Please Stand By (2018)
| Theatrical Performance | ||
| Domestic Box Office | $9,868 | Details |
| International Box Office | $394,488 | Details |
| Worldwide Box Office | $404,356 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $119,178 | |
| Blu-ray Sales (estimated) | $61,656 | |
| Total | $180,834 | |
| OpusData ID: 230380100 More info... | ||
| Further financial details... | ||
Synopsis
A young autistic woman runs away from her caregiver in order to boldly go and deliver her 500-page Star Trek script to a writing competition in Hollywood. On an adventure full of laughter and tears, Wendy follows the guiding spirit of Mr. Spock on her journey into the unknown. "It is there for us to conquer, not to fear."
Metrics
| Opening Weekend: | $4,090 (41.4% of total gross) |
| Legs: | 2.41 (domestic box office/biggest weekend) |
| Domestic Share: | 2.4% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/7 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,953 |
Movie Details
| Domestic Releases: | January 26th, 2018 (Limited) by Magnolia Pictures |
| International Releases: | February 25th, 2018 (Wide) (South Korea)
April 27th, 2018 (Wide) (Brazil) May 11th, 2018 (Wide) (Argentina) June 1st, 2018 (Wide), released as Un nuevo camino (Mexico) October 26th, 2018 (Wide), released as Um Novo Caminho (Portugal) ... Show all releases |
| Video Release: | May 1st, 2018 by Magnolia Home Entertainment |
| MPA Rating: | PG-13 for brief strong language. (Rating bulletin 2447 (Cert #50593), 10/19/2016) |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Fantasy Sequence, Intertitle, Invented Language, Voiceover/Narration |
| Geographical setting: | Hollywood |
| Plot point: | Autism, Road Trip, Runaway, Screenwriters |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source material: | Novel or Other Work Adapted by Author |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 2929 Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 2018 | 68 | $4,090 | 5 | $818 | $4,090 | 1 | |
| Feb 2, 2018 | 80 | $990 | -76% | 2 | $495 | $7,724 | 2 |
| Feb 9, 2018 | 86 | $410 | -59% | 1 | $410 | $8,134 | 3 |
| Feb 16, 2018 | 82 | $670 | +63% | 1 | $670 | $9,269 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 2018 | 65 | $6,734 | 7 | $962 | $6,734 | 1 | |
| Feb 2, 2018 | 84 | $990 | -85% | 2 | $495 | $7,724 | 2 |
| Feb 9, 2018 | 81 | $875 | -12% | 1 | $875 | $8,599 | 3 |
| Feb 16, 2018 | 82 | $1,269 | +45% | 1 | $1,269 | $9,868 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/11/2018 | $3,442 | 0 | 0 | 0 | $4,437 | 1/1/2019 | |||
| Brazil | 4/27/2018 | $48,573 | 0 | 0 | 0 | $48,573 | 6/14/2018 | |||
| Portugal | 10/26/2018 | $437 | 3 | 3 | 3 | $437 | 10/31/2018 | |||
| South Korea | 2/25/2018 | $356 | 1 | 346 | 432 | $330,766 | 10/12/2018 | |||
| Rest of World | $10,275 | |||||||||
| International Total | $394,488 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dakota Fanning | Wendy |
Supporting
| Toni Collette | Scottie | |
| Alice Eve | Audrey | |
| Tony Revolori | Nemo | |
| River Alexander | Sam |
Cameo
| Patton Oswalt | Officer Frank |
Production and Technical Credits
| Ben Lewin | Director | |
| Michael Golamco | Screenwriter | |
| Daniel Dubiecki | Producer | |
| Lara Alameddine | Producer | |
| Todd Wagner | Producer | |
| Ben Cosgrove | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A young autistic woman runs away from her caregiver in order to boldly go and deliver her 500-page Star Trek script to a writing competition in Hollywood. On an adventure full of laughter and tears, Wendy follows the guiding spirit of Mr. Spock on her journey into the unknown. "It is there for us to conquer, not to fear."
Metrics
| Opening Weekend: | $4,090 (41.4% of total gross) |
| Legs: | 2.41 (domestic box office/biggest weekend) |
| Domestic Share: | 2.4% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/7 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,953 |
Movie Details
| Domestic Releases: | January 26th, 2018 (Limited) by Magnolia Pictures |
| International Releases: | February 25th, 2018 (Wide) (South Korea)
April 27th, 2018 (Wide) (Brazil) May 11th, 2018 (Wide) (Argentina) June 1st, 2018 (Wide), released as Un nuevo camino (Mexico) October 26th, 2018 (Wide), released as Um Novo Caminho (Portugal) ... Show all releases |
| Video Release: | May 1st, 2018 by Magnolia Home Entertainment |
| MPA Rating: | PG-13 for brief strong language. (Rating bulletin 2447 (Cert #50593), 10/19/2016) |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Fantasy Sequence, Intertitle, Invented Language, Voiceover/Narration |
| Geographical setting: | Hollywood |
| Plot point: | Autism, Road Trip, Runaway, Screenwriters |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source material: | Novel or Other Work Adapted by Author |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 2929 Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 2018 | 68 | $4,090 | 5 | $818 | $4,090 | 1 | |
| Feb 2, 2018 | 80 | $990 | -76% | 2 | $495 | $7,724 | 2 |
| Feb 9, 2018 | 86 | $410 | -59% | 1 | $410 | $8,134 | 3 |
| Feb 16, 2018 | 82 | $670 | +63% | 1 | $670 | $9,269 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 2018 | 65 | $6,734 | 7 | $962 | $6,734 | 1 | |
| Feb 2, 2018 | 84 | $990 | -85% | 2 | $495 | $7,724 | 2 |
| Feb 9, 2018 | 81 | $875 | -12% | 1 | $875 | $8,599 | 3 |
| Feb 16, 2018 | 82 | $1,269 | +45% | 1 | $1,269 | $9,868 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/11/2018 | $3,442 | 0 | 0 | 0 | $4,437 | 1/1/2019 | |||
| Brazil | 4/27/2018 | $48,573 | 0 | 0 | 0 | $48,573 | 6/14/2018 | |||
| Portugal | 10/26/2018 | $437 | 3 | 3 | 3 | $437 | 10/31/2018 | |||
| South Korea | 2/25/2018 | $356 | 1 | 346 | 432 | $330,766 | 10/12/2018 | |||
| Rest of World | $10,275 | |||||||||
| International Total | $394,488 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dakota Fanning | Wendy |
Supporting
| Toni Collette | Scottie | |
| Alice Eve | Audrey | |
| Tony Revolori | Nemo | |
| River Alexander | Sam |
Cameo
| Patton Oswalt | Officer Frank |
Production and Technical Credits
| Ben Lewin | Director | |
| Michael Golamco | Screenwriter | |
| Daniel Dubiecki | Producer | |
| Lara Alameddine | Producer | |
| Todd Wagner | Producer | |
| Ben Cosgrove | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.