Pride and Prejudice and Zombies (2016)
| Theatrical Performance | ||
| Domestic Box Office | $10,907,291 | Details |
| International Box Office | $5,731,009 | Details |
| Worldwide Box Office | $16,638,300 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $2,955,573 | |
| Blu-ray Sales (estimated) | $3,460,851 | |
| Total | $6,416,424 | |
| OpusData ID: 150880100 More info... | ||
| Further financial details... | ||
Synopsis
A zombie outbreak has fallen upon the land in Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet is a master of martial arts and weaponry and the handsome Mr. Darcy is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield.
Metrics
| Opening Weekend: | $5,324,240 (48.8% of total gross) |
| Legs: | 2.05 (domestic box office/biggest weekend) |
| Domestic Share: | 65.6% (domestic box office/worldwide) |
| Production Budget: | $28,000,000 (worldwide box office is 0.6 times production budget) |
| Theater counts: | 2,931 opening theaters/2,931 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,081,058 |
Movie Details
| Domestic Releases: | February 5th, 2016 (Wide) by Sony Pictures |
| International Releases: | February 4th, 2016 (Wide) (Curacao)
February 4th, 2016 (Wide) (Italy) February 4th, 2016 (Wide) (Thailand) February 4th, 2016 (Wide) (Uruguay) February 4th, 2016 (Wide) (Aruba) ... Show all releases |
| Video Release: | May 10th, 2016 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for zombie violence and action, and brief suggestive material. (Rating bulletin 2396 (Cert #49964), 10/21/2015) |
| Running Time: | 107 minutes |
| Geographical setting: | England |
| Plot point: | Romance, Zombies |
| Subgenre: | Horror Comedy |
| Time period setting: | 1800s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Cross Creek Pictures, Lionsgate, Sierra Pictures, QC Entertainment, Allison Shearmur, Handsomecharlie Films, MadRiver Pictures, Head Gear Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 6 | $5,324,240 | 2,931 | $1,817 | $5,324,240 | 1 | |
| Feb 12, 2016 | 13 | $2,561,107 | -52% | 2,931 | $874 | $9,452,304 | 2 |
| Feb 19, 2016 | 30 | $307,443 | -88% | 476 | $646 | $10,714,293 | 3 |
| Feb 26, 2016 | 41 | $88,863 | -71% | 122 | $728 | $10,907,291 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 4, 2016 | P | $300,000 | 0 | $300,000 | ||||
| Feb 5, 2016 | 5 | $2,038,355 | 2,931 | $695 | $2,038,355 | 1 | ||
| Feb 6, 2016 | 8 | $2,350,304 | +15% | 2,931 | $802 | $4,388,659 | 2 | |
| Feb 7, 2016 | 5 | $935,581 | -60% | 2,931 | $319 | $5,324,240 | 3 | |
| Feb 8, 2016 | 7 | $429,139 | -54% | 2,931 | $146 | $5,753,379 | 4 | |
| Feb 9, 2016 | 7 | $506,836 | +18% | 2,931 | $173 | $6,260,215 | 5 | |
| Feb 10, 2016 | 8 | $347,756 | -31% | 2,931 | $119 | $6,607,971 | 6 | |
| Feb 11, 2016 | 7 | $283,226 | -19% | 2,931 | $97 | $6,891,197 | 7 | |
| Feb 12, 2016 | 12 | $575,265 | +103% | -72% | 2,931 | $196 | $7,466,462 | 8 |
| Feb 13, 2016 | 13 | $920,746 | +60% | -61% | 2,931 | $314 | $8,387,208 | 9 |
| Feb 14, 2016 | 13 | $1,065,096 | +16% | +14% | 2,931 | $363 | $9,452,304 | 10 |
| Feb 15, 2016 | 13 | $411,676 | -61% | -4% | 2,931 | $140 | $9,863,980 | 11 |
| Feb 16, 2016 | 12 | $223,502 | -46% | -56% | 2,931 | $76 | $10,087,482 | 12 |
| Feb 17, 2016 | 11 | $171,405 | -23% | -51% | 2,931 | $58 | $10,258,887 | 13 |
| Feb 18, 2016 | 11 | $147,963 | -14% | -48% | 2,931 | $50 | $10,406,850 | 14 |
| Feb 19, 2016 | - | $85,301 | -42% | -85% | 476 | $179 | $10,492,151 | 15 |
| Feb 20, 2016 | - | $142,887 | +68% | -84% | 476 | $300 | $10,635,038 | 16 |
| Feb 21, 2016 | - | $79,255 | -45% | -93% | 476 | $167 | $10,714,293 | 17 |
| Feb 22, 2016 | - | $26,579 | -66% | -94% | 476 | $56 | $10,740,872 | 18 |
| Feb 23, 2016 | - | $31,709 | +19% | -86% | 476 | $67 | $10,772,581 | 19 |
| Feb 24, 2016 | - | $25,039 | -21% | -85% | 476 | $53 | $10,797,620 | 20 |
| Feb 25, 2016 | - | $20,808 | -17% | -86% | 476 | $44 | $10,818,428 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 6 | $6,891,197 | 2,931 | $2,351 | $6,891,197 | 1 | |
| Feb 12, 2016 | 13 | $3,515,653 | -49% | 2,931 | $1,199 | $10,406,850 | 2 |
| Feb 19, 2016 | 30 | $411,578 | -88% | 476 | $865 | $10,818,428 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/4/2016 | $55,600 | 53 | 53 | 72 | $104,778 | 12/31/2018 | |||
| Aruba | 2/4/2016 | $0 | 0 | 3 | 3 | $3,433 | 12/31/2018 | |||
| Australia | 2/26/2016 | $130,777 | 119 | 119 | 218 | $250,241 | 6/9/2016 | |||
| Belgium | 4/6/2016 | $37,975 | 19 | 19 | 31 | $52,708 | 6/9/2016 | |||
| Brazil | 2/25/2016 | $67,396 | 73 | 73 | 114 | $101,622 | 6/9/2016 | |||
| Bulgaria | 2/5/2016 | $9,168 | 39 | 39 | 74 | $21,626 | 12/31/2018 | |||
| Cambodia | 2/18/2016 | $0 | 0 | 4 | 4 | $15,103 | 12/31/2018 | |||
| Colombia | 2/18/2016 | $62,085 | 82 | 82 | 90 | $87,924 | 12/31/2018 | |||
| Curacao | 2/4/2016 | $314 | 2 | 2 | 4 | $1,539 | 12/31/2018 | |||
| Dominican Republic | 2/4/2016 | $0 | 0 | 11 | 11 | $16,868 | 12/31/2018 | |||
| Ecuador | 2/5/2016 | $19,055 | 30 | 30 | 92 | $105,908 | 12/31/2018 | |||
| Germany | 6/9/2016 | $90,951 | 173 | 173 | 422 | $175,789 | 6/28/2016 | |||
| Hong Kong | 3/10/2016 | $188,340 | 66 | 66 | 93 | $346,624 | 6/9/2016 | |||
| Iraq | 2/11/2016 | $5,747 | 3 | 3 | 4 | $9,080 | 12/31/2018 | |||
| Italy | 2/4/2016 | $319,568 | 201 | 201 | 262 | $499,839 | 6/9/2016 | |||
| Kuwait | 2/11/2016 | $49,085 | 11 | 11 | 13 | $72,046 | 12/31/2018 | |||
| Lebanon | 2/11/2016 | $9,147 | 4 | 4 | 5 | $20,784 | 12/31/2018 | |||
| Malaysia | 2/18/2016 | $240,688 | 98 | 98 | 196 | $474,649 | 6/9/2016 | |||
| Mexico | 2/5/2016 | $167,620 | 0 | 171 | 352 | $373,430 | 6/9/2016 | |||
| Netherlands | 2/18/2016 | $22,296 | 74 | 74 | 74 | $22,296 | 6/9/2016 | |||
| Oman | 2/11/2016 | $16,936 | 8 | 8 | 13 | $25,261 | 12/31/2018 | |||
| Peru | 3/3/2016 | $41,867 | 31 | 31 | 34 | $66,053 | 12/31/2018 | |||
| Philippines | 2/5/2016 | $0 | 0 | 15 | 15 | $132,831 | 12/31/2018 | |||
| Portugal | 3/17/2016 | $24,878 | 31 | 31 | 70 | $60,010 | 6/9/2016 | |||
| Romania | 2/19/2016 | $25,550 | 50 | 50 | 97 | $42,843 | 12/31/2018 | |||
| Russia (CIS) | 2/18/2016 | $219,643 | 615 | 615 | 615 | $532,267 | 12/31/2018 | |||
| Singapore | 2/11/2016 | $76,865 | 14 | 14 | 19 | $157,086 | 6/9/2016 | |||
| South Africa | 4/1/2016 | $22,429 | 30 | 30 | 30 | $22,429 | 6/9/2016 | |||
| South Korea | 5/25/2016 | $30,238 | 137 | 137 | 137 | $64,058 | 9/10/2018 | |||
| Spain | 4/1/2016 | $111,993 | 168 | 168 | 294 | $181,748 | 6/9/2016 | |||
| Suriname | 3/3/2016 | $479 | 1 | 1 | 1 | $479 | 12/31/2018 | |||
| Sweden | 3/4/2016 | $0 | 0 | 18 | 21 | $35,987 | 6/9/2016 | |||
| Thailand | 2/4/2016 | $176,569 | 120 | 120 | 208 | $308,340 | 6/9/2016 | |||
| Trinidad | 3/9/2016 | $3,681 | 6 | 6 | 6 | $3,681 | 12/31/2018 | |||
| Turkey | 2/26/2016 | $32,921 | 106 | 106 | 119 | $54,841 | 12/31/2018 | |||
| Ukraine | 2/18/2016 | $33,431 | 145 | 145 | 145 | $33,431 | 12/31/2018 | |||
| United Arab Emirates | 2/11/2016 | $132,893 | 42 | 42 | 52 | $175,733 | 12/31/2018 | |||
| United Kingdom | 2/12/2016 | $516,836 | 332 | 332 | 604 | $1,035,698 | 6/9/2016 | |||
| Uruguay | 2/4/2016 | $4,054 | 7 | 7 | 12 | $7,351 | 12/31/2018 | |||
| Vietnam | 2/14/2016 | $34,595 | 67 | 67 | 67 | $34,595 | 12/31/2018 | |||
| International Total | $5,731,009 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Lily James | Elizabeth Bennet | |
| Sam Riley | Mr. Darcy | |
| Jack Huston | George Wickham |
Supporting
| Bella Heathcote | Jane Bennet |
Lead Ensemble Member
| Douglas Booth | Mr. Bingley | |
| Matt Smith | Parson Collins |
Supporting
| Charles Dance | Mr. Bennet |
Lead Ensemble Member
| Lena Headey | Lady Catherine de Bourgh |
Supporting
| Ellie Bamber | Lydia Bennet | |
| Millie Brady | Mary Bennet | |
| Suki Waterhouse | Kitty Bennet | |
| Sally Phillips | Mrs. Bennet | |
| Emma Greenwell | Caroline Bingley | |
| Eva Bell | Louisa | |
| Aisling Loftus | Charlotte | |
| Charlie Anson | Mr. Hurst | |
| Tom Lorcan | Lt. Denny | |
| Robert Fyfe | Butler Edwin | |
| Dan Cohen | Young Soldier | |
| Nicholas Murchie | Franklin | |
| Kate Doherty | Mrs. Kenicot | |
| Pippa Haywood | Mrs. Long | |
| Bessie Cursons | Lady Anne de Bourgh | |
| Morfydd Clark | Georgiana | |
| Dolly Wells | Mrs. Featherstone | |
| Hermione Corfield | Cassandra | |
| Pooky Quesnel | Mrs. Phillips | |
| Janet Henfrey | Dowager | |
| Richard Braine | Black Suited Man | |
| Robert Morgan | Mr. Phillips | |
| Jonathan Oliver | Priest | |
| Angus Kennedy | Mr. Kingston | |
| Charlie Ames | Eldest Zombie Boy | |
| Michael H. Cole | Sentry 2 | |
| Nathan Whitfield | Sentry 1 | |
| Rob Callender | Subordinate Officer | |
| Euan MacNaughton | Physician | |
| Rebecca Scott | Penny McGregor | |
| Dominic Borrelli | Mortician |
Production and Technical Credits
| Burr Steers | Director | |
| Burr Steers | Screenwriter | |
| Seth Grahame-Smith | Based on the novel by | |
| Jane Austen | Based on the novel by | |
| Brian Oliver | Producer | |
| Allison Shearmur | Producer | |
| Sean McKittrick | Producer | |
| Natalie Portman | Producer | |
| Annette Savitch | Producer | |
| Tyler Thompson | Producer | |
| Marc Butan | Producer | |
| Lauren Selig | Executive Producer | |
| Sue Baden-Powell | Executive Producer | |
| Compton Ross | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Edward H. Hamm, Jr. | Executive Producer | |
| Aleen Keshishian | Executive Producer | |
| Nick Meyer | Executive Producer | |
| Kimberly Fox | Executive Producer | |
| Remi Adefarasin | Director of Photography | |
| Dave Warren | Production Designer | |
| Padraic McKinley | Editor | |
| Fernando Velazquez | Composer | |
| Julian Day | Costume Designer | |
| John Papsidera | Casting Director | |
| Des Hamilton | Casting Director | |
| Sue Baden-Powell | Unit Production Manager | |
| Joan Schneider | Unit Production Manager | |
| Matthew Penry-Davey | First Assistant Director | |
| Charlie Reed | Second Assistant Director | |
| David Borgenicht | Co-Producer | |
| Stephen Meinen | Co-Producer | |
| Martyn Zub | Supervising Sound Editor | |
| John Casali | Sound Mixer | |
| Matthew Woolley | First Assistant Editor | |
| Steve Carter | Supervising Art Director | |
| Will Coubrough | Art Director | |
| David Doran | Art Director | |
| Naomi Moore | Set Decorator | |
| San Davey | Script Supervisor | |
| Linda Case | Script Supervisor | |
| Dulcie Scott | Costume Supervisor | |
| Peta Dunstall | Hairstylist | |
| Wakana Yoshihara | Make-up and Hair Designer | |
| Chris Reynolds | Special Effects Supervisor | |
| Mike March | Special Effects Coordinator | |
| Michael Barry | Re-recording Mixer | |
| Martyn Zub | Re-recording Mixer | |
| Sean Garnhart | Sound Effects Editor | |
| Heather Gross | Sound Effects Editor | |
| John Davis | Music Editor | |
| Laura Katz | Music Supervisor | |
| James Gibb | Executive Music Producer | |
| Darren Blumenthal | Executive Music Producer | |
| Simon Stanley Clamp | Visual Effects Supervisor | |
| John Bair | Visual Effects Supervisor | |
| Siddhartha Jayakar | Visual Effects Supervisor | |
| Courtney Vanderslice Law | Visual Effects Executive Producer | |
| Vivian Connolly | Visual Effects Executive Producer | |
| Helene Becourt | Visual Effects Producer | |
| Renuka Ballal | Visual Effects Producer | |
| Apoorva Kumar | Visual Effects Producer | |
| Rishi Rao | Visual Effects Producer | |
| Ishan Das | Visual Effects Producer | |
| Sarah Dowland | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A zombie outbreak has fallen upon the land in Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet is a master of martial arts and weaponry and the handsome Mr. Darcy is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield.
Metrics
| Opening Weekend: | $5,324,240 (48.8% of total gross) |
| Legs: | 2.05 (domestic box office/biggest weekend) |
| Domestic Share: | 65.6% (domestic box office/worldwide) |
| Production Budget: | $28,000,000 (worldwide box office is 0.6 times production budget) |
| Theater counts: | 2,931 opening theaters/2,931 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,081,058 |
Movie Details
| Domestic Releases: | February 5th, 2016 (Wide) by Sony Pictures |
| International Releases: | February 4th, 2016 (Wide) (Curacao)
February 4th, 2016 (Wide) (Italy) February 4th, 2016 (Wide) (Thailand) February 4th, 2016 (Wide) (Uruguay) February 4th, 2016 (Wide) (Aruba) ... Show all releases |
| Video Release: | May 10th, 2016 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for zombie violence and action, and brief suggestive material. (Rating bulletin 2396 (Cert #49964), 10/21/2015) |
| Running Time: | 107 minutes |
| Geographical setting: | England |
| Plot point: | Romance, Zombies |
| Subgenre: | Horror Comedy |
| Time period setting: | 1800s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Cross Creek Pictures, Lionsgate, Sierra Pictures, QC Entertainment, Allison Shearmur, Handsomecharlie Films, MadRiver Pictures, Head Gear Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 6 | $5,324,240 | 2,931 | $1,817 | $5,324,240 | 1 | |
| Feb 12, 2016 | 13 | $2,561,107 | -52% | 2,931 | $874 | $9,452,304 | 2 |
| Feb 19, 2016 | 30 | $307,443 | -88% | 476 | $646 | $10,714,293 | 3 |
| Feb 26, 2016 | 41 | $88,863 | -71% | 122 | $728 | $10,907,291 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 4, 2016 | P | $300,000 | 0 | $300,000 | ||||
| Feb 5, 2016 | 5 | $2,038,355 | 2,931 | $695 | $2,038,355 | 1 | ||
| Feb 6, 2016 | 8 | $2,350,304 | +15% | 2,931 | $802 | $4,388,659 | 2 | |
| Feb 7, 2016 | 5 | $935,581 | -60% | 2,931 | $319 | $5,324,240 | 3 | |
| Feb 8, 2016 | 7 | $429,139 | -54% | 2,931 | $146 | $5,753,379 | 4 | |
| Feb 9, 2016 | 7 | $506,836 | +18% | 2,931 | $173 | $6,260,215 | 5 | |
| Feb 10, 2016 | 8 | $347,756 | -31% | 2,931 | $119 | $6,607,971 | 6 | |
| Feb 11, 2016 | 7 | $283,226 | -19% | 2,931 | $97 | $6,891,197 | 7 | |
| Feb 12, 2016 | 12 | $575,265 | +103% | -72% | 2,931 | $196 | $7,466,462 | 8 |
| Feb 13, 2016 | 13 | $920,746 | +60% | -61% | 2,931 | $314 | $8,387,208 | 9 |
| Feb 14, 2016 | 13 | $1,065,096 | +16% | +14% | 2,931 | $363 | $9,452,304 | 10 |
| Feb 15, 2016 | 13 | $411,676 | -61% | -4% | 2,931 | $140 | $9,863,980 | 11 |
| Feb 16, 2016 | 12 | $223,502 | -46% | -56% | 2,931 | $76 | $10,087,482 | 12 |
| Feb 17, 2016 | 11 | $171,405 | -23% | -51% | 2,931 | $58 | $10,258,887 | 13 |
| Feb 18, 2016 | 11 | $147,963 | -14% | -48% | 2,931 | $50 | $10,406,850 | 14 |
| Feb 19, 2016 | - | $85,301 | -42% | -85% | 476 | $179 | $10,492,151 | 15 |
| Feb 20, 2016 | - | $142,887 | +68% | -84% | 476 | $300 | $10,635,038 | 16 |
| Feb 21, 2016 | - | $79,255 | -45% | -93% | 476 | $167 | $10,714,293 | 17 |
| Feb 22, 2016 | - | $26,579 | -66% | -94% | 476 | $56 | $10,740,872 | 18 |
| Feb 23, 2016 | - | $31,709 | +19% | -86% | 476 | $67 | $10,772,581 | 19 |
| Feb 24, 2016 | - | $25,039 | -21% | -85% | 476 | $53 | $10,797,620 | 20 |
| Feb 25, 2016 | - | $20,808 | -17% | -86% | 476 | $44 | $10,818,428 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2016 | 6 | $6,891,197 | 2,931 | $2,351 | $6,891,197 | 1 | |
| Feb 12, 2016 | 13 | $3,515,653 | -49% | 2,931 | $1,199 | $10,406,850 | 2 |
| Feb 19, 2016 | 30 | $411,578 | -88% | 476 | $865 | $10,818,428 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/4/2016 | $55,600 | 53 | 53 | 72 | $104,778 | 12/31/2018 | |||
| Aruba | 2/4/2016 | $0 | 0 | 3 | 3 | $3,433 | 12/31/2018 | |||
| Australia | 2/26/2016 | $130,777 | 119 | 119 | 218 | $250,241 | 6/9/2016 | |||
| Belgium | 4/6/2016 | $37,975 | 19 | 19 | 31 | $52,708 | 6/9/2016 | |||
| Brazil | 2/25/2016 | $67,396 | 73 | 73 | 114 | $101,622 | 6/9/2016 | |||
| Bulgaria | 2/5/2016 | $9,168 | 39 | 39 | 74 | $21,626 | 12/31/2018 | |||
| Cambodia | 2/18/2016 | $0 | 0 | 4 | 4 | $15,103 | 12/31/2018 | |||
| Colombia | 2/18/2016 | $62,085 | 82 | 82 | 90 | $87,924 | 12/31/2018 | |||
| Curacao | 2/4/2016 | $314 | 2 | 2 | 4 | $1,539 | 12/31/2018 | |||
| Dominican Republic | 2/4/2016 | $0 | 0 | 11 | 11 | $16,868 | 12/31/2018 | |||
| Ecuador | 2/5/2016 | $19,055 | 30 | 30 | 92 | $105,908 | 12/31/2018 | |||
| Germany | 6/9/2016 | $90,951 | 173 | 173 | 422 | $175,789 | 6/28/2016 | |||
| Hong Kong | 3/10/2016 | $188,340 | 66 | 66 | 93 | $346,624 | 6/9/2016 | |||
| Iraq | 2/11/2016 | $5,747 | 3 | 3 | 4 | $9,080 | 12/31/2018 | |||
| Italy | 2/4/2016 | $319,568 | 201 | 201 | 262 | $499,839 | 6/9/2016 | |||
| Kuwait | 2/11/2016 | $49,085 | 11 | 11 | 13 | $72,046 | 12/31/2018 | |||
| Lebanon | 2/11/2016 | $9,147 | 4 | 4 | 5 | $20,784 | 12/31/2018 | |||
| Malaysia | 2/18/2016 | $240,688 | 98 | 98 | 196 | $474,649 | 6/9/2016 | |||
| Mexico | 2/5/2016 | $167,620 | 0 | 171 | 352 | $373,430 | 6/9/2016 | |||
| Netherlands | 2/18/2016 | $22,296 | 74 | 74 | 74 | $22,296 | 6/9/2016 | |||
| Oman | 2/11/2016 | $16,936 | 8 | 8 | 13 | $25,261 | 12/31/2018 | |||
| Peru | 3/3/2016 | $41,867 | 31 | 31 | 34 | $66,053 | 12/31/2018 | |||
| Philippines | 2/5/2016 | $0 | 0 | 15 | 15 | $132,831 | 12/31/2018 | |||
| Portugal | 3/17/2016 | $24,878 | 31 | 31 | 70 | $60,010 | 6/9/2016 | |||
| Romania | 2/19/2016 | $25,550 | 50 | 50 | 97 | $42,843 | 12/31/2018 | |||
| Russia (CIS) | 2/18/2016 | $219,643 | 615 | 615 | 615 | $532,267 | 12/31/2018 | |||
| Singapore | 2/11/2016 | $76,865 | 14 | 14 | 19 | $157,086 | 6/9/2016 | |||
| South Africa | 4/1/2016 | $22,429 | 30 | 30 | 30 | $22,429 | 6/9/2016 | |||
| South Korea | 5/25/2016 | $30,238 | 137 | 137 | 137 | $64,058 | 9/10/2018 | |||
| Spain | 4/1/2016 | $111,993 | 168 | 168 | 294 | $181,748 | 6/9/2016 | |||
| Suriname | 3/3/2016 | $479 | 1 | 1 | 1 | $479 | 12/31/2018 | |||
| Sweden | 3/4/2016 | $0 | 0 | 18 | 21 | $35,987 | 6/9/2016 | |||
| Thailand | 2/4/2016 | $176,569 | 120 | 120 | 208 | $308,340 | 6/9/2016 | |||
| Trinidad | 3/9/2016 | $3,681 | 6 | 6 | 6 | $3,681 | 12/31/2018 | |||
| Turkey | 2/26/2016 | $32,921 | 106 | 106 | 119 | $54,841 | 12/31/2018 | |||
| Ukraine | 2/18/2016 | $33,431 | 145 | 145 | 145 | $33,431 | 12/31/2018 | |||
| United Arab Emirates | 2/11/2016 | $132,893 | 42 | 42 | 52 | $175,733 | 12/31/2018 | |||
| United Kingdom | 2/12/2016 | $516,836 | 332 | 332 | 604 | $1,035,698 | 6/9/2016 | |||
| Uruguay | 2/4/2016 | $4,054 | 7 | 7 | 12 | $7,351 | 12/31/2018 | |||
| Vietnam | 2/14/2016 | $34,595 | 67 | 67 | 67 | $34,595 | 12/31/2018 | |||
| International Total | $5,731,009 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Lily James | Elizabeth Bennet | |
| Sam Riley | Mr. Darcy | |
| Jack Huston | George Wickham |
Supporting
| Bella Heathcote | Jane Bennet |
Lead Ensemble Member
| Douglas Booth | Mr. Bingley | |
| Matt Smith | Parson Collins |
Supporting
| Charles Dance | Mr. Bennet |
Lead Ensemble Member
| Lena Headey | Lady Catherine de Bourgh |
Supporting
| Ellie Bamber | Lydia Bennet | |
| Millie Brady | Mary Bennet | |
| Suki Waterhouse | Kitty Bennet | |
| Sally Phillips | Mrs. Bennet | |
| Emma Greenwell | Caroline Bingley | |
| Eva Bell | Louisa | |
| Aisling Loftus | Charlotte | |
| Charlie Anson | Mr. Hurst | |
| Tom Lorcan | Lt. Denny | |
| Robert Fyfe | Butler Edwin | |
| Dan Cohen | Young Soldier | |
| Nicholas Murchie | Franklin | |
| Kate Doherty | Mrs. Kenicot | |
| Pippa Haywood | Mrs. Long | |
| Bessie Cursons | Lady Anne de Bourgh | |
| Morfydd Clark | Georgiana | |
| Dolly Wells | Mrs. Featherstone | |
| Hermione Corfield | Cassandra | |
| Pooky Quesnel | Mrs. Phillips | |
| Janet Henfrey | Dowager | |
| Richard Braine | Black Suited Man | |
| Robert Morgan | Mr. Phillips | |
| Jonathan Oliver | Priest | |
| Angus Kennedy | Mr. Kingston | |
| Charlie Ames | Eldest Zombie Boy | |
| Michael H. Cole | Sentry 2 | |
| Nathan Whitfield | Sentry 1 | |
| Rob Callender | Subordinate Officer | |
| Euan MacNaughton | Physician | |
| Rebecca Scott | Penny McGregor | |
| Dominic Borrelli | Mortician |
Production and Technical Credits
| Burr Steers | Director | |
| Burr Steers | Screenwriter | |
| Seth Grahame-Smith | Based on the novel by | |
| Jane Austen | Based on the novel by | |
| Brian Oliver | Producer | |
| Allison Shearmur | Producer | |
| Sean McKittrick | Producer | |
| Natalie Portman | Producer | |
| Annette Savitch | Producer | |
| Tyler Thompson | Producer | |
| Marc Butan | Producer | |
| Lauren Selig | Executive Producer | |
| Sue Baden-Powell | Executive Producer | |
| Compton Ross | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Edward H. Hamm, Jr. | Executive Producer | |
| Aleen Keshishian | Executive Producer | |
| Nick Meyer | Executive Producer | |
| Kimberly Fox | Executive Producer | |
| Remi Adefarasin | Director of Photography | |
| Dave Warren | Production Designer | |
| Padraic McKinley | Editor | |
| Fernando Velazquez | Composer | |
| Julian Day | Costume Designer | |
| John Papsidera | Casting Director | |
| Des Hamilton | Casting Director | |
| Sue Baden-Powell | Unit Production Manager | |
| Joan Schneider | Unit Production Manager | |
| Matthew Penry-Davey | First Assistant Director | |
| Charlie Reed | Second Assistant Director | |
| David Borgenicht | Co-Producer | |
| Stephen Meinen | Co-Producer | |
| Martyn Zub | Supervising Sound Editor | |
| John Casali | Sound Mixer | |
| Matthew Woolley | First Assistant Editor | |
| Steve Carter | Supervising Art Director | |
| Will Coubrough | Art Director | |
| David Doran | Art Director | |
| Naomi Moore | Set Decorator | |
| San Davey | Script Supervisor | |
| Linda Case | Script Supervisor | |
| Dulcie Scott | Costume Supervisor | |
| Peta Dunstall | Hairstylist | |
| Wakana Yoshihara | Make-up and Hair Designer | |
| Chris Reynolds | Special Effects Supervisor | |
| Mike March | Special Effects Coordinator | |
| Michael Barry | Re-recording Mixer | |
| Martyn Zub | Re-recording Mixer | |
| Sean Garnhart | Sound Effects Editor | |
| Heather Gross | Sound Effects Editor | |
| John Davis | Music Editor | |
| Laura Katz | Music Supervisor | |
| James Gibb | Executive Music Producer | |
| Darren Blumenthal | Executive Music Producer | |
| Simon Stanley Clamp | Visual Effects Supervisor | |
| John Bair | Visual Effects Supervisor | |
| Siddhartha Jayakar | Visual Effects Supervisor | |
| Courtney Vanderslice Law | Visual Effects Executive Producer | |
| Vivian Connolly | Visual Effects Executive Producer | |
| Helene Becourt | Visual Effects Producer | |
| Renuka Ballal | Visual Effects Producer | |
| Apoorva Kumar | Visual Effects Producer | |
| Rishi Rao | Visual Effects Producer | |
| Ishan Das | Visual Effects Producer | |
| Sarah Dowland | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.