Presenting Princess Shaw (2016)
| Theatrical Performance | ||
| Domestic Box Office | $60,197 | Details |
| Further financial details... | ||
Synopsis
The true story of the incredible Princess Shaw and the enigmatic composer Kutiman, who discovers her from the other side of the world. By day, Samantha Montgomery cares for the elderly in one of New Orleans’s toughest neighborhoods. By night, she writes and sings her own songs as Princess Shaw on her confessional YouTube channel. Raw and vulnerable, her voice is a diamond in the rough. Across the globe, Ophir Kutiel creates video mash ups of amateur Youtube performers. Known as Kutiman, he is a composer, a musician, and a pioneering video artist embraced by the world of fine art. Kutiman “transforms sampling into a multimedia art,” whether at his home on a kibbutz in Israel or at a live performance at the Guggenheim in New York. Two strangers, almost 7,000 miles apart, begin to build a song. The film unfolds as Kutiman pairs Princess Shaw’s emotional performances in an expression of generosity and compassion, revealing the bonafide star underneath and her fight to never give up on her dreams.
Metrics
| Opening Weekend: | $4,814 (8.0% of total gross) |
| Legs: | 6.86 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/12 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $83,230 |
Movie Details
| Domestic Releases: | May 27th, 2016 (Limited) by Magnolia Pictures |
| Video Release: | May 27th, 2016 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 80 minutes |
| Geographical setting: | New Orleans, LA |
| Plot point: | Composer, Internet, Musicians, Social Media, Songwriter |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, Participant Media |
| Production Countries: | Israel |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 2016 | 59 | $4,814 | 3 | $1,605 | $4,814 | 1 | |
| Jun 3, 2016 | 51 | $8,775 | +82% | 12 | $731 | $16,021 | 2 |
| Jun 10, 2016 | 67 | $4,111 | -53% | 4 | $1,028 | $23,901 | 3 |
| Jun 17, 2016 | 73 | $2,205 | -46% | 4 | $551 | $29,017 | 4 |
| Jun 24, 2016 | 82 | $1,403 | -36% | 2 | $702 | $32,227 | 5 |
| Jul 1, 2016 | 84 | $305 | -78% | 1 | $305 | $33,433 | 6 |
| Jul 8, 2016 | 95 | $440 | +44% | 1 | $440 | $34,070 | 7 |
| Jul 15, 2016 | 75 | $2,268 | +415% | 1 | $2,268 | $36,497 | 8 |
| Jul 22, 2016 | 69 | $5,289 | +133% | 2 | $2,645 | $41,786 | 9 |
| Jul 29, 2016 | 103 | $101 | -98% | 1 | $101 | $43,191 | 10 |
| Aug 5, 2016 | 81 | $505 | +400% | 1 | $505 | $56,708 | 11 |
| Aug 12, 2016 | 83 | $3,489 | +591% | 2 | $1,745 | $60,197 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 2016 | 67 | $7,246 | 3 | $2,415 | $7,246 | 1 | |
| Jun 3, 2016 | 56 | $12,544 | +73% | 12 | $1,045 | $19,790 | 2 |
| Jun 10, 2016 | 71 | $7,022 | -44% | 6 | $1,170 | $26,812 | 3 |
| Jun 17, 2016 | 75 | $4,012 | -43% | 4 | $1,003 | $30,824 | 4 |
| Jun 24, 2016 | 90 | $2,304 | -43% | 2 | $1,152 | $33,128 | 5 |
| Jul 1, 2016 | 103 | $502 | -78% | 1 | $502 | $33,630 | 6 |
| Jul 8, 2016 | 104 | $599 | +19% | 1 | $599 | $34,229 | 7 |
| Jul 15, 2016 | 90 | $2,268 | +279% | 1 | $2,268 | $36,497 | 8 |
| Jul 22, 2016 | 75 | $6,593 | +191% | 2 | $3,297 | $43,090 | 9 |
| Jul 29, 2016 | 62 | $13,113 | +99% | 4 | $3,278 | $56,203 | 10 |
| Aug 5, 2016 | 94 | $505 | -96% | 1 | $505 | $56,708 | 11 |
| Aug 12, 2016 | 80 | $3,489 | +591% | 2 | $1,745 | $60,197 | 12 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The true story of the incredible Princess Shaw and the enigmatic composer Kutiman, who discovers her from the other side of the world. By day, Samantha Montgomery cares for the elderly in one of New Orleans’s toughest neighborhoods. By night, she writes and sings her own songs as Princess Shaw on her confessional YouTube channel. Raw and vulnerable, her voice is a diamond in the rough. Across the globe, Ophir Kutiel creates video mash ups of amateur Youtube performers. Known as Kutiman, he is a composer, a musician, and a pioneering video artist embraced by the world of fine art. Kutiman “transforms sampling into a multimedia art,” whether at his home on a kibbutz in Israel or at a live performance at the Guggenheim in New York. Two strangers, almost 7,000 miles apart, begin to build a song. The film unfolds as Kutiman pairs Princess Shaw’s emotional performances in an expression of generosity and compassion, revealing the bonafide star underneath and her fight to never give up on her dreams.
Metrics
| Opening Weekend: | $4,814 (8.0% of total gross) |
| Legs: | 6.86 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/12 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $83,230 |
Movie Details
| Domestic Releases: | May 27th, 2016 (Limited) by Magnolia Pictures |
| Video Release: | May 27th, 2016 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 80 minutes |
| Geographical setting: | New Orleans, LA |
| Plot point: | Composer, Internet, Musicians, Social Media, Songwriter |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, Participant Media |
| Production Countries: | Israel |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 2016 | 59 | $4,814 | 3 | $1,605 | $4,814 | 1 | |
| Jun 3, 2016 | 51 | $8,775 | +82% | 12 | $731 | $16,021 | 2 |
| Jun 10, 2016 | 67 | $4,111 | -53% | 4 | $1,028 | $23,901 | 3 |
| Jun 17, 2016 | 73 | $2,205 | -46% | 4 | $551 | $29,017 | 4 |
| Jun 24, 2016 | 82 | $1,403 | -36% | 2 | $702 | $32,227 | 5 |
| Jul 1, 2016 | 84 | $305 | -78% | 1 | $305 | $33,433 | 6 |
| Jul 8, 2016 | 95 | $440 | +44% | 1 | $440 | $34,070 | 7 |
| Jul 15, 2016 | 75 | $2,268 | +415% | 1 | $2,268 | $36,497 | 8 |
| Jul 22, 2016 | 69 | $5,289 | +133% | 2 | $2,645 | $41,786 | 9 |
| Jul 29, 2016 | 103 | $101 | -98% | 1 | $101 | $43,191 | 10 |
| Aug 5, 2016 | 81 | $505 | +400% | 1 | $505 | $56,708 | 11 |
| Aug 12, 2016 | 83 | $3,489 | +591% | 2 | $1,745 | $60,197 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 2016 | 67 | $7,246 | 3 | $2,415 | $7,246 | 1 | |
| Jun 3, 2016 | 56 | $12,544 | +73% | 12 | $1,045 | $19,790 | 2 |
| Jun 10, 2016 | 71 | $7,022 | -44% | 6 | $1,170 | $26,812 | 3 |
| Jun 17, 2016 | 75 | $4,012 | -43% | 4 | $1,003 | $30,824 | 4 |
| Jun 24, 2016 | 90 | $2,304 | -43% | 2 | $1,152 | $33,128 | 5 |
| Jul 1, 2016 | 103 | $502 | -78% | 1 | $502 | $33,630 | 6 |
| Jul 8, 2016 | 104 | $599 | +19% | 1 | $599 | $34,229 | 7 |
| Jul 15, 2016 | 90 | $2,268 | +279% | 1 | $2,268 | $36,497 | 8 |
| Jul 22, 2016 | 75 | $6,593 | +191% | 2 | $3,297 | $43,090 | 9 |
| Jul 29, 2016 | 62 | $13,113 | +99% | 4 | $3,278 | $56,203 | 10 |
| Aug 5, 2016 | 94 | $505 | -96% | 1 | $505 | $56,708 | 11 |
| Aug 12, 2016 | 80 | $3,489 | +591% | 2 | $1,745 | $60,197 | 12 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.