Praia do Futuro (2014)
| Theatrical Performance | ||
| Domestic Box Office | $20,620 | Details |
| International Box Office | $740,058 | Details |
| Worldwide Box Office | $760,678 | |
| OpusData ID: 222890100 More info... | ||
| Further financial details... | ||
Synopsis
Part gay romance, part inquisitive self-journey, FUTURO BEACH is an examination of lives lost and found. Donato works as a lifeguard at the spectacular but treacherous Praia do Futuro beach in Brazil; Konrad is an ex-military thrill seeker from Germany vacationing with a friend. After Donato saves Konrad from drowning, but fails to save his other friend, initial sexual sparks give way to a deeper, emotional connection. Donato decides to leave everything behind, including his ailing mother and younger brother, Ayrton, to travel back to Berlin with Konrad. There, he finds both confusion and liberation, and his journey for love soon turns into a deeper search for his own identity. Eight years later, an unexpe cted visit from Ayrton, brings all three men back together as they struggle to reconcile the pain of loss and longing, instinctively drawn to each other in search of hope and a brighter future.
Metrics
| Opening Weekend: | $3,324 (16.1% of total gross) |
| Legs: | 5.14 (domestic box office/biggest weekend) |
| Domestic Share: | 2.7% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 1 opening theaters/4 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,254 |
Movie Details
| Domestic Releases: | February 27th, 2015 (Limited) by Strand Releasing, released as Futuro Beach |
| International Releases: | May 15th, 2014 (Wide) (Brazil) |
| Video Release: | May 5th, 2015 by Strand Home, released as Futuro Beach |
| MPA Rating: | Not Rated |
| Running Time: | 107 minutes |
| Plot point: | Coming of Age, LGBTQ+, Returning Soldiers, Romance, Young Child Dealing with the Death of a Parent |
| Social setting: | Afghanistan War |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Coracao da Selva, Hank Levine Film, Detailfilm, Watchmen Productions, HBO Latin America Originals |
| Production Countries: | Brazil, Germany |
| Languages: | Portuguese, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 80 | $3,324 | 1 | $3,324 | $3,324 | 1 | |
| Mar 6, 2015 | 79 | $4,012 | +21% | 4 | $1,003 | $8,309 | 2 |
| Mar 13, 2015 | 78 | $3,821 | -5% | 4 | $955 | $13,703 | 3 |
| Mar 20, 2015 | 84 | $1,549 | -59% | 2 | $775 | $16,860 | 4 |
| Mar 27, 2015 | 96 | $252 | -84% | 1 | $252 | $17,730 | 5 |
| Apr 10, 2015 | 96 | $790 | 1 | $790 | $18,626 | 7 | |
| Apr 17, 2015 | 95 | $698 | -12% | 1 | $698 | $19,558 | 8 |
| Apr 24, 2015 | 107 | $531 | -24% | 1 | $531 | $20,620 | 9 |
| May 8, 2015 | 92 | $173 | 1 | $173 | $20,262 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 92 | $4,297 | 1 | $4,297 | $4,297 | 1 | |
| Mar 6, 2015 | 83 | $5,585 | +30% | 4 | $1,396 | $9,882 | 2 |
| Mar 13, 2015 | 85 | $5,429 | -3% | 4 | $1,357 | $15,311 | 3 |
| Mar 20, 2015 | 89 | $2,167 | -60% | 2 | $1,084 | $17,478 | 4 |
| Apr 10, 2015 | 105 | $1,024 | 1 | $1,024 | $18,860 | 7 | |
| Apr 17, 2015 | 102 | $1,229 | +20% | 1 | $1,229 | $20,089 | 8 |
| May 8, 2015 | 103 | $173 | 1 | $173 | $20,262 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 5/15/2014 | $0 | 0 | 9 | 23 | $740,058 | 12/17/2015 | |||
| International Total | $740,058 | 12/17/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Wagner Moura | Donato | |
| Clemens Schick | Konrad | |
| Jesuita Barbosa | Ayrton 18 Years Old |
Supporting
| Savio Ygor Ramos | Ayrton 10 Years Old | |
| Sophie Charlotte Conrad | Dakota | |
| Sabine Timoteo | Heiko's wife | |
| Yannik Burwieck | Heiko's Son | |
| Fred Lima | Heiko | |
| Natascha Paulick | Bartender | |
| Emily Cox | Nanna |
Production and Technical Credits
| Karim Ainouz | Director | |
| Karim Ainouz | Screenwriter | |
| Felipe Braganca | Screenwriter | |
| Georgia Costa Araujo | Producer | |
| Hank Levine | Producer | |
| Luciano Patrick | Executive Producer | |
| Andro Steinborn | Executive Producer | |
| Marcos Pedroso | Production Designer | |
| Isabela Monteiro de Castro | Editor | |
| Hauschka* | Composer | |
| Ali Olcay Gozkaya | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Part gay romance, part inquisitive self-journey, FUTURO BEACH is an examination of lives lost and found. Donato works as a lifeguard at the spectacular but treacherous Praia do Futuro beach in Brazil; Konrad is an ex-military thrill seeker from Germany vacationing with a friend. After Donato saves Konrad from drowning, but fails to save his other friend, initial sexual sparks give way to a deeper, emotional connection. Donato decides to leave everything behind, including his ailing mother and younger brother, Ayrton, to travel back to Berlin with Konrad. There, he finds both confusion and liberation, and his journey for love soon turns into a deeper search for his own identity. Eight years later, an unexpe cted visit from Ayrton, brings all three men back together as they struggle to reconcile the pain of loss and longing, instinctively drawn to each other in search of hope and a brighter future.
Metrics
| Opening Weekend: | $3,324 (16.1% of total gross) |
| Legs: | 5.14 (domestic box office/biggest weekend) |
| Domestic Share: | 2.7% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 1 opening theaters/4 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,254 |
Movie Details
| Domestic Releases: | February 27th, 2015 (Limited) by Strand Releasing, released as Futuro Beach |
| International Releases: | May 15th, 2014 (Wide) (Brazil) |
| Video Release: | May 5th, 2015 by Strand Home, released as Futuro Beach |
| MPA Rating: | Not Rated |
| Running Time: | 107 minutes |
| Plot point: | Coming of Age, LGBTQ+, Returning Soldiers, Romance, Young Child Dealing with the Death of a Parent |
| Social setting: | Afghanistan War |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Coracao da Selva, Hank Levine Film, Detailfilm, Watchmen Productions, HBO Latin America Originals |
| Production Countries: | Brazil, Germany |
| Languages: | Portuguese, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 80 | $3,324 | 1 | $3,324 | $3,324 | 1 | |
| Mar 6, 2015 | 79 | $4,012 | +21% | 4 | $1,003 | $8,309 | 2 |
| Mar 13, 2015 | 78 | $3,821 | -5% | 4 | $955 | $13,703 | 3 |
| Mar 20, 2015 | 84 | $1,549 | -59% | 2 | $775 | $16,860 | 4 |
| Mar 27, 2015 | 96 | $252 | -84% | 1 | $252 | $17,730 | 5 |
| Apr 10, 2015 | 96 | $790 | 1 | $790 | $18,626 | 7 | |
| Apr 17, 2015 | 95 | $698 | -12% | 1 | $698 | $19,558 | 8 |
| Apr 24, 2015 | 107 | $531 | -24% | 1 | $531 | $20,620 | 9 |
| May 8, 2015 | 92 | $173 | 1 | $173 | $20,262 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 92 | $4,297 | 1 | $4,297 | $4,297 | 1 | |
| Mar 6, 2015 | 83 | $5,585 | +30% | 4 | $1,396 | $9,882 | 2 |
| Mar 13, 2015 | 85 | $5,429 | -3% | 4 | $1,357 | $15,311 | 3 |
| Mar 20, 2015 | 89 | $2,167 | -60% | 2 | $1,084 | $17,478 | 4 |
| Apr 10, 2015 | 105 | $1,024 | 1 | $1,024 | $18,860 | 7 | |
| Apr 17, 2015 | 102 | $1,229 | +20% | 1 | $1,229 | $20,089 | 8 |
| May 8, 2015 | 103 | $173 | 1 | $173 | $20,262 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 5/15/2014 | $0 | 0 | 9 | 23 | $740,058 | 12/17/2015 | |||
| International Total | $740,058 | 12/17/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Wagner Moura | Donato | |
| Clemens Schick | Konrad | |
| Jesuita Barbosa | Ayrton 18 Years Old |
Supporting
| Savio Ygor Ramos | Ayrton 10 Years Old | |
| Sophie Charlotte Conrad | Dakota | |
| Sabine Timoteo | Heiko's wife | |
| Yannik Burwieck | Heiko's Son | |
| Fred Lima | Heiko | |
| Natascha Paulick | Bartender | |
| Emily Cox | Nanna |
Production and Technical Credits
| Karim Ainouz | Director | |
| Karim Ainouz | Screenwriter | |
| Felipe Braganca | Screenwriter | |
| Georgia Costa Araujo | Producer | |
| Hank Levine | Producer | |
| Luciano Patrick | Executive Producer | |
| Andro Steinborn | Executive Producer | |
| Marcos Pedroso | Production Designer | |
| Isabela Monteiro de Castro | Editor | |
| Hauschka* | Composer | |
| Ali Olcay Gozkaya | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.