The Phantom (1996)
| Theatrical Performance | ||
| Domestic Box Office | $17,220,599 | Details |
| OpusData ID: 27820100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $5,072,346 (29.5% of total gross) |
| Legs: | 3.39 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2,159 opening theaters/2,163 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $44,064,473 |
Movie Details
| Domestic Releases: | June 7th, 1996 (Wide) by Paramount Pictures |
| Video Release: | June 10th, 1997 by Lionsgate Home Entertainment |
| MPA Rating: | PG for action/adventure violence and some mild language |
| Running Time: | 100 minutes |
| Cast, crew, or production detail: | Prologue |
| Geographical setting: | New York, New York City |
| Plot point: | Comic Strip, Father’s Footsteps |
| Social setting: | Film Noir |
| Subgenre: | Action Adventure |
| Target audience: | Cult Movie |
| Time period setting: | 1700s, 1930s |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Paramount Pictures, Robert Evans, Alan Ladd, Jr., Village Roadshow Productions |
| Production Countries: | United States, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 1996 | 6 | $5,072,346 | 2,159 | $2,349 | $5,072,346 | 1 | |
| Jun 14, 1996 | 7 | $3,077,357 | -39% | 2,163 | $1,423 | $10,172,361 | 2 |
| Jun 21, 1996 | 9 | $1,584,773 | -49% | 1,964 | $807 | $13,473,940 | 3 |
| Jun 28, 1996 | 11 | $855,662 | -46% | 1,580 | $542 | $15,259,023 | 4 |
| Jul 5, 1996 | 16 | $506,320 | -41% | 809 | $626 | $16,003,247 | 5 |
| Jul 12, 1996 | 17 | $274,355 | -46% | 421 | $652 | $16,424,052 | 6 |
| Jul 19, 1996 | 37 | $72,641 | -74% | 289 | $251 | $16,621,603 | 7 |
| Aug 16, 1996 | 27 | $273,869 | 546 | $502 | $16,973,641 | 11 | |
| Aug 23, 1996 | 43 | $79,958 | -71% | 270 | $296 | $17,220,599 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 1996 | 6 | $7,095,004 | 2,159 | $3,286 | $7,095,004 | 1 | |
| Jun 14, 1996 | 7 | $4,794,163 | -32% | 2,163 | $2,216 | $11,889,167 | 2 |
| Jun 21, 1996 | 9 | $2,514,194 | -48% | 1,964 | $1,280 | $14,403,361 | 3 |
| Jun 28, 1996 | 11 | $1,093,566 | -57% | 1,580 | $692 | $15,496,927 | 4 |
| Jul 5, 1996 | 16 | $652,770 | -40% | 809 | $807 | $16,149,697 | 5 |
| Jul 12, 1996 | 18 | $399,265 | -39% | 421 | $948 | $16,548,962 | 6 |
| Aug 16, 1996 | 28 | $440,869 | 546 | $807 | $17,140,641 | 11 |
Leading
| Billy Zane | The Phantom |
Supporting
| Treat Williams | Xander Drax | |
| Kristy Swanson | Diana Palmer | |
| Catherine Zeta-Jones | Sala | |
| James Remar | Quill | |
| Patrick McGoohan | Phantom’s Dad | |
| Bill Smitrovich | Uncle Dave | |
| Cary-Hiroyuki Tagawa | The Great Kabai Sengh | |
| Casey Siemaszko | Morgan | |
| David Proval | Charlie Zephro |
Production and Technical Credits
| Simon Wincer | Director | |
| Robert Evans | Producer | |
| Alan Ladd, Jr. | Producer | |
| Jeffrey Boam | Screenwriter | |
| Richard Vane | Executive Producer | |
| Joe Dante | Executive Producer | |
| Jeffrey Boam | Co-Producer | |
| Graham Burke | Executive Producer | |
| Greg Coote | Executive Producer | |
| Peter Sjoquist | Executive Producer | |
| Bruce Sherlock | Executive Producer | |
| David Burr | Director of Photography | |
| Paul Peters | Production Designer | |
| O. Nicholas Brown | Editor | |
| David Newman | Composer | |
| Tim Chau | Supervising Sound Editor | |
| Nilo Otero | Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $5,072,346 (29.5% of total gross) |
| Legs: | 3.39 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2,159 opening theaters/2,163 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $44,064,473 |
Movie Details
| Domestic Releases: | June 7th, 1996 (Wide) by Paramount Pictures |
| Video Release: | June 10th, 1997 by Lionsgate Home Entertainment |
| MPA Rating: | PG for action/adventure violence and some mild language |
| Running Time: | 100 minutes |
| Cast, crew, or production detail: | Prologue |
| Geographical setting: | New York, New York City |
| Plot point: | Comic Strip, Father’s Footsteps |
| Social setting: | Film Noir |
| Subgenre: | Action Adventure |
| Target audience: | Cult Movie |
| Time period setting: | 1700s, 1930s |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Paramount Pictures, Robert Evans, Alan Ladd, Jr., Village Roadshow Productions |
| Production Countries: | United States, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 1996 | 6 | $5,072,346 | 2,159 | $2,349 | $5,072,346 | 1 | |
| Jun 14, 1996 | 7 | $3,077,357 | -39% | 2,163 | $1,423 | $10,172,361 | 2 |
| Jun 21, 1996 | 9 | $1,584,773 | -49% | 1,964 | $807 | $13,473,940 | 3 |
| Jun 28, 1996 | 11 | $855,662 | -46% | 1,580 | $542 | $15,259,023 | 4 |
| Jul 5, 1996 | 16 | $506,320 | -41% | 809 | $626 | $16,003,247 | 5 |
| Jul 12, 1996 | 17 | $274,355 | -46% | 421 | $652 | $16,424,052 | 6 |
| Jul 19, 1996 | 37 | $72,641 | -74% | 289 | $251 | $16,621,603 | 7 |
| Aug 16, 1996 | 27 | $273,869 | 546 | $502 | $16,973,641 | 11 | |
| Aug 23, 1996 | 43 | $79,958 | -71% | 270 | $296 | $17,220,599 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 1996 | 6 | $7,095,004 | 2,159 | $3,286 | $7,095,004 | 1 | |
| Jun 14, 1996 | 7 | $4,794,163 | -32% | 2,163 | $2,216 | $11,889,167 | 2 |
| Jun 21, 1996 | 9 | $2,514,194 | -48% | 1,964 | $1,280 | $14,403,361 | 3 |
| Jun 28, 1996 | 11 | $1,093,566 | -57% | 1,580 | $692 | $15,496,927 | 4 |
| Jul 5, 1996 | 16 | $652,770 | -40% | 809 | $807 | $16,149,697 | 5 |
| Jul 12, 1996 | 18 | $399,265 | -39% | 421 | $948 | $16,548,962 | 6 |
| Aug 16, 1996 | 28 | $440,869 | 546 | $807 | $17,140,641 | 11 |
Leading
| Billy Zane | The Phantom |
Supporting
| Treat Williams | Xander Drax | |
| Kristy Swanson | Diana Palmer | |
| Catherine Zeta-Jones | Sala | |
| James Remar | Quill | |
| Patrick McGoohan | Phantom’s Dad | |
| Bill Smitrovich | Uncle Dave | |
| Cary-Hiroyuki Tagawa | The Great Kabai Sengh | |
| Casey Siemaszko | Morgan | |
| David Proval | Charlie Zephro |
Production and Technical Credits
| Simon Wincer | Director | |
| Robert Evans | Producer | |
| Alan Ladd, Jr. | Producer | |
| Jeffrey Boam | Screenwriter | |
| Richard Vane | Executive Producer | |
| Joe Dante | Executive Producer | |
| Jeffrey Boam | Co-Producer | |
| Graham Burke | Executive Producer | |
| Greg Coote | Executive Producer | |
| Peter Sjoquist | Executive Producer | |
| Bruce Sherlock | Executive Producer | |
| David Burr | Director of Photography | |
| Paul Peters | Production Designer | |
| O. Nicholas Brown | Editor | |
| David Newman | Composer | |
| Tim Chau | Supervising Sound Editor | |
| Nilo Otero | Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.