Pink Floyd: The Wall (1982)
| Theatrical Performance | ||
| Domestic Box Office | $14,844,106 | Details |
| International Box Office | $6,852 | |
| Worldwide Box Office | $14,850,958 | |
| OpusData ID: 30510100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $67,870 (0.5% of total gross) |
| Legs: | 5.47 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/673 max. theaters, 6.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,104,360 |
Movie Details
| Domestic Releases: | August 6th, 1982 (Wide) by MGM |
| International Releases: | November 19th, 2020 (Limited) (Australia) |
| MPA Rating: | R |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Animated Sequences, Autobiographical, Epilogue, Unnamed Character |
| Plot point: | Addiction, Corporate Malfeasance, Dysfunctional Family, Musicians, Prescription Drug Abuse, Relationships Gone Wrong, Young Child Dealing with the Death of a Parent |
| Social setting: | Music Industry, World War II |
| Source material: | Inspired by a True Story |
| Subgenre: | Rock Opera Musical |
| Source: | Based on Song |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 6, 1982 | 28 | $67,870 | 1 | $67,870 | $67,870 | 1 | |
| Aug 13, 1982 | 25 | $301,531 | +344% | 4 | $75,383 | $301,531 | 2 |
| Aug 20, 1982 | 30 | $154,739 | -49% | 4 | $38,685 | $598,780 | 3 |
| Aug 27, 1982 | 26 | $145,023 | -6% | 4 | $36,256 | $268,696 | 4 |
| Sep 3, 1982 | 29 | $96,962 | -33% | 4 | $24,241 | $405,212 | 5 |
| Sep 10, 1982 | 3 | $2,712,095 | +2,697% | 653 | $4,153 | $3,146,192 | 6 |
| Sep 17, 1982 | 4 | $2,270,000 | -16% | 673 | $3,373 | $6,457,412 | 7 |
| Sep 24, 1982 | 6 | $1,250,558 | -45% | 581 | $2,152 | $8,859,227 | 8 |
| Oct 1, 1982 | 6 | $1,209,078 | -3% | 499 | $2,423 | $10,648,772 | 9 |
| Oct 8, 1982 | 11 | $680,742 | -44% | 438 | $1,554 | $11,569,604 | 10 |
| Oct 15, 1982 | 12 | $436,944 | -36% | 299 | $1,461 | $12,262,619 | 11 |
| Oct 22, 1982 | 15 | $249,752 | -43% | 233 | $1,072 | $12,685,477 | 12 |
| Oct 29, 1982 | 15 | $225,516 | -10% | 221 | $1,020 | $13,060,902 | 13 |
| Nov 5, 1982 | 15 | $179,131 | -21% | 180 | $995 | $13,417,263 | 14 |
| Nov 12, 1982 | 16 | $125,386 | -30% | 179 | $700 | $13,628,348 | 15 |
| Nov 19, 1982 | 17 | $125,386 | n/c | 179 | $700 | $14,440,936 | 16 |
| Dec 3, 1982 | 18 | $95,090 | 177 | $537 | $14,844,106 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 6, 1982 | 26 | $0 | 1 | $0 | $0 | 1 | |
| Aug 13, 1982 | 25 | $444,041 | 4 | $111,010 | $444,041 | 2 | |
| Aug 27, 1982 | 25 | $184,577 | 4 | $46,144 | $308,250 | 4 | |
| Sep 3, 1982 | 21 | $125,847 | -32% | 4 | $31,462 | $434,097 | 5 |
| Sep 10, 1982 | 3 | $3,753,315 | +2,882% | 653 | $5,748 | $4,187,412 | 6 |
| Sep 17, 1982 | 3 | $3,421,257 | -9% | 673 | $5,084 | $7,608,669 | 7 |
| Sep 24, 1982 | 6 | $1,831,025 | -46% | 581 | $3,152 | $9,439,694 | 8 |
| Oct 1, 1982 | 7 | $1,449,168 | -21% | 499 | $2,904 | $10,888,862 | 9 |
| Oct 8, 1982 | 10 | $936,813 | -35% | 438 | $2,139 | $11,825,675 | 10 |
| Oct 15, 1982 | 9 | $610,050 | -35% | 299 | $2,040 | $12,435,725 | 11 |
| Oct 22, 1982 | 13 | $399,661 | -34% | 233 | $1,715 | $12,835,386 | 12 |
| Oct 29, 1982 | 12 | $402,746 | +1% | 221 | $1,822 | $13,238,132 | 13 |
| Nov 5, 1982 | 12 | $264,830 | -34% | 180 | $1,471 | $13,502,962 | 14 |
| Nov 12, 1982 | 11 | $812,588 | +207% | 179 | $4,540 | $14,315,550 | 15 |
Leading
| Bob Geldof | Pink |
Supporting
| Bob Hoskins | Rock and Roll Manager | |
| Joanne Whalley | Groupie |
Production and Technical Credits
| Alan Parker | Director | |
| Roger Waters | Screenwriter | |
| Gerald Scaife | Animation Director | |
| Alan Marshall | Producer | |
| Steve O’Rourke | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $67,870 (0.5% of total gross) |
| Legs: | 5.47 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/673 max. theaters, 6.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,104,360 |
Movie Details
| Domestic Releases: | August 6th, 1982 (Wide) by MGM |
| International Releases: | November 19th, 2020 (Limited) (Australia) |
| MPA Rating: | R |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Animated Sequences, Autobiographical, Epilogue, Unnamed Character |
| Plot point: | Addiction, Corporate Malfeasance, Dysfunctional Family, Musicians, Prescription Drug Abuse, Relationships Gone Wrong, Young Child Dealing with the Death of a Parent |
| Social setting: | Music Industry, World War II |
| Source material: | Inspired by a True Story |
| Subgenre: | Rock Opera Musical |
| Source: | Based on Song |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 6, 1982 | 28 | $67,870 | 1 | $67,870 | $67,870 | 1 | |
| Aug 13, 1982 | 25 | $301,531 | +344% | 4 | $75,383 | $301,531 | 2 |
| Aug 20, 1982 | 30 | $154,739 | -49% | 4 | $38,685 | $598,780 | 3 |
| Aug 27, 1982 | 26 | $145,023 | -6% | 4 | $36,256 | $268,696 | 4 |
| Sep 3, 1982 | 29 | $96,962 | -33% | 4 | $24,241 | $405,212 | 5 |
| Sep 10, 1982 | 3 | $2,712,095 | +2,697% | 653 | $4,153 | $3,146,192 | 6 |
| Sep 17, 1982 | 4 | $2,270,000 | -16% | 673 | $3,373 | $6,457,412 | 7 |
| Sep 24, 1982 | 6 | $1,250,558 | -45% | 581 | $2,152 | $8,859,227 | 8 |
| Oct 1, 1982 | 6 | $1,209,078 | -3% | 499 | $2,423 | $10,648,772 | 9 |
| Oct 8, 1982 | 11 | $680,742 | -44% | 438 | $1,554 | $11,569,604 | 10 |
| Oct 15, 1982 | 12 | $436,944 | -36% | 299 | $1,461 | $12,262,619 | 11 |
| Oct 22, 1982 | 15 | $249,752 | -43% | 233 | $1,072 | $12,685,477 | 12 |
| Oct 29, 1982 | 15 | $225,516 | -10% | 221 | $1,020 | $13,060,902 | 13 |
| Nov 5, 1982 | 15 | $179,131 | -21% | 180 | $995 | $13,417,263 | 14 |
| Nov 12, 1982 | 16 | $125,386 | -30% | 179 | $700 | $13,628,348 | 15 |
| Nov 19, 1982 | 17 | $125,386 | n/c | 179 | $700 | $14,440,936 | 16 |
| Dec 3, 1982 | 18 | $95,090 | 177 | $537 | $14,844,106 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 6, 1982 | 26 | $0 | 1 | $0 | $0 | 1 | |
| Aug 13, 1982 | 25 | $444,041 | 4 | $111,010 | $444,041 | 2 | |
| Aug 27, 1982 | 25 | $184,577 | 4 | $46,144 | $308,250 | 4 | |
| Sep 3, 1982 | 21 | $125,847 | -32% | 4 | $31,462 | $434,097 | 5 |
| Sep 10, 1982 | 3 | $3,753,315 | +2,882% | 653 | $5,748 | $4,187,412 | 6 |
| Sep 17, 1982 | 3 | $3,421,257 | -9% | 673 | $5,084 | $7,608,669 | 7 |
| Sep 24, 1982 | 6 | $1,831,025 | -46% | 581 | $3,152 | $9,439,694 | 8 |
| Oct 1, 1982 | 7 | $1,449,168 | -21% | 499 | $2,904 | $10,888,862 | 9 |
| Oct 8, 1982 | 10 | $936,813 | -35% | 438 | $2,139 | $11,825,675 | 10 |
| Oct 15, 1982 | 9 | $610,050 | -35% | 299 | $2,040 | $12,435,725 | 11 |
| Oct 22, 1982 | 13 | $399,661 | -34% | 233 | $1,715 | $12,835,386 | 12 |
| Oct 29, 1982 | 12 | $402,746 | +1% | 221 | $1,822 | $13,238,132 | 13 |
| Nov 5, 1982 | 12 | $264,830 | -34% | 180 | $1,471 | $13,502,962 | 14 |
| Nov 12, 1982 | 11 | $812,588 | +207% | 179 | $4,540 | $14,315,550 | 15 |
Leading
| Bob Geldof | Pink |
Supporting
| Bob Hoskins | Rock and Roll Manager | |
| Joanne Whalley | Groupie |
Production and Technical Credits
| Alan Parker | Director | |
| Roger Waters | Screenwriter | |
| Gerald Scaife | Animation Director | |
| Alan Marshall | Producer | |
| Steve O’Rourke | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.