Pressure (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $15,569,855 | Details |
| International Box Office | $3,484,035 | Details |
| Worldwide Box Office | $19,053,890 | |
| OpusData ID: 692360100 More info... | ||
| Further financial details... | ||
Synopsis
In the 72 hours leading up to D-Day, all the pieces are in place except for one key element — the British weather. Britain’s Chief Meteorological Officer James Stagg is called upon to deliver the most consequential forecast in history, locking him into a tense standoff with the entire Allied leadership. The wrong conditions could devastate the largest-ever seaborne invasion, while any delay risks German intelligence catching on. With only his trusted aide Captain Kay Summersby to confide in, and haunted by a catastrophic D-Day rehearsal, the final decision rests with Supreme Allied Commander Dwight D. Eisenhower. With only hours to go, the fate of the war and the lives of millions hang in the balance.
Metrics
| Opening Weekend: | $5,811,480 (37.3% of total gross) |
| Legs: | 2.68 (domestic box office/biggest weekend) |
| Domestic Share: | 81.7% (domestic box office/worldwide) |
| Theater counts: | 1,829 opening theaters/1,855 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,569,855 |
Movie Details
| Domestic Releases: | May 29th, 2026 (Wide) by Focus Features |
| International Releases: | May 28th, 2026 (Wide) (Hong Kong)
June 6th, 2026 (Wide), released as Pressure (诺曼底72小时) (China) June 18th, 2026 (Wide), released as Pressure (Давление) (Russia (CIS)) June 25th, 2026 (Wide), released as Dia D: Sob Pressão (Portugal) August 6th, 2026 (Wide), released as El día D: Bajo Presión (Mexico) ... Show all releases |
| Video Release: | June 16th, 2026 by Universal Home Entertainment |
| MPA Rating: | PG-13 for war violence, bloody images, some strong language, and smoking. (Rating bulletin cert #55685, 5/1/2026) |
| Running Time: | 100 minutes |
| Filming location (country): | United Kingdom |
| Plot point: | Historical Battles, New Parents, Political, Pregnant Women, War, Extreme Weather |
| Release detail: | Festival Package Deal |
| Social setting: | World War II |
| Subgenre: | Historical Drama |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Working Title Films, StudioCanal, Focus Features |
| Production Countries: | United Kingdom, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 29, 2026 | 7 | $5,811,480 | 1,829 | $3,177 | $5,811,480 | 1 | |
| Jun 5, 2026 | 9 | $3,097,200 | -47% | 1,855 | $1,670 | $11,249,740 | 2 |
| Jun 12, 2026 | 15 | $1,155,100 | -63% | 1,340 | $862 | $14,079,605 | 3 |
| Jun 19, 2026 | - | $346,080 | -70% | 351 | $986 | $15,146,605 | 4 |
| Jun 26, 2026 | - | $149,645 | -57% | 187 | $800 | $15,485,105 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 29, 2026 | 6 | $2,485,695 | 1,829 | $1,359 | $2,485,695 | 1 | ||
| May 30, 2026 | 8 | $1,938,930 | -22% | 1,829 | $1,060 | $4,424,625 | 2 | |
| May 31, 2026 | 8 | $1,386,855 | -28% | 1,829 | $758 | $5,811,480 | 3 | |
| Jun 1, 2026 | 8 | $546,335 | -61% | 1,829 | $299 | $6,357,815 | 4 | |
| Jun 2, 2026 | 8 | $837,155 | +53% | 1,829 | $458 | $7,194,970 | 5 | |
| Jun 3, 2026 | 8 | $522,765 | -38% | 1,829 | $286 | $7,717,735 | 6 | |
| Jun 4, 2026 | - | $434,805 | -17% | 1,829 | $238 | $8,152,540 | 7 | |
| Jun 5, 2026 | 9 | $763,145 | +76% | -69% | 1,855 | $411 | $8,915,685 | 8 |
| Jun 6, 2026 | 9 | $1,364,330 | +79% | -30% | 1,855 | $735 | $10,280,015 | 9 |
| Jun 7, 2026 | 9 | $969,725 | -29% | -30% | 1,855 | $523 | $11,249,740 | 10 |
| Jun 8, 2026 | 9 | $385,310 | -60% | -29% | 1,855 | $208 | $11,635,050 | 11 |
| Jun 9, 2026 | 9 | $607,425 | +58% | -27% | 1,855 | $327 | $12,242,475 | 12 |
| Jun 10, 2026 | 9 | $411,670 | -32% | -21% | 1,855 | $222 | $12,654,145 | 13 |
| Jun 11, 2026 | - | $270,360 | -34% | -38% | 1,855 | $146 | $12,924,505 | 14 |
| Jun 12, 2026 | 14 | $336,030 | +24% | -56% | 1,340 | $251 | $13,260,535 | 15 |
| Jun 13, 2026 | 15 | $432,940 | +29% | -68% | 1,340 | $323 | $13,693,475 | 16 |
| Jun 14, 2026 | 14 | $386,130 | -11% | -60% | 1,340 | $288 | $14,079,605 | 17 |
| Jun 15, 2026 | - | $161,605 | -58% | -58% | 1,340 | $121 | $14,241,210 | 18 |
| Jun 16, 2026 | - | $236,610 | +46% | -61% | 1,340 | $177 | $14,477,820 | 19 |
| Jun 17, 2026 | - | $191,230 | -19% | -54% | 1,340 | $143 | $14,669,050 | 20 |
| Jun 18, 2026 | - | $131,475 | -31% | -51% | 1,340 | $98 | $14,800,525 | 21 |
| Jun 19, 2026 | - | $84,480 | -36% | -75% | 351 | $241 | $14,885,005 | 22 |
| Jun 20, 2026 | - | $116,635 | +38% | -73% | 351 | $332 | $15,001,640 | 23 |
| Jun 21, 2026 | - | $144,965 | +24% | -62% | 351 | $413 | $15,146,605 | 24 |
| Jun 22, 2026 | - | $45,605 | -69% | -72% | 351 | $130 | $15,192,210 | 25 |
| Jun 23, 2026 | - | $60,575 | +33% | -74% | 351 | $173 | $15,252,785 | 26 |
| Jun 24, 2026 | - | $47,340 | -22% | -75% | 351 | $135 | $15,300,125 | 27 |
| Jun 25, 2026 | - | $35,335 | -25% | -73% | 351 | $101 | $15,335,460 | 28 |
| Jun 26, 2026 | - | $40,920 | +16% | -52% | 187 | $219 | $15,376,380 | 29 |
| Jun 27, 2026 | - | $66,915 | +64% | -43% | 187 | $358 | $15,443,295 | 30 |
| Jun 28, 2026 | - | $41,810 | -38% | -71% | 187 | $224 | $15,485,105 | 31 |
| Jun 29, 2026 | - | $17,245 | -59% | -62% | 187 | $92 | $15,502,350 | 32 |
| Jun 30, 2026 | - | $27,720 | +61% | -54% | 187 | $148 | $15,530,070 | 33 |
| Jul 1, 2026 | - | $16,925 | -39% | -64% | 187 | $91 | $15,546,995 | 34 |
| Jul 2, 2026 | - | $22,860 | +35% | -35% | 187 | $122 | $15,569,855 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 29, 2026 | 7 | $8,152,540 | 1,829 | $4,457 | $8,152,540 | 1 | |
| Jun 5, 2026 | 9 | $4,771,965 | -41% | 1,855 | $2,572 | $12,924,505 | 2 |
| Jun 12, 2026 | 13 | $1,876,020 | -61% | 1,340 | $1,400 | $14,800,525 | 3 |
| Jun 19, 2026 | 18 | $534,935 | -71% | 351 | $1,524 | $15,335,460 | 4 |
| Jun 26, 2026 | - | $234,395 | -56% | 187 | $1,253 | $15,569,855 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 6/6/2026 | $1,017,367 | 0 | 0 | 0 | $3,000,619 | 7/17/2026 | |||
| Hong Kong | 5/28/2026 | $0 | 0 | 0 | 0 | $51,713 | 6/5/2026 | |||
| Portugal | 6/25/2026 | $57,586 | 40 | 40 | 0 | $191,083 | 7/21/2026 | |||
| Russia (CIS) | 6/18/2026 | $143,481 | 544 | 544 | 866 | $240,620 | 7/1/2026 | |||
| International Total | $3,484,035 | 7/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Andrew Scott | James Stagg | |
| Brendan Fraser | General Eisenhower |
Supporting
| Kerry Condon | Captain Kay Summersby | |
| Chris Messina | Irving P. Krick | |
| Damian Lewis | Bernard “Monty” Montgomery | |
| Tamsin Topolski | Liz Stagg | |
| JoJo Macari | Andrew Carter | |
| Con O’Neill | Air Marshal Leigh-Mallory | |
| Alexander Hanson | General Omar Bradley | |
| Robert Portal | Admiral Bertram Ramsay | |
| Joshua Hill | Casey | |
| Toby Williams | Bryant | |
| Richard Clothier | Flight Officer Murray | |
| Michael Benz | Flight Officer Hamilton | |
| Crispin Letts | Reverend Draper | |
| Harrison Osterfield | Sergeant Mickey McKeogh | |
| Sebastian Orozco | Private Jose Carrero | |
| Pedro Leandro | Private Fernando Ojeda | |
| Wil Coban | Private Tommy Cooper | |
| Max Croes | Private Eugene Shaw | |
| Taylor Uttley | Private Lincoln Webb | |
| Aidan Cheng | Private Barney Lee | |
| Daniel Quinn-Toye | Private Michael Gregory | |
| Charles Camrose | Private Clark | |
| Patrick Flannery | Private Turner | |
| John Schwab | Officer Powell | |
| Orlando Seale | Officer Taylor | |
| Paul Bailey | Naval Officer | |
| Roseanna Brown | Operator |
Production and Technical Credits
| Anthony Maras | Director | |
| David Haig | Screenwriter | |
| Anthony Maras | Screenwriter | |
| David Haig | Story based on the stage play by | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Cass Marks | Producer | |
| Lucas Webb | Producer | |
| Anna Marsh | Executive Producer | |
| Ron Halpern | Executive Producer | |
| Joe Naftalin | Executive Producer | |
| Anthony Maras | Executive Producer | |
| Angela Moneke | Executive Producer | |
| Sheeraz Shah | Executive Producer | |
| Jamie D. Ramsay* | Director of Photography | |
| Anthony Maras | Editor | |
| Daniel Taylor | Production Designer | |
| Volker Bertelmann | Composer | |
| Lucy Bevan | Casting Director | |
| Andy Bennett | Stunt Coordinator | |
| Nick Remy Matthews | Second Unit Director | |
| Monique Mussell | Unit Production Manager | |
| George Every | First Assistant Director | |
| Jamie D. Allen | Key Second Assistant Director | |
| Nathan Flaher | Supervising Location Manager | |
| Nadine Richardson | Sound Mixer | |
| Felix Pomeranz | Visual Effects Supervisor | |
| Henry Karjalainen | Post-Production Supervisor | |
| Tom Heuzenroeder | Supervising Sound Editor | |
| Duncan Campbell | Sound Designer | |
| Pete Smith | Re-recording Mixer | |
| Angel Jordan | Production Manager | |
| Jack Plummer | Production Manager | |
| Charlie Waller | Production Supervisor | |
| Angelica Pressello | Script Supervisor | |
| Ashley Lynn James | Supervising Art Director | |
| Charlie Meakin | Senior Art Director | |
| Amber King | Art Director | |
| Lotty Sanna | Set Decorator | |
| Diana Barclay-Wyand | Costume Supervisor | |
| Jacqueline Bhavnani | Make-up and Hair Designer | |
| Ian Lumsden | Location Manager | |
| Andrew Dalmahoy | Location Manager | |
| Ryan Conder | Special Effects Supervisor | |
| Claire Walker | Special Effects Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the 72 hours leading up to D-Day, all the pieces are in place except for one key element — the British weather. Britain’s Chief Meteorological Officer James Stagg is called upon to deliver the most consequential forecast in history, locking him into a tense standoff with the entire Allied leadership. The wrong conditions could devastate the largest-ever seaborne invasion, while any delay risks German intelligence catching on. With only his trusted aide Captain Kay Summersby to confide in, and haunted by a catastrophic D-Day rehearsal, the final decision rests with Supreme Allied Commander Dwight D. Eisenhower. With only hours to go, the fate of the war and the lives of millions hang in the balance.
Metrics
| Opening Weekend: | $5,811,480 (37.3% of total gross) |
| Legs: | 2.68 (domestic box office/biggest weekend) |
| Domestic Share: | 81.7% (domestic box office/worldwide) |
| Theater counts: | 1,829 opening theaters/1,855 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,569,855 |
Movie Details
| Domestic Releases: | May 29th, 2026 (Wide) by Focus Features |
| International Releases: | May 28th, 2026 (Wide) (Hong Kong)
June 6th, 2026 (Wide), released as Pressure (诺曼底72小时) (China) June 18th, 2026 (Wide), released as Pressure (Давление) (Russia (CIS)) June 25th, 2026 (Wide), released as Dia D: Sob Pressão (Portugal) August 6th, 2026 (Wide), released as El día D: Bajo Presión (Mexico) ... Show all releases |
| Video Release: | June 16th, 2026 by Universal Home Entertainment |
| MPA Rating: | PG-13 for war violence, bloody images, some strong language, and smoking. (Rating bulletin cert #55685, 5/1/2026) |
| Running Time: | 100 minutes |
| Filming location (country): | United Kingdom |
| Plot point: | Historical Battles, New Parents, Political, Pregnant Women, War, Extreme Weather |
| Release detail: | Festival Package Deal |
| Social setting: | World War II |
| Subgenre: | Historical Drama |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Working Title Films, StudioCanal, Focus Features |
| Production Countries: | United Kingdom, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 29, 2026 | 7 | $5,811,480 | 1,829 | $3,177 | $5,811,480 | 1 | |
| Jun 5, 2026 | 9 | $3,097,200 | -47% | 1,855 | $1,670 | $11,249,740 | 2 |
| Jun 12, 2026 | 15 | $1,155,100 | -63% | 1,340 | $862 | $14,079,605 | 3 |
| Jun 19, 2026 | - | $346,080 | -70% | 351 | $986 | $15,146,605 | 4 |
| Jun 26, 2026 | - | $149,645 | -57% | 187 | $800 | $15,485,105 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 29, 2026 | 6 | $2,485,695 | 1,829 | $1,359 | $2,485,695 | 1 | ||
| May 30, 2026 | 8 | $1,938,930 | -22% | 1,829 | $1,060 | $4,424,625 | 2 | |
| May 31, 2026 | 8 | $1,386,855 | -28% | 1,829 | $758 | $5,811,480 | 3 | |
| Jun 1, 2026 | 8 | $546,335 | -61% | 1,829 | $299 | $6,357,815 | 4 | |
| Jun 2, 2026 | 8 | $837,155 | +53% | 1,829 | $458 | $7,194,970 | 5 | |
| Jun 3, 2026 | 8 | $522,765 | -38% | 1,829 | $286 | $7,717,735 | 6 | |
| Jun 4, 2026 | - | $434,805 | -17% | 1,829 | $238 | $8,152,540 | 7 | |
| Jun 5, 2026 | 9 | $763,145 | +76% | -69% | 1,855 | $411 | $8,915,685 | 8 |
| Jun 6, 2026 | 9 | $1,364,330 | +79% | -30% | 1,855 | $735 | $10,280,015 | 9 |
| Jun 7, 2026 | 9 | $969,725 | -29% | -30% | 1,855 | $523 | $11,249,740 | 10 |
| Jun 8, 2026 | 9 | $385,310 | -60% | -29% | 1,855 | $208 | $11,635,050 | 11 |
| Jun 9, 2026 | 9 | $607,425 | +58% | -27% | 1,855 | $327 | $12,242,475 | 12 |
| Jun 10, 2026 | 9 | $411,670 | -32% | -21% | 1,855 | $222 | $12,654,145 | 13 |
| Jun 11, 2026 | - | $270,360 | -34% | -38% | 1,855 | $146 | $12,924,505 | 14 |
| Jun 12, 2026 | 14 | $336,030 | +24% | -56% | 1,340 | $251 | $13,260,535 | 15 |
| Jun 13, 2026 | 15 | $432,940 | +29% | -68% | 1,340 | $323 | $13,693,475 | 16 |
| Jun 14, 2026 | 14 | $386,130 | -11% | -60% | 1,340 | $288 | $14,079,605 | 17 |
| Jun 15, 2026 | - | $161,605 | -58% | -58% | 1,340 | $121 | $14,241,210 | 18 |
| Jun 16, 2026 | - | $236,610 | +46% | -61% | 1,340 | $177 | $14,477,820 | 19 |
| Jun 17, 2026 | - | $191,230 | -19% | -54% | 1,340 | $143 | $14,669,050 | 20 |
| Jun 18, 2026 | - | $131,475 | -31% | -51% | 1,340 | $98 | $14,800,525 | 21 |
| Jun 19, 2026 | - | $84,480 | -36% | -75% | 351 | $241 | $14,885,005 | 22 |
| Jun 20, 2026 | - | $116,635 | +38% | -73% | 351 | $332 | $15,001,640 | 23 |
| Jun 21, 2026 | - | $144,965 | +24% | -62% | 351 | $413 | $15,146,605 | 24 |
| Jun 22, 2026 | - | $45,605 | -69% | -72% | 351 | $130 | $15,192,210 | 25 |
| Jun 23, 2026 | - | $60,575 | +33% | -74% | 351 | $173 | $15,252,785 | 26 |
| Jun 24, 2026 | - | $47,340 | -22% | -75% | 351 | $135 | $15,300,125 | 27 |
| Jun 25, 2026 | - | $35,335 | -25% | -73% | 351 | $101 | $15,335,460 | 28 |
| Jun 26, 2026 | - | $40,920 | +16% | -52% | 187 | $219 | $15,376,380 | 29 |
| Jun 27, 2026 | - | $66,915 | +64% | -43% | 187 | $358 | $15,443,295 | 30 |
| Jun 28, 2026 | - | $41,810 | -38% | -71% | 187 | $224 | $15,485,105 | 31 |
| Jun 29, 2026 | - | $17,245 | -59% | -62% | 187 | $92 | $15,502,350 | 32 |
| Jun 30, 2026 | - | $27,720 | +61% | -54% | 187 | $148 | $15,530,070 | 33 |
| Jul 1, 2026 | - | $16,925 | -39% | -64% | 187 | $91 | $15,546,995 | 34 |
| Jul 2, 2026 | - | $22,860 | +35% | -35% | 187 | $122 | $15,569,855 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 29, 2026 | 7 | $8,152,540 | 1,829 | $4,457 | $8,152,540 | 1 | |
| Jun 5, 2026 | 9 | $4,771,965 | -41% | 1,855 | $2,572 | $12,924,505 | 2 |
| Jun 12, 2026 | 13 | $1,876,020 | -61% | 1,340 | $1,400 | $14,800,525 | 3 |
| Jun 19, 2026 | 18 | $534,935 | -71% | 351 | $1,524 | $15,335,460 | 4 |
| Jun 26, 2026 | - | $234,395 | -56% | 187 | $1,253 | $15,569,855 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 6/6/2026 | $1,017,367 | 0 | 0 | 0 | $3,000,619 | 7/17/2026 | |||
| Hong Kong | 5/28/2026 | $0 | 0 | 0 | 0 | $51,713 | 6/5/2026 | |||
| Portugal | 6/25/2026 | $57,586 | 40 | 40 | 0 | $191,083 | 7/21/2026 | |||
| Russia (CIS) | 6/18/2026 | $143,481 | 544 | 544 | 866 | $240,620 | 7/1/2026 | |||
| International Total | $3,484,035 | 7/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Andrew Scott | James Stagg | |
| Brendan Fraser | General Eisenhower |
Supporting
| Kerry Condon | Captain Kay Summersby | |
| Chris Messina | Irving P. Krick | |
| Damian Lewis | Bernard “Monty” Montgomery | |
| Tamsin Topolski | Liz Stagg | |
| JoJo Macari | Andrew Carter | |
| Con O’Neill | Air Marshal Leigh-Mallory | |
| Alexander Hanson | General Omar Bradley | |
| Robert Portal | Admiral Bertram Ramsay | |
| Joshua Hill | Casey | |
| Toby Williams | Bryant | |
| Richard Clothier | Flight Officer Murray | |
| Michael Benz | Flight Officer Hamilton | |
| Crispin Letts | Reverend Draper | |
| Harrison Osterfield | Sergeant Mickey McKeogh | |
| Sebastian Orozco | Private Jose Carrero | |
| Pedro Leandro | Private Fernando Ojeda | |
| Wil Coban | Private Tommy Cooper | |
| Max Croes | Private Eugene Shaw | |
| Taylor Uttley | Private Lincoln Webb | |
| Aidan Cheng | Private Barney Lee | |
| Daniel Quinn-Toye | Private Michael Gregory | |
| Charles Camrose | Private Clark | |
| Patrick Flannery | Private Turner | |
| John Schwab | Officer Powell | |
| Orlando Seale | Officer Taylor | |
| Paul Bailey | Naval Officer | |
| Roseanna Brown | Operator |
Production and Technical Credits
| Anthony Maras | Director | |
| David Haig | Screenwriter | |
| Anthony Maras | Screenwriter | |
| David Haig | Story based on the stage play by | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Cass Marks | Producer | |
| Lucas Webb | Producer | |
| Anna Marsh | Executive Producer | |
| Ron Halpern | Executive Producer | |
| Joe Naftalin | Executive Producer | |
| Anthony Maras | Executive Producer | |
| Angela Moneke | Executive Producer | |
| Sheeraz Shah | Executive Producer | |
| Jamie D. Ramsay* | Director of Photography | |
| Anthony Maras | Editor | |
| Daniel Taylor | Production Designer | |
| Volker Bertelmann | Composer | |
| Lucy Bevan | Casting Director | |
| Andy Bennett | Stunt Coordinator | |
| Nick Remy Matthews | Second Unit Director | |
| Monique Mussell | Unit Production Manager | |
| George Every | First Assistant Director | |
| Jamie D. Allen | Key Second Assistant Director | |
| Nathan Flaher | Supervising Location Manager | |
| Nadine Richardson | Sound Mixer | |
| Felix Pomeranz | Visual Effects Supervisor | |
| Henry Karjalainen | Post-Production Supervisor | |
| Tom Heuzenroeder | Supervising Sound Editor | |
| Duncan Campbell | Sound Designer | |
| Pete Smith | Re-recording Mixer | |
| Angel Jordan | Production Manager | |
| Jack Plummer | Production Manager | |
| Charlie Waller | Production Supervisor | |
| Angelica Pressello | Script Supervisor | |
| Ashley Lynn James | Supervising Art Director | |
| Charlie Meakin | Senior Art Director | |
| Amber King | Art Director | |
| Lotty Sanna | Set Decorator | |
| Diana Barclay-Wyand | Costume Supervisor | |
| Jacqueline Bhavnani | Make-up and Hair Designer | |
| Ian Lumsden | Location Manager | |
| Andrew Dalmahoy | Location Manager | |
| Ryan Conder | Special Effects Supervisor | |
| Claire Walker | Special Effects Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.