Plaire, aimer et courir vite (2018)
| Theatrical Performance | ||
| Domestic Box Office | $30,584 | Details |
| International Box Office | $1,601,326 | Details |
| Worldwide Box Office | $1,631,910 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $8,954 | |
| Total | $8,954 | |
| OpusData ID: 336530100 More info... | ||
| Further financial details... | ||
Synopsis
Paris, 1993. Jacques is a semi-renowned writer and single father in his thirties trying to maintain his sense of romance and humor in spite of the turmoil in his life and the world. While on a work trip to Brittany, he meets Arthur, an aspiring filmmaker in his early twenties, who is experiencing a sexual awakening and eager to get out of his parochial life. Arthur becomes instantly smitten with the older man.
Metrics
| Opening Weekend: | $7,954 (26.0% of total gross) |
| Legs: | 3.85 (domestic box office/biggest weekend) |
| Domestic Share: | 1.9% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,934 |
Movie Details
| Domestic Releases: | February 15th, 2019 (Limited) by Strand Releasing, released as Sorry Angel |
| International Releases: | May 11th, 2018 (Wide) (France)
August 17th, 2018 (Wide) (Netherlands) March 22nd, 2019 (Limited), released as Sorry Angel (United Kingdom) May 10th, 2019 (Wide), released as Agradar, Amar e Correr Depressa (Portugal) ... Show all releases |
| Video Release: | May 21st, 2019 by Strand Home, released as Sorry Angel |
| MPA Rating: | Not Rated |
| Running Time: | 132 minutes |
| Geographical setting: | Paris |
| Plot point: | AIDS, LGBTQ+, Romance, Single Parent, Writing and Writers |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Les Films Pelleas, Arte France Cinema, Canal Plus, Cine Plus, ARTE France, Centre National du Cinema et de L Image Animee, La Region Bretagne, Le CNC, Cinemage 12, Cofinova 14, Palatine Etoile 15 |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2019 | 62 | $7,954 | 1 | $7,954 | $7,954 | 1 | |
| Feb 22, 2019 | 66 | $2,445 | -69% | 1 | $2,445 | $12,841 | 2 |
| Mar 1, 2019 | 77 | $2,463 | +1% | 4 | $616 | $16,351 | 3 |
| Mar 8, 2019 | 89 | $26 | -99% | 1 | $26 | $17,512 | 4 |
| Mar 15, 2019 | 80 | $3,654 | +13,954% | 3 | $1,218 | $21,440 | 5 |
| Mar 22, 2019 | 88 | $735 | -80% | 2 | $368 | $24,552 | 6 |
| Mar 29, 2019 | 77 | $2,107 | +187% | 4 | $527 | $26,910 | 7 |
| Apr 12, 2019 | 87 | $1,154 | 2 | $577 | $29,399 | 9 | |
| Apr 19, 2019 | 97 | $527 | -54% | 1 | $527 | $30,339 | 10 |
| May 3, 2019 | 94 | $98 | 1 | $98 | $30,584 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2019 | 63 | $10,396 | 1 | $10,396 | $10,396 | 1 | |
| Feb 22, 2019 | 69 | $3,492 | -66% | 1 | $3,492 | $13,888 | 2 |
| Mar 1, 2019 | 78 | $3,598 | +3% | 4 | $900 | $17,486 | 3 |
| Mar 8, 2019 | 92 | $300 | -92% | 1 | $300 | $17,786 | 4 |
| Mar 15, 2019 | 79 | $6,031 | +1,910% | 3 | $2,010 | $23,817 | 5 |
| Mar 22, 2019 | 93 | $986 | -84% | 2 | $493 | $24,803 | 6 |
| Mar 29, 2019 | 79 | $3,442 | +249% | 4 | $861 | $28,245 | 7 |
| Apr 12, 2019 | 93 | $1,567 | 2 | $784 | $29,812 | 9 | |
| Apr 19, 2019 | 98 | $674 | -57% | 1 | $674 | $30,486 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 5/11/2018 | $484,657 | 0 | 0 | 0 | $1,570,886 | 6/25/2018 | |||
| Netherlands | 8/17/2018 | $14,506 | 15 | 15 | 15 | $16,949 | 9/12/2018 | |||
| Portugal | 5/10/2019 | $680 | 1 | 1 | 3 | $2,530 | 7/23/2019 | |||
| United Kingdom | 3/22/2019 | $10,961 | 5 | 5 | 5 | $10,961 | 3/29/2019 | |||
| International Total | $1,601,326 | 7/23/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Vincent Lacoste | Arthur | |
| Pierre Deladonchamps | Jacques | |
| Denis Podalydes | Mathieu |
Supporting
| Adele Wismes | Nadine | |
| Thomas Gonzalez | Marco | |
| Clement Metayer | Pierre | |
| Quentin Thébault | Jean-Marie | |
| Tristan Farge | Louis | |
| Sophie Letourneur | Isabelle | |
| Marlène Saldana | L’actrice | |
| Luca Malinowski | Stéphane | |
| Rio Vega | Fabrice |
Production and Technical Credits
| Christophe Honore | Director | |
| Christophe Honore | Story by | |
| Mathieu Telinhos | Casting Director | |
| Jean-Francois François | First Assistant Director | |
| Remy Chevrin | Director of Photography | |
| Stephane Taillasson | Set Designer | |
| Pascaline Chavanne | Costume Designer | |
| Guillaume Le Braz | Sound Mixer | |
| Agnes Ravez | Sound Mixer | |
| Cyril Holtz | Sound Mixer | |
| Chantal Hymans | Editor | |
| Maxime Rappaz | Script Supervisor | |
| Clotilde Martin | Production Manager | |
| Christian Lambert | Line Producer | |
| Juliette Mallon | Post-Production Supervisor | |
| Philippe Martin | Producer | |
| David Thion | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Paris, 1993. Jacques is a semi-renowned writer and single father in his thirties trying to maintain his sense of romance and humor in spite of the turmoil in his life and the world. While on a work trip to Brittany, he meets Arthur, an aspiring filmmaker in his early twenties, who is experiencing a sexual awakening and eager to get out of his parochial life. Arthur becomes instantly smitten with the older man.
Metrics
| Opening Weekend: | $7,954 (26.0% of total gross) |
| Legs: | 3.85 (domestic box office/biggest weekend) |
| Domestic Share: | 1.9% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,934 |
Movie Details
| Domestic Releases: | February 15th, 2019 (Limited) by Strand Releasing, released as Sorry Angel |
| International Releases: | May 11th, 2018 (Wide) (France)
August 17th, 2018 (Wide) (Netherlands) March 22nd, 2019 (Limited), released as Sorry Angel (United Kingdom) May 10th, 2019 (Wide), released as Agradar, Amar e Correr Depressa (Portugal) ... Show all releases |
| Video Release: | May 21st, 2019 by Strand Home, released as Sorry Angel |
| MPA Rating: | Not Rated |
| Running Time: | 132 minutes |
| Geographical setting: | Paris |
| Plot point: | AIDS, LGBTQ+, Romance, Single Parent, Writing and Writers |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Les Films Pelleas, Arte France Cinema, Canal Plus, Cine Plus, ARTE France, Centre National du Cinema et de L Image Animee, La Region Bretagne, Le CNC, Cinemage 12, Cofinova 14, Palatine Etoile 15 |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2019 | 62 | $7,954 | 1 | $7,954 | $7,954 | 1 | |
| Feb 22, 2019 | 66 | $2,445 | -69% | 1 | $2,445 | $12,841 | 2 |
| Mar 1, 2019 | 77 | $2,463 | +1% | 4 | $616 | $16,351 | 3 |
| Mar 8, 2019 | 89 | $26 | -99% | 1 | $26 | $17,512 | 4 |
| Mar 15, 2019 | 80 | $3,654 | +13,954% | 3 | $1,218 | $21,440 | 5 |
| Mar 22, 2019 | 88 | $735 | -80% | 2 | $368 | $24,552 | 6 |
| Mar 29, 2019 | 77 | $2,107 | +187% | 4 | $527 | $26,910 | 7 |
| Apr 12, 2019 | 87 | $1,154 | 2 | $577 | $29,399 | 9 | |
| Apr 19, 2019 | 97 | $527 | -54% | 1 | $527 | $30,339 | 10 |
| May 3, 2019 | 94 | $98 | 1 | $98 | $30,584 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2019 | 63 | $10,396 | 1 | $10,396 | $10,396 | 1 | |
| Feb 22, 2019 | 69 | $3,492 | -66% | 1 | $3,492 | $13,888 | 2 |
| Mar 1, 2019 | 78 | $3,598 | +3% | 4 | $900 | $17,486 | 3 |
| Mar 8, 2019 | 92 | $300 | -92% | 1 | $300 | $17,786 | 4 |
| Mar 15, 2019 | 79 | $6,031 | +1,910% | 3 | $2,010 | $23,817 | 5 |
| Mar 22, 2019 | 93 | $986 | -84% | 2 | $493 | $24,803 | 6 |
| Mar 29, 2019 | 79 | $3,442 | +249% | 4 | $861 | $28,245 | 7 |
| Apr 12, 2019 | 93 | $1,567 | 2 | $784 | $29,812 | 9 | |
| Apr 19, 2019 | 98 | $674 | -57% | 1 | $674 | $30,486 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 5/11/2018 | $484,657 | 0 | 0 | 0 | $1,570,886 | 6/25/2018 | |||
| Netherlands | 8/17/2018 | $14,506 | 15 | 15 | 15 | $16,949 | 9/12/2018 | |||
| Portugal | 5/10/2019 | $680 | 1 | 1 | 3 | $2,530 | 7/23/2019 | |||
| United Kingdom | 3/22/2019 | $10,961 | 5 | 5 | 5 | $10,961 | 3/29/2019 | |||
| International Total | $1,601,326 | 7/23/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Vincent Lacoste | Arthur | |
| Pierre Deladonchamps | Jacques | |
| Denis Podalydes | Mathieu |
Supporting
| Adele Wismes | Nadine | |
| Thomas Gonzalez | Marco | |
| Clement Metayer | Pierre | |
| Quentin Thébault | Jean-Marie | |
| Tristan Farge | Louis | |
| Sophie Letourneur | Isabelle | |
| Marlène Saldana | L’actrice | |
| Luca Malinowski | Stéphane | |
| Rio Vega | Fabrice |
Production and Technical Credits
| Christophe Honore | Director | |
| Christophe Honore | Story by | |
| Mathieu Telinhos | Casting Director | |
| Jean-Francois François | First Assistant Director | |
| Remy Chevrin | Director of Photography | |
| Stephane Taillasson | Set Designer | |
| Pascaline Chavanne | Costume Designer | |
| Guillaume Le Braz | Sound Mixer | |
| Agnes Ravez | Sound Mixer | |
| Cyril Holtz | Sound Mixer | |
| Chantal Hymans | Editor | |
| Maxime Rappaz | Script Supervisor | |
| Clotilde Martin | Production Manager | |
| Christian Lambert | Line Producer | |
| Juliette Mallon | Post-Production Supervisor | |
| Philippe Martin | Producer | |
| David Thion | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.