Perfect (2019)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 322500100 More info... | ||
| Further financial details... | ||
Synopsis
A boy in a cold and stark modern house, in a vaguely science fictional world, is seduced by advertisements of perfection to install implantable characteristics directly into his body. The implants heal his dark, twisted visions, but come with a corporeal cost. He persists on applying them, hoping to reach perfection, but ultimately he discovers that purity of mind is not exactly as he’s imagined.
Metrics
Movie Details
| Domestic Releases: | May 24th, 2019 (Limited) by Self Distributed |
| Running Time: | 85 minutes |
| Plot point: | Dream Sequence, Mental Illness |
| Social setting: | Mental Hospital |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Brainfeeder Films |
| Production Countries: | United States |
| Languages: | English |
Leading
| Garrett Wareing | Vessel 13 |
Supporting
| Courtney Eaton | Sarah | |
| Tao Okamoto | Ozawa | |
| Maurice Compte | Dr. Price | |
| Abbie Cornish | Mother | |
| Martin Sensmeier | The Harvester | |
| Sarah McDaniel | Python | |
| Chris Santos | Bruce | |
| Leonardo Nam | Haskell | |
| Regan Farquhar | Boom |
Production and Technical Credits
| Eddie Alcazar | Director | |
| Eddie Alcazar | Story by | |
| Ted Kupper | Story by | |
| Eddie Alcazar | Producer | |
| Javier Lovato | Producer | |
| Steven Soderbergh | Executive Producer | |
| Marco Vicini | Executive Producer | |
| Phil Hoelting | Executive Producer | |
| Matthias Koenigswieser | Executive Producer | |
| Adam Silvestri | Executive Producer | |
| Nikki Pederson | Executive Producer | |
| Rooter Wareing | Executive Producer | |
| Romy Itzigsohn | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A boy in a cold and stark modern house, in a vaguely science fictional world, is seduced by advertisements of perfection to install implantable characteristics directly into his body. The implants heal his dark, twisted visions, but come with a corporeal cost. He persists on applying them, hoping to reach perfection, but ultimately he discovers that purity of mind is not exactly as he’s imagined.
Metrics
Movie Details
| Domestic Releases: | May 24th, 2019 (Limited) by Self Distributed |
| Running Time: | 85 minutes |
| Plot point: | Dream Sequence, Mental Illness |
| Social setting: | Mental Hospital |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Brainfeeder Films |
| Production Countries: | United States |
| Languages: | English |
Leading
| Garrett Wareing | Vessel 13 |
Supporting
| Courtney Eaton | Sarah | |
| Tao Okamoto | Ozawa | |
| Maurice Compte | Dr. Price | |
| Abbie Cornish | Mother | |
| Martin Sensmeier | The Harvester | |
| Sarah McDaniel | Python | |
| Chris Santos | Bruce | |
| Leonardo Nam | Haskell | |
| Regan Farquhar | Boom |
Production and Technical Credits
| Eddie Alcazar | Director | |
| Eddie Alcazar | Story by | |
| Ted Kupper | Story by | |
| Eddie Alcazar | Producer | |
| Javier Lovato | Producer | |
| Steven Soderbergh | Executive Producer | |
| Marco Vicini | Executive Producer | |
| Phil Hoelting | Executive Producer | |
| Matthias Koenigswieser | Executive Producer | |
| Adam Silvestri | Executive Producer | |
| Nikki Pederson | Executive Producer | |
| Rooter Wareing | Executive Producer | |
| Romy Itzigsohn | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.