The Pirate (1948)

The Pirate
Theatrical Performance
Domestic Box Office $2,956,000Details
OpusData ID: 52460100 More info...
Further financial details...

Metrics

Domestic Share:100.0% (domestic box office/worldwide)
Production Budget:$3,700,000 (worldwide box office is 0.8 times production budget)

Movie Details

Domestic Releases: May 20th, 1948 (Limited)
Video Release: April 1st, 1992 by MGM Video
MPA Rating: Not Rated Approved
Running Time: 102 minutes
Plot point: False Identity, Pirates, Relationships Gone Wrong, Romance, Singers
Subgenre: Comedy Musical
Source:Original Screenplay
Genre:Musical
Production Method:Live Action
Creative Type:Historical Fiction
Production Countries: United States
Languages: English

Gene Kelly    Serafin
Gladys Cooper    Aunt Inez
Judy Garland    Manuela
Reginald Owen    The Advocate

Production and Technical Credits

Vincente Minnelli    Director
Albert Hackett    Screenwriter
Frances Goodrich    Screenwriter
S.N. Behrman    Story Creator

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Domestic Share:100.0% (domestic box office/worldwide)
Production Budget:$3,700,000 (worldwide box office is 0.8 times production budget)

Movie Details

Domestic Releases: May 20th, 1948 (Limited)
Video Release: April 1st, 1992 by MGM Video
MPA Rating: Not Rated Approved
Running Time: 102 minutes
Plot point: False Identity, Pirates, Relationships Gone Wrong, Romance, Singers
Subgenre: Comedy Musical
Source:Original Screenplay
Genre:Musical
Production Method:Live Action
Creative Type:Historical Fiction
Production Countries: United States
Languages: English

Gene Kelly    Serafin
Gladys Cooper    Aunt Inez
Judy Garland    Manuela
Reginald Owen    The Advocate

Production and Technical Credits

Vincente Minnelli    Director
Albert Hackett    Screenwriter
Frances Goodrich    Screenwriter
S.N. Behrman    Story Creator

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.