The Power of the Dog (2021)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $732,269 | Details |
| Worldwide Box Office | $732,269 | |
| OpusData ID: 409110100 More info... | ||
| Further financial details... | ||
Synopsis
A domineering but charismatic rancher wages a war of intimidation on his brother’s new wife and her teen son—until long-hidden secrets come to light.
Metrics
| Production Budget: | $35,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| Domestic Releases: | November 17th, 2021 (Limited) by Netflix |
| International Releases: | November 17th, 2021 (Wide), released as 파워 오브 도그 (South Korea)
November 19th, 2021 (Wide) (Netherlands) 2021 (Limited) (Australia) March 3rd, 2022 (Wide), released as O Poder do Cão (Portugal) ... Show all releases |
| Video Release: | December 1st, 2021 by Netflix December 1st, 2021 by Netflix UK |
| MPA Rating: | R for brief sexual content/full nudity. (Rating bulletin 2692 (cert #53229), 8/4/2021) |
| Running Time: | 125 minutes |
| Award nomination: | 2022 Oscars Best Picture Nominee |
| Award win: | BAFTA Best Director Winner, BAFTA Best Film Winner, Critics’ Choice Winner Best Director, Critics’ Choice Winner Best Picture, Directors Guild of America Outstanding Directorial Achievement in Theatrical Feature Film Winner, Golden Globe Winner Best Director—Motion Picture, Golden Globe Winner Best Picture—Drama |
| Filming location (country): | New Zealand |
| Geographical setting: | Montana |
| Plot point: | Dysfunctional Family, Newlyweds, Widow/Widower |
| Social setting: | Life on a Farm |
| Subgenre: | Romantic Drama |
| Time period setting: | 1920s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Max Films, See-Saw Films, Netflix, New Zealand Film Commission, Cross City Films, BBC Films, Bad Girl Creek, Brightstar |
| Production Countries: | United Kingdom, New Zealand, Australia, United States, Canada |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 11/19/2021 | $56,938 | 35 | 36 | 118 | $139,532 | 10/20/2022 | |||
| Portugal | 3/3/2022 | $10,207 | 32 | 32 | 110 | $33,617 | 5/10/2022 | |||
| South Korea | 11/17/2021 | $29,296 | 113 | 113 | 244 | $90,084 | 4/13/2022 | |||
| Rest of World | $469,036 | |||||||||
| International Total | $732,269 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Benedict Cumberbatch | Phil Burbank |
Supporting
| Kirsten Dunst | Rose | |
| Jesse Plemons | George Burbank | |
| Kodi Smit-McPhee | Peter | |
| Thomasin McKenzie | Lola | |
| Genevieve Lemon | Mrs. Lewis | |
| Keith Carradine | Governor Edward | |
| Frances Conroy | Old Lady | |
| Adam Beach | ||
| Peter Carroll |
Production and Technical Credits
| Jane Campion | Director | |
| Jane Campion | Screenwriter | |
| Thomas Savage | Story based on the book by | |
| Emile Sherman | Producer | |
| Iain Canning | Producer | |
| Roger Frappier | Producer | |
| Jane Campion | Producer | |
| Tanya Seghatchian | Producer | |
| Simon Gillis | Executive Producer | |
| Rose Garnett | Executive Producer | |
| John Woodward | Executive Producer | |
| Libby Sharpe | Co-Producer | |
| Chloe Smith | Co-Producer | |
| Ari Wegner | Director of Photography | |
| Peter Sciberras | Editor | |
| Grant Major | Production Designer | |
| Kirsty Cameron | Costume Designer | |
| Jonny Greenwood | Composer | |
| Nikki Barrett | Casting Director | |
| Tina Cleary | Casting Director | |
| Nina Gold | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A domineering but charismatic rancher wages a war of intimidation on his brother’s new wife and her teen son—until long-hidden secrets come to light.
Metrics
| Production Budget: | $35,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| Domestic Releases: | November 17th, 2021 (Limited) by Netflix |
| International Releases: | November 17th, 2021 (Wide), released as 파워 오브 도그 (South Korea)
November 19th, 2021 (Wide) (Netherlands) 2021 (Limited) (Australia) March 3rd, 2022 (Wide), released as O Poder do Cão (Portugal) ... Show all releases |
| Video Release: | December 1st, 2021 by Netflix December 1st, 2021 by Netflix UK |
| MPA Rating: | R for brief sexual content/full nudity. (Rating bulletin 2692 (cert #53229), 8/4/2021) |
| Running Time: | 125 minutes |
| Award nomination: | 2022 Oscars Best Picture Nominee |
| Award win: | BAFTA Best Director Winner, BAFTA Best Film Winner, Critics’ Choice Winner Best Director, Critics’ Choice Winner Best Picture, Directors Guild of America Outstanding Directorial Achievement in Theatrical Feature Film Winner, Golden Globe Winner Best Director—Motion Picture, Golden Globe Winner Best Picture—Drama |
| Filming location (country): | New Zealand |
| Geographical setting: | Montana |
| Plot point: | Dysfunctional Family, Newlyweds, Widow/Widower |
| Social setting: | Life on a Farm |
| Subgenre: | Romantic Drama |
| Time period setting: | 1920s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Max Films, See-Saw Films, Netflix, New Zealand Film Commission, Cross City Films, BBC Films, Bad Girl Creek, Brightstar |
| Production Countries: | United Kingdom, New Zealand, Australia, United States, Canada |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 11/19/2021 | $56,938 | 35 | 36 | 118 | $139,532 | 10/20/2022 | |||
| Portugal | 3/3/2022 | $10,207 | 32 | 32 | 110 | $33,617 | 5/10/2022 | |||
| South Korea | 11/17/2021 | $29,296 | 113 | 113 | 244 | $90,084 | 4/13/2022 | |||
| Rest of World | $469,036 | |||||||||
| International Total | $732,269 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Benedict Cumberbatch | Phil Burbank |
Supporting
| Kirsten Dunst | Rose | |
| Jesse Plemons | George Burbank | |
| Kodi Smit-McPhee | Peter | |
| Thomasin McKenzie | Lola | |
| Genevieve Lemon | Mrs. Lewis | |
| Keith Carradine | Governor Edward | |
| Frances Conroy | Old Lady | |
| Adam Beach | ||
| Peter Carroll |
Production and Technical Credits
| Jane Campion | Director | |
| Jane Campion | Screenwriter | |
| Thomas Savage | Story based on the book by | |
| Emile Sherman | Producer | |
| Iain Canning | Producer | |
| Roger Frappier | Producer | |
| Jane Campion | Producer | |
| Tanya Seghatchian | Producer | |
| Simon Gillis | Executive Producer | |
| Rose Garnett | Executive Producer | |
| John Woodward | Executive Producer | |
| Libby Sharpe | Co-Producer | |
| Chloe Smith | Co-Producer | |
| Ari Wegner | Director of Photography | |
| Peter Sciberras | Editor | |
| Grant Major | Production Designer | |
| Kirsty Cameron | Costume Designer | |
| Jonny Greenwood | Composer | |
| Nikki Barrett | Casting Director | |
| Tina Cleary | Casting Director | |
| Nina Gold | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.