Piranha 3DD (2012)
| Theatrical Performance | ||
| Domestic Box Office | $370,904 | Details |
| International Box Office | $6,159,892 | Details |
| Worldwide Box Office | $6,530,796 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $898,237 | |
| Blu-ray Sales (estimated) | $1,181,033 | |
| Total | $2,079,270 | |
| OpusData ID: 152700100 More info... | ||
| Further financial details... | ||
Synopsis
Having awoken from their spring break at Lake Victoria, the swarm heads upstream where they look to make a meal out of Big Wet, a local water park where when it comes to fun, nobody does it wetter!!!! Maddy aspires to get out of her backwoods town in which she is derided by its denizens and aspire to become a marine biologist. As the daughter of the waterpark owner, she is the first to discover the fishy menace. To rid her home of the threat, she enlist the help of Barry a hacker with a heart of gold. The prehistoric man-eating piranha begin to infest the town plumbing systems, swimming pools and a newly opened waterpark called 'Wilderness Waters'.
Metrics
| Opening Weekend: | $182,237 (49.1% of total gross) |
| Legs: | 2.04 (domestic box office/biggest weekend) |
| Domestic Share: | 5.7% (domestic box office/worldwide) |
| Theater counts: | 86 opening theaters/86 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $557,288 |
Movie Details
| Domestic Releases: | June 1st, 2012 (Limited) by Weinstein Co. |
| International Releases: | May 17th, 2012 (Wide) (Lebanon)
May 30th, 2012 (Wide) (Philippines) May 31st, 2012 (Wide) (Malaysia) June 1st, 2012 (Wide) (Taiwan) June 1st, 2012 (Wide) (Poland) ... Show all releases |
| Video Release: | September 4th, 2012 by Anchor Bay Home Entertainment |
| MPA Rating: | R for sequences of strong bloody horror violence and gore, graphic nudity, sexual content, language and some drug use. (Rating bulletin 2219, 4/18/2012) |
| Running Time: | 83 minutes |
| Franchise: | Piranha |
| Film format: | 3-D |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Dimension Films, Mark Canton, PW, Neo Art & Logic |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 2012 | 24 | $182,237 | 86 | $2,119 | $182,237 | 1 | |
| Jun 8, 2012 | 46 | $36,910 | -80% | 78 | $473 | $315,374 | 2 |
| Jun 15, 2012 | 47 | $31,116 | -16% | 11 | $2,829 | $370,904 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 2012 | 24 | $278,464 | 86 | $3,238 | $278,464 | 1 | |
| Jun 8, 2012 | 46 | $61,324 | -78% | 78 | $786 | $339,788 | 2 |
| Jun 15, 2012 | 53 | $31,116 | -49% | 11 | $2,829 | $370,904 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bolivia | 11/28/2013 | $10,688 | 6 | 6 | 10 | $24,906 | 12/30/2018 | |||
| Bulgaria | 6/15/2012 | $2,843 | 9 | 9 | 23 | $9,191 | 12/29/2018 | |||
| Croatia | 6/28/2012 | $7,882 | 10 | 10 | 45 | $32,565 | 12/29/2018 | |||
| Czech Republic | 6/21/2012 | $7,346 | 37 | 37 | 84 | $20,637 | 12/29/2018 | |||
| Finland | 7/20/2012 | $6,610 | 21 | 21 | 21 | $7,283 | 12/11/2015 | |||
| Greece | 6/21/2012 | $18,972 | 16 | 16 | 16 | $18,972 | 12/10/2015 | |||
| Hong Kong | 8/23/2012 | $210,808 | 33 | 33 | 35 | $330,399 | 12/11/2015 | |||
| Hungary | 6/14/2012 | $5,356 | 12 | 12 | 12 | $5,356 | 12/29/2018 | |||
| Iceland | 6/13/2012 | $1,950 | 3 | 3 | 7 | $6,598 | 12/29/2018 | |||
| Lebanon | 5/17/2012 | $0 | 0 | 1 | 1 | $49,760 | 12/29/2018 | |||
| Malaysia | 5/31/2012 | $606,205 | 97 | 97 | 315 | $1,132,953 | 12/10/2015 | |||
| Netherlands | 6/14/2012 | $50,599 | 42 | 42 | 42 | $60,439 | 12/10/2015 | |||
| Philippines | 5/30/2012 | $79,050 | 60 | 60 | 60 | $79,050 | 12/29/2018 | |||
| Poland | 6/1/2012 | $0 | 0 | 68 | 165 | $142,853 | 12/29/2018 | |||
| Portugal | 8/23/2012 | $9,813 | 12 | 12 | 25 | $22,943 | 12/11/2015 | |||
| Romania | 6/15/2012 | $0 | 0 | 27 | 60 | $34,634 | 12/29/2018 | |||
| Russia (CIS) | 8/23/2012 | $1,252,693 | 845 | 845 | 1,690 | $2,284,825 | 12/29/2018 | |||
| Serbia and Montenegro | 6/21/2012 | $2,493 | 8 | 8 | 40 | $8,424 | 12/29/2018 | |||
| Singapore | 6/14/2012 | $6,134 | 8 | 32 | 64 | $153,370 | 12/10/2015 | |||
| Slovakia | 6/21/2012 | $4,454 | 20 | 20 | 20 | $4,454 | 12/10/2015 | |||
| South Africa | 10/26/2012 | $42,717 | 47 | 47 | 94 | $85,967 | 12/12/2015 | |||
| Taiwan | 6/1/2012 | $301,439 | 40 | 55 | 149 | $958,955 | 12/10/2015 | |||
| Thailand | 6/14/2012 | $24,811 | 51 | 64 | 280 | $371,952 | 12/11/2015 | |||
| Turkey | 6/22/2012 | $114,443 | 116 | 116 | 255 | $313,406 | 12/29/2018 | |||
| International Total | $6,159,892 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Danielle Panabaker | Maddy |
Supporting
| Matt Bush | Barry | |
| Chris Zylka | Kyle | |
| David Koechner | Chet | |
| David Hasselhoff | David Hasselfoff | |
| Katrina Bowden | Shelby | |
| Jean-Luc Bilodeau | Josh | |
| Meagan Tandy | Ashley | |
| Paul James Jordan | Travis | |
| Christopher Lloyd | Mr. Goodman | |
| Ving Rhames | Deputy Fallon | |
| Paul Scheer | Andrew | |
| Gary Busey | Clayton |
Production and Technical Credits
| John Gulager | Director | |
| Patrick Melton | Screenwriter | |
| Marcus Dunstan | Screenwriter | |
| Joel Soisson | Screenwriter | |
| Peter Goldfinger | Character Creator | |
| Josh Stolberg | Character Creator | |
| Mark Canton | Producer | |
| Marc Toberoff | Producer | |
| Joel Soisson | Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Ben Ormand | Executive Producer | |
| Matthew Stein | Executive Producer | |
| Chako van Leeuwen | Executive Producer | |
| Peter Goldfinger | Co-Producer | |
| Josh Stolberg | Co-Producer | |
| Alexandre Lehmann | Cinematographer | |
| Devin C. Lussier | Editor | |
| Martin Bernfeld | Editor | |
| Kirk Morri | Editor | |
| Elia Cmiral | Composer | |
| Richard Glasser | Music Supervisor | |
| Ermanno Di Febo-Orsini | Production Designer | |
| Marina Starec | Set Decorator | |
| Carol Cutshall | Costume Designer | |
| Michael Rayle | Sound Mixer | |
| Trip Brock | Supervising Sound Editor | |
| Mark A. Rozett | Re-recording Mixer | |
| Kelly Vandever | Re-recording Mixer | |
| Gary J. Tunnicliffe | Special Make-up Effects | |
| Adam Stern | Visual Effects Supervisor | |
| John Copeman | Stunt Coordinator | |
| Alisa Fredericks | Assistant Director | |
| Todd J. Labarowski | Second Unit Director | |
| Nancy Nayor Battino* | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Having awoken from their spring break at Lake Victoria, the swarm heads upstream where they look to make a meal out of Big Wet, a local water park where when it comes to fun, nobody does it wetter!!!! Maddy aspires to get out of her backwoods town in which she is derided by its denizens and aspire to become a marine biologist. As the daughter of the waterpark owner, she is the first to discover the fishy menace. To rid her home of the threat, she enlist the help of Barry a hacker with a heart of gold. The prehistoric man-eating piranha begin to infest the town plumbing systems, swimming pools and a newly opened waterpark called 'Wilderness Waters'.
Metrics
| Opening Weekend: | $182,237 (49.1% of total gross) |
| Legs: | 2.04 (domestic box office/biggest weekend) |
| Domestic Share: | 5.7% (domestic box office/worldwide) |
| Theater counts: | 86 opening theaters/86 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $557,288 |
Movie Details
| Domestic Releases: | June 1st, 2012 (Limited) by Weinstein Co. |
| International Releases: | May 17th, 2012 (Wide) (Lebanon)
May 30th, 2012 (Wide) (Philippines) May 31st, 2012 (Wide) (Malaysia) June 1st, 2012 (Wide) (Taiwan) June 1st, 2012 (Wide) (Poland) ... Show all releases |
| Video Release: | September 4th, 2012 by Anchor Bay Home Entertainment |
| MPA Rating: | R for sequences of strong bloody horror violence and gore, graphic nudity, sexual content, language and some drug use. (Rating bulletin 2219, 4/18/2012) |
| Running Time: | 83 minutes |
| Franchise: | Piranha |
| Film format: | 3-D |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Dimension Films, Mark Canton, PW, Neo Art & Logic |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 2012 | 24 | $182,237 | 86 | $2,119 | $182,237 | 1 | |
| Jun 8, 2012 | 46 | $36,910 | -80% | 78 | $473 | $315,374 | 2 |
| Jun 15, 2012 | 47 | $31,116 | -16% | 11 | $2,829 | $370,904 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 2012 | 24 | $278,464 | 86 | $3,238 | $278,464 | 1 | |
| Jun 8, 2012 | 46 | $61,324 | -78% | 78 | $786 | $339,788 | 2 |
| Jun 15, 2012 | 53 | $31,116 | -49% | 11 | $2,829 | $370,904 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bolivia | 11/28/2013 | $10,688 | 6 | 6 | 10 | $24,906 | 12/30/2018 | |||
| Bulgaria | 6/15/2012 | $2,843 | 9 | 9 | 23 | $9,191 | 12/29/2018 | |||
| Croatia | 6/28/2012 | $7,882 | 10 | 10 | 45 | $32,565 | 12/29/2018 | |||
| Czech Republic | 6/21/2012 | $7,346 | 37 | 37 | 84 | $20,637 | 12/29/2018 | |||
| Finland | 7/20/2012 | $6,610 | 21 | 21 | 21 | $7,283 | 12/11/2015 | |||
| Greece | 6/21/2012 | $18,972 | 16 | 16 | 16 | $18,972 | 12/10/2015 | |||
| Hong Kong | 8/23/2012 | $210,808 | 33 | 33 | 35 | $330,399 | 12/11/2015 | |||
| Hungary | 6/14/2012 | $5,356 | 12 | 12 | 12 | $5,356 | 12/29/2018 | |||
| Iceland | 6/13/2012 | $1,950 | 3 | 3 | 7 | $6,598 | 12/29/2018 | |||
| Lebanon | 5/17/2012 | $0 | 0 | 1 | 1 | $49,760 | 12/29/2018 | |||
| Malaysia | 5/31/2012 | $606,205 | 97 | 97 | 315 | $1,132,953 | 12/10/2015 | |||
| Netherlands | 6/14/2012 | $50,599 | 42 | 42 | 42 | $60,439 | 12/10/2015 | |||
| Philippines | 5/30/2012 | $79,050 | 60 | 60 | 60 | $79,050 | 12/29/2018 | |||
| Poland | 6/1/2012 | $0 | 0 | 68 | 165 | $142,853 | 12/29/2018 | |||
| Portugal | 8/23/2012 | $9,813 | 12 | 12 | 25 | $22,943 | 12/11/2015 | |||
| Romania | 6/15/2012 | $0 | 0 | 27 | 60 | $34,634 | 12/29/2018 | |||
| Russia (CIS) | 8/23/2012 | $1,252,693 | 845 | 845 | 1,690 | $2,284,825 | 12/29/2018 | |||
| Serbia and Montenegro | 6/21/2012 | $2,493 | 8 | 8 | 40 | $8,424 | 12/29/2018 | |||
| Singapore | 6/14/2012 | $6,134 | 8 | 32 | 64 | $153,370 | 12/10/2015 | |||
| Slovakia | 6/21/2012 | $4,454 | 20 | 20 | 20 | $4,454 | 12/10/2015 | |||
| South Africa | 10/26/2012 | $42,717 | 47 | 47 | 94 | $85,967 | 12/12/2015 | |||
| Taiwan | 6/1/2012 | $301,439 | 40 | 55 | 149 | $958,955 | 12/10/2015 | |||
| Thailand | 6/14/2012 | $24,811 | 51 | 64 | 280 | $371,952 | 12/11/2015 | |||
| Turkey | 6/22/2012 | $114,443 | 116 | 116 | 255 | $313,406 | 12/29/2018 | |||
| International Total | $6,159,892 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Danielle Panabaker | Maddy |
Supporting
| Matt Bush | Barry | |
| Chris Zylka | Kyle | |
| David Koechner | Chet | |
| David Hasselhoff | David Hasselfoff | |
| Katrina Bowden | Shelby | |
| Jean-Luc Bilodeau | Josh | |
| Meagan Tandy | Ashley | |
| Paul James Jordan | Travis | |
| Christopher Lloyd | Mr. Goodman | |
| Ving Rhames | Deputy Fallon | |
| Paul Scheer | Andrew | |
| Gary Busey | Clayton |
Production and Technical Credits
| John Gulager | Director | |
| Patrick Melton | Screenwriter | |
| Marcus Dunstan | Screenwriter | |
| Joel Soisson | Screenwriter | |
| Peter Goldfinger | Character Creator | |
| Josh Stolberg | Character Creator | |
| Mark Canton | Producer | |
| Marc Toberoff | Producer | |
| Joel Soisson | Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Ben Ormand | Executive Producer | |
| Matthew Stein | Executive Producer | |
| Chako van Leeuwen | Executive Producer | |
| Peter Goldfinger | Co-Producer | |
| Josh Stolberg | Co-Producer | |
| Alexandre Lehmann | Cinematographer | |
| Devin C. Lussier | Editor | |
| Martin Bernfeld | Editor | |
| Kirk Morri | Editor | |
| Elia Cmiral | Composer | |
| Richard Glasser | Music Supervisor | |
| Ermanno Di Febo-Orsini | Production Designer | |
| Marina Starec | Set Decorator | |
| Carol Cutshall | Costume Designer | |
| Michael Rayle | Sound Mixer | |
| Trip Brock | Supervising Sound Editor | |
| Mark A. Rozett | Re-recording Mixer | |
| Kelly Vandever | Re-recording Mixer | |
| Gary J. Tunnicliffe | Special Make-up Effects | |
| Adam Stern | Visual Effects Supervisor | |
| John Copeman | Stunt Coordinator | |
| Alisa Fredericks | Assistant Director | |
| Todd J. Labarowski | Second Unit Director | |
| Nancy Nayor Battino* | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.