Plemya (2015)
| Theatrical Performance | ||
| Domestic Box Office | $150,565 | Details |
| International Box Office | $62,729 | Details |
| Worldwide Box Office | $213,294 | |
| OpusData ID: 228070100 More info... | ||
| Further financial details... | ||
Synopsis
Somewhere in Ukraine, Sergey enters a specialized boarding school for the deaf. Alone in this new and unfamiliar place, he must find his way through the school's hierarchy. Sergey quickly encounters the tribe, a student gang dealing in crime and prostitution. After passing their hazing rituals and being inducted into the group, he takes part in several robberies and begins to work his way up the chain of command to become pimp-protector for two of the girls, who turn tricks at the local truck stop. Finding himself in love with one of them, Sergey ultimately breaks all the unwritten rules of the tribe, with tragic consequences.
Metrics
| Opening Weekend: | $11,094 (7.4% of total gross) |
| Legs: | 8.65 (domestic box office/biggest weekend) |
| Domestic Share: | 70.6% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/13 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $213,618 |
Movie Details
| Domestic Releases: | June 17th, 2015 (Limited) by Drafthouse Films, released as The Tribe |
| International Releases: | May 29th, 2015 (Wide) (Poland)
July 31st, 2015 (Wide) (Hong Kong) October 1st, 2015 (Wide) (Thailand) October 2nd, 2015 (Wide) (Mexico) May 6th, 2016 (Wide) (Spain) ... Show all releases |
| Video Release: | March 1st, 2016 by Cinedigm, released as The Tribe |
| MPA Rating: | Not Rated |
| Running Time: | 132 minutes |
| Cast, crew, or production detail: | Limited Dialogue |
| Plot point: | Deaf, New Guy/Girl in School, Prostitution, Romance |
| Social setting: | Boarding School, Organized Crime |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Alpha Violent, Arthouse Traffic, Garmata Film |
| Production Countries: | Ukraine, Netherlands |
| Languages: | Sign Language, Ukrainian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2015 | 61 | $11,094 | 1 | $11,094 | $11,094 | 1 | |
| Jun 26, 2015 | 49 | $17,399 | +57% | 2 | $8,700 | $33,665 | 2 |
| Jul 3, 2015 | 62 | $5,302 | -70% | 5 | $1,060 | $49,242 | 3 |
| Jul 10, 2015 | 54 | $14,739 | +178% | 6 | $2,457 | $72,257 | 4 |
| Jul 17, 2015 | 62 | $6,989 | -53% | 9 | $777 | $88,518 | 5 |
| Jul 24, 2015 | 65 | $7,637 | +9% | 9 | $849 | $103,122 | 6 |
| Jul 31, 2015 | 73 | $3,180 | -58% | 6 | $530 | $109,814 | 7 |
| Aug 7, 2015 | 75 | $4,130 | +30% | 7 | $590 | $114,992 | 8 |
| Aug 14, 2015 | 80 | $3,385 | -18% | 8 | $423 | $131,253 | 9 |
| Aug 21, 2015 | 88 | $1,933 | -43% | 7 | $276 | $139,068 | 10 |
| Aug 28, 2015 | 89 | $1,566 | -19% | 7 | $224 | $143,771 | 11 |
| Sep 4, 2015 | 88 | $2,463 | +57% | 4 | $616 | $147,507 | 12 |
| Sep 11, 2015 | 103 | $285 | -88% | 1 | $285 | $149,818 | 13 |
| Sep 18, 2015 | 107 | $260 | -9% | 1 | $260 | $150,565 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2015 | 60 | $16,266 | 1 | $16,266 | $16,266 | 2 | |
| Jun 26, 2015 | 53 | $27,674 | +70% | 2 | $13,837 | $43,940 | 3 |
| Jul 3, 2015 | 59 | $13,578 | -51% | 5 | $2,716 | $57,518 | 4 |
| Jul 10, 2015 | 53 | $24,011 | +77% | 6 | $4,002 | $81,529 | 5 |
| Jul 17, 2015 | 63 | $13,956 | -42% | 11 | $1,269 | $95,485 | 6 |
| Jul 24, 2015 | 68 | $11,149 | -20% | 10 | $1,115 | $106,634 | 7 |
| Jul 31, 2015 | 84 | $4,228 | -62% | 6 | $705 | $110,862 | 8 |
| Aug 7, 2015 | 64 | $17,006 | +302% | 7 | $2,429 | $127,868 | 9 |
| Aug 14, 2015 | 71 | $9,267 | -46% | 13 | $713 | $137,135 | 10 |
| Aug 21, 2015 | 86 | $5,070 | -45% | 10 | $507 | $142,205 | 11 |
| Aug 28, 2015 | 91 | $2,839 | -44% | 8 | $355 | $145,044 | 12 |
| Sep 4, 2015 | 90 | $4,489 | +58% | 4 | $1,122 | $149,533 | 13 |
| Sep 11, 2015 | 108 | $772 | -83% | 2 | $386 | $150,305 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hong Kong | 7/31/2015 | $10,339 | 3 | 3 | 8 | $32,167 | 11/26/2018 | |||
| Mexico | 10/2/2015 | $0 | 0 | 110 | 113 | $11,139 | 11/25/2015 | |||
| Poland | 5/29/2015 | $10,244 | 0 | 0 | 0 | $10,244 | 12/30/2018 | |||
| Portugal | 4/21/2017 | $415 | 2 | 2 | 4 | $1,574 | 1/31/2018 | |||
| Spain | 5/6/2016 | $2,296 | 4 | 4 | 4 | $2,296 | 6/9/2016 | |||
| Thailand | 10/1/2015 | $0 | 0 | 1 | 2 | $5,309 | 10/20/2015 | |||
| International Total | $62,729 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Grigoriy Fesenko | Sergey | |
| Yana Novikova | Anna |
Supporting
| Rosa Babiy | Svetka | |
| Yaroslav Biletskiy | Makar | |
| Alexander Sidelnikov | Shynr | |
| Alexander Dsiadevich | Gera | |
| Alexander Osadchiy | King | |
| Alexander Panivan | Woodwork Teacher | |
| Kirill Koshik | Sponsor | |
| Tatiana Radchenko | Principal |
Production and Technical Credits
| Myroslav Slaboshpytskiy | Director | |
| Myroslav Slaboshpytskiy | Screenwriter | |
| Iya Myslytska | Producer | |
| Valentyn Vasyanovych | Producer | |
| Elena Slaboshpytskaya | Producer-Creative Producer | |
| Valentyn Vasyanovych | Editor | |
| Sergiy Stepanskiy | Sound Designer | |
| Vlad Odudenko | Production Designer | |
| Valentyn Vasyanovych | Director of Photography | |
| Alena Gres | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Somewhere in Ukraine, Sergey enters a specialized boarding school for the deaf. Alone in this new and unfamiliar place, he must find his way through the school's hierarchy. Sergey quickly encounters the tribe, a student gang dealing in crime and prostitution. After passing their hazing rituals and being inducted into the group, he takes part in several robberies and begins to work his way up the chain of command to become pimp-protector for two of the girls, who turn tricks at the local truck stop. Finding himself in love with one of them, Sergey ultimately breaks all the unwritten rules of the tribe, with tragic consequences.
Metrics
| Opening Weekend: | $11,094 (7.4% of total gross) |
| Legs: | 8.65 (domestic box office/biggest weekend) |
| Domestic Share: | 70.6% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/13 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $213,618 |
Movie Details
| Domestic Releases: | June 17th, 2015 (Limited) by Drafthouse Films, released as The Tribe |
| International Releases: | May 29th, 2015 (Wide) (Poland)
July 31st, 2015 (Wide) (Hong Kong) October 1st, 2015 (Wide) (Thailand) October 2nd, 2015 (Wide) (Mexico) May 6th, 2016 (Wide) (Spain) ... Show all releases |
| Video Release: | March 1st, 2016 by Cinedigm, released as The Tribe |
| MPA Rating: | Not Rated |
| Running Time: | 132 minutes |
| Cast, crew, or production detail: | Limited Dialogue |
| Plot point: | Deaf, New Guy/Girl in School, Prostitution, Romance |
| Social setting: | Boarding School, Organized Crime |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Alpha Violent, Arthouse Traffic, Garmata Film |
| Production Countries: | Ukraine, Netherlands |
| Languages: | Sign Language, Ukrainian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2015 | 61 | $11,094 | 1 | $11,094 | $11,094 | 1 | |
| Jun 26, 2015 | 49 | $17,399 | +57% | 2 | $8,700 | $33,665 | 2 |
| Jul 3, 2015 | 62 | $5,302 | -70% | 5 | $1,060 | $49,242 | 3 |
| Jul 10, 2015 | 54 | $14,739 | +178% | 6 | $2,457 | $72,257 | 4 |
| Jul 17, 2015 | 62 | $6,989 | -53% | 9 | $777 | $88,518 | 5 |
| Jul 24, 2015 | 65 | $7,637 | +9% | 9 | $849 | $103,122 | 6 |
| Jul 31, 2015 | 73 | $3,180 | -58% | 6 | $530 | $109,814 | 7 |
| Aug 7, 2015 | 75 | $4,130 | +30% | 7 | $590 | $114,992 | 8 |
| Aug 14, 2015 | 80 | $3,385 | -18% | 8 | $423 | $131,253 | 9 |
| Aug 21, 2015 | 88 | $1,933 | -43% | 7 | $276 | $139,068 | 10 |
| Aug 28, 2015 | 89 | $1,566 | -19% | 7 | $224 | $143,771 | 11 |
| Sep 4, 2015 | 88 | $2,463 | +57% | 4 | $616 | $147,507 | 12 |
| Sep 11, 2015 | 103 | $285 | -88% | 1 | $285 | $149,818 | 13 |
| Sep 18, 2015 | 107 | $260 | -9% | 1 | $260 | $150,565 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2015 | 60 | $16,266 | 1 | $16,266 | $16,266 | 2 | |
| Jun 26, 2015 | 53 | $27,674 | +70% | 2 | $13,837 | $43,940 | 3 |
| Jul 3, 2015 | 59 | $13,578 | -51% | 5 | $2,716 | $57,518 | 4 |
| Jul 10, 2015 | 53 | $24,011 | +77% | 6 | $4,002 | $81,529 | 5 |
| Jul 17, 2015 | 63 | $13,956 | -42% | 11 | $1,269 | $95,485 | 6 |
| Jul 24, 2015 | 68 | $11,149 | -20% | 10 | $1,115 | $106,634 | 7 |
| Jul 31, 2015 | 84 | $4,228 | -62% | 6 | $705 | $110,862 | 8 |
| Aug 7, 2015 | 64 | $17,006 | +302% | 7 | $2,429 | $127,868 | 9 |
| Aug 14, 2015 | 71 | $9,267 | -46% | 13 | $713 | $137,135 | 10 |
| Aug 21, 2015 | 86 | $5,070 | -45% | 10 | $507 | $142,205 | 11 |
| Aug 28, 2015 | 91 | $2,839 | -44% | 8 | $355 | $145,044 | 12 |
| Sep 4, 2015 | 90 | $4,489 | +58% | 4 | $1,122 | $149,533 | 13 |
| Sep 11, 2015 | 108 | $772 | -83% | 2 | $386 | $150,305 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hong Kong | 7/31/2015 | $10,339 | 3 | 3 | 8 | $32,167 | 11/26/2018 | |||
| Mexico | 10/2/2015 | $0 | 0 | 110 | 113 | $11,139 | 11/25/2015 | |||
| Poland | 5/29/2015 | $10,244 | 0 | 0 | 0 | $10,244 | 12/30/2018 | |||
| Portugal | 4/21/2017 | $415 | 2 | 2 | 4 | $1,574 | 1/31/2018 | |||
| Spain | 5/6/2016 | $2,296 | 4 | 4 | 4 | $2,296 | 6/9/2016 | |||
| Thailand | 10/1/2015 | $0 | 0 | 1 | 2 | $5,309 | 10/20/2015 | |||
| International Total | $62,729 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Grigoriy Fesenko | Sergey | |
| Yana Novikova | Anna |
Supporting
| Rosa Babiy | Svetka | |
| Yaroslav Biletskiy | Makar | |
| Alexander Sidelnikov | Shynr | |
| Alexander Dsiadevich | Gera | |
| Alexander Osadchiy | King | |
| Alexander Panivan | Woodwork Teacher | |
| Kirill Koshik | Sponsor | |
| Tatiana Radchenko | Principal |
Production and Technical Credits
| Myroslav Slaboshpytskiy | Director | |
| Myroslav Slaboshpytskiy | Screenwriter | |
| Iya Myslytska | Producer | |
| Valentyn Vasyanovych | Producer | |
| Elena Slaboshpytskaya | Producer-Creative Producer | |
| Valentyn Vasyanovych | Editor | |
| Sergiy Stepanskiy | Sound Designer | |
| Vlad Odudenko | Production Designer | |
| Valentyn Vasyanovych | Director of Photography | |
| Alena Gres | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.