Pin Cushion (2018)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $76,336 | Details |
| Worldwide Box Office | $76,336 | |
| OpusData ID: 341940100 More info... | ||
| Further financial details... | ||
Synopsis
Super close Mother Lyn and daughter Iona are excited for their new life in a new town. Determined to make a success of things after a tricky start, Iona becomes ‘best friends’ with Keely, Stacey and Chelsea. Used to being Iona’s bestie herself, Lyn feels left out. So Lyn also makes friends with Belinda, her neighbor. As much as Lyn and Iona pretend to each other that things are going great, things aren’t going great for either of them. Iona struggles with the girls, who act more like frenemies than friends, and Belinda won’t give Lyn her stepladders back. Both Mother and Daughter retreat into fantasy and lies.
Metrics
Movie Details
| Domestic Releases: | July 20th, 2018 (Limited) by Cleopatra Films |
| International Releases: | July 13th, 2018 (Limited) (United Kingdom) |
| Video Release: | August 7th, 2018 by The Orchard |
| Running Time: | 92 minutes |
| Plot point: | Dysfunctional Family, Neighbors from Hell, New Guy/Girl in School |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cleopatra Entertainment, BFI, Dignity Film Finance, Rosevine Films, Quark Films |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 7/13/2018 | $13,131 | 19 | 19 | 50 | $71,201 | 4/4/2026 | |||
| Rest of World | $5,135 | |||||||||
| International Total | $76,336 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joanna Scanlan | Lyn | |
| Lily Newmark | Iona |
Supporting
| Chanel Cresswell | ||
| Isy Suttie | ||
| John Henshaw | ||
| Bruce Jones | ||
| Nadine Coyle | ||
| Loris Scarpa | Daz | |
| Sacha Cordy-Nice | Keeley | |
| Bethany Antonia | Chelsea |
Production and Technical Credits
| Deborah Haywood | Director | |
| Deborah Haywood | Screenwriter | |
| Gavin Humphries | Producer | |
| Maggie Monteith | Producer | |
| Josephine Rose | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Chris Reed | Executive Producer | |
| Nicola Daley | Director of Photography | |
| Anna Dick | Editor | |
| Nick Emerson | Editor | |
| Natalie Holt | Composer | |
| Ben Baird | Sound Designer | |
| Andy Blake | Costume Designer | |
| Francesca Massariol | Production Designer | |
| Greg McManus | Line Producer | |
| Kharmel Cochrane | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Super close Mother Lyn and daughter Iona are excited for their new life in a new town. Determined to make a success of things after a tricky start, Iona becomes ‘best friends’ with Keely, Stacey and Chelsea. Used to being Iona’s bestie herself, Lyn feels left out. So Lyn also makes friends with Belinda, her neighbor. As much as Lyn and Iona pretend to each other that things are going great, things aren’t going great for either of them. Iona struggles with the girls, who act more like frenemies than friends, and Belinda won’t give Lyn her stepladders back. Both Mother and Daughter retreat into fantasy and lies.
Metrics
Movie Details
| Domestic Releases: | July 20th, 2018 (Limited) by Cleopatra Films |
| International Releases: | July 13th, 2018 (Limited) (United Kingdom) |
| Video Release: | August 7th, 2018 by The Orchard |
| Running Time: | 92 minutes |
| Plot point: | Dysfunctional Family, Neighbors from Hell, New Guy/Girl in School |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cleopatra Entertainment, BFI, Dignity Film Finance, Rosevine Films, Quark Films |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 7/13/2018 | $13,131 | 19 | 19 | 50 | $71,201 | 4/4/2026 | |||
| Rest of World | $5,135 | |||||||||
| International Total | $76,336 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joanna Scanlan | Lyn | |
| Lily Newmark | Iona |
Supporting
| Chanel Cresswell | ||
| Isy Suttie | ||
| John Henshaw | ||
| Bruce Jones | ||
| Nadine Coyle | ||
| Loris Scarpa | Daz | |
| Sacha Cordy-Nice | Keeley | |
| Bethany Antonia | Chelsea |
Production and Technical Credits
| Deborah Haywood | Director | |
| Deborah Haywood | Screenwriter | |
| Gavin Humphries | Producer | |
| Maggie Monteith | Producer | |
| Josephine Rose | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Chris Reed | Executive Producer | |
| Nicola Daley | Director of Photography | |
| Anna Dick | Editor | |
| Nick Emerson | Editor | |
| Natalie Holt | Composer | |
| Ben Baird | Sound Designer | |
| Andy Blake | Costume Designer | |
| Francesca Massariol | Production Designer | |
| Greg McManus | Line Producer | |
| Kharmel Cochrane | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.