Pink Floyd: Live at Pompeii (1972)
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| Theatrical Performance | ||
| Domestic Box Office | $2,620,076 | Details |
| International Box Office | $3,876,209 | Details |
| Worldwide Box Office | $6,496,285 | |
| OpusData ID: 733320100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,322,827 (50.5% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 40.3% (domestic box office/worldwide) |
| Theater counts: | 654 opening theaters/654 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,620,076 |
Movie Details
| Domestic Releases: | April 24th, 2025 (IMAX) by Trafalgar Releasing April 24th, 2025 (Wide) by Trafalgar Releasing |
| International Releases: | October 25th, 1972 (Limited) (France)
April 24th, 2025 (Special Engagement) (Slovakia) 2025s (Special Engagement) (Finland) April 24th, 2025 (Special Engagement) (France) April 24th, 2025 (Special Engagement) (Germany) ... Show all releases |
| MPA Rating: | Not Rated (Rated 4/30/2025) |
| Running Time: | 85 minutes |
| Source: | Based on Real Life Events |
| Genre: | Concert/Performance |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | France, Belgium, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 25, 2025 | 10 | $1,322,827 | 654 | $2,023 | $2,620,076 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 24, 2025 | 3 | $1,297,249 | 654 | $1,984 | $1,297,249 | 1 | |
| Apr 26, 2025 | - | $22,827 | 654 | $35 | $1,320,076 | 3 | |
| Apr 27, 2025 | 6 | $1,300,000 | +5,595% | 654 | $1,988 | $2,620,076 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 18, 2025 | 13 | $1,297,249 | 654 | $1,984 | $1,297,249 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/24/2025 | $0 | 0 | 23 | 0 | $21,699 | 4/4/2026 | |||
| Australia | 4/24/2025 | $228,644 | 79 | 79 | 0 | $288,053 | 4/6/2026 | |||
| Austria | 4/24/2025 | $0 | 0 | 5 | 0 | $17,481 | 4/4/2026 | |||
| Belgium | 4/24/2025 | $0 | 0 | 17 | 0 | $22,968 | 4/4/2026 | |||
| Brazil | 4/24/2025 | $0 | 0 | 123 | 0 | $66,762 | 4/6/2026 | |||
| Bulgaria | 4/24/2025 | $0 | 0 | 8 | 0 | $8,064 | 4/6/2026 | |||
| Chile | 4/24/2025 | $0 | 0 | 20 | 0 | $21,887 | 4/4/2026 | |||
| Colombia | 4/24/2025 | $0 | 0 | 21 | 0 | $11,758 | 4/4/2026 | |||
| Czech Republic | 4/24/2025 | $90,511 | 110 | 110 | 118 | $99,676 | 4/4/2026 | |||
| Denmark | 4/24/2025 | $0 | 0 | 21 | 0 | $3,879 | 4/4/2026 | |||
| Ecuador | 4/24/2025 | $0 | 0 | 3 | 0 | $2,326 | 4/4/2026 | |||
| El Salvador | 4/24/2025 | $0 | 0 | 3 | 0 | $2,449 | 4/6/2026 | |||
| Finland | 4/24/2025 | $11,727 | 3 | 10 | 3 | $22,061 | 4/21/2026 | |||
| Germany | 4/24/2025 | $0 | 0 | 161 | 0 | $214,377 | 4/4/2026 | |||
| Guatemala | 4/24/2025 | $0 | 0 | 3 | 0 | $2,947 | 4/6/2026 | |||
| Honduras | 4/24/2025 | $0 | 0 | 4 | 0 | $1,220 | 4/6/2026 | |||
| Hong Kong | 4/24/2025 | $0 | 0 | 3 | 0 | $5,457 | 4/4/2026 | |||
| Hungary | 4/24/2025 | $0 | 0 | 4 | 0 | $729 | 4/6/2026 | |||
| Iceland | 4/24/2025 | $0 | 0 | 1 | 0 | $3,450 | 4/4/2026 | |||
| Italy | 4/24/2025 | $388,641 | 0 | 192 | 0 | $687,518 | 4/4/2026 | |||
| Japan | 4/24/2025 | $0 | 0 | 45 | 0 | $77,728 | 4/4/2026 | |||
| Luxembourg | 4/24/2025 | $0 | 0 | 2 | 0 | $5,535 | 4/6/2026 | |||
| Mexico | 4/24/2025 | $0 | 0 | 173 | 0 | $163,091 | 4/6/2026 | |||
| Netherlands | 4/24/2025 | $260,695 | 105 | 105 | 229 | $352,974 | 4/6/2026 | |||
| New Zealand | 4/24/2025 | $21,105 | 0 | 13 | 0 | $28,519 | 4/4/2026 | |||
| Norway | 4/24/2025 | $0 | 0 | 15 | 0 | $13,201 | 4/6/2026 | |||
| Panama | 4/24/2025 | $0 | 0 | 3 | 0 | $1,824 | 4/6/2026 | |||
| Peru | 4/24/2025 | $0 | 0 | 8 | 0 | $6,876 | 4/6/2026 | |||
| Poland | 4/24/2025 | $0 | 0 | 30 | 0 | $53,895 | 4/6/2026 | |||
| Portugal | 4/24/2025 | $24,852 | 4 | 6 | 4 | $24,852 | 4/6/2026 | |||
| Romania | 4/24/2025 | $0 | 0 | 35 | 0 | $5,748 | 4/6/2026 | |||
| Slovakia | 4/24/2025 | $6,783 | 6 | 10 | 6 | $6,783 | 4/4/2026 | |||
| South Africa | 4/24/2025 | $0 | 0 | 4 | 0 | $4,255 | 4/6/2026 | |||
| Spain | 4/24/2025 | $0 | 0 | 66 | 0 | $63,697 | 4/6/2026 | |||
| Turkey | 4/24/2025 | $12,156 | 42 | 42 | 42 | $12,156 | 4/4/2026 | |||
| United Kingdom | 4/24/2025 | $910,108 | 340 | 340 | 340 | $910,108 | 4/4/2026 | |||
| Rest of World | $640,206 | |||||||||
| International Total | $3,876,209 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Adrian Maben | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $1,322,827 (50.5% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 40.3% (domestic box office/worldwide) |
| Theater counts: | 654 opening theaters/654 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,620,076 |
Movie Details
| Domestic Releases: | April 24th, 2025 (IMAX) by Trafalgar Releasing April 24th, 2025 (Wide) by Trafalgar Releasing |
| International Releases: | October 25th, 1972 (Limited) (France)
April 24th, 2025 (Special Engagement) (Slovakia) 2025s (Special Engagement) (Finland) April 24th, 2025 (Special Engagement) (France) April 24th, 2025 (Special Engagement) (Germany) ... Show all releases |
| MPA Rating: | Not Rated (Rated 4/30/2025) |
| Running Time: | 85 minutes |
| Source: | Based on Real Life Events |
| Genre: | Concert/Performance |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | France, Belgium, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 25, 2025 | 10 | $1,322,827 | 654 | $2,023 | $2,620,076 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 24, 2025 | 3 | $1,297,249 | 654 | $1,984 | $1,297,249 | 1 | |
| Apr 26, 2025 | - | $22,827 | 654 | $35 | $1,320,076 | 3 | |
| Apr 27, 2025 | 6 | $1,300,000 | +5,595% | 654 | $1,988 | $2,620,076 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 18, 2025 | 13 | $1,297,249 | 654 | $1,984 | $1,297,249 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/24/2025 | $0 | 0 | 23 | 0 | $21,699 | 4/4/2026 | |||
| Australia | 4/24/2025 | $228,644 | 79 | 79 | 0 | $288,053 | 4/6/2026 | |||
| Austria | 4/24/2025 | $0 | 0 | 5 | 0 | $17,481 | 4/4/2026 | |||
| Belgium | 4/24/2025 | $0 | 0 | 17 | 0 | $22,968 | 4/4/2026 | |||
| Brazil | 4/24/2025 | $0 | 0 | 123 | 0 | $66,762 | 4/6/2026 | |||
| Bulgaria | 4/24/2025 | $0 | 0 | 8 | 0 | $8,064 | 4/6/2026 | |||
| Chile | 4/24/2025 | $0 | 0 | 20 | 0 | $21,887 | 4/4/2026 | |||
| Colombia | 4/24/2025 | $0 | 0 | 21 | 0 | $11,758 | 4/4/2026 | |||
| Czech Republic | 4/24/2025 | $90,511 | 110 | 110 | 118 | $99,676 | 4/4/2026 | |||
| Denmark | 4/24/2025 | $0 | 0 | 21 | 0 | $3,879 | 4/4/2026 | |||
| Ecuador | 4/24/2025 | $0 | 0 | 3 | 0 | $2,326 | 4/4/2026 | |||
| El Salvador | 4/24/2025 | $0 | 0 | 3 | 0 | $2,449 | 4/6/2026 | |||
| Finland | 4/24/2025 | $11,727 | 3 | 10 | 3 | $22,061 | 4/21/2026 | |||
| Germany | 4/24/2025 | $0 | 0 | 161 | 0 | $214,377 | 4/4/2026 | |||
| Guatemala | 4/24/2025 | $0 | 0 | 3 | 0 | $2,947 | 4/6/2026 | |||
| Honduras | 4/24/2025 | $0 | 0 | 4 | 0 | $1,220 | 4/6/2026 | |||
| Hong Kong | 4/24/2025 | $0 | 0 | 3 | 0 | $5,457 | 4/4/2026 | |||
| Hungary | 4/24/2025 | $0 | 0 | 4 | 0 | $729 | 4/6/2026 | |||
| Iceland | 4/24/2025 | $0 | 0 | 1 | 0 | $3,450 | 4/4/2026 | |||
| Italy | 4/24/2025 | $388,641 | 0 | 192 | 0 | $687,518 | 4/4/2026 | |||
| Japan | 4/24/2025 | $0 | 0 | 45 | 0 | $77,728 | 4/4/2026 | |||
| Luxembourg | 4/24/2025 | $0 | 0 | 2 | 0 | $5,535 | 4/6/2026 | |||
| Mexico | 4/24/2025 | $0 | 0 | 173 | 0 | $163,091 | 4/6/2026 | |||
| Netherlands | 4/24/2025 | $260,695 | 105 | 105 | 229 | $352,974 | 4/6/2026 | |||
| New Zealand | 4/24/2025 | $21,105 | 0 | 13 | 0 | $28,519 | 4/4/2026 | |||
| Norway | 4/24/2025 | $0 | 0 | 15 | 0 | $13,201 | 4/6/2026 | |||
| Panama | 4/24/2025 | $0 | 0 | 3 | 0 | $1,824 | 4/6/2026 | |||
| Peru | 4/24/2025 | $0 | 0 | 8 | 0 | $6,876 | 4/6/2026 | |||
| Poland | 4/24/2025 | $0 | 0 | 30 | 0 | $53,895 | 4/6/2026 | |||
| Portugal | 4/24/2025 | $24,852 | 4 | 6 | 4 | $24,852 | 4/6/2026 | |||
| Romania | 4/24/2025 | $0 | 0 | 35 | 0 | $5,748 | 4/6/2026 | |||
| Slovakia | 4/24/2025 | $6,783 | 6 | 10 | 6 | $6,783 | 4/4/2026 | |||
| South Africa | 4/24/2025 | $0 | 0 | 4 | 0 | $4,255 | 4/6/2026 | |||
| Spain | 4/24/2025 | $0 | 0 | 66 | 0 | $63,697 | 4/6/2026 | |||
| Turkey | 4/24/2025 | $12,156 | 42 | 42 | 42 | $12,156 | 4/4/2026 | |||
| United Kingdom | 4/24/2025 | $910,108 | 340 | 340 | 340 | $910,108 | 4/4/2026 | |||
| Rest of World | $640,206 | |||||||||
| International Total | $3,876,209 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Adrian Maben | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.