Postcards From London (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $5,312 | Details |
| International Box Office | $10,250 | Details |
| Worldwide Box Office | $15,562 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $60,492 | |
| Total | $60,492 | |
| OpusData ID: 332540100 More info... | ||
| Further financial details... | ||
Synopsis
The story of beautiful teenager Jim, who having traveled from the suburbs, finds himself in Soho where he falls in with The Raconteurs—a gang of unusual high class male escorts who specialize in post-coital conversation. From shy novice to sought after escort and eventually artist’s muse, Jim would be the toast of the town if it wasn’t for his annoying affliction. He suffers from Stendhal Syndrome, a rare condition which causes him to hallucinate and faint when he encounters real works of art. But when Jim is roped into the world of detecting art forgery, could his condition bring about his downfall?
Metrics
| Opening Weekend: | $2,686 (50.6% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 34.1% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,972 |
Movie Details
| Domestic Releases: | November 9th, 2018 (Limited) by Strand Releasing |
| International Releases: | November 23rd, 2018 (Limited), released as Postcards from London (United Kingdom) |
| Video Release: | January 29th, 2019 by Strand Home |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Geographical setting: | London |
| Plot point: | Artists, Prostitution, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Diablo Entertainment, Strand Releasing |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 70 | $2,686 | 1 | $2,686 | $2,686 | 1 | |
| Nov 23, 2018 | 88 | $282 | 1 | $282 | $4,961 | 3 | |
| Jan 4, 2019 | 78 | $99 | 1 | $99 | $5,312 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 66 | $4,679 | 1 | $4,679 | $4,679 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 11/23/2018 | $5,828 | 3 | 3 | 5 | $10,250 | 4/4/2026 | |||
| International Total | $10,250 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Harris Dickinson | Jim | |
| Leonardo Salerni | Marcello | |
| Jonah Hauer-King | David | |
| Raphael Desprez | Victor | |
| Leemore Marrett Jr | Paul |
Supporting
| Alessandro Cinadamore | Jesus | |
| Jerome Holder | Street Kid | |
| Silas Carson | George | |
| Stephen Boxer | Stuart | |
| Leo Hatton | The Prostitute / The Doctor |
Production and Technical Credits
| Steve McLean | Director | |
| Steve McLean | Screenwriter | |
| Soledad Gatti-Pascual | Producer | |
| Patrick Fischer | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| David Gilbery | Executive Producer | |
| Julian Bayliss | Composer | |
| Annika Summerson | Cinematographer | |
| Stephen Boucher | Editor | |
| Aisha Walters | Casting Director | |
| Ollie Tiong | Production Designer | |
| Sally King | Art Director | |
| Fiona Albrow | Set Designer | |
| Kate Forbes | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of beautiful teenager Jim, who having traveled from the suburbs, finds himself in Soho where he falls in with The Raconteurs—a gang of unusual high class male escorts who specialize in post-coital conversation. From shy novice to sought after escort and eventually artist’s muse, Jim would be the toast of the town if it wasn’t for his annoying affliction. He suffers from Stendhal Syndrome, a rare condition which causes him to hallucinate and faint when he encounters real works of art. But when Jim is roped into the world of detecting art forgery, could his condition bring about his downfall?
Metrics
| Opening Weekend: | $2,686 (50.6% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 34.1% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,972 |
Movie Details
| Domestic Releases: | November 9th, 2018 (Limited) by Strand Releasing |
| International Releases: | November 23rd, 2018 (Limited), released as Postcards from London (United Kingdom) |
| Video Release: | January 29th, 2019 by Strand Home |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Geographical setting: | London |
| Plot point: | Artists, Prostitution, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Diablo Entertainment, Strand Releasing |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 70 | $2,686 | 1 | $2,686 | $2,686 | 1 | |
| Nov 23, 2018 | 88 | $282 | 1 | $282 | $4,961 | 3 | |
| Jan 4, 2019 | 78 | $99 | 1 | $99 | $5,312 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 66 | $4,679 | 1 | $4,679 | $4,679 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 11/23/2018 | $5,828 | 3 | 3 | 5 | $10,250 | 4/4/2026 | |||
| International Total | $10,250 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Harris Dickinson | Jim | |
| Leonardo Salerni | Marcello | |
| Jonah Hauer-King | David | |
| Raphael Desprez | Victor | |
| Leemore Marrett Jr | Paul |
Supporting
| Alessandro Cinadamore | Jesus | |
| Jerome Holder | Street Kid | |
| Silas Carson | George | |
| Stephen Boxer | Stuart | |
| Leo Hatton | The Prostitute / The Doctor |
Production and Technical Credits
| Steve McLean | Director | |
| Steve McLean | Screenwriter | |
| Soledad Gatti-Pascual | Producer | |
| Patrick Fischer | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| David Gilbery | Executive Producer | |
| Julian Bayliss | Composer | |
| Annika Summerson | Cinematographer | |
| Stephen Boucher | Editor | |
| Aisha Walters | Casting Director | |
| Ollie Tiong | Production Designer | |
| Sally King | Art Director | |
| Fiona Albrow | Set Designer | |
| Kate Forbes | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.