Phantoms (1998)
| Theatrical Performance | ||
| Domestic Box Office | $5,755,333 | Details |
| OpusData ID: 45040100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,065,951 (53.3% of total gross) |
| Legs: | 1.88 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,859 opening theaters/1,859 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,879,055 |
Movie Details
| Domestic Releases: | January 23rd, 1998 (Wide) by Miramax |
| Video Release: | August 19th, 1998 by Dimension Home |
| MPA Rating: | R for sci-fi violence/gore and language |
| Running Time: | 91 minutes |
| Plot point: | FBI, Research Scientist, Shapeshifter, Surprise Twist, Writing and Writers |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Nature Horror |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 1998 | 9 | $3,065,951 | 1,859 | $1,649 | $3,065,951 | 1 | |
| Jan 30, 1998 | 15 | $1,122,168 | -63% | 1,853 | $606 | $5,085,563 | 2 |
| Feb 6, 1998 | 38 | $160,767 | -86% | 502 | $320 | $5,573,904 | 3 |
| Feb 13, 1998 | 60 | $33,088 | -79% | 67 | $494 | $5,657,370 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 23, 1998 | 9 | $735,000 | 1,859 | $395 | $735,000 | 1 | |
| Jan 24, 1998 | 8 | $1,505,000 | +105% | 1,859 | $810 | $2,240,000 | 2 |
| Jan 25, 1998 | 8 | $596,000 | -60% | 1,859 | $321 | $3,066,000 | 3 |
| Jan 26, 1998 | 8 | $271,615 | -54% | 1,859 | $146 | $3,337,566 | 4 |
| Jan 27, 1998 | 10 | $248,660 | -8% | 1,859 | $134 | $3,586,826 | 5 |
| Jan 28, 1998 | 10 | $207,040 | -17% | 1,859 | $111 | $3,793,866 | 6 |
| Jan 29, 1998 | 10 | $206,163 | n/c | 1,859 | $111 | $4,000,029 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 1998 | 9 | $3,963,395 | 1,859 | $2,132 | $3,963,395 | 1 | |
| Jan 30, 1998 | 15 | $1,449,742 | -63% | 1,853 | $782 | $5,413,137 | 2 |
| Feb 6, 1998 | 36 | $211,145 | -85% | 502 | $421 | $5,624,282 | 3 |
| Joanna Going | Jenny | |
| Nicky Katt | Deputy Steve Shanning | |
| Pons Maar | Puppeteer | |
| Rose McGowan | Lisa | |
| Peter O'Toole | Timothy Flyte | |
| Liev Schreiber | Deputy Stuart 'Stu' Wargle | |
| Edmund Wyson | Corporal Guthrie |
Leading
| Ben Affleck | Bryce Hammond |
Production and Technical Credits
| Joe Chappelle | Director | |
| Dean Koontz | Screenwriter | |
| Dean Koontz | Story Creator | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Charles Maynes | Sound Effects Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,065,951 (53.3% of total gross) |
| Legs: | 1.88 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,859 opening theaters/1,859 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,879,055 |
Movie Details
| Domestic Releases: | January 23rd, 1998 (Wide) by Miramax |
| Video Release: | August 19th, 1998 by Dimension Home |
| MPA Rating: | R for sci-fi violence/gore and language |
| Running Time: | 91 minutes |
| Plot point: | FBI, Research Scientist, Shapeshifter, Surprise Twist, Writing and Writers |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Nature Horror |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 1998 | 9 | $3,065,951 | 1,859 | $1,649 | $3,065,951 | 1 | |
| Jan 30, 1998 | 15 | $1,122,168 | -63% | 1,853 | $606 | $5,085,563 | 2 |
| Feb 6, 1998 | 38 | $160,767 | -86% | 502 | $320 | $5,573,904 | 3 |
| Feb 13, 1998 | 60 | $33,088 | -79% | 67 | $494 | $5,657,370 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 23, 1998 | 9 | $735,000 | 1,859 | $395 | $735,000 | 1 | |
| Jan 24, 1998 | 8 | $1,505,000 | +105% | 1,859 | $810 | $2,240,000 | 2 |
| Jan 25, 1998 | 8 | $596,000 | -60% | 1,859 | $321 | $3,066,000 | 3 |
| Jan 26, 1998 | 8 | $271,615 | -54% | 1,859 | $146 | $3,337,566 | 4 |
| Jan 27, 1998 | 10 | $248,660 | -8% | 1,859 | $134 | $3,586,826 | 5 |
| Jan 28, 1998 | 10 | $207,040 | -17% | 1,859 | $111 | $3,793,866 | 6 |
| Jan 29, 1998 | 10 | $206,163 | n/c | 1,859 | $111 | $4,000,029 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 1998 | 9 | $3,963,395 | 1,859 | $2,132 | $3,963,395 | 1 | |
| Jan 30, 1998 | 15 | $1,449,742 | -63% | 1,853 | $782 | $5,413,137 | 2 |
| Feb 6, 1998 | 36 | $211,145 | -85% | 502 | $421 | $5,624,282 | 3 |
| Joanna Going | Jenny | |
| Nicky Katt | Deputy Steve Shanning | |
| Pons Maar | Puppeteer | |
| Rose McGowan | Lisa | |
| Peter O'Toole | Timothy Flyte | |
| Liev Schreiber | Deputy Stuart 'Stu' Wargle | |
| Edmund Wyson | Corporal Guthrie |
Leading
| Ben Affleck | Bryce Hammond |
Production and Technical Credits
| Joe Chappelle | Director | |
| Dean Koontz | Screenwriter | |
| Dean Koontz | Story Creator | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Charles Maynes | Sound Effects Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.