Point of No Return (1993)
| Theatrical Performance | ||
| Domestic Box Office | $30,038,362 | Details |
| OpusData ID: 18810100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $7,160,389 (23.8% of total gross) |
| Legs: | 4.20 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,545 opening theaters/1,659 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $82,061,311 |
Movie Details
| Domestic Releases: | March 19th, 1993 (Wide) by Warner Bros. |
| MPA Rating: | R |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Plot point: | Addiction, Faked Death, Hitmen, Romance, Secret Agent |
| Social setting: | Death Row |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros. |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 19, 1993 | 2 | $7,160,389 | 1,545 | $4,635 | $7,160,389 | 1 | |
| Mar 26, 1993 | 3 | $5,508,831 | -23% | 1,659 | $3,321 | $15,171,695 | 2 |
| Apr 2, 1993 | 6 | $3,610,965 | -34% | 1,659 | $2,177 | $20,379,000 | 3 |
| Apr 9, 1993 | 8 | $2,044,294 | -43% | 1,356 | $1,508 | $23,696,061 | 4 |
| Apr 16, 1993 | 10 | $1,406,620 | -31% | 1,250 | $1,125 | $25,912,140 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 19, 1993 | 2 | $9,662,864 | 1,545 | $6,254 | $9,662,864 | 1 | |
| Mar 26, 1993 | 3 | $7,105,171 | -26% | 1,659 | $4,283 | $16,768,035 | 2 |
| Apr 2, 1993 | 5 | $4,883,732 | -31% | 1,659 | $2,944 | $21,651,767 | 3 |
| Apr 9, 1993 | 7 | $2,853,753 | -42% | 1,356 | $2,105 | $24,505,520 | 4 |
Leading
| Bridget Fonda | Maggie |
Supporting
| Gabriel Byrne | Bob | |
| Dermot Mulroney | J.P. | |
| Anne Bancroft | Amanda | |
| Harvey Keitel | Victor the Cleaner | |
| Miguel Ferrer | Kaufman | |
| Olivia D'Abo | Angela | |
| Richard Romanus | Fahd Bahktiar | |
| Lorraine Toussaint | Beth | |
| Geoffrey Lewis | Drug Store Owner | |
| Mic Rodgers | Cop | |
| Michael Rapaport | Big Stan | |
| Ray Oriel | Burt | |
| Spike McClure | Johnny D | |
| Lieux Dressler | Johnny's Mom | |
| John Capodice | Detective | |
| Carmen Zapata | Judge | |
| Calvin Levels | Computer Instructor | |
| Michael Runyard | Weapon's Instructor | |
| Bill Ryusaki | Karate Instructor | |
| Jan Speck | Kaufman's Assistant | |
| Francesco Messina | Waiter in Restaurant | |
| Peter Mark Vasquez | Guard in Booth | |
| Wendy L. Davies | Shopping Woman | |
| James Handy | Operative | |
| Lee Dupree | Guy with Gun | |
| David Sosna | Operative with Headset | |
| Bruce Barnes | New Orlean's Thug | |
| Jaqueline Koch | VIP Woman | |
| Kenny Endoso | Angela's Bodyguard | |
| Gary Kasper | Angela's Bodyguard | |
| Rosalind Jue | Maid | |
| Eric Cohen | Valet | |
| Francois Chau | Building Security Guard | |
| Joe Garcia | Hassan | |
| Frank Girardeau | Policeman | |
| Clark Heathcliffe Brolly | Student | |
| Jodie Markell | Student | |
| Robert Harvey | Police Detective | |
| Harry Perry | Venice Guitar Player |
Production and Technical Credits
| John Badham | Director | |
| Art Linson | Producer | |
| Robert Getchell | Screenwriter | |
| Alexandra Seros | Screenwriter | |
| Luc Besson | Story Creator | |
| Michael W. Watkins | Director of Photography | |
| Philip Harrison | Production Designer | |
| Frank Morriss | Editor | |
| Hans Zimmer | Composer | |
| James Herbert | Co-Producer | |
| D.J. Caruso | Associate Producer | |
| David Sosna | Associate Producer | |
| David Sosna | Assistant Director | |
| D.J. Caruso | Second Unit Director | |
| James Herbert | Production Manager | |
| Sydney Z. Litwack | Art Director | |
| Julia Laughlin | Set Decorator | |
| Michael Ferris | Second Unit Camera | |
| Marlene Stewart | Costume Designer | |
| Jeff Jones | Associate Editor | |
| Willie D. Burton | Sound Mixer | |
| Wayne Artman | Re-recording Mixer | |
| Tom E. Dahl | Re-recording Mixer | |
| Frank Jones | Re-recording Mixer | |
| William L. Manger | Supervising Sound Editor | |
| Dale Johnston | Supervising Sound Editor | |
| Richard Oswald | Supervising Sound Editor | |
| James J. Isaacs | Supervising Sound Editor | |
| Solange Schwalbe-Boisseau* | Supervising Sound Editor | |
| Alex Gibson | Music Editor | |
| Sherry Whitfield | Music Editor | |
| Nick Glennie-Smith | Additional Music | |
| Bonnie Timmermann | Casting Director | |
| Mic Rodgers | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $7,160,389 (23.8% of total gross) |
| Legs: | 4.20 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,545 opening theaters/1,659 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $82,061,311 |
Movie Details
| Domestic Releases: | March 19th, 1993 (Wide) by Warner Bros. |
| MPA Rating: | R |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Plot point: | Addiction, Faked Death, Hitmen, Romance, Secret Agent |
| Social setting: | Death Row |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros. |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 19, 1993 | 2 | $7,160,389 | 1,545 | $4,635 | $7,160,389 | 1 | |
| Mar 26, 1993 | 3 | $5,508,831 | -23% | 1,659 | $3,321 | $15,171,695 | 2 |
| Apr 2, 1993 | 6 | $3,610,965 | -34% | 1,659 | $2,177 | $20,379,000 | 3 |
| Apr 9, 1993 | 8 | $2,044,294 | -43% | 1,356 | $1,508 | $23,696,061 | 4 |
| Apr 16, 1993 | 10 | $1,406,620 | -31% | 1,250 | $1,125 | $25,912,140 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 19, 1993 | 2 | $9,662,864 | 1,545 | $6,254 | $9,662,864 | 1 | |
| Mar 26, 1993 | 3 | $7,105,171 | -26% | 1,659 | $4,283 | $16,768,035 | 2 |
| Apr 2, 1993 | 5 | $4,883,732 | -31% | 1,659 | $2,944 | $21,651,767 | 3 |
| Apr 9, 1993 | 7 | $2,853,753 | -42% | 1,356 | $2,105 | $24,505,520 | 4 |
Leading
| Bridget Fonda | Maggie |
Supporting
| Gabriel Byrne | Bob | |
| Dermot Mulroney | J.P. | |
| Anne Bancroft | Amanda | |
| Harvey Keitel | Victor the Cleaner | |
| Miguel Ferrer | Kaufman | |
| Olivia D'Abo | Angela | |
| Richard Romanus | Fahd Bahktiar | |
| Lorraine Toussaint | Beth | |
| Geoffrey Lewis | Drug Store Owner | |
| Mic Rodgers | Cop | |
| Michael Rapaport | Big Stan | |
| Ray Oriel | Burt | |
| Spike McClure | Johnny D | |
| Lieux Dressler | Johnny's Mom | |
| John Capodice | Detective | |
| Carmen Zapata | Judge | |
| Calvin Levels | Computer Instructor | |
| Michael Runyard | Weapon's Instructor | |
| Bill Ryusaki | Karate Instructor | |
| Jan Speck | Kaufman's Assistant | |
| Francesco Messina | Waiter in Restaurant | |
| Peter Mark Vasquez | Guard in Booth | |
| Wendy L. Davies | Shopping Woman | |
| James Handy | Operative | |
| Lee Dupree | Guy with Gun | |
| David Sosna | Operative with Headset | |
| Bruce Barnes | New Orlean's Thug | |
| Jaqueline Koch | VIP Woman | |
| Kenny Endoso | Angela's Bodyguard | |
| Gary Kasper | Angela's Bodyguard | |
| Rosalind Jue | Maid | |
| Eric Cohen | Valet | |
| Francois Chau | Building Security Guard | |
| Joe Garcia | Hassan | |
| Frank Girardeau | Policeman | |
| Clark Heathcliffe Brolly | Student | |
| Jodie Markell | Student | |
| Robert Harvey | Police Detective | |
| Harry Perry | Venice Guitar Player |
Production and Technical Credits
| John Badham | Director | |
| Art Linson | Producer | |
| Robert Getchell | Screenwriter | |
| Alexandra Seros | Screenwriter | |
| Luc Besson | Story Creator | |
| Michael W. Watkins | Director of Photography | |
| Philip Harrison | Production Designer | |
| Frank Morriss | Editor | |
| Hans Zimmer | Composer | |
| James Herbert | Co-Producer | |
| D.J. Caruso | Associate Producer | |
| David Sosna | Associate Producer | |
| David Sosna | Assistant Director | |
| D.J. Caruso | Second Unit Director | |
| James Herbert | Production Manager | |
| Sydney Z. Litwack | Art Director | |
| Julia Laughlin | Set Decorator | |
| Michael Ferris | Second Unit Camera | |
| Marlene Stewart | Costume Designer | |
| Jeff Jones | Associate Editor | |
| Willie D. Burton | Sound Mixer | |
| Wayne Artman | Re-recording Mixer | |
| Tom E. Dahl | Re-recording Mixer | |
| Frank Jones | Re-recording Mixer | |
| William L. Manger | Supervising Sound Editor | |
| Dale Johnston | Supervising Sound Editor | |
| Richard Oswald | Supervising Sound Editor | |
| James J. Isaacs | Supervising Sound Editor | |
| Solange Schwalbe-Boisseau* | Supervising Sound Editor | |
| Alex Gibson | Music Editor | |
| Sherry Whitfield | Music Editor | |
| Nick Glennie-Smith | Additional Music | |
| Bonnie Timmermann | Casting Director | |
| Mic Rodgers | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.