Phoenix (1998)
| Theatrical Performance | ||
| Domestic Box Office | $5,000 | Details |
| OpusData ID: 99680100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $12,056 |
Movie Details
| Domestic Releases: | September 4th, 1998 (Wide) by Trimark |
| MPA Rating: | R for strong violence, language and sexuality. |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Jeremy Piven | Fred Shuster | |
| Anthony LaPaglia | Mike | |
| Anjelica Huston | Leila | |
| Brittany Murphy | Veronica | |
| Brad Dourif | Reiger | |
| Ray Liotta | Harry Collins | |
| Daniel Baldwin | James Nutter | |
| Xander Berkeley | Lt. Clyde Webber | |
| Giancarlo Esposito | Louie | |
| Giovanni Ribisi | Joey Schneider | |
| Tom Noonan | Chicago | |
| William Sanderson | Miro |
Production and Technical Credits
| Graeme Revell | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $12,056 |
Movie Details
| Domestic Releases: | September 4th, 1998 (Wide) by Trimark |
| MPA Rating: | R for strong violence, language and sexuality. |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Jeremy Piven | Fred Shuster | |
| Anthony LaPaglia | Mike | |
| Anjelica Huston | Leila | |
| Brittany Murphy | Veronica | |
| Brad Dourif | Reiger | |
| Ray Liotta | Harry Collins | |
| Daniel Baldwin | James Nutter | |
| Xander Berkeley | Lt. Clyde Webber | |
| Giancarlo Esposito | Louie | |
| Giovanni Ribisi | Joey Schneider | |
| Tom Noonan | Chicago | |
| William Sanderson | Miro |
Production and Technical Credits
| Graeme Revell | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.