Phoenix, Oregon (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $41,111 | Details |
| OpusData ID: 406990100 More info... | ||
| Further financial details... | ||
Synopsis
Defying midlife haze, two friends seize an unlikely opportunity to reinvent their lives, quitting their jobs to restore an old bowling alley and serve the “world’s greatest pizza.” The film takes a comedic look at the existential crisis many face when trying to find meaning and relevancy at midlife. Despite controlling bosses, dead-end jobs, and broken relationships, the two leads must awaken hibernating courage and resilience in order to take new risks and keep dreams alive.
Metrics
| Opening Weekend: | $1,350 (3.3% of total gross) |
| Legs: | 3.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/33 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $53,617 |
Movie Details
| Domestic Releases: | April 26th, 2019 (Limited) by Joma Films March 20th, 2020 (Virtual) by Aspiration Media |
| Video Release: | June 1st, 2020 by Aspiration |
| MPA Rating: | R for language. (Rating bulletin 2575 (Cert #52166), 4/24/2019) |
| Running Time: | 108 minutes |
| Geographical setting: | Oregon |
| Plot point: | Bowling, Food, Mid-Life Crisis, Restaurants |
| Social setting: | Life in a Small Town |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Joma Films, Pied Piper Productions, Sunset Dynamics, Lui-G Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2019 | 86 | $1,350 | 2 | $675 | $1,350 | 1 | |
| May 3, 2019 | 85 | $985 | -27% | 1 | $985 | $4,339 | 2 |
| May 10, 2019 | 90 | $266 | -73% | 5 | $53 | $5,418 | 3 |
| May 17, 2019 | 75 | $2,359 | +787% | 5 | $472 | $11,040 | 3 |
| May 24, 2019 | 81 | $1,548 | -34% | 1 | $1,548 | $13,236 | 4 |
| May 31, 2019 | 89 | $665 | -57% | 1 | $665 | $14,474 | 5 |
| Jun 7, 2019 | 86 | $429 | -35% | 1 | $429 | $15,338 | 6 |
| Jun 14, 2019 | 72 | $1,286 | +200% | 6 | $214 | $17,278 | 7 |
| Mar 20, 2020 | - | $3,842 | 17 | $226 | $22,198 | 48 | |
| Mar 27, 2020 | 3 | $1,632 | -58% | 25 | $65 | $25,143 | 49 |
| Apr 3, 2020 | - | $2,903 | +78% | 27 | $108 | $28,670 | 50 |
| Apr 10, 2020 | - | $11,489 | +296% | 33 | $348 | $41,111 | 51 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2019 | 80 | $3,354 | 2 | $1,677 | $3,354 | 1 | |
| May 3, 2019 | 85 | $1,798 | -46% | 1 | $1,798 | $5,152 | 1 |
| May 10, 2019 | 75 | $3,529 | +96% | 5 | $706 | $8,681 | 2 |
| May 17, 2019 | 80 | $3,007 | -15% | 1 | $3,007 | $11,688 | 3 |
| May 24, 2019 | 86 | $2,121 | -29% | 1 | $2,121 | $13,809 | 4 |
| May 31, 2019 | 89 | $1,100 | -48% | 1 | $1,100 | $14,909 | 5 |
| Jun 7, 2019 | - | $1,083 | -2% | 2 | $542 | $15,992 | 6 |
| Jun 14, 2019 | - | $2,364 | +118% | 6 | $394 | $18,356 | 7 |
| Mar 20, 2020 | 3 | $5,155 | 17 | $303 | $23,511 | 48 | |
| Mar 27, 2020 | 4 | $2,256 | -56% | 25 | $90 | $25,767 | 49 |
| Apr 3, 2020 | 3 | $3,855 | +71% | 27 | $143 | $29,622 | 50 |
Lead Ensemble Member
| James LeGros | Bobby | |
| Jesse Borrego | Carlos | |
| Lisa Edelstein | Tanya | |
| Reynaldo Gallegos | Mario | |
| Kevin Corrigan | Al | |
| Diedrich Bader | Kyle |
Production and Technical Credits
| Gary Lundgren | Director | |
| Gary Lundgren | Screenwriter | |
| Anne Lundgren | Producer | |
| Luis Rodriguez | Producer | |
| Gary Lundgren | Editor | |
| Patrick Neary | Cinematographer | |
| John Morgan Askew | Composer | |
| John Morgan Askew | Song Writer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Defying midlife haze, two friends seize an unlikely opportunity to reinvent their lives, quitting their jobs to restore an old bowling alley and serve the “world’s greatest pizza.” The film takes a comedic look at the existential crisis many face when trying to find meaning and relevancy at midlife. Despite controlling bosses, dead-end jobs, and broken relationships, the two leads must awaken hibernating courage and resilience in order to take new risks and keep dreams alive.
Metrics
| Opening Weekend: | $1,350 (3.3% of total gross) |
| Legs: | 3.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/33 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $53,617 |
Movie Details
| Domestic Releases: | April 26th, 2019 (Limited) by Joma Films March 20th, 2020 (Virtual) by Aspiration Media |
| Video Release: | June 1st, 2020 by Aspiration |
| MPA Rating: | R for language. (Rating bulletin 2575 (Cert #52166), 4/24/2019) |
| Running Time: | 108 minutes |
| Geographical setting: | Oregon |
| Plot point: | Bowling, Food, Mid-Life Crisis, Restaurants |
| Social setting: | Life in a Small Town |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Joma Films, Pied Piper Productions, Sunset Dynamics, Lui-G Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2019 | 86 | $1,350 | 2 | $675 | $1,350 | 1 | |
| May 3, 2019 | 85 | $985 | -27% | 1 | $985 | $4,339 | 2 |
| May 10, 2019 | 90 | $266 | -73% | 5 | $53 | $5,418 | 3 |
| May 17, 2019 | 75 | $2,359 | +787% | 5 | $472 | $11,040 | 3 |
| May 24, 2019 | 81 | $1,548 | -34% | 1 | $1,548 | $13,236 | 4 |
| May 31, 2019 | 89 | $665 | -57% | 1 | $665 | $14,474 | 5 |
| Jun 7, 2019 | 86 | $429 | -35% | 1 | $429 | $15,338 | 6 |
| Jun 14, 2019 | 72 | $1,286 | +200% | 6 | $214 | $17,278 | 7 |
| Mar 20, 2020 | - | $3,842 | 17 | $226 | $22,198 | 48 | |
| Mar 27, 2020 | 3 | $1,632 | -58% | 25 | $65 | $25,143 | 49 |
| Apr 3, 2020 | - | $2,903 | +78% | 27 | $108 | $28,670 | 50 |
| Apr 10, 2020 | - | $11,489 | +296% | 33 | $348 | $41,111 | 51 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2019 | 80 | $3,354 | 2 | $1,677 | $3,354 | 1 | |
| May 3, 2019 | 85 | $1,798 | -46% | 1 | $1,798 | $5,152 | 1 |
| May 10, 2019 | 75 | $3,529 | +96% | 5 | $706 | $8,681 | 2 |
| May 17, 2019 | 80 | $3,007 | -15% | 1 | $3,007 | $11,688 | 3 |
| May 24, 2019 | 86 | $2,121 | -29% | 1 | $2,121 | $13,809 | 4 |
| May 31, 2019 | 89 | $1,100 | -48% | 1 | $1,100 | $14,909 | 5 |
| Jun 7, 2019 | - | $1,083 | -2% | 2 | $542 | $15,992 | 6 |
| Jun 14, 2019 | - | $2,364 | +118% | 6 | $394 | $18,356 | 7 |
| Mar 20, 2020 | 3 | $5,155 | 17 | $303 | $23,511 | 48 | |
| Mar 27, 2020 | 4 | $2,256 | -56% | 25 | $90 | $25,767 | 49 |
| Apr 3, 2020 | 3 | $3,855 | +71% | 27 | $143 | $29,622 | 50 |
Lead Ensemble Member
| James LeGros | Bobby | |
| Jesse Borrego | Carlos | |
| Lisa Edelstein | Tanya | |
| Reynaldo Gallegos | Mario | |
| Kevin Corrigan | Al | |
| Diedrich Bader | Kyle |
Production and Technical Credits
| Gary Lundgren | Director | |
| Gary Lundgren | Screenwriter | |
| Anne Lundgren | Producer | |
| Luis Rodriguez | Producer | |
| Gary Lundgren | Editor | |
| Patrick Neary | Cinematographer | |
| John Morgan Askew | Composer | |
| John Morgan Askew | Song Writer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.