
| May 21, 2013 | 9 | $203,917 | +16% | -41% | 2,041 | $100 | $8,248,201 | 12 |
| May 22, 2013 | 9 | $136,021 | -33% | -44% | 2,041 | $67 | $8,384,222 | 13 |
| May 23, 2013 | 10 | $92,143 | -32% | -54% | 2,041 | $45 | $8,476,365 | 14 |
| May 24, 2013 | - | $82,109 | -11% | -87% | 485 | $169 | $8,558,474 | 15 |
| May 25, 2013 | - | $128,191 | +56% | -87% | 485 | $264 | $8,686,665 | 16 |
| May 26, 2013 | - | $101,963 | -20% | -82% | 485 | $210 | $8,788,628 | 17 |
| May 27, 2013 | - | $107,648 | +6% | -39% | 485 | $222 | $8,896,276 | 18 |
| May 28, 2013 | - | $29,394 | -73% | -86% | 485 | $61 | $8,925,670 | 19 |
| May 29, 2013 | - | $26,893 | -9% | -80% | 485 | $55 | $8,952,563 | 20 |
| May 30, 2013 | - | $20,301 | -25% | -78% | 485 | $42 | $8,972,864 | 21 |
| May 31, 2013 | - | $19,738 | -3% | -76% | 121 | $163 | $8,992,602 | 22 |
| Jun 1, 2013 | - | $30,384 | +54% | -76% | 121 | $251 | $9,022,986 | 23 |
| Jun 2, 2013 | - | $17,677 | -42% | -83% | 121 | $146 | $9,040,663 | 24 |
| Jun 3, 2013 | - | $5,158 | -71% | -95% | 121 | $43 | $9,045,821 | 25 |
| Jun 4, 2013 | - | $6,973 | +35% | -76% | 121 | $58 | $9,052,794 | 26 |
| Jun 5, 2013 | - | $6,120 | -12% | -77% | 121 | $51 | $9,058,914 | 27 |
| Jun 6, 2013 | - | $4,894 | -20% | -76% | 121 | $40 | $9,063,808 | 28 |
| Jun 7, 2013 | - | $16,711 | +241% | -15% | 130 | $129 | $9,080,519 | 29 |
| Jun 8, 2013 | - | $27,368 | +64% | -10% | 130 | $211 | $9,107,887 | 30 |
| Jun 9, 2013 | - | $15,947 | -42% | -10% | 130 | $123 | $9,123,834 | 31 |
| Jun 10, 2013 | - | $11,792 | -26% | +129% | 130 | $91 | $9,135,626 | 32 |
| Jun 11, 2013 | - | $14,231 | +21% | +104% | 130 | $109 | $9,149,857 | 33 |
| Jun 12, 2013 | - | $14,167 | n/c | +131% | 130 | $109 | $9,164,024 | 34 |
| Jun 13, 2013 | - | $13,041 | -8% | +166% | 130 | $100 | $9,177,065 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2013 | 6 | $5,707,777 | 2,041 | $2,797 | $5,707,777 | 1 | |
| May 17, 2013 | 10 | $2,768,588 | -51% | 2,041 | $1,356 | $8,476,365 | 2 |
| May 24, 2013 | 15 | $496,499 | -82% | 485 | $1,024 | $8,972,864 | 3 |
| May 31, 2013 | 30 | $90,944 | -82% | 121 | $752 | $9,063,808 | 4 |
| Jun 7, 2013 | 31 | $113,257 | +25% | 130 | $871 | $9,177,065 | 5 |
Lead Ensemble Member
| Craig Robinson | Wade Walker | |
| Kerry Washington | Grace Peeples | |
| David Alan Grier | Virgil Peeples | |
| S. Epatha Merkerson | Daphne Peeples | |
| Tyler James Williams | Simon Peeples |
Supporting
| Melvin Van Peebles | Grandpa Peeples | |
| Diahann Carroll | Nana Peeplesn |
Lead Ensemble Member
| Kali Hawk | Gloria Peeples |
Supporting
| Ana Gasteyer | Mayor Hodge | |
| Kimrie Lewis-Davis | Meg | |
| Malcolm Barrett | Chris Walker | |
| Briana Marin | Sexy Mother | |
| Angelee Arue | 5-Year-Old-Girl | |
| Tuffy Questell | Taxi Driver | |
| Jerome Preston Bates | Skip | |
| Jordan Hall | Cashier | |
| Sylvia Kauders | Mrs. Davis | |
| Wade Allain-Marcus | Bartender | |
| Emilio Delgado | Chief | |
| Christopher Gates | Priest | |
| Catherine Pierce | Back Up Singer #1 | |
| Linda Thompson Williams | Back Up Singer #2 |
Production and Technical Credits
| Tina Gordon Chism | Director | |
| Tina Gordon Chism | Screenwriter | |
| Tyler Perry | Producer | |
| Ozzie Areu | Producer | |
| Matt Moore | Producer | |
| Paul Hall | Producer | |
| Stephanie Allain | Producer | |
| Michael Paseornek | Executive Producer | |
| Preston Holmes | Executive Producer | |
| Charles S. Dutton | Executive Producer | |
| Sherry Marsh | Executive Producer | |
| Alexander Gruszynski | Director of Photography | |
| Rick Butler | Production Designer | |
| David Moritz | Editor | |
| Paul Simmons | Production Designer | |
| Stephen Bray | Executive Music Producer | |
| Joel C. High | Music Supervisor | |
| Aaron Zigman | Music | |
| H.H. Cooper | Co-Producer | |
| Kim Taylor-Coleman | Casting | |
| Blaise Corrigan | Stunt Coordinator | |
| Leo Holder | Art Director | |
| Janet G. Shaw | Set Decorator | |
| Anita L. Gibson | Department Head Makeup | |
| Takisha Sturdivant-Drew | Make-up and Hair Designer | |
| Mike Wilhoit | Supervising Sound Editor | |
| Joe Barnett | Re-recording Mixer | |
| Christian P. Minkler | Re-recording Mixer | |
| Jose Marra | Visual Effects Supervisor | |
| Kay Rough | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Sparks fly when Wade Walker crashes the preppy Peeples annual reunion in the Hamptons to ask for their precious daughter Grace's hand in marriage. Wade might be a fish-out-of-water among this seemingly perfect East Coast clan, but he’s not about to let himself flounder. Instead, in a wild weekend of fun, dysfunction and hilarious surprises, Wade is about to discover there’s room for all kinds of Peeples in this family, no matter their differences. Writer and first-time director Tina Gordon Chism joins forces with Tyler Perry to present a laugh-out-loud look at the family ties that freak us out . . . but bind us together with love.
Metrics
| Opening Weekend: | $4,611,534 (50.3% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 98.6% (domestic box office/worldwide) |
| Production Budget: | $11,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 2,041 opening theaters/2,041 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,500,328 |
Movie Details
| Domestic Releases: | May 10th, 2013 (Wide) by Lionsgate |
| Video Release: | September 10th, 2013 by Lionsgate Home Entertainment, released as Tyler Perrys Presents Peeples |
| MPA Rating: | PG-13 for sexual content, drug material and language. (Rating bulletin 2237, 8/22/2012) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Ensemble |
| Plot point: | Addiction, African Americans, Dysfunctional Family, In-Laws / Future In-Laws, Rehab / Former Addict, Romance |
| Social setting: | Family Reunion |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lionsgate, 34th Street Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2013 | 4 | $4,611,534 | 2,041 | $2,259 | $4,611,534 | 1 | |
| May 17, 2013 | 9 | $2,159,980 | -53% | 2,041 | $1,058 | $7,867,757 | 2 |
| May 24, 2013 | 16 | $312,263 | -86% | 485 | $644 | $8,788,628 | 3 |
| May 31, 2013 | 29 | $67,799 | -78% | 121 | $560 | $9,040,663 | 4 |
| Jun 7, 2013 | 37 | $60,026 | -11% | 130 | $462 | $9,123,834 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 10, 2013 | 4 | $1,193,566 | 2,041 | $585 | $1,193,566 | 1 | ||
| May 11, 2013 | 6 | $1,737,100 | +46% | 2,041 | $851 | $2,930,666 | 2 | |
| May 12, 2013 | 3 | $1,680,868 | -3% | 2,041 | $824 | $4,611,534 | 3 | |
| May 13, 2013 | 6 | $303,254 | -82% | 2,041 | $149 | $4,914,788 | 4 | |
| May 14, 2013 | 6 | $346,818 | +14% | 2,041 | $170 | $5,261,606 | 5 | |
| May 15, 2013 | 6 | $244,704 | -29% | 2,041 | $120 | $5,506,310 | 6 | |
| May 16, 2013 | 7 | $201,467 | -18% | 2,041 | $99 | $5,707,777 | 7 | |
| May 17, 2013 | 7 | $622,133 | +209% | -48% | 2,041 | $305 | $6,329,910 | 8 |
| May 18, 2013 | 8 | $979,045 | +57% | -44% | 2,041 | $480 | $7,308,955 | 9 |
| May 19, 2013 | 9 | $558,802 | -43% | -67% | 2,041 | $274 | $7,867,757 | 10 |
| May 20, 2013 | 9 | $176,527 | -68% | -42% | 2,041 | $86 | $8,044,284 | 11 |
| May 21, 2013 | 9 | $203,917 | +16% | -41% | 2,041 | $100 | $8,248,201 | 12 |
| May 22, 2013 | 9 | $136,021 | -33% | -44% | 2,041 | $67 | $8,384,222 | 13 |
| May 23, 2013 | 10 | $92,143 | -32% | -54% | 2,041 | $45 | $8,476,365 | 14 |
| May 24, 2013 | - | $82,109 | -11% | -87% | 485 | $169 | $8,558,474 | 15 |
| May 25, 2013 | - | $128,191 | +56% | -87% | 485 | $264 | $8,686,665 | 16 |
| May 26, 2013 | - | $101,963 | -20% | -82% | 485 | $210 | $8,788,628 | 17 |
| May 27, 2013 | - | $107,648 | +6% | -39% | 485 | $222 | $8,896,276 | 18 |
| May 28, 2013 | - | $29,394 | -73% | -86% | 485 | $61 | $8,925,670 | 19 |
| May 29, 2013 | - | $26,893 | -9% | -80% | 485 | $55 | $8,952,563 | 20 |
| May 30, 2013 | - | $20,301 | -25% | -78% | 485 | $42 | $8,972,864 | 21 |
| May 31, 2013 | - | $19,738 | -3% | -76% | 121 | $163 | $8,992,602 | 22 |
| Jun 1, 2013 | - | $30,384 | +54% | -76% | 121 | $251 | $9,022,986 | 23 |
| Jun 2, 2013 | - | $17,677 | -42% | -83% | 121 | $146 | $9,040,663 | 24 |
| Jun 3, 2013 | - | $5,158 | -71% | -95% | 121 | $43 | $9,045,821 | 25 |
| Jun 4, 2013 | - | $6,973 | +35% | -76% | 121 | $58 | $9,052,794 | 26 |
| Jun 5, 2013 | - | $6,120 | -12% | -77% | 121 | $51 | $9,058,914 | 27 |
| Jun 6, 2013 | - | $4,894 | -20% | -76% | 121 | $40 | $9,063,808 | 28 |
| Jun 7, 2013 | - | $16,711 | +241% | -15% | 130 | $129 | $9,080,519 | 29 |
| Jun 8, 2013 | - | $27,368 | +64% | -10% | 130 | $211 | $9,107,887 | 30 |
| Jun 9, 2013 | - | $15,947 | -42% | -10% | 130 | $123 | $9,123,834 | 31 |
| Jun 10, 2013 | - | $11,792 | -26% | +129% | 130 | $91 | $9,135,626 | 32 |
| Jun 11, 2013 | - | $14,231 | +21% | +104% | 130 | $109 | $9,149,857 | 33 |
| Jun 12, 2013 | - | $14,167 | n/c | +131% | 130 | $109 | $9,164,024 | 34 |
| Jun 13, 2013 | - | $13,041 | -8% | +166% | 130 | $100 | $9,177,065 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2013 | 6 | $5,707,777 | 2,041 | $2,797 | $5,707,777 | 1 | |
| May 17, 2013 | 10 | $2,768,588 | -51% | 2,041 | $1,356 | $8,476,365 | 2 |
| May 24, 2013 | 15 | $496,499 | -82% | 485 | $1,024 | $8,972,864 | 3 |
| May 31, 2013 | 30 | $90,944 | -82% | 121 | $752 | $9,063,808 | 4 |
| Jun 7, 2013 | 31 | $113,257 | +25% | 130 | $871 | $9,177,065 | 5 |
Lead Ensemble Member
| Craig Robinson | Wade Walker | |
| Kerry Washington | Grace Peeples | |
| David Alan Grier | Virgil Peeples | |
| S. Epatha Merkerson | Daphne Peeples | |
| Tyler James Williams | Simon Peeples |
Supporting
| Melvin Van Peebles | Grandpa Peeples | |
| Diahann Carroll | Nana Peeplesn |
Lead Ensemble Member
| Kali Hawk | Gloria Peeples |
Supporting
| Ana Gasteyer | Mayor Hodge | |
| Kimrie Lewis-Davis | Meg | |
| Malcolm Barrett | Chris Walker | |
| Briana Marin | Sexy Mother | |
| Angelee Arue | 5-Year-Old-Girl | |
| Tuffy Questell | Taxi Driver | |
| Jerome Preston Bates | Skip | |
| Jordan Hall | Cashier | |
| Sylvia Kauders | Mrs. Davis | |
| Wade Allain-Marcus | Bartender | |
| Emilio Delgado | Chief | |
| Christopher Gates | Priest | |
| Catherine Pierce | Back Up Singer #1 | |
| Linda Thompson Williams | Back Up Singer #2 |
Production and Technical Credits
| Tina Gordon Chism | Director | |
| Tina Gordon Chism | Screenwriter | |
| Tyler Perry | Producer | |
| Ozzie Areu | Producer | |
| Matt Moore | Producer | |
| Paul Hall | Producer | |
| Stephanie Allain | Producer | |
| Michael Paseornek | Executive Producer | |
| Preston Holmes | Executive Producer | |
| Charles S. Dutton | Executive Producer | |
| Sherry Marsh | Executive Producer | |
| Alexander Gruszynski | Director of Photography | |
| Rick Butler | Production Designer | |
| David Moritz | Editor | |
| Paul Simmons | Production Designer | |
| Stephen Bray | Executive Music Producer | |
| Joel C. High | Music Supervisor | |
| Aaron Zigman | Music | |
| H.H. Cooper | Co-Producer | |
| Kim Taylor-Coleman | Casting | |
| Blaise Corrigan | Stunt Coordinator | |
| Leo Holder | Art Director | |
| Janet G. Shaw | Set Decorator | |
| Anita L. Gibson | Department Head Makeup | |
| Takisha Sturdivant-Drew | Make-up and Hair Designer | |
| Mike Wilhoit | Supervising Sound Editor | |
| Joe Barnett | Re-recording Mixer | |
| Christian P. Minkler | Re-recording Mixer | |
| Jose Marra | Visual Effects Supervisor | |
| Kay Rough | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.