The Photograph (2020)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $20,578,185 | Details |
| International Box Office | $126,196 | Details |
| Worldwide Box Office | $20,704,381 | |
| OpusData ID: 393830100 More info... | ||
| Further financial details... | ||
Synopsis
When famed photographer Christina Eames unexpectedly dies, she leaves her estranged daughter Mae Morton hurt, angry and full of questions. When a photograph tucked away in a safe-deposit box is found, Mae finds herself on a journey delving into her mother’s early life and ignites a powerful, unexpected romance with a rising-star journalist, Michael Block.
Metrics
| Opening Weekend: | $12,181,865 (59.2% of total gross) |
| Legs: | 1.69 (domestic box office/biggest weekend) |
| Domestic Share: | 99.4% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 1.4 times production budget) |
| Theater counts: | 2,516 opening theaters/2,516 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $26,809,919 |
Movie Details
| Domestic Releases: | February 14th, 2020 (Wide) by Universal |
| International Releases: | February 14th, 2020 (Wide) (Trinidad)
February 14th, 2020 (Wide) (Central America) March 6th, 2020 (Wide) (United Kingdom) July 24th, 2020 (Wide), released as Retrato de un amor (Spain) September 10th, 2020 (Wide) (Germany) ... Show all releases |
| Video Release: | April 28th, 2020 by Universal Home Entertainment |
| MPA Rating: | PG-13 for sexuality and brief strong language. (Rating bulletin 2601 (Cert #52446), 10/23/2019) |
| Running Time: | 106 minutes |
| Cast, crew, or production detail: | F-Rated |
| Plot point: | Adult Child Dealing with the Death of a Parent, Dysfunctional Family, Non-Chronological, Photography, Romance |
| Subgenre: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Will Packer Productions, Universal Pictures, Perfect World Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 4 | $12,181,865 | 2,516 | $4,842 | $12,181,865 | 1 | |
| Feb 21, 2020 | 10 | $2,785,655 | -77% | 2,516 | $1,107 | $17,630,295 | 2 |
| Feb 28, 2020 | 16 | $1,053,060 | -62% | 1,449 | $727 | $19,630,815 | 3 |
| Mar 6, 2020 | 20 | $343,005 | -67% | 382 | $898 | $20,357,055 | 4 |
| Mar 13, 2020 | 21 | $85,870 | -75% | 198 | $434 | $20,570,190 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 13, 2020 | P | $650,000 | 2,250 | $289 | $650,000 | |||
| Feb 14, 2020 | 2 | $6,287,485 | 2,516 | $2,499 | $6,287,485 | 1 | ||
| Feb 15, 2020 | 5 | $3,731,360 | -41% | 2,516 | $1,483 | $10,018,845 | 2 | |
| Feb 16, 2020 | 6 | $2,163,020 | -42% | 2,516 | $860 | $12,181,865 | 3 | |
| Feb 17, 2020 | 8 | $1,068,160 | -51% | 2,516 | $425 | $13,250,025 | 4 | |
| Feb 18, 2020 | 5 | $829,805 | -22% | 2,516 | $330 | $14,079,830 | 5 | |
| Feb 19, 2020 | 7 | $399,940 | -52% | 2,516 | $159 | $14,479,770 | 6 | |
| Feb 20, 2020 | 7 | $364,870 | -9% | 2,516 | $145 | $14,844,640 | 7 | |
| Feb 21, 2020 | 9 | $870,375 | +139% | -86% | 2,516 | $346 | $15,715,015 | 8 |
| Feb 22, 2020 | 10 | $1,213,010 | +39% | -67% | 2,516 | $482 | $16,928,025 | 9 |
| Feb 23, 2020 | 10 | $702,270 | -42% | -68% | 2,516 | $279 | $17,630,295 | 10 |
| Feb 24, 2020 | 9 | $207,110 | -71% | -81% | 2,516 | $82 | $17,837,405 | 11 |
| Feb 25, 2020 | 9 | $370,345 | +79% | -55% | 2,516 | $147 | $18,207,750 | 12 |
| Feb 26, 2020 | 10 | $189,790 | -49% | -53% | 2,516 | $75 | $18,397,540 | 13 |
| Feb 27, 2020 | 10 | $180,215 | -5% | -51% | 2,516 | $72 | $18,577,755 | 14 |
| Feb 28, 2020 | 15 | $297,600 | +65% | -66% | 1,449 | $205 | $18,875,355 | 15 |
| Feb 29, 2020 | 15 | $480,865 | +62% | -60% | 1,449 | $332 | $19,356,220 | 16 |
| Mar 1, 2020 | - | $274,595 | -43% | -61% | 1,449 | $190 | $19,630,815 | 17 |
| Mar 2, 2020 | - | $86,190 | -69% | -58% | 1,449 | $59 | $19,717,005 | 18 |
| Mar 3, 2020 | 15 | $143,050 | +66% | -61% | 1,449 | $99 | $19,860,055 | 19 |
| Mar 4, 2020 | - | $79,245 | -45% | -58% | 1,449 | $55 | $19,939,300 | 20 |
| Mar 5, 2020 | - | $74,750 | -6% | -59% | 1,449 | $52 | $20,014,050 | 21 |
| Mar 6, 2020 | - | $93,330 | +25% | -69% | 382 | $244 | $20,107,380 | 22 |
| Mar 7, 2020 | - | $162,270 | +74% | -66% | 382 | $425 | $20,269,650 | 23 |
| Mar 8, 2020 | - | $87,405 | -46% | -68% | 382 | $229 | $20,357,055 | 24 |
| Mar 9, 2020 | - | $30,955 | -65% | -64% | 382 | $81 | $20,388,010 | 25 |
| Mar 10, 2020 | - | $47,035 | +52% | -67% | 382 | $123 | $20,435,045 | 26 |
| Mar 11, 2020 | - | $27,090 | -42% | -66% | 382 | $71 | $20,462,135 | 27 |
| Mar 12, 2020 | - | $22,185 | -18% | -70% | 382 | $58 | $20,484,320 | 28 |
| Mar 13, 2020 | - | $23,760 | +7% | -75% | 198 | $120 | $20,508,080 | 29 |
| Mar 14, 2020 | - | $39,585 | +67% | -76% | 198 | $200 | $20,547,665 | 30 |
| Mar 15, 2020 | - | $22,525 | -43% | -74% | 198 | $114 | $20,570,190 | 31 |
| Mar 16, 2020 | - | $6,395 | -72% | -79% | 198 | $32 | $20,576,585 | 32 |
| Mar 17, 2020 | - | $1,180 | -82% | -97% | 198 | $6 | $20,577,765 | 33 |
| Mar 18, 2020 | - | $310 | -74% | -99% | 198 | $2 | $20,578,075 | 34 |
| Mar 19, 2020 | - | $110 | -65% | -100% | 198 | $1 | $20,578,185 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 5 | $14,844,640 | 2,516 | $5,900 | $14,844,640 | 1 | |
| Feb 21, 2020 | 9 | $3,733,115 | -75% | 2,516 | $1,484 | $18,577,755 | 2 |
| Feb 28, 2020 | 16 | $1,436,295 | -62% | 1,449 | $991 | $20,014,050 | 3 |
| Mar 6, 2020 | 20 | $470,270 | -67% | 382 | $1,231 | $20,484,320 | 4 |
| Mar 13, 2020 | 17 | $93,865 | -80% | 198 | $474 | $20,578,185 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Central America | 2/14/2020 | $19,000 | 13 | 13 | 13 | $19,000 | 2/23/2020 | |||
| Spain | 7/24/2020 | $19,616 | 170 | 170 | 271 | $37,712 | 8/7/2020 | |||
| Trinidad | 2/14/2020 | $31,000 | 17 | 17 | 17 | $31,000 | 2/23/2020 | |||
| United Kingdom | 3/6/2020 | $38,484 | 170 | 170 | 170 | $38,484 | 3/11/2020 | |||
| International Total | $126,196 | 8/7/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Issa Rae | Mae | |
| Lakeith Lee Stanfield | Michael Block |
Supporting
| Lil Rel Howery | Kyle | |
| Rob Morgan | Isaac Jefferson | |
| Courtney B. Vance | Louis Morton | |
| Chante Adams | Chistina | |
| Y'Lan Noel | Young Isaac Jefferson | |
| Kelvin Harrison Jr | Andy Morrison | |
| Teyonah Parris | Asia | |
| Kingsley Ben-Adir | Harper Marks | |
| Chelsea Peretti | Sara Rodgers | |
| Jasmine Cephas-Jones | Rachel Miller | |
| Maxwell Whittington-Cooper | Peter Thomas | |
| Dakota Paradise | 4-Year Old Mae | |
| Rylee Gabrielle King | Sandrine | |
| Phoenix Noelle King | Sofia | |
| Marsha Stephanie Blake | Violet Eames | |
| Wakeema Hollis | Denise Holness | |
| Christopher Cassarino | Billy Wasko | |
| Roy Jackson, Jr. | Man |
Production and Technical Credits
| Stella Meghie | Director | |
| Stella Meghie | Screenwriter | |
| Will Packer | Producer | |
| James Lopez | Producer | |
| Stella Meghie | Executive Producer | |
| Erika Hampson | Executive Producer | |
| Mark Schwarzbard | Director of Photography | |
| Loren Weeks | Production Designer | |
| Shannon Baker Davis* | Editor | |
| Keri Langerman | Costume Designer | |
| Robert Glasper | Composer | |
| Mary Vernieu | Casting Director | |
| Michelle Wade Byrd | Casting Director | |
| Erika Hampson | Unit Production Manager | |
| Leslie Gyson | Unit Production Manager | |
| Mark Anthony Little | First Assistant Director | |
| Jakub Porembski | Second Assistant Director | |
| Heather Washington | Co-Producer | |
| Geoffrey Ehrlich | Art Director | |
| Jennifer Greenberg | Set Decorator | |
| Allison Jackson | Sound Mixer | |
| Eugene Hitt | Special Effects Coordinator | |
| Michelle Winters | Costume Supervisor | |
| Margie Durand | Make up | |
| Natalie Young | Make up | |
| Brian B. Badie | Hairstylist | |
| Tarsha Marshall | Hairstylist | |
| Shayla Cowan | Associate Producer | |
| Kim Delise | Script Supervisor | |
| Chris Menges | Location Manager | |
| Jolian Blevins | Production Supervisor | |
| Jenny Davidoff | First Assistant Editor | |
| Michael Barry | Supervising Sound Editor | |
| Paul Hsu | Sound Designer | |
| Steven Visscher | Foley Editor | |
| Branka Mrkic-Tana | Dialogue Editor | |
| Ryan Collison | Foley Mixer | |
| Gavin Hecker | Foley Mixer | |
| George Lara | Foley Mixer | |
| Michael Barry | Re-recording Mixer | |
| Kate Bilinski | Re-recording Mixer | |
| Nancy Allen | Music Editor | |
| Greg Radcliffe | Visual Effects Supervisor | |
| Vivian Connolly | Visual Effects Executive Producer | |
| Renuka Ballal | Visual Effects Producer | |
| Chris Cenatiempo | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When famed photographer Christina Eames unexpectedly dies, she leaves her estranged daughter Mae Morton hurt, angry and full of questions. When a photograph tucked away in a safe-deposit box is found, Mae finds herself on a journey delving into her mother’s early life and ignites a powerful, unexpected romance with a rising-star journalist, Michael Block.
Metrics
| Opening Weekend: | $12,181,865 (59.2% of total gross) |
| Legs: | 1.69 (domestic box office/biggest weekend) |
| Domestic Share: | 99.4% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 1.4 times production budget) |
| Theater counts: | 2,516 opening theaters/2,516 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $26,809,919 |
Movie Details
| Domestic Releases: | February 14th, 2020 (Wide) by Universal |
| International Releases: | February 14th, 2020 (Wide) (Trinidad)
February 14th, 2020 (Wide) (Central America) March 6th, 2020 (Wide) (United Kingdom) July 24th, 2020 (Wide), released as Retrato de un amor (Spain) September 10th, 2020 (Wide) (Germany) ... Show all releases |
| Video Release: | April 28th, 2020 by Universal Home Entertainment |
| MPA Rating: | PG-13 for sexuality and brief strong language. (Rating bulletin 2601 (Cert #52446), 10/23/2019) |
| Running Time: | 106 minutes |
| Cast, crew, or production detail: | F-Rated |
| Plot point: | Adult Child Dealing with the Death of a Parent, Dysfunctional Family, Non-Chronological, Photography, Romance |
| Subgenre: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Will Packer Productions, Universal Pictures, Perfect World Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 4 | $12,181,865 | 2,516 | $4,842 | $12,181,865 | 1 | |
| Feb 21, 2020 | 10 | $2,785,655 | -77% | 2,516 | $1,107 | $17,630,295 | 2 |
| Feb 28, 2020 | 16 | $1,053,060 | -62% | 1,449 | $727 | $19,630,815 | 3 |
| Mar 6, 2020 | 20 | $343,005 | -67% | 382 | $898 | $20,357,055 | 4 |
| Mar 13, 2020 | 21 | $85,870 | -75% | 198 | $434 | $20,570,190 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 13, 2020 | P | $650,000 | 2,250 | $289 | $650,000 | |||
| Feb 14, 2020 | 2 | $6,287,485 | 2,516 | $2,499 | $6,287,485 | 1 | ||
| Feb 15, 2020 | 5 | $3,731,360 | -41% | 2,516 | $1,483 | $10,018,845 | 2 | |
| Feb 16, 2020 | 6 | $2,163,020 | -42% | 2,516 | $860 | $12,181,865 | 3 | |
| Feb 17, 2020 | 8 | $1,068,160 | -51% | 2,516 | $425 | $13,250,025 | 4 | |
| Feb 18, 2020 | 5 | $829,805 | -22% | 2,516 | $330 | $14,079,830 | 5 | |
| Feb 19, 2020 | 7 | $399,940 | -52% | 2,516 | $159 | $14,479,770 | 6 | |
| Feb 20, 2020 | 7 | $364,870 | -9% | 2,516 | $145 | $14,844,640 | 7 | |
| Feb 21, 2020 | 9 | $870,375 | +139% | -86% | 2,516 | $346 | $15,715,015 | 8 |
| Feb 22, 2020 | 10 | $1,213,010 | +39% | -67% | 2,516 | $482 | $16,928,025 | 9 |
| Feb 23, 2020 | 10 | $702,270 | -42% | -68% | 2,516 | $279 | $17,630,295 | 10 |
| Feb 24, 2020 | 9 | $207,110 | -71% | -81% | 2,516 | $82 | $17,837,405 | 11 |
| Feb 25, 2020 | 9 | $370,345 | +79% | -55% | 2,516 | $147 | $18,207,750 | 12 |
| Feb 26, 2020 | 10 | $189,790 | -49% | -53% | 2,516 | $75 | $18,397,540 | 13 |
| Feb 27, 2020 | 10 | $180,215 | -5% | -51% | 2,516 | $72 | $18,577,755 | 14 |
| Feb 28, 2020 | 15 | $297,600 | +65% | -66% | 1,449 | $205 | $18,875,355 | 15 |
| Feb 29, 2020 | 15 | $480,865 | +62% | -60% | 1,449 | $332 | $19,356,220 | 16 |
| Mar 1, 2020 | - | $274,595 | -43% | -61% | 1,449 | $190 | $19,630,815 | 17 |
| Mar 2, 2020 | - | $86,190 | -69% | -58% | 1,449 | $59 | $19,717,005 | 18 |
| Mar 3, 2020 | 15 | $143,050 | +66% | -61% | 1,449 | $99 | $19,860,055 | 19 |
| Mar 4, 2020 | - | $79,245 | -45% | -58% | 1,449 | $55 | $19,939,300 | 20 |
| Mar 5, 2020 | - | $74,750 | -6% | -59% | 1,449 | $52 | $20,014,050 | 21 |
| Mar 6, 2020 | - | $93,330 | +25% | -69% | 382 | $244 | $20,107,380 | 22 |
| Mar 7, 2020 | - | $162,270 | +74% | -66% | 382 | $425 | $20,269,650 | 23 |
| Mar 8, 2020 | - | $87,405 | -46% | -68% | 382 | $229 | $20,357,055 | 24 |
| Mar 9, 2020 | - | $30,955 | -65% | -64% | 382 | $81 | $20,388,010 | 25 |
| Mar 10, 2020 | - | $47,035 | +52% | -67% | 382 | $123 | $20,435,045 | 26 |
| Mar 11, 2020 | - | $27,090 | -42% | -66% | 382 | $71 | $20,462,135 | 27 |
| Mar 12, 2020 | - | $22,185 | -18% | -70% | 382 | $58 | $20,484,320 | 28 |
| Mar 13, 2020 | - | $23,760 | +7% | -75% | 198 | $120 | $20,508,080 | 29 |
| Mar 14, 2020 | - | $39,585 | +67% | -76% | 198 | $200 | $20,547,665 | 30 |
| Mar 15, 2020 | - | $22,525 | -43% | -74% | 198 | $114 | $20,570,190 | 31 |
| Mar 16, 2020 | - | $6,395 | -72% | -79% | 198 | $32 | $20,576,585 | 32 |
| Mar 17, 2020 | - | $1,180 | -82% | -97% | 198 | $6 | $20,577,765 | 33 |
| Mar 18, 2020 | - | $310 | -74% | -99% | 198 | $2 | $20,578,075 | 34 |
| Mar 19, 2020 | - | $110 | -65% | -100% | 198 | $1 | $20,578,185 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 5 | $14,844,640 | 2,516 | $5,900 | $14,844,640 | 1 | |
| Feb 21, 2020 | 9 | $3,733,115 | -75% | 2,516 | $1,484 | $18,577,755 | 2 |
| Feb 28, 2020 | 16 | $1,436,295 | -62% | 1,449 | $991 | $20,014,050 | 3 |
| Mar 6, 2020 | 20 | $470,270 | -67% | 382 | $1,231 | $20,484,320 | 4 |
| Mar 13, 2020 | 17 | $93,865 | -80% | 198 | $474 | $20,578,185 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Central America | 2/14/2020 | $19,000 | 13 | 13 | 13 | $19,000 | 2/23/2020 | |||
| Spain | 7/24/2020 | $19,616 | 170 | 170 | 271 | $37,712 | 8/7/2020 | |||
| Trinidad | 2/14/2020 | $31,000 | 17 | 17 | 17 | $31,000 | 2/23/2020 | |||
| United Kingdom | 3/6/2020 | $38,484 | 170 | 170 | 170 | $38,484 | 3/11/2020 | |||
| International Total | $126,196 | 8/7/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Issa Rae | Mae | |
| Lakeith Lee Stanfield | Michael Block |
Supporting
| Lil Rel Howery | Kyle | |
| Rob Morgan | Isaac Jefferson | |
| Courtney B. Vance | Louis Morton | |
| Chante Adams | Chistina | |
| Y'Lan Noel | Young Isaac Jefferson | |
| Kelvin Harrison Jr | Andy Morrison | |
| Teyonah Parris | Asia | |
| Kingsley Ben-Adir | Harper Marks | |
| Chelsea Peretti | Sara Rodgers | |
| Jasmine Cephas-Jones | Rachel Miller | |
| Maxwell Whittington-Cooper | Peter Thomas | |
| Dakota Paradise | 4-Year Old Mae | |
| Rylee Gabrielle King | Sandrine | |
| Phoenix Noelle King | Sofia | |
| Marsha Stephanie Blake | Violet Eames | |
| Wakeema Hollis | Denise Holness | |
| Christopher Cassarino | Billy Wasko | |
| Roy Jackson, Jr. | Man |
Production and Technical Credits
| Stella Meghie | Director | |
| Stella Meghie | Screenwriter | |
| Will Packer | Producer | |
| James Lopez | Producer | |
| Stella Meghie | Executive Producer | |
| Erika Hampson | Executive Producer | |
| Mark Schwarzbard | Director of Photography | |
| Loren Weeks | Production Designer | |
| Shannon Baker Davis* | Editor | |
| Keri Langerman | Costume Designer | |
| Robert Glasper | Composer | |
| Mary Vernieu | Casting Director | |
| Michelle Wade Byrd | Casting Director | |
| Erika Hampson | Unit Production Manager | |
| Leslie Gyson | Unit Production Manager | |
| Mark Anthony Little | First Assistant Director | |
| Jakub Porembski | Second Assistant Director | |
| Heather Washington | Co-Producer | |
| Geoffrey Ehrlich | Art Director | |
| Jennifer Greenberg | Set Decorator | |
| Allison Jackson | Sound Mixer | |
| Eugene Hitt | Special Effects Coordinator | |
| Michelle Winters | Costume Supervisor | |
| Margie Durand | Make up | |
| Natalie Young | Make up | |
| Brian B. Badie | Hairstylist | |
| Tarsha Marshall | Hairstylist | |
| Shayla Cowan | Associate Producer | |
| Kim Delise | Script Supervisor | |
| Chris Menges | Location Manager | |
| Jolian Blevins | Production Supervisor | |
| Jenny Davidoff | First Assistant Editor | |
| Michael Barry | Supervising Sound Editor | |
| Paul Hsu | Sound Designer | |
| Steven Visscher | Foley Editor | |
| Branka Mrkic-Tana | Dialogue Editor | |
| Ryan Collison | Foley Mixer | |
| Gavin Hecker | Foley Mixer | |
| George Lara | Foley Mixer | |
| Michael Barry | Re-recording Mixer | |
| Kate Bilinski | Re-recording Mixer | |
| Nancy Allen | Music Editor | |
| Greg Radcliffe | Visual Effects Supervisor | |
| Vivian Connolly | Visual Effects Executive Producer | |
| Renuka Ballal | Visual Effects Producer | |
| Chris Cenatiempo | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.