The Princess Diaries 3 (2026)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 816870100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Franchise: | Princess Diaries |
| Plot point: | Prince/Princess, Romance, Royalty |
| Subgenre: | Romantic Comedy |
| Target audience: | Family Movie, Tween |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Walt Disney Pictures |
| Production Countries: | United States |
| Languages: | English |
Leading
| Anne Hathaway |
Production and Technical Credits
| Adele Lim | Director | |
| Flora Greeson | Screenwriter | |
| Aadrita Mukerji | Screenwriter | |
| Melissa Stack | Producer | |
| Naia Cucukov | Producer | |
| Debra Martin Chase | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
Movie Details
| Franchise: | Princess Diaries |
| Plot point: | Prince/Princess, Romance, Royalty |
| Subgenre: | Romantic Comedy |
| Target audience: | Family Movie, Tween |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Walt Disney Pictures |
| Production Countries: | United States |
| Languages: | English |
Leading
| Anne Hathaway |
Production and Technical Credits
| Adele Lim | Director | |
| Flora Greeson | Screenwriter | |
| Aadrita Mukerji | Screenwriter | |
| Melissa Stack | Producer | |
| Naia Cucukov | Producer | |
| Debra Martin Chase | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.