The Plagiarists (2019)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 414360100 More info... | ||
| Further financial details... | ||
Synopsis
When a young white couple’s car breaks down after a weekend getaway, they’re helped by an older black man who inspires them with his creative wisdom. When they discover six months later that the words he spoke might not be his own, they’re horrified, fixating on his “crime” while forced to confront the originality of their own lives.
Metrics
Movie Details
| Domestic Releases: | June 28th, 2019 (Limited) by KimStim |
| MPA Rating: | Not Rated |
| Running Time: | 76 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Automatic Moving Co |
| Production Countries: | United States |
| Languages: | English |
Leading
| Michael “Clip” Payne | Clip | |
| Lucy Kaminsky | Anna |
Supporting
| Eamon Monaghan | Tyler | |
| Emily C. Davis | Allison | |
| Chuck W | The Boy Charlie | |
| Robin Schavoir | Mechanic | |
| Jude Alexis | Man in lot | |
| Eugene Wasserman | Seth | |
| James N Kienitz Wilkins | Radio host |
Production and Technical Credits
| Peter Parlow | Director | |
| James N Kienitz Wilkins | Screenwriter | |
| Robin Schavoir | Screenwriter | |
| Paul Dallas | Producer | |
| James N Kienitz Wilkins | Producer | |
| Robin Schavoir | Producer | |
| James N Kienitz Wilkins | Director of Photography | |
| James N Kienitz Wilkins | Editor | |
| Eugene Wasserman | Sound Mixer | |
| Paul Dallas | Sound Mixer | |
| Josh Allen | Sound Designer | |
| Sarah Riggs | Co-Producer | |
| Omar Berrada | Co-Producer | |
| J. Dixon Byrne | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When a young white couple’s car breaks down after a weekend getaway, they’re helped by an older black man who inspires them with his creative wisdom. When they discover six months later that the words he spoke might not be his own, they’re horrified, fixating on his “crime” while forced to confront the originality of their own lives.
Metrics
Movie Details
| Domestic Releases: | June 28th, 2019 (Limited) by KimStim |
| MPA Rating: | Not Rated |
| Running Time: | 76 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Automatic Moving Co |
| Production Countries: | United States |
| Languages: | English |
Leading
| Michael “Clip” Payne | Clip | |
| Lucy Kaminsky | Anna |
Supporting
| Eamon Monaghan | Tyler | |
| Emily C. Davis | Allison | |
| Chuck W | The Boy Charlie | |
| Robin Schavoir | Mechanic | |
| Jude Alexis | Man in lot | |
| Eugene Wasserman | Seth | |
| James N Kienitz Wilkins | Radio host |
Production and Technical Credits
| Peter Parlow | Director | |
| James N Kienitz Wilkins | Screenwriter | |
| Robin Schavoir | Screenwriter | |
| Paul Dallas | Producer | |
| James N Kienitz Wilkins | Producer | |
| Robin Schavoir | Producer | |
| James N Kienitz Wilkins | Director of Photography | |
| James N Kienitz Wilkins | Editor | |
| Eugene Wasserman | Sound Mixer | |
| Paul Dallas | Sound Mixer | |
| Josh Allen | Sound Designer | |
| Sarah Riggs | Co-Producer | |
| Omar Berrada | Co-Producer | |
| J. Dixon Byrne | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.