The Pope Must Die (1991)
| Theatrical Performance | ||
| Domestic Box Office | $582,510 | Details |
| OpusData ID: 66080100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $1,564,886 |
Movie Details
| International Releases: | June 21st, 1991 (Wide) (United Kingdom) |
| MPA Rating: | R for language and sensuality. |
| Running Time: | 97 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Leading
| Robbie Coltrane | The Pope |
Supporting
| Alex Rocco | Cardinal Rocco | |
| Herbert Lom | Vittorio Corelli | |
| Balthazar Getty | Joe Don Dante | |
| Beverly D'Angelo | Veronica Dante | |
| Ralph Brown | Doctor |
Production and Technical Credits
| Peter Richardson | Director | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $1,564,886 |
Movie Details
| International Releases: | June 21st, 1991 (Wide) (United Kingdom) |
| MPA Rating: | R for language and sensuality. |
| Running Time: | 97 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Leading
| Robbie Coltrane | The Pope |
Supporting
| Alex Rocco | Cardinal Rocco | |
| Herbert Lom | Vittorio Corelli | |
| Balthazar Getty | Joe Don Dante | |
| Beverly D'Angelo | Veronica Dante | |
| Ralph Brown | Doctor |
Production and Technical Credits
| Peter Richardson | Director | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.