Profile (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $1,744,740 | Details |
| International Box Office | $138,516 | Details |
| Worldwide Box Office | $1,883,256 | |
| OpusData ID: 498860100 More info... | ||
| Further financial details... | ||
Synopsis
An undercover British journalist in her quest to bait and expose a terrorist recruiter through social media, tries not to be sucked in by her recruiter and lured into becoming a militant extremist herself.
Metrics
| Opening Weekend: | $730,290 (41.9% of total gross) |
| Legs: | 2.39 (domestic box office/biggest weekend) |
| Domestic Share: | 92.6% (domestic box office/worldwide) |
| Production Budget: | $2,300,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 2,033 opening theaters/2,104 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,051,834 |
Movie Details
| Domestic Releases: | May 14th, 2021 (Wide) by Focus Features |
| International Releases: | August 6th, 2021 (Limited) (United Kingdom) |
| Video Release: | June 4th, 2021 by Universal Home Entertainment |
| MPA Rating: | R for language throughout and some disturbing images. (Rating bulletin 2677 (cert #53094), 4/21/2021) |
| Running Time: | 105 minutes |
| Plot point: | False Identity, Internet, Investigative Journalist, Romance, Terrorism, Undercover |
| Subgenre: | Psychological Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bazelevs Company, Focus Features, Interface Films |
| Production Countries: | United States, United Kingdom, Cyprus, Russian Federation |
| Languages: | English, Arabic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | 9 | $730,290 | 2,033 | $359 | $730,290 | 1 | |
| May 21, 2021 | 11 | $510,320 | -30% | 2,104 | $243 | $1,517,355 | 2 |
| May 28, 2021 | - | $31,300 | -94% | 606 | $52 | $1,726,885 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 14, 2021 | - | $261,895 | 2,033 | $129 | $261,895 | 1 | ||
| May 15, 2021 | - | $266,645 | +2% | 2,033 | $131 | $528,540 | 2 | |
| May 16, 2021 | - | $201,750 | -24% | 2,033 | $99 | $730,290 | 3 | |
| May 17, 2021 | - | $63,970 | -68% | 2,033 | $31 | $794,260 | 4 | |
| May 18, 2021 | - | $81,705 | +28% | 2,033 | $40 | $875,965 | 5 | |
| May 19, 2021 | - | $63,115 | -23% | 2,033 | $31 | $939,080 | 6 | |
| May 20, 2021 | - | $67,955 | +8% | 2,033 | $33 | $1,007,035 | 7 | |
| May 21, 2021 | - | $152,415 | +124% | -42% | 2,104 | $72 | $1,159,450 | 8 |
| May 22, 2021 | - | $212,490 | +39% | -20% | 2,104 | $101 | $1,371,940 | 9 |
| May 23, 2021 | - | $145,415 | -32% | -28% | 2,104 | $69 | $1,517,355 | 10 |
| May 24, 2021 | - | $49,060 | -66% | -23% | 2,104 | $23 | $1,566,415 | 11 |
| May 25, 2021 | - | $62,585 | +28% | -23% | 2,104 | $30 | $1,629,000 | 12 |
| May 26, 2021 | - | $48,175 | -23% | -24% | 2,104 | $23 | $1,677,175 | 13 |
| May 27, 2021 | - | $18,410 | -62% | -73% | 2,104 | $9 | $1,695,585 | 14 |
| May 28, 2021 | - | $8,420 | -54% | -94% | 606 | $14 | $1,704,005 | 15 |
| May 29, 2021 | - | $11,130 | +32% | -95% | 606 | $18 | $1,715,135 | 16 |
| May 30, 2021 | - | $11,750 | +6% | -92% | 606 | $19 | $1,726,885 | 17 |
| May 31, 2021 | - | $8,205 | -30% | -83% | 606 | $14 | $1,735,090 | 18 |
| Jun 1, 2021 | - | $2,805 | -66% | -96% | 606 | $5 | $1,737,895 | 19 |
| Jun 2, 2021 | - | $3,500 | +25% | -93% | 606 | $6 | $1,741,395 | 20 |
| Jun 3, 2021 | - | $3,345 | -4% | -82% | 606 | $6 | $1,744,740 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | 9 | $1,007,035 | 2,033 | $495 | $1,007,035 | 1 | |
| May 21, 2021 | 8 | $688,550 | -32% | 2,104 | $327 | $1,695,585 | 2 |
| May 28, 2021 | 20 | $49,155 | -93% | 606 | $81 | $1,744,740 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 8/6/2021 | $45,716 | 139 | 139 | 174 | $93,465 | 4/4/2026 | |||
| Rest of World | $45,051 | |||||||||
| International Total | $138,516 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Valene Kane | Amy |
Supporting
| Shazad Latif | Abu Bilel Al-Britani | |
| Christine Adams | Vick | |
| Amir Rahimzadeh | Lou Karim | |
| Morgan Watkins | Matthew | |
| Kate Watson | Makeup Tutorial Instructor | |
| Kelley Mack | Converted Female | |
| Sherine Chalhie | Hijab Tutorial Instructor | |
| Eloise Thomas | Taylor | |
| Adam Sidman | Expert | |
| Emma Cater | Kathy | |
| Selva Rasalingham | Nabil | |
| Therica Wilson-Read | Stella |
Production and Technical Credits
| Timur Bekmambetov | Director | |
| Brittany Poulton | Screenwriter | |
| Timur Bekmambetov | Screenwriter | |
| Olga Kharina | Screenwriter | |
| Anna Erelle | Story based on the book “In The Skin of a Jihadist [Dans La Peau D'une Djihadiste]” by | |
| Timur Bekmambetov | Producer | |
| Olga Kharina | Producer | |
| Adam Sidman | Executive Producer | |
| Rick Sobalvarro | Executive Producer | |
| Igor Tsay | Executive Producer | |
| Maria Zatulovskaya | Executive Producer | |
| Valerii An | Executive Producer | |
| Oleg Petrov | Executive Producer | |
| Ben Smith | Production Designer | |
| Andrey Shugaev | Editor | |
| John McAlary | Casting Director | |
| Aaron Glascock | Sound Designer | |
| Nathan Ruyle | Sound Designer | |
| Pavel P. Bozhkov | Associate Producer | |
| Majd Nassif | Associate Producer | |
| Zaurbek Zaseev | Associate Producer | |
| Valene Kane | Associate Producer | |
| Shazad Latif | Associate Producer | |
| Christine Adams | Associate Producer | |
| Amir Rahimzadeh | Associate Producer | |
| Morgan Watkins | Associate Producer | |
| Bryan Goeres | First Assistant Director | |
| Andrew Vanneck | Second Assistant Director | |
| Benjamin Greenacre | Line Producer | |
| D. Christian Hagerman | Assistant Editor | |
| Alex Brisker | Assistant Editor | |
| Michael Kofsky | Assistant Editor | |
| Kamlan Man | Set Decorator | |
| Nigel Albermanchie | Sound Mixer | |
| Aaron Glascock | Re-recording Mixer | |
| Nathan Ruyle | Re-recording Mixer | |
| Ezra Dweck | Re-recording Mixer | |
| James Hardt | Additional Sound Re-recording Mixer | |
| Aaron Glascock | Supervising Sound Editor | |
| Aaron Bartscht | Supervising Sound Editor | |
| Ezra Dweck | Sound Editor | |
| Pinhua Chen | Sound Editor | |
| Justin Prymowicz | Sound Editor | |
| Ian Aegis | Location Manager | |
| Angela Godfrey | Script Supervisor | |
| Janet Kellock | Script Supervisor | |
| Rebecca Higginson | Costume Supervisor | |
| Andy Ross | Music Supervisor | |
| Tommy Simpson | Additional Music | |
| Charles M. Barsamian | Executive Music Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An undercover British journalist in her quest to bait and expose a terrorist recruiter through social media, tries not to be sucked in by her recruiter and lured into becoming a militant extremist herself.
Metrics
| Opening Weekend: | $730,290 (41.9% of total gross) |
| Legs: | 2.39 (domestic box office/biggest weekend) |
| Domestic Share: | 92.6% (domestic box office/worldwide) |
| Production Budget: | $2,300,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 2,033 opening theaters/2,104 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,051,834 |
Movie Details
| Domestic Releases: | May 14th, 2021 (Wide) by Focus Features |
| International Releases: | August 6th, 2021 (Limited) (United Kingdom) |
| Video Release: | June 4th, 2021 by Universal Home Entertainment |
| MPA Rating: | R for language throughout and some disturbing images. (Rating bulletin 2677 (cert #53094), 4/21/2021) |
| Running Time: | 105 minutes |
| Plot point: | False Identity, Internet, Investigative Journalist, Romance, Terrorism, Undercover |
| Subgenre: | Psychological Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bazelevs Company, Focus Features, Interface Films |
| Production Countries: | United States, United Kingdom, Cyprus, Russian Federation |
| Languages: | English, Arabic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | 9 | $730,290 | 2,033 | $359 | $730,290 | 1 | |
| May 21, 2021 | 11 | $510,320 | -30% | 2,104 | $243 | $1,517,355 | 2 |
| May 28, 2021 | - | $31,300 | -94% | 606 | $52 | $1,726,885 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 14, 2021 | - | $261,895 | 2,033 | $129 | $261,895 | 1 | ||
| May 15, 2021 | - | $266,645 | +2% | 2,033 | $131 | $528,540 | 2 | |
| May 16, 2021 | - | $201,750 | -24% | 2,033 | $99 | $730,290 | 3 | |
| May 17, 2021 | - | $63,970 | -68% | 2,033 | $31 | $794,260 | 4 | |
| May 18, 2021 | - | $81,705 | +28% | 2,033 | $40 | $875,965 | 5 | |
| May 19, 2021 | - | $63,115 | -23% | 2,033 | $31 | $939,080 | 6 | |
| May 20, 2021 | - | $67,955 | +8% | 2,033 | $33 | $1,007,035 | 7 | |
| May 21, 2021 | - | $152,415 | +124% | -42% | 2,104 | $72 | $1,159,450 | 8 |
| May 22, 2021 | - | $212,490 | +39% | -20% | 2,104 | $101 | $1,371,940 | 9 |
| May 23, 2021 | - | $145,415 | -32% | -28% | 2,104 | $69 | $1,517,355 | 10 |
| May 24, 2021 | - | $49,060 | -66% | -23% | 2,104 | $23 | $1,566,415 | 11 |
| May 25, 2021 | - | $62,585 | +28% | -23% | 2,104 | $30 | $1,629,000 | 12 |
| May 26, 2021 | - | $48,175 | -23% | -24% | 2,104 | $23 | $1,677,175 | 13 |
| May 27, 2021 | - | $18,410 | -62% | -73% | 2,104 | $9 | $1,695,585 | 14 |
| May 28, 2021 | - | $8,420 | -54% | -94% | 606 | $14 | $1,704,005 | 15 |
| May 29, 2021 | - | $11,130 | +32% | -95% | 606 | $18 | $1,715,135 | 16 |
| May 30, 2021 | - | $11,750 | +6% | -92% | 606 | $19 | $1,726,885 | 17 |
| May 31, 2021 | - | $8,205 | -30% | -83% | 606 | $14 | $1,735,090 | 18 |
| Jun 1, 2021 | - | $2,805 | -66% | -96% | 606 | $5 | $1,737,895 | 19 |
| Jun 2, 2021 | - | $3,500 | +25% | -93% | 606 | $6 | $1,741,395 | 20 |
| Jun 3, 2021 | - | $3,345 | -4% | -82% | 606 | $6 | $1,744,740 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | 9 | $1,007,035 | 2,033 | $495 | $1,007,035 | 1 | |
| May 21, 2021 | 8 | $688,550 | -32% | 2,104 | $327 | $1,695,585 | 2 |
| May 28, 2021 | 20 | $49,155 | -93% | 606 | $81 | $1,744,740 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 8/6/2021 | $45,716 | 139 | 139 | 174 | $93,465 | 4/4/2026 | |||
| Rest of World | $45,051 | |||||||||
| International Total | $138,516 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Valene Kane | Amy |
Supporting
| Shazad Latif | Abu Bilel Al-Britani | |
| Christine Adams | Vick | |
| Amir Rahimzadeh | Lou Karim | |
| Morgan Watkins | Matthew | |
| Kate Watson | Makeup Tutorial Instructor | |
| Kelley Mack | Converted Female | |
| Sherine Chalhie | Hijab Tutorial Instructor | |
| Eloise Thomas | Taylor | |
| Adam Sidman | Expert | |
| Emma Cater | Kathy | |
| Selva Rasalingham | Nabil | |
| Therica Wilson-Read | Stella |
Production and Technical Credits
| Timur Bekmambetov | Director | |
| Brittany Poulton | Screenwriter | |
| Timur Bekmambetov | Screenwriter | |
| Olga Kharina | Screenwriter | |
| Anna Erelle | Story based on the book “In The Skin of a Jihadist [Dans La Peau D'une Djihadiste]” by | |
| Timur Bekmambetov | Producer | |
| Olga Kharina | Producer | |
| Adam Sidman | Executive Producer | |
| Rick Sobalvarro | Executive Producer | |
| Igor Tsay | Executive Producer | |
| Maria Zatulovskaya | Executive Producer | |
| Valerii An | Executive Producer | |
| Oleg Petrov | Executive Producer | |
| Ben Smith | Production Designer | |
| Andrey Shugaev | Editor | |
| John McAlary | Casting Director | |
| Aaron Glascock | Sound Designer | |
| Nathan Ruyle | Sound Designer | |
| Pavel P. Bozhkov | Associate Producer | |
| Majd Nassif | Associate Producer | |
| Zaurbek Zaseev | Associate Producer | |
| Valene Kane | Associate Producer | |
| Shazad Latif | Associate Producer | |
| Christine Adams | Associate Producer | |
| Amir Rahimzadeh | Associate Producer | |
| Morgan Watkins | Associate Producer | |
| Bryan Goeres | First Assistant Director | |
| Andrew Vanneck | Second Assistant Director | |
| Benjamin Greenacre | Line Producer | |
| D. Christian Hagerman | Assistant Editor | |
| Alex Brisker | Assistant Editor | |
| Michael Kofsky | Assistant Editor | |
| Kamlan Man | Set Decorator | |
| Nigel Albermanchie | Sound Mixer | |
| Aaron Glascock | Re-recording Mixer | |
| Nathan Ruyle | Re-recording Mixer | |
| Ezra Dweck | Re-recording Mixer | |
| James Hardt | Additional Sound Re-recording Mixer | |
| Aaron Glascock | Supervising Sound Editor | |
| Aaron Bartscht | Supervising Sound Editor | |
| Ezra Dweck | Sound Editor | |
| Pinhua Chen | Sound Editor | |
| Justin Prymowicz | Sound Editor | |
| Ian Aegis | Location Manager | |
| Angela Godfrey | Script Supervisor | |
| Janet Kellock | Script Supervisor | |
| Rebecca Higginson | Costume Supervisor | |
| Andy Ross | Music Supervisor | |
| Tommy Simpson | Additional Music | |
| Charles M. Barsamian | Executive Music Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.