A Perfect Day (2015)
| Theatrical Performance | ||
| Domestic Box Office | $5,002 | Details |
| International Box Office | $4,006,302 | Details |
| Worldwide Box Office | $4,011,304 | |
| OpusData ID: 232650100 More info... | ||
| Further financial details... | ||
Synopsis
A group of aid workers tries to remove a cadaver from a well in an armed conflict zone. The body was thrown into the well to contaminate the water and cut the water supply to the local population.But circumstances soon turn a simple task into an impossible mission. The workers cross the frenzied war landscape like guinea pigs in a maze, and there might be no way out. A war inside another war, in which the only enemy could be irrationality. The crisis they’re trying to solve is humanitarian, but they’re only human. Humor, drama, tenderness, routine, danger, hope: it all fits into a perfect day.
Metrics
| Domestic Share: | 0.1% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $6,913 |
Movie Details
| Domestic Releases: | January 15th, 2016 (Limited) by IFC Films |
| International Releases: | August 28th, 2015 (Wide) (Spain)
October 22nd, 2015 (Wide) (Germany) October 30th, 2015 (Wide) (Austria) November 19th, 2015 (Wide) (Oman) November 19th, 2015 (Wide) (United Arab Emirates) ... Show all releases |
| Video Release: | May 17th, 2016 by Mpi Home Video |
| MPA Rating: | R for language including some sexual references. (Rating bulletin 2402 (Cert #50163), 12/2/2015) |
| Running Time: | 106 minutes |
| Plot point: | Child Soldier, Government Bureaucracy, Humanitarian Aid, Orphan, War |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Reposado, Mediapro |
| Production Countries: | Spain |
| Languages: | English, Croatian, Serbian, Spanish, French |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2016 | 73 | $2,501 | 2 | $1,251 | $5,002 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/10/2016 | $10,529 | 3 | 3 | 13 | $29,021 | 7/25/2016 | |||
| Austria | 10/30/2015 | $11,030 | 16 | 16 | 50 | $37,798 | 12/1/2015 | |||
| Belgium | 3/16/2016 | $19,047 | 17 | 17 | 17 | $19,047 | 6/9/2016 | |||
| Brazil | 7/22/2016 | $8,990 | 0 | 0 | 0 | $8,990 | 11/16/2018 | |||
| Bulgaria | 1/1/2016 | $5,401 | 16 | 16 | 53 | $16,108 | 12/31/2018 | |||
| France | 3/16/2016 | $168,671 | 82 | 82 | 82 | $168,671 | 4/4/2026 | |||
| Germany | 10/22/2015 | $108,041 | 81 | 81 | 151 | $281,422 | 11/17/2015 | |||
| Greece | 3/24/2016 | $13,563 | 6 | 6 | 6 | $13,563 | 6/9/2016 | |||
| Italy | 12/10/2015 | $90,983 | 17 | 69 | 295 | $961,870 | 6/9/2016 | |||
| Oman | 11/19/2015 | $439 | 1 | 1 | 1 | $438 | 12/30/2018 | |||
| Portugal | 6/10/2016 | $6,821 | 8 | 10 | 18 | $12,721 | 6/22/2016 | |||
| South Korea | 9/7/2017 | $0 | 0 | 76 | 99 | $67,172 | 12/14/2017 | |||
| Spain | 8/28/2015 | $475,145 | 268 | 268 | 1,237 | $2,366,265 | 6/9/2016 | |||
| Turkey | 3/18/2016 | $3,940 | 0 | 0 | 0 | $14,295 | 12/31/2018 | |||
| United Arab Emirates | 11/19/2015 | $8,920 | 10 | 10 | 10 | $8,921 | 12/30/2018 | |||
| International Total | $4,006,302 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Benicio del Toro | Mambru | |
| Tim Robbins | B | |
| Olga Kurylenko | Katya | |
| Melanie Thierry | Sophie | |
| Fedja Stukan | Damir |
Supporting
| Eldar Residovic | Nikola | |
| Sergi Lopez | Goyo | |
| Nenad Vukelic | Nikola's Grandfather | |
| Morten Suurballe | UN Official at the Briefing | |
| Ben Temple | UN Official's Assistant |
Production and Technical Credits
| Fernando León de Aranoa | Director | |
| Fernando León de Aranoa | Producer | |
| Jaume Roures | Producer | |
| Patricia de Muns | Executive Producer | |
| Javier Méndez | Executive Producer | |
| Fernando León de Aranoa | Screenwriter | |
| Diego Farias | Collaboration by | |
| Paula Farias | Based on the Novel "Dejarse Llover" by | |
| Alex Catalan | Director of Photography | |
| Luis Fernandez Lago | Line Producer | |
| Cesar Macarron | Production Designer | |
| Nacho Ruiz Capillas | Editor | |
| Arnau Bataller | Composer | |
| Ivan Marin | Sound Mixer | |
| Daniel Pena | Sound Mixer | |
| Alfonso Raposo | Sound Mixer | |
| Fernando Garcia | Costume Designer | |
| Caitlin Acheson | Make-up and Hair Designer | |
| Agathe Dupuis | Make-up and Hair Designer | |
| Ferran Piquer | Visual Effects Supervisor | |
| Ferran Piquer | Post-Production Supervisor | |
| Raul Romanillos | Special Effects Supervisor | |
| Ana Parra | Production Manager | |
| Antonio Ordonez | First Assistant Director | |
| Timka Grahic | Casting Director-Bosnia | |
| Camila Valentine Isola | Casting Director-Spain |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A group of aid workers tries to remove a cadaver from a well in an armed conflict zone. The body was thrown into the well to contaminate the water and cut the water supply to the local population.But circumstances soon turn a simple task into an impossible mission. The workers cross the frenzied war landscape like guinea pigs in a maze, and there might be no way out. A war inside another war, in which the only enemy could be irrationality. The crisis they’re trying to solve is humanitarian, but they’re only human. Humor, drama, tenderness, routine, danger, hope: it all fits into a perfect day.
Metrics
| Domestic Share: | 0.1% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $6,913 |
Movie Details
| Domestic Releases: | January 15th, 2016 (Limited) by IFC Films |
| International Releases: | August 28th, 2015 (Wide) (Spain)
October 22nd, 2015 (Wide) (Germany) October 30th, 2015 (Wide) (Austria) November 19th, 2015 (Wide) (Oman) November 19th, 2015 (Wide) (United Arab Emirates) ... Show all releases |
| Video Release: | May 17th, 2016 by Mpi Home Video |
| MPA Rating: | R for language including some sexual references. (Rating bulletin 2402 (Cert #50163), 12/2/2015) |
| Running Time: | 106 minutes |
| Plot point: | Child Soldier, Government Bureaucracy, Humanitarian Aid, Orphan, War |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Reposado, Mediapro |
| Production Countries: | Spain |
| Languages: | English, Croatian, Serbian, Spanish, French |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2016 | 73 | $2,501 | 2 | $1,251 | $5,002 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/10/2016 | $10,529 | 3 | 3 | 13 | $29,021 | 7/25/2016 | |||
| Austria | 10/30/2015 | $11,030 | 16 | 16 | 50 | $37,798 | 12/1/2015 | |||
| Belgium | 3/16/2016 | $19,047 | 17 | 17 | 17 | $19,047 | 6/9/2016 | |||
| Brazil | 7/22/2016 | $8,990 | 0 | 0 | 0 | $8,990 | 11/16/2018 | |||
| Bulgaria | 1/1/2016 | $5,401 | 16 | 16 | 53 | $16,108 | 12/31/2018 | |||
| France | 3/16/2016 | $168,671 | 82 | 82 | 82 | $168,671 | 4/4/2026 | |||
| Germany | 10/22/2015 | $108,041 | 81 | 81 | 151 | $281,422 | 11/17/2015 | |||
| Greece | 3/24/2016 | $13,563 | 6 | 6 | 6 | $13,563 | 6/9/2016 | |||
| Italy | 12/10/2015 | $90,983 | 17 | 69 | 295 | $961,870 | 6/9/2016 | |||
| Oman | 11/19/2015 | $439 | 1 | 1 | 1 | $438 | 12/30/2018 | |||
| Portugal | 6/10/2016 | $6,821 | 8 | 10 | 18 | $12,721 | 6/22/2016 | |||
| South Korea | 9/7/2017 | $0 | 0 | 76 | 99 | $67,172 | 12/14/2017 | |||
| Spain | 8/28/2015 | $475,145 | 268 | 268 | 1,237 | $2,366,265 | 6/9/2016 | |||
| Turkey | 3/18/2016 | $3,940 | 0 | 0 | 0 | $14,295 | 12/31/2018 | |||
| United Arab Emirates | 11/19/2015 | $8,920 | 10 | 10 | 10 | $8,921 | 12/30/2018 | |||
| International Total | $4,006,302 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Benicio del Toro | Mambru | |
| Tim Robbins | B | |
| Olga Kurylenko | Katya | |
| Melanie Thierry | Sophie | |
| Fedja Stukan | Damir |
Supporting
| Eldar Residovic | Nikola | |
| Sergi Lopez | Goyo | |
| Nenad Vukelic | Nikola's Grandfather | |
| Morten Suurballe | UN Official at the Briefing | |
| Ben Temple | UN Official's Assistant |
Production and Technical Credits
| Fernando León de Aranoa | Director | |
| Fernando León de Aranoa | Producer | |
| Jaume Roures | Producer | |
| Patricia de Muns | Executive Producer | |
| Javier Méndez | Executive Producer | |
| Fernando León de Aranoa | Screenwriter | |
| Diego Farias | Collaboration by | |
| Paula Farias | Based on the Novel "Dejarse Llover" by | |
| Alex Catalan | Director of Photography | |
| Luis Fernandez Lago | Line Producer | |
| Cesar Macarron | Production Designer | |
| Nacho Ruiz Capillas | Editor | |
| Arnau Bataller | Composer | |
| Ivan Marin | Sound Mixer | |
| Daniel Pena | Sound Mixer | |
| Alfonso Raposo | Sound Mixer | |
| Fernando Garcia | Costume Designer | |
| Caitlin Acheson | Make-up and Hair Designer | |
| Agathe Dupuis | Make-up and Hair Designer | |
| Ferran Piquer | Visual Effects Supervisor | |
| Ferran Piquer | Post-Production Supervisor | |
| Raul Romanillos | Special Effects Supervisor | |
| Ana Parra | Production Manager | |
| Antonio Ordonez | First Assistant Director | |
| Timka Grahic | Casting Director-Bosnia | |
| Camila Valentine Isola | Casting Director-Spain |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.