Practical Magic 2 (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $30,002,526 | Details |
| International Box Office | $16,000,000 | Details |
| Worldwide Box Office | $46,002,526 | |
| OpusData ID: 743570100 More info... | ||
| Further financial details... | ||
Synopsis
A multi generational family of witches, cursed to be loveless for centuries, attempts to break the spell by confronting dark secrets and sacrificing for each other.
Metrics
| Opening Weekend: | $30,002,526 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 65.2% (domestic box office/worldwide) |
| Theater counts: | 4,146 opening theaters/4,146 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $30,002,526 |
Movie Details
| Domestic Releases: | September 11th, 2026 (Wide) by Warner Bros. |
| International Releases: | September 9th, 2026 (Wide), released as Practical Magic 2 (프랙티컬 매직: 새로운 챕터) (South Korea)
September 9th, 2026 (Wide), released as Les Ensorceleuses 2 (France) September 10th, 2026 (Wide) (New Zealand) September 10th, 2026 (Wide), released as Átkozott boszorkák 2. (Hungary) September 10th, 2026 (Wide) (Serbia and Montenegro) ... Show all releases |
| MPA Rating: | PG-13 for some violent content, suggestive material and brief strong language. (Rating bulletin 2950 (cert #56067), 8/19/2026) |
| Running Time: | 130 minutes |
| Franchise: | Practical Magic |
| Cast, crew, or production detail: | Legacy Sequel |
| Filming location (city or town): | London, England |
| Filming location (country): | England |
| Geographical setting: | Massachusetts, United Kingdom |
| Plot point: | Family Secrets, Romance, Secret Magic, Witches |
| Subgenre: | Comedy Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros., Blossom Films, Di Novi Pictures, Fortis Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 11, 2026 | 1 | $30,002,526 | 4,146 | $7,236 | $30,002,526 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 10, 2026 | P | $4,700,000 | 3,200 | $1,469 | $4,700,000 | ||
| Sep 11, 2026 | 1 | $13,100,872 | 4,146 | $3,160 | $13,100,872 | 1 | |
| Sep 12, 2026 | 1 | $9,851,265 | -25% | 4,146 | $2,376 | $22,952,137 | 2 |
| Sep 13, 2026 | 1 | $7,050,389 | -28% | 4,146 | $1,701 | $30,002,526 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/10/2026 | $1,632,921 | 478 | 478 | 0 | $2,168,758 | 9/14/2026 | |||
| Bulgaria | 9/11/2026 | $15,088 | 67 | 67 | 0 | $18,286 | 9/14/2026 | |||
| Finland | 9/11/2026 | $58,731 | 76 | 76 | 76 | $60,952 | 9/14/2026 | |||
| Hungary | 9/10/2026 | $145,321 | 69 | 69 | 0 | $147,120 | 9/14/2026 | |||
| Italy | 9/10/2026 | $393,355 | 0 | 0 | 0 | $395,174 | 9/14/2026 | |||
| Lithuania | 9/11/2026 | $56,886 | 0 | 0 | 0 | $84,888 | 9/14/2026 | |||
| Netherlands | 9/10/2026 | $218,735 | 117 | 117 | 117 | $253,756 | 9/14/2026 | |||
| New Zealand | 9/10/2026 | $177,736 | 107 | 107 | 0 | $227,114 | 9/14/2026 | |||
| Serbia and Montenegro | 9/10/2026 | $18,928 | 53 | 53 | 0 | $30,496 | 9/14/2026 | |||
| Rest of World | $12,613,456 | |||||||||
| International Total | $16,000,000 | 9/14/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sandra Bullock | Sally Owens | |
| Nicole Kidman | Gillian Owens | |
| Joey King | Kylie Owens | |
| Maisie Williams | Antonia Owens |
Supporting
| Stockard Channing | Franny | |
| Dianne Wiest | Jet | |
| Lee Pace | Ian Wright | |
| Solly McLeod | Tom Lockland | |
| Xolo Maridueña | Gideon | |
| Amy Bowden | Local Woman | |
| Aimee Cassettari | Local Woman | |
| Ema Cavolli | Maria Owens | |
| Scarlett Nasrat | Young Kylie | |
| Harriett Scott | Young Antonia | |
| Logan Truter | Botany Child | |
| Naledi Percival | Botany Child | |
| Roman Anderson | Botany Child | |
| Riley Chung | Botany Child | |
| Teddy Russell | Botany Child | |
| Emma Bown | New England Woman | |
| Rachel Handshaw | Happy Woman | |
| Cassie Bradley | Hannah Owens | |
| Liz Kingsman | Jane | |
| Caitlin McEwan | Woman Mourner | |
| Nathan Foad | Derek | |
| Katy Wix | Paula | |
| Mariah Baillie | EMT | |
| Richard Rycroft | Groundskeeper | |
| Diana Quick | Margaret | |
| Anise Senat | Celebrant | |
| Ava Galindez | Laura |
Production and Technical Credits
| Susanne Bier | Director | |
| Akiva Goldsman | Screenwriter | |
| Georgia Pritchett | Screenwriter | |
| Kelly Marcel | Screenwriter | |
| Alice Hoffman | Story based on the novel “The Book of Magic” by | |
| Denise Di Novi | Producer | |
| Sandra Bullock | Producer | |
| Nicole Kidman | Producer | |
| Andrew Kosove | Executive Producer | |
| Broderick Johnson | Executive Producer | |
| Donald Sabourin | Executive Producer | |
| Alice Hoffman | Executive Producer | |
| Kelly Marcel | Executive Producer | |
| Simon Duggan | Director of Photography | |
| Tom Burton | Production Designer | |
| Sam Williams | Editor | |
| Season Kent | Music Supervisor | |
| Gabe Hilfer | Music Supervisor | |
| Rupert Gregson-Williams | Composer | |
| Alexandra Byrne | Costume Designer | |
| Jina Jay | Casting Director | |
| Donald Sabourin | Unit Production Manager | |
| Richard Styles | First Assistant Director | |
| Glenn Freemantle | Sound Designer | |
| Glenn Freemantle | Supervising Sound Editor | |
| Pete Chiappetta | Executive Producer | |
| Andrew Lary | Executive Producer | |
| Anthony Tittanegro | Executive Producer | |
| Roma O’Connor | Visual Effects Producer | |
| Louis LaFlamme-Fillion | Visual Effects Supervisor | |
| Tim Baish | Unit Production Manager | |
| Grant Bailey | Supervising Art Director | |
| Albert McCausland | Art Director | |
| Will Smith | Art Director | |
| Andy Young | Art Director | |
| Dave Lawson | Art Director | |
| Alexander Foss Ball | Set Designer | |
| Charlotte Jenner | Set Designer | |
| Selina Tarnowska | Set Designer | |
| Gary Dodkin | Sound Mixer | |
| Nicoletta Mani | Script Supervisor | |
| Kyle Perry | Script Supervisor | |
| Daniel Burch | First Assistant Editor | |
| Robert Avery | First Assistant Editor | |
| Howard Bargroff | Re-recording Mixer | |
| Brendan Nicholson | Re-recording Mixer | |
| Ben Barker | Supervising Sound Editor | |
| Ben Barker | Sound Designer | |
| Ian Morgan | Supervising Dialogue and ADR Editor | |
| Arthur Turner | Dialogue/ADR Editor | |
| Glen Gathard | Foley Supervisor | |
| Francesca Bourne | Foley Mixer | |
| Alex Robson | Foley Editor | |
| Olly Freemantle | Foley Editor | |
| Leila Merabti | Production Supervisor | |
| Georgina Gunner | Costume Supervisor | |
| Graham Ward | Set Decorator | |
| Barbara Herman-Skelding | Set Decorator | |
| Claudia Selby | Associate Producer | |
| Giles Edleston | Supervising Location Manager | |
| Lucia Fedeli | Location Manager | |
| Nathan Flaher | Location Manager | |
| Deborah Nutt | Location Manager | |
| Charles Somers | Location Manager | |
| Stephen Hutchinson | Special Effects Supervisor | |
| Iain Cooke | Music Supervisor | |
| Sarah Bridge | Music Supervisor | |
| Allan Jenkins | Music Editor | |
| Daniel Waldman | Music Editor | |
| Rupert Gregson-Williams | Score Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A multi generational family of witches, cursed to be loveless for centuries, attempts to break the spell by confronting dark secrets and sacrificing for each other.
Metrics
| Opening Weekend: | $30,002,526 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 65.2% (domestic box office/worldwide) |
| Theater counts: | 4,146 opening theaters/4,146 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $30,002,526 |
Movie Details
| Domestic Releases: | September 11th, 2026 (Wide) by Warner Bros. |
| International Releases: | September 9th, 2026 (Wide), released as Practical Magic 2 (프랙티컬 매직: 새로운 챕터) (South Korea)
September 9th, 2026 (Wide), released as Les Ensorceleuses 2 (France) September 10th, 2026 (Wide) (New Zealand) September 10th, 2026 (Wide), released as Átkozott boszorkák 2. (Hungary) September 10th, 2026 (Wide) (Serbia and Montenegro) ... Show all releases |
| MPA Rating: | PG-13 for some violent content, suggestive material and brief strong language. (Rating bulletin 2950 (cert #56067), 8/19/2026) |
| Running Time: | 130 minutes |
| Franchise: | Practical Magic |
| Cast, crew, or production detail: | Legacy Sequel |
| Filming location (city or town): | London, England |
| Filming location (country): | England |
| Geographical setting: | Massachusetts, United Kingdom |
| Plot point: | Family Secrets, Romance, Secret Magic, Witches |
| Subgenre: | Comedy Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros., Blossom Films, Di Novi Pictures, Fortis Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 11, 2026 | 1 | $30,002,526 | 4,146 | $7,236 | $30,002,526 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 10, 2026 | P | $4,700,000 | 3,200 | $1,469 | $4,700,000 | ||
| Sep 11, 2026 | 1 | $13,100,872 | 4,146 | $3,160 | $13,100,872 | 1 | |
| Sep 12, 2026 | 1 | $9,851,265 | -25% | 4,146 | $2,376 | $22,952,137 | 2 |
| Sep 13, 2026 | 1 | $7,050,389 | -28% | 4,146 | $1,701 | $30,002,526 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/10/2026 | $1,632,921 | 478 | 478 | 0 | $2,168,758 | 9/14/2026 | |||
| Bulgaria | 9/11/2026 | $15,088 | 67 | 67 | 0 | $18,286 | 9/14/2026 | |||
| Finland | 9/11/2026 | $58,731 | 76 | 76 | 76 | $60,952 | 9/14/2026 | |||
| Hungary | 9/10/2026 | $145,321 | 69 | 69 | 0 | $147,120 | 9/14/2026 | |||
| Italy | 9/10/2026 | $393,355 | 0 | 0 | 0 | $395,174 | 9/14/2026 | |||
| Lithuania | 9/11/2026 | $56,886 | 0 | 0 | 0 | $84,888 | 9/14/2026 | |||
| Netherlands | 9/10/2026 | $218,735 | 117 | 117 | 117 | $253,756 | 9/14/2026 | |||
| New Zealand | 9/10/2026 | $177,736 | 107 | 107 | 0 | $227,114 | 9/14/2026 | |||
| Serbia and Montenegro | 9/10/2026 | $18,928 | 53 | 53 | 0 | $30,496 | 9/14/2026 | |||
| Rest of World | $12,613,456 | |||||||||
| International Total | $16,000,000 | 9/14/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sandra Bullock | Sally Owens | |
| Nicole Kidman | Gillian Owens | |
| Joey King | Kylie Owens | |
| Maisie Williams | Antonia Owens |
Supporting
| Stockard Channing | Franny | |
| Dianne Wiest | Jet | |
| Lee Pace | Ian Wright | |
| Solly McLeod | Tom Lockland | |
| Xolo Maridueña | Gideon | |
| Amy Bowden | Local Woman | |
| Aimee Cassettari | Local Woman | |
| Ema Cavolli | Maria Owens | |
| Scarlett Nasrat | Young Kylie | |
| Harriett Scott | Young Antonia | |
| Logan Truter | Botany Child | |
| Naledi Percival | Botany Child | |
| Roman Anderson | Botany Child | |
| Riley Chung | Botany Child | |
| Teddy Russell | Botany Child | |
| Emma Bown | New England Woman | |
| Rachel Handshaw | Happy Woman | |
| Cassie Bradley | Hannah Owens | |
| Liz Kingsman | Jane | |
| Caitlin McEwan | Woman Mourner | |
| Nathan Foad | Derek | |
| Katy Wix | Paula | |
| Mariah Baillie | EMT | |
| Richard Rycroft | Groundskeeper | |
| Diana Quick | Margaret | |
| Anise Senat | Celebrant | |
| Ava Galindez | Laura |
Production and Technical Credits
| Susanne Bier | Director | |
| Akiva Goldsman | Screenwriter | |
| Georgia Pritchett | Screenwriter | |
| Kelly Marcel | Screenwriter | |
| Alice Hoffman | Story based on the novel “The Book of Magic” by | |
| Denise Di Novi | Producer | |
| Sandra Bullock | Producer | |
| Nicole Kidman | Producer | |
| Andrew Kosove | Executive Producer | |
| Broderick Johnson | Executive Producer | |
| Donald Sabourin | Executive Producer | |
| Alice Hoffman | Executive Producer | |
| Kelly Marcel | Executive Producer | |
| Simon Duggan | Director of Photography | |
| Tom Burton | Production Designer | |
| Sam Williams | Editor | |
| Season Kent | Music Supervisor | |
| Gabe Hilfer | Music Supervisor | |
| Rupert Gregson-Williams | Composer | |
| Alexandra Byrne | Costume Designer | |
| Jina Jay | Casting Director | |
| Donald Sabourin | Unit Production Manager | |
| Richard Styles | First Assistant Director | |
| Glenn Freemantle | Sound Designer | |
| Glenn Freemantle | Supervising Sound Editor | |
| Pete Chiappetta | Executive Producer | |
| Andrew Lary | Executive Producer | |
| Anthony Tittanegro | Executive Producer | |
| Roma O’Connor | Visual Effects Producer | |
| Louis LaFlamme-Fillion | Visual Effects Supervisor | |
| Tim Baish | Unit Production Manager | |
| Grant Bailey | Supervising Art Director | |
| Albert McCausland | Art Director | |
| Will Smith | Art Director | |
| Andy Young | Art Director | |
| Dave Lawson | Art Director | |
| Alexander Foss Ball | Set Designer | |
| Charlotte Jenner | Set Designer | |
| Selina Tarnowska | Set Designer | |
| Gary Dodkin | Sound Mixer | |
| Nicoletta Mani | Script Supervisor | |
| Kyle Perry | Script Supervisor | |
| Daniel Burch | First Assistant Editor | |
| Robert Avery | First Assistant Editor | |
| Howard Bargroff | Re-recording Mixer | |
| Brendan Nicholson | Re-recording Mixer | |
| Ben Barker | Supervising Sound Editor | |
| Ben Barker | Sound Designer | |
| Ian Morgan | Supervising Dialogue and ADR Editor | |
| Arthur Turner | Dialogue/ADR Editor | |
| Glen Gathard | Foley Supervisor | |
| Francesca Bourne | Foley Mixer | |
| Alex Robson | Foley Editor | |
| Olly Freemantle | Foley Editor | |
| Leila Merabti | Production Supervisor | |
| Georgina Gunner | Costume Supervisor | |
| Graham Ward | Set Decorator | |
| Barbara Herman-Skelding | Set Decorator | |
| Claudia Selby | Associate Producer | |
| Giles Edleston | Supervising Location Manager | |
| Lucia Fedeli | Location Manager | |
| Nathan Flaher | Location Manager | |
| Deborah Nutt | Location Manager | |
| Charles Somers | Location Manager | |
| Stephen Hutchinson | Special Effects Supervisor | |
| Iain Cooke | Music Supervisor | |
| Sarah Bridge | Music Supervisor | |
| Allan Jenkins | Music Editor | |
| Daniel Waldman | Music Editor | |
| Rupert Gregson-Williams | Score Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.