Pinocchio and the Emperor of the Night (1987)
| Theatrical Performance | ||
| Domestic Box Office | $3,261,638 | Details |
| OpusData ID: 51340100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 3.34 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $9,434,553 |
Movie Details
| Domestic Releases: | November 20th, 1987 (Wide) |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 25, 1987 | 16 | $602,734 | 1,182 | $510 | $602,734 | 6 | |
| Jan 1, 1988 | 16 | $977,333 | +62% | 1,182 | $827 | $2,715,656 | 7 |
| Tom Bosley | Geppetto | |
| Don Knotts | Gee Willikers | |
| Liza Minnelli | ||
| Frank Welker | Igor | |
| Edward Asner | Scalawag |
Supporting
| James Earl Jones | The Emperor of the Night |
Production and Technical Credits
| Hal Sutherland | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 3.34 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $9,434,553 |
Movie Details
| Domestic Releases: | November 20th, 1987 (Wide) |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 25, 1987 | 16 | $602,734 | 1,182 | $510 | $602,734 | 6 | |
| Jan 1, 1988 | 16 | $977,333 | +62% | 1,182 | $827 | $2,715,656 | 7 |
| Tom Bosley | Geppetto | |
| Don Knotts | Gee Willikers | |
| Liza Minnelli | ||
| Frank Welker | Igor | |
| Edward Asner | Scalawag |
Supporting
| James Earl Jones | The Emperor of the Night |
Production and Technical Credits
| Hal Sutherland | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.