Poms (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $13,631,124 | Details |
| International Box Office | $4,270,190 | Details |
| Worldwide Box Office | $17,901,314 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $694,822 | |
| Blu-ray Sales (estimated) | $419,651 | |
| Total | $1,114,473 | |
| OpusData ID: 346280100 More info... | ||
| Further financial details... | ||
Synopsis
Martha is a woman who moves into a retirement community and starts a cheerleading squad with her fellow residents, Sheryl, Olive and Alice, proving that it’s never too late to follow your dreams.
Metrics
| Opening Weekend: | $5,361,937 (39.3% of total gross) |
| Legs: | 2.54 (domestic box office/biggest weekend) |
| Domestic Share: | 76.1% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 1.8 times production budget) |
| Theater counts: | 2,750 opening theaters/2,750 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,797,843 |
Movie Details
| Domestic Releases: | May 10th, 2019 (Wide) by STX Entertainment |
| International Releases: | May 10th, 2019 (Wide) (Australia)
June 7th, 2019 (Wide), released as Mejor que nunca (Spain) June 14th, 2019 (Wide), released as Tudo é Possível (Portugal) July 11th, 2019 (Wide), released as Mejor que nunca (Mexico) July 26th, 2019 (Wide), released as Hai că încă putem! (Romania) ... Show all releases |
| Video Release: | June 4th, 2019 by Universal Home Entertainment |
| MPA Rating: | PG-13 for some language/sexual references. (Rating bulletin 2574 (Cert #52085), 4/17/2019) |
| Running Time: | 91 minutes |
| Plot point: | Autumn Years, Cheerleaders |
| Social setting: | Retirement, Retirement Home |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sierra Films, Rose Pictures , Mad as Birds Films, Entertainment One, STX Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 6 | $5,361,937 | 2,750 | $1,950 | $5,361,937 | 1 | |
| May 17, 2019 | 9 | $2,180,698 | -59% | 2,750 | $793 | $10,110,890 | 2 |
| May 24, 2019 | 13 | $653,818 | -70% | 911 | $718 | $12,366,929 | 3 |
| May 31, 2019 | 18 | $207,644 | -68% | 374 | $555 | $13,213,810 | 4 |
| Jun 7, 2019 | 30 | $89,926 | -57% | 177 | $508 | $13,487,561 | 5 |
| Jun 14, 2019 | 35 | $33,565 | -63% | 87 | $386 | $13,596,696 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 9, 2019 | P | $225,000 | 2,000 | $113 | $225,000 | |||
| May 10, 2019 | 6 | $1,497,688 | 2,750 | $545 | $1,497,688 | 1 | ||
| May 11, 2019 | 7 | $1,688,095 | +13% | 2,750 | $614 | $3,185,783 | 2 | |
| May 12, 2019 | 5 | $2,176,154 | +29% | 2,750 | $791 | $5,361,937 | 3 | |
| May 13, 2019 | 6 | $525,642 | -76% | 2,750 | $191 | $5,887,579 | 4 | |
| May 14, 2019 | 4 | $980,897 | +87% | 2,750 | $357 | $6,868,476 | 5 | |
| May 15, 2019 | 4 | $566,931 | -42% | 2,750 | $206 | $7,435,407 | 6 | |
| May 16, 2019 | 4 | $494,785 | -13% | 2,750 | $180 | $7,930,192 | 7 | |
| May 17, 2019 | 9 | $673,894 | +36% | -55% | 2,750 | $245 | $8,604,086 | 8 |
| May 18, 2019 | 9 | $834,745 | +24% | -51% | 2,750 | $304 | $9,438,831 | 9 |
| May 19, 2019 | 8 | $672,059 | -19% | -69% | 2,750 | $244 | $10,110,890 | 10 |
| May 20, 2019 | 8 | $342,506 | -49% | -35% | 2,750 | $125 | $10,453,396 | 11 |
| May 21, 2019 | 6 | $577,262 | +69% | -41% | 2,750 | $210 | $11,030,658 | 12 |
| May 22, 2019 | 6 | $376,761 | -35% | -34% | 2,750 | $137 | $11,407,419 | 13 |
| May 23, 2019 | 6 | $305,692 | -19% | -38% | 2,750 | $111 | $11,713,111 | 14 |
| May 24, 2019 | 13 | $179,103 | -41% | -73% | 911 | $197 | $11,892,214 | 15 |
| May 25, 2019 | 14 | $238,740 | +33% | -71% | 911 | $262 | $12,130,954 | 16 |
| May 26, 2019 | 14 | $235,975 | -1% | -65% | 911 | $259 | $12,366,929 | 17 |
| May 27, 2019 | 13 | $231,846 | -2% | -32% | 911 | $254 | $12,598,775 | 18 |
| May 28, 2019 | 12 | $165,741 | -29% | -71% | 911 | $182 | $12,764,516 | 19 |
| May 29, 2019 | 11 | $133,522 | -19% | -65% | 911 | $147 | $12,898,038 | 20 |
| May 30, 2019 | 10 | $108,128 | -19% | -65% | 911 | $119 | $13,006,166 | 21 |
| May 31, 2019 | - | $62,183 | -42% | -65% | 374 | $166 | $13,068,349 | 22 |
| Jun 1, 2019 | - | $79,757 | +28% | -67% | 374 | $213 | $13,148,106 | 23 |
| Jun 2, 2019 | - | $65,704 | -18% | -72% | 374 | $176 | $13,213,810 | 24 |
| Jun 3, 2019 | 15 | $37,177 | -43% | -84% | 374 | $99 | $13,250,987 | 25 |
| Jun 4, 2019 | 14 | $60,678 | +63% | -63% | 374 | $162 | $13,311,665 | 26 |
| Jun 5, 2019 | 14 | $45,619 | -25% | -66% | 374 | $122 | $13,357,284 | 27 |
| Jun 6, 2019 | - | $40,351 | -12% | -63% | 374 | $108 | $13,397,635 | 28 |
| Jun 7, 2019 | - | $27,522 | -32% | -56% | 177 | $155 | $13,425,157 | 29 |
| Jun 8, 2019 | - | $34,350 | +25% | -57% | 177 | $194 | $13,459,507 | 30 |
| Jun 9, 2019 | - | $28,054 | -18% | -57% | 177 | $158 | $13,487,561 | 31 |
| Jun 10, 2019 | - | $16,683 | -41% | -55% | 177 | $94 | $13,504,244 | 32 |
| Jun 11, 2019 | - | $21,891 | +31% | -64% | 177 | $124 | $13,526,135 | 33 |
| Jun 12, 2019 | - | $19,952 | -9% | -56% | 177 | $113 | $13,546,087 | 34 |
| Jun 13, 2019 | - | $17,044 | -15% | -58% | 177 | $96 | $13,563,131 | 35 |
| Jun 14, 2019 | - | $10,864 | -36% | -61% | 87 | $125 | $13,573,995 | 36 |
| Jun 15, 2019 | - | $13,158 | +21% | -62% | 87 | $151 | $13,587,153 | 37 |
| Jun 16, 2019 | - | $9,543 | -27% | -66% | 87 | $110 | $13,596,696 | 38 |
| Jun 17, 2019 | - | $5,897 | -38% | -65% | 87 | $68 | $13,602,593 | 39 |
| Jun 18, 2019 | - | $10,872 | +84% | -50% | 87 | $125 | $13,613,465 | 40 |
| Jun 19, 2019 | - | $8,614 | -21% | -57% | 87 | $99 | $13,622,079 | 41 |
| Jun 20, 2019 | - | $9,045 | +5% | -47% | 87 | $104 | $13,631,124 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 6 | $7,930,192 | 2,750 | $2,884 | $7,930,192 | 1 | |
| May 17, 2019 | 8 | $3,782,919 | -52% | 2,750 | $1,376 | $11,713,111 | 2 |
| May 24, 2019 | 13 | $1,293,055 | -66% | 911 | $1,419 | $13,006,166 | 3 |
| May 31, 2019 | 18 | $391,469 | -70% | 374 | $1,047 | $13,397,635 | 4 |
| Jun 7, 2019 | - | $165,496 | -58% | 177 | $935 | $13,563,131 | 5 |
| Jun 14, 2019 | - | $67,993 | -59% | 87 | $782 | $13,631,124 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/9/2019 | $23,274 | 69 | 69 | 69 | $26,938 | 8/25/2019 | |||
| Australia | 5/10/2019 | $551,001 | 298 | 298 | 1,192 | $1,580,376 | 9/10/2019 | |||
| Brazil | 8/2/2019 | $31,379 | 74 | 74 | 74 | $49,715 | 8/11/2019 | |||
| Mexico | 7/11/2019 | $352,159 | 0 | 0 | 0 | $662,652 | 10/19/2022 | |||
| Netherlands | 8/9/2019 | $52,699 | 75 | 75 | 225 | $220,124 | 11/10/2019 | |||
| Portugal | 6/14/2019 | $18,227 | 26 | 30 | 60 | $45,883 | 7/10/2019 | |||
| Romania | 7/26/2019 | $0 | 0 | 6 | 11 | $108,718 | 9/17/2019 | |||
| Slovenia | 8/30/2019 | $9,588 | 24 | 24 | 50 | $26,653 | 10/7/2019 | |||
| South Korea | 9/10/2020 | $125 | 1 | 35 | 36 | $2,905 | 9/16/2020 | |||
| Spain | 6/7/2019 | $65,723 | 119 | 119 | 193 | $108,536 | 6/20/2019 | |||
| Rest of World | $1,437,690 | |||||||||
| International Total | $4,270,190 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Diane Keaton | Martha | |
| Jacki Weaver | Sheryl | |
| Pam Grier | Olive | |
| Celia Weston | Vicki | |
| Rhea Perlman | Alice | |
| Phyllis Somerville | Helen |
Supporting
| Alisha Boe | Chloe | |
| Charlie Tahan | Ben | |
| Bruce McGill | Chief Carl | |
| Patricia French | Phyllis | |
| Ginny MacColl | Evelyn | |
| Carol Sutton | Ruby | |
| Alexandra Ficken | Paige | |
| Dave Maldonado | Tom | |
| Karen Beyer | Barbara | |
| Sharon Blackwood | Gayle | |
| Afemo Omilami | David | |
| Frank Hoyt Taylor | Paul | |
| Suehyla El-Attar | Shopper | |
| Jessica Roth | Susan | |
| Angela Kronenberg | Judge | |
| Annie Jacob | Cheerleader | |
| Jacqueline Clay Chester | Committee Member | |
| John Atwood | Tim Nichols | |
| Robert Larriviere | Volunteer | |
| Leon Lamar | Widower | |
| Dorothy Steel | Dorris | |
| Charles Green | Announcer |
Production and Technical Credits
| Zara Hayes | Director | |
| Shane Atkinson | Screenwriter | |
| Zara Hayes | Story by | |
| Shane Atkinson | Story by | |
| Kelly McCormick | Producer | |
| Alex Saks | Producer | |
| Andy Evans | Producer | |
| Ade Shannon | Producer | |
| Celyn Jones | Producer | |
| Sean Marley | Producer | |
| Rose Ganguzza | Producer | |
| Diane Keaton | Executive Producer | |
| Nick Meyer | Executive Producer | |
| Marc Schaberg | Executive Producer | |
| Will Greenfield | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Tim Orr | Director of Photography | |
| Celine Diano | Production Designer | |
| Annette Davey | Editor | |
| Amanda Ford | Costume Designer | |
| Deborah Lurie | Composer | |
| Willa Yudell | Music Supervisor | |
| Marguerite Derricks | Choreography | |
| Laurel Thomson | Co-Producer | |
| Cathleen Ihasz | Co-Executive Producer | |
| Nicole Ihasz | Co-Executive Producer | |
| Mary Vernieu | Casting Director | |
| Marisol Roncali | Casting Director | |
| Chelsea Bruland | Stunt Coordinator | |
| Paul Baker | Associate Producer | |
| Robert Clarke | Associate Producer | |
| Russell Harper | Associate Producer | |
| Beau J Genot | Post-Production Supervisor | |
| Nicole Elespuru | Art Director | |
| Sarah Carter | Set Decorator | |
| Amber Harley | Script Supervisor | |
| Matthew Nicolay | Sound Mixer | |
| Jocelyn Pierce | Costume Supervisor | |
| Fleur Morell | Make up | |
| Wendy Bell | Make up | |
| Mary Lampert | Hairstylist | |
| Dawn Turner | Hairstylist | |
| Kayla Gueho | Location Manager | |
| Chelsea Bruland | Second Unit Director | |
| Jason Inman | First Assistant Director | |
| Jesie Sasser Kloos | Second Assistant Director | |
| Eric Melrose | Associate Editor | |
| Angela Latimer | First Assistant Editor | |
| Randi Atkins | First Assistant Editor | |
| Dave Paterson | Supervising Sound Editor | |
| Dave Paterson | Re-recording Mixer | |
| Alexa Zimmerman | Dialogue Editor | |
| Roberto Fernandez | Dialogue Editor | |
| Daniel Timmons | Sound Effects Editor | |
| Richard Ford | Music Editor | |
| Alana da Fonseca | Executive Music Producer | |
| Scott Michael Smith | Score Mixer | |
| Ryan Collison | Foley Mixer | |
| Laura Heinzinger | Foley Editor | |
| Shaina Holmes | Visual Effects Supervisor | |
| Matt Olmon | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Martha is a woman who moves into a retirement community and starts a cheerleading squad with her fellow residents, Sheryl, Olive and Alice, proving that it’s never too late to follow your dreams.
Metrics
| Opening Weekend: | $5,361,937 (39.3% of total gross) |
| Legs: | 2.54 (domestic box office/biggest weekend) |
| Domestic Share: | 76.1% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 1.8 times production budget) |
| Theater counts: | 2,750 opening theaters/2,750 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,797,843 |
Movie Details
| Domestic Releases: | May 10th, 2019 (Wide) by STX Entertainment |
| International Releases: | May 10th, 2019 (Wide) (Australia)
June 7th, 2019 (Wide), released as Mejor que nunca (Spain) June 14th, 2019 (Wide), released as Tudo é Possível (Portugal) July 11th, 2019 (Wide), released as Mejor que nunca (Mexico) July 26th, 2019 (Wide), released as Hai că încă putem! (Romania) ... Show all releases |
| Video Release: | June 4th, 2019 by Universal Home Entertainment |
| MPA Rating: | PG-13 for some language/sexual references. (Rating bulletin 2574 (Cert #52085), 4/17/2019) |
| Running Time: | 91 minutes |
| Plot point: | Autumn Years, Cheerleaders |
| Social setting: | Retirement, Retirement Home |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sierra Films, Rose Pictures , Mad as Birds Films, Entertainment One, STX Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 6 | $5,361,937 | 2,750 | $1,950 | $5,361,937 | 1 | |
| May 17, 2019 | 9 | $2,180,698 | -59% | 2,750 | $793 | $10,110,890 | 2 |
| May 24, 2019 | 13 | $653,818 | -70% | 911 | $718 | $12,366,929 | 3 |
| May 31, 2019 | 18 | $207,644 | -68% | 374 | $555 | $13,213,810 | 4 |
| Jun 7, 2019 | 30 | $89,926 | -57% | 177 | $508 | $13,487,561 | 5 |
| Jun 14, 2019 | 35 | $33,565 | -63% | 87 | $386 | $13,596,696 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 9, 2019 | P | $225,000 | 2,000 | $113 | $225,000 | |||
| May 10, 2019 | 6 | $1,497,688 | 2,750 | $545 | $1,497,688 | 1 | ||
| May 11, 2019 | 7 | $1,688,095 | +13% | 2,750 | $614 | $3,185,783 | 2 | |
| May 12, 2019 | 5 | $2,176,154 | +29% | 2,750 | $791 | $5,361,937 | 3 | |
| May 13, 2019 | 6 | $525,642 | -76% | 2,750 | $191 | $5,887,579 | 4 | |
| May 14, 2019 | 4 | $980,897 | +87% | 2,750 | $357 | $6,868,476 | 5 | |
| May 15, 2019 | 4 | $566,931 | -42% | 2,750 | $206 | $7,435,407 | 6 | |
| May 16, 2019 | 4 | $494,785 | -13% | 2,750 | $180 | $7,930,192 | 7 | |
| May 17, 2019 | 9 | $673,894 | +36% | -55% | 2,750 | $245 | $8,604,086 | 8 |
| May 18, 2019 | 9 | $834,745 | +24% | -51% | 2,750 | $304 | $9,438,831 | 9 |
| May 19, 2019 | 8 | $672,059 | -19% | -69% | 2,750 | $244 | $10,110,890 | 10 |
| May 20, 2019 | 8 | $342,506 | -49% | -35% | 2,750 | $125 | $10,453,396 | 11 |
| May 21, 2019 | 6 | $577,262 | +69% | -41% | 2,750 | $210 | $11,030,658 | 12 |
| May 22, 2019 | 6 | $376,761 | -35% | -34% | 2,750 | $137 | $11,407,419 | 13 |
| May 23, 2019 | 6 | $305,692 | -19% | -38% | 2,750 | $111 | $11,713,111 | 14 |
| May 24, 2019 | 13 | $179,103 | -41% | -73% | 911 | $197 | $11,892,214 | 15 |
| May 25, 2019 | 14 | $238,740 | +33% | -71% | 911 | $262 | $12,130,954 | 16 |
| May 26, 2019 | 14 | $235,975 | -1% | -65% | 911 | $259 | $12,366,929 | 17 |
| May 27, 2019 | 13 | $231,846 | -2% | -32% | 911 | $254 | $12,598,775 | 18 |
| May 28, 2019 | 12 | $165,741 | -29% | -71% | 911 | $182 | $12,764,516 | 19 |
| May 29, 2019 | 11 | $133,522 | -19% | -65% | 911 | $147 | $12,898,038 | 20 |
| May 30, 2019 | 10 | $108,128 | -19% | -65% | 911 | $119 | $13,006,166 | 21 |
| May 31, 2019 | - | $62,183 | -42% | -65% | 374 | $166 | $13,068,349 | 22 |
| Jun 1, 2019 | - | $79,757 | +28% | -67% | 374 | $213 | $13,148,106 | 23 |
| Jun 2, 2019 | - | $65,704 | -18% | -72% | 374 | $176 | $13,213,810 | 24 |
| Jun 3, 2019 | 15 | $37,177 | -43% | -84% | 374 | $99 | $13,250,987 | 25 |
| Jun 4, 2019 | 14 | $60,678 | +63% | -63% | 374 | $162 | $13,311,665 | 26 |
| Jun 5, 2019 | 14 | $45,619 | -25% | -66% | 374 | $122 | $13,357,284 | 27 |
| Jun 6, 2019 | - | $40,351 | -12% | -63% | 374 | $108 | $13,397,635 | 28 |
| Jun 7, 2019 | - | $27,522 | -32% | -56% | 177 | $155 | $13,425,157 | 29 |
| Jun 8, 2019 | - | $34,350 | +25% | -57% | 177 | $194 | $13,459,507 | 30 |
| Jun 9, 2019 | - | $28,054 | -18% | -57% | 177 | $158 | $13,487,561 | 31 |
| Jun 10, 2019 | - | $16,683 | -41% | -55% | 177 | $94 | $13,504,244 | 32 |
| Jun 11, 2019 | - | $21,891 | +31% | -64% | 177 | $124 | $13,526,135 | 33 |
| Jun 12, 2019 | - | $19,952 | -9% | -56% | 177 | $113 | $13,546,087 | 34 |
| Jun 13, 2019 | - | $17,044 | -15% | -58% | 177 | $96 | $13,563,131 | 35 |
| Jun 14, 2019 | - | $10,864 | -36% | -61% | 87 | $125 | $13,573,995 | 36 |
| Jun 15, 2019 | - | $13,158 | +21% | -62% | 87 | $151 | $13,587,153 | 37 |
| Jun 16, 2019 | - | $9,543 | -27% | -66% | 87 | $110 | $13,596,696 | 38 |
| Jun 17, 2019 | - | $5,897 | -38% | -65% | 87 | $68 | $13,602,593 | 39 |
| Jun 18, 2019 | - | $10,872 | +84% | -50% | 87 | $125 | $13,613,465 | 40 |
| Jun 19, 2019 | - | $8,614 | -21% | -57% | 87 | $99 | $13,622,079 | 41 |
| Jun 20, 2019 | - | $9,045 | +5% | -47% | 87 | $104 | $13,631,124 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 6 | $7,930,192 | 2,750 | $2,884 | $7,930,192 | 1 | |
| May 17, 2019 | 8 | $3,782,919 | -52% | 2,750 | $1,376 | $11,713,111 | 2 |
| May 24, 2019 | 13 | $1,293,055 | -66% | 911 | $1,419 | $13,006,166 | 3 |
| May 31, 2019 | 18 | $391,469 | -70% | 374 | $1,047 | $13,397,635 | 4 |
| Jun 7, 2019 | - | $165,496 | -58% | 177 | $935 | $13,563,131 | 5 |
| Jun 14, 2019 | - | $67,993 | -59% | 87 | $782 | $13,631,124 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/9/2019 | $23,274 | 69 | 69 | 69 | $26,938 | 8/25/2019 | |||
| Australia | 5/10/2019 | $551,001 | 298 | 298 | 1,192 | $1,580,376 | 9/10/2019 | |||
| Brazil | 8/2/2019 | $31,379 | 74 | 74 | 74 | $49,715 | 8/11/2019 | |||
| Mexico | 7/11/2019 | $352,159 | 0 | 0 | 0 | $662,652 | 10/19/2022 | |||
| Netherlands | 8/9/2019 | $52,699 | 75 | 75 | 225 | $220,124 | 11/10/2019 | |||
| Portugal | 6/14/2019 | $18,227 | 26 | 30 | 60 | $45,883 | 7/10/2019 | |||
| Romania | 7/26/2019 | $0 | 0 | 6 | 11 | $108,718 | 9/17/2019 | |||
| Slovenia | 8/30/2019 | $9,588 | 24 | 24 | 50 | $26,653 | 10/7/2019 | |||
| South Korea | 9/10/2020 | $125 | 1 | 35 | 36 | $2,905 | 9/16/2020 | |||
| Spain | 6/7/2019 | $65,723 | 119 | 119 | 193 | $108,536 | 6/20/2019 | |||
| Rest of World | $1,437,690 | |||||||||
| International Total | $4,270,190 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Diane Keaton | Martha | |
| Jacki Weaver | Sheryl | |
| Pam Grier | Olive | |
| Celia Weston | Vicki | |
| Rhea Perlman | Alice | |
| Phyllis Somerville | Helen |
Supporting
| Alisha Boe | Chloe | |
| Charlie Tahan | Ben | |
| Bruce McGill | Chief Carl | |
| Patricia French | Phyllis | |
| Ginny MacColl | Evelyn | |
| Carol Sutton | Ruby | |
| Alexandra Ficken | Paige | |
| Dave Maldonado | Tom | |
| Karen Beyer | Barbara | |
| Sharon Blackwood | Gayle | |
| Afemo Omilami | David | |
| Frank Hoyt Taylor | Paul | |
| Suehyla El-Attar | Shopper | |
| Jessica Roth | Susan | |
| Angela Kronenberg | Judge | |
| Annie Jacob | Cheerleader | |
| Jacqueline Clay Chester | Committee Member | |
| John Atwood | Tim Nichols | |
| Robert Larriviere | Volunteer | |
| Leon Lamar | Widower | |
| Dorothy Steel | Dorris | |
| Charles Green | Announcer |
Production and Technical Credits
| Zara Hayes | Director | |
| Shane Atkinson | Screenwriter | |
| Zara Hayes | Story by | |
| Shane Atkinson | Story by | |
| Kelly McCormick | Producer | |
| Alex Saks | Producer | |
| Andy Evans | Producer | |
| Ade Shannon | Producer | |
| Celyn Jones | Producer | |
| Sean Marley | Producer | |
| Rose Ganguzza | Producer | |
| Diane Keaton | Executive Producer | |
| Nick Meyer | Executive Producer | |
| Marc Schaberg | Executive Producer | |
| Will Greenfield | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Tim Orr | Director of Photography | |
| Celine Diano | Production Designer | |
| Annette Davey | Editor | |
| Amanda Ford | Costume Designer | |
| Deborah Lurie | Composer | |
| Willa Yudell | Music Supervisor | |
| Marguerite Derricks | Choreography | |
| Laurel Thomson | Co-Producer | |
| Cathleen Ihasz | Co-Executive Producer | |
| Nicole Ihasz | Co-Executive Producer | |
| Mary Vernieu | Casting Director | |
| Marisol Roncali | Casting Director | |
| Chelsea Bruland | Stunt Coordinator | |
| Paul Baker | Associate Producer | |
| Robert Clarke | Associate Producer | |
| Russell Harper | Associate Producer | |
| Beau J Genot | Post-Production Supervisor | |
| Nicole Elespuru | Art Director | |
| Sarah Carter | Set Decorator | |
| Amber Harley | Script Supervisor | |
| Matthew Nicolay | Sound Mixer | |
| Jocelyn Pierce | Costume Supervisor | |
| Fleur Morell | Make up | |
| Wendy Bell | Make up | |
| Mary Lampert | Hairstylist | |
| Dawn Turner | Hairstylist | |
| Kayla Gueho | Location Manager | |
| Chelsea Bruland | Second Unit Director | |
| Jason Inman | First Assistant Director | |
| Jesie Sasser Kloos | Second Assistant Director | |
| Eric Melrose | Associate Editor | |
| Angela Latimer | First Assistant Editor | |
| Randi Atkins | First Assistant Editor | |
| Dave Paterson | Supervising Sound Editor | |
| Dave Paterson | Re-recording Mixer | |
| Alexa Zimmerman | Dialogue Editor | |
| Roberto Fernandez | Dialogue Editor | |
| Daniel Timmons | Sound Effects Editor | |
| Richard Ford | Music Editor | |
| Alana da Fonseca | Executive Music Producer | |
| Scott Michael Smith | Score Mixer | |
| Ryan Collison | Foley Mixer | |
| Laura Heinzinger | Foley Editor | |
| Shaina Holmes | Visual Effects Supervisor | |
| Matt Olmon | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.