The Promise (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $8,224,288 | Details |
| International Box Office | $2,327,129 | Details |
| Worldwide Box Office | $10,551,417 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $750,554 | |
| Blu-ray Sales (estimated) | $236,113 | |
| Total | $986,667 | |
| OpusData ID: 234980100 More info... | ||
| Further financial details... | ||
Synopsis
Empires fall, love survives. When Michael, a brilliant medical student, meets Ana, their shared Armenian heritage sparks an attraction that explodes into a romantic rivalry between Michael and Ana’s boyfriend Chris, a famous American photojournalist dedicated to exposing political truth. As the Ottoman Empire crumbles into war-torn chaos, their conflicting passions must be deferred while they join forces to get their people to safety and survive themselves.
Metrics
| Opening Weekend: | $4,095,718 (49.8% of total gross) |
| Legs: | 2.01 (domestic box office/biggest weekend) |
| Domestic Share: | 77.9% (domestic box office/worldwide) |
| Production Budget: | $90,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 2,251 opening theaters/2,251 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,965,717 |
Movie Details
| Domestic Releases: | April 21st, 2017 (Wide) by Open Road |
| International Releases: | April 28th, 2017 (Wide) (United Kingdom)
April 28th, 2017 (Wide) (Russia (CIS)) April 28th, 2017 (Wide) (Argentina) May 5th, 2017 (Wide) (Poland) June 2nd, 2017 (Wide), released as Pažadas (Lithuania) ... Show all releases |
| Video Release: | July 18th, 2017 by Universal Home Entertainment |
| MPA Rating: | PG-13 for thematic material including war atrocities, violence and disturbing images, and for some sexuality. (Rating bulletin 2443 (Cert #50604), 9/21/2016) |
| Running Time: | 134 minutes |
| Plot point: | Crimes Against Humanity, Genocide, Investigative Journalist, Love Triangle, Refugee, War Crimes |
| Social setting: | World War I |
| Subgenre: | War Drama |
| Time period setting: | 1910s, Ottoman Empire |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Survival Pictures, Mike Medavoy Productions |
| Production Countries: | United States, Spain |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 21, 2017 | 9 | $4,095,718 | 2,251 | $1,820 | $4,095,718 | 1 | |
| Apr 28, 2017 | 15 | $1,443,046 | -65% | 2,251 | $641 | $7,067,064 | 2 |
| May 5, 2017 | 24 | $278,205 | -81% | 331 | $840 | $7,967,276 | 3 |
| May 12, 2017 | 37 | $85,575 | -69% | 110 | $778 | $8,186,236 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 20, 2017 | P | $200,000 | 0 | $200,000 | ||||
| Apr 21, 2017 | 6 | $1,441,951 | 2,251 | $641 | $1,441,951 | 1 | ||
| Apr 22, 2017 | 9 | $1,542,888 | +7% | 2,251 | $685 | $2,984,839 | 2 | |
| Apr 23, 2017 | 9 | $1,110,879 | -28% | 2,251 | $494 | $4,095,718 | 3 | |
| Apr 24, 2017 | 4 | $446,412 | -60% | 2,251 | $198 | $4,542,130 | 4 | |
| Apr 25, 2017 | 8 | $455,340 | +2% | 2,251 | $202 | $4,997,470 | 5 | |
| Apr 26, 2017 | 8 | $364,272 | -20% | 2,251 | $162 | $5,361,742 | 6 | |
| Apr 27, 2017 | 8 | $262,276 | -28% | 2,251 | $117 | $5,624,018 | 7 | |
| Apr 28, 2017 | 15 | $414,143 | +58% | -71% | 2,251 | $184 | $6,038,161 | 8 |
| Apr 29, 2017 | 15 | $604,649 | +46% | -61% | 2,251 | $269 | $6,642,810 | 9 |
| Apr 30, 2017 | 15 | $424,254 | -30% | -62% | 2,251 | $188 | $7,067,064 | 10 |
| May 1, 2017 | 14 | $140,004 | -67% | -69% | 2,251 | $62 | $7,207,068 | 11 |
| May 2, 2017 | 13 | $212,806 | +52% | -53% | 2,251 | $95 | $7,419,874 | 12 |
| May 3, 2017 | 13 | $147,102 | -31% | -60% | 2,251 | $65 | $7,566,976 | 13 |
| May 4, 2017 | 13 | $122,095 | -17% | -53% | 2,251 | $54 | $7,689,071 | 14 |
| May 5, 2017 | - | $66,756 | -45% | -84% | 331 | $202 | $7,755,827 | 15 |
| May 6, 2017 | - | $120,828 | +81% | -80% | 331 | $365 | $7,876,655 | 16 |
| May 7, 2017 | - | $90,621 | -25% | -79% | 331 | $274 | $7,967,276 | 17 |
| May 8, 2017 | - | $29,020 | -68% | -79% | 331 | $88 | $7,996,296 | 18 |
| May 9, 2017 | - | $44,401 | +53% | -79% | 331 | $134 | $8,040,697 | 19 |
| May 10, 2017 | - | $32,413 | -27% | -78% | 331 | $98 | $8,073,110 | 20 |
| May 11, 2017 | - | $27,551 | -15% | -77% | 331 | $83 | $8,100,661 | 21 |
| May 12, 2017 | - | $24,851 | -10% | -63% | 110 | $226 | $8,125,512 | 22 |
| May 13, 2017 | - | $33,549 | +35% | -72% | 110 | $305 | $8,159,061 | 23 |
| May 14, 2017 | - | $27,175 | -19% | -70% | 110 | $247 | $8,186,236 | 24 |
| May 15, 2017 | - | $8,696 | -68% | -70% | 110 | $79 | $8,194,932 | 25 |
| May 16, 2017 | - | $10,957 | +26% | -75% | 110 | $100 | $8,205,889 | 26 |
| May 17, 2017 | - | $9,533 | -13% | -71% | 110 | $87 | $8,215,422 | 27 |
| May 18, 2017 | - | $8,866 | -7% | -68% | 110 | $81 | $8,224,288 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 21, 2017 | 9 | $5,624,018 | 2,251 | $2,498 | $5,624,018 | 1 | |
| Apr 28, 2017 | 15 | $2,065,053 | -63% | 2,251 | $917 | $7,689,071 | 2 |
| May 5, 2017 | 24 | $411,590 | -80% | 331 | $1,243 | $8,100,661 | 3 |
| May 12, 2017 | 36 | $123,627 | -70% | 110 | $1,124 | $8,224,288 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/28/2017 | $64,663 | 0 | 0 | 0 | $131,159 | 1/1/2019 | |||
| Australia | 6/16/2017 | $104,809 | 46 | 46 | 246 | $421,145 | 8/14/2017 | |||
| France | 12/1/2017 | $155,500 | 0 | 0 | 0 | $155,500 | 6/28/2018 | |||
| Lithuania | 6/2/2017 | $2,201 | 55 | 55 | 56 | $5,248 | 11/29/2017 | |||
| Netherlands | 6/15/2017 | $35,288 | 35 | 35 | 119 | $112,978 | 7/11/2017 | |||
| Poland | 5/5/2017 | $33,699 | 0 | 0 | 0 | $33,699 | 1/1/2019 | |||
| Portugal | 12/29/2017 | $3,887 | 10 | 10 | 27 | $22,854 | 1/22/2018 | |||
| Russia (CIS) | 4/28/2017 | $214,884 | 439 | 439 | 841 | $678,148 | 1/1/2019 | |||
| Spain | 6/2/2017 | $189,963 | 189 | 207 | 594 | $535,595 | 8/31/2017 | |||
| United Kingdom | 4/28/2017 | $230,803 | 288 | 288 | 288 | $230,803 | 5/3/2017 | |||
| International Total | $2,327,129 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Oscar Isaac | Michael | |
| Charlotte Le Bon | Ana | |
| Christian Bale | Christopher Myers |
Supporting
| Daniel Gimenez Cacho | Reverend Dikran Antreassian | |
| Shohreh Aghdashloo | Marta Boghosian | |
| Marwan Kenzari | Emre Ogan | |
| Angela Sarafyan | Maral | |
| Rade Serbedzija | Mayor | |
| Tom Hollander | Garin | |
| Igal Naor | Mesrob | |
| Numan Acar | Mustafa | |
| Milene Mayer Gutierrez | Yeva | |
| Tamer Hassan | Faruk Pasha | |
| Alicia Borrachero | Lena | |
| Abel Folk | Harut | |
| Jean Reno | Admiral Fournet | |
| James Cromwell | Ambassador Morgenthau | |
| Kevork Malikyan | Vartan Boghosian | |
| Lucia Zorrilla | Tamar | |
| Roman Mitichyan | Van | |
| Carlos Miranda | Aaron Village Elder | |
| Armin Amiri | Captain Ali | |
| Stewart Scudamore | Ismet Ogan | |
| Andrew Tarbet | Pastor Merril | |
| Aharon Ipalé | Dr. Nazim | |
| Masis Kouyoumdjian | Armenian Priest | |
| Shnorhk Sargsyan | Komitas | |
| Ali El Aziz | Turkish Car Driver | |
| Aaron Neil | Talaat Pasha | |
| Ames Chanos | General Zyniker | |
| Anthony Rotsa | Ahmet the Student | |
| Paul Portelli | Angry Mob Man #1 | |
| Jean Marc Valente | Angry Mob Man #2 | |
| Julian Villagran | Armenian Soldier | |
| Juanan Moreno | Armenian Laborer | |
| Marco Khan | Burly Nightwatchman | |
| Stephen Buhagiar | Ferry Porter | |
| Nacho Aldeguer | Gulhane Party Guest | |
| Juan Portillo | Injured Armenian | |
| Simon Andreu | Old Peasant Woman | |
| Mariona Casanovas | Old Peasant Woman | |
| Mario Tardon | Prison Officer in Charge | |
| Pau Colera | Railway Sergeant | |
| Pedro Reyes | Senior Conscription Officer | |
| David Lifschitz | Conscription Officer | |
| Mario Opinato | Armenian Hotel Manager | |
| Rick Zingale | Turkish Merchant in Bazaar | |
| Nicolas Lori | University Lecturer | |
| Carlos Olalla | Surgeon | |
| Joe Depasquale | Constantinople Night Watchman | |
| Vic Tablian | Cattle Car Old Man | |
| Marta Navarro | Pera Belly Dancer | |
| Enya Dunne | Turkish Little Girl | |
| Azzdine Benaji | Turkish Boy Patient | |
| Alain Hernandez | Turkish Telegraph Officer | |
| Said Taibi | Turkish Officer at Party #1 | |
| David Fernandez Fabu | Turkish Officer at Party #2 | |
| Markus Oberhauser | German Aide-De-Camp | |
| Alex Van Der Meeberg | German Officer at Party | |
| Ayoub El Hilali | Ahmet Companion #1 | |
| Jonas Berami | Ahmet Companion #2 | |
| Luis Callejo | Turkish Intelligence Officer | |
| Gayane Asilbekyan | Fearful Armenian Woman | |
| Osman Soykut | Deputy Governor Mazhar | |
| Mariette Matoosian | Harut’s Wife | |
| Jonathan Pyatt | Morgenthau’s Aide | |
| Ara Malikian | Wedding Violinist | |
| Aren Shaheenian | Funeral Priest | |
| Paul Roig | Lookout Kid | |
| Teresa Abarca | Nightclub Dancer | |
| Derek Esrailian | Armenian Boy at Betrothal #1 | |
| Andrew Esrailian | Armenian Boy at Betrothal #2 | |
| Michael Stahl-David | Brad | |
| Celine Dayan-Bonilla | Maid of Honor | |
| Sandy Dell | Mother of the Groom | |
| Louis Branco | Older Orphan | |
| John Ressos | Older Orphan | |
| Alfredo Montez | Older Orphan | |
| Stefan Alexander | Older Orphan | |
| Jason Carubia | Older Orphan | |
| Ariana Tirelli | Older Orphan | |
| Alana Kyriak | Older Orphan | |
| Christina Carroll | Older Orphan | |
| Rafael Reyes | Older Orphan | |
| Esmeralda Frias | Older Orphan | |
| Dzmitry Patuk | Older Orphan | |
| Christophe Morabito | Older Orphan | |
| Christine Duke | Older Orphan | |
| Amanda Tenenzapf | Older Orphan |
Production and Technical Credits
| Terry George | Director | |
| George Swicord | Screenwriter | |
| Robin Swicord | Screenwriter | |
| Mike Medavoy | Producer | |
| Eric Esrailian | Producer | |
| William Horberg | Producer | |
| Kirk Kerkorian | Executive Producer | |
| Ralph Winter | Executive Producer | |
| Denise O'Dell | Executive Producer | |
| Mark Albela | Executive Producer | |
| Patricia L. Glaser | Executive Producer | |
| Sheri Sani | Executive Producer | |
| Dan Taylor | Executive Producer | |
| Anthony Mandekic | Executive Producer | |
| Javier Aguirresarobe | Director of Photography | |
| Benjamin Fernandez | Production Designer | |
| Steven Rosenblum | Editor | |
| Pierre-Yves Gayraud | Costume Designer | |
| Gabriel Yared | Composer | |
| Mark Russell | Visual Effects Supervisor | |
| Edward McGurn | Co-Producer | |
| Avy Kaufman | Casting Director | |
| John Hubbard | Casting Director | |
| Ros Hubbard | Casting Director | |
| Camilla Valentine Isola | Casting Director | |
| Salvador Yague | Unit Production Manager | |
| Ralph Winter | Unit Production Manager | |
| Lee Cleary | First Assistant Director | |
| David Arnold | Second Assistant Director | |
| Paul Jennings | Second Unit Director | |
| Paul Jennings | Stunt Coordinator | |
| Jordi Casares | Supervising Stunt Coordinator | |
| Lee Morrison | Stunt Coordinator | |
| Alison Beckett | Associate Producer | |
| Ian Bedford | Associate Producer | |
| Carla Garapedian | Associate Producer | |
| Alison Beckett | Post-Production Supervisor | |
| Didac Bono | Supervising Art Director | |
| Alejandro Fernandez | Art Director | |
| Oscar Sempere | Art Director | |
| Gabriel Liste | Art Director | |
| Renee Foley* | Script Supervisor | |
| Peter Glossop | Sound Mixer | |
| Pau Costa | Special Effects Supervisor | |
| Teresa Costa | Special Effects Coordinator | |
| Felix Rosell | Supervising Location Manager | |
| Juanan Clemente | Location Manager | |
| Ricardo Ferrari | Location Manager | |
| Pilar Revuelta | Set Decorator | |
| Bettina Seifert | Costume Supervisor | |
| Cristina Sopena | Costume Supervisor | |
| Ailbhe Lemass | Make up | |
| Mercedes Barbod | Production Manager | |
| Pilar Amer Fuster | Production Manager | |
| Jairo Murray | Second Assistant Director | |
| Cynthia E. Thornton* | Associate Editor | |
| Timothy Donovan | First Assistant Editor | |
| Agustin Serna | First Assistant Editor | |
| Monette Dubin | Visual Effects Producer | |
| Sarah Dowland | Visual Effects Producer | |
| Philip Stockton | Supervising Sound Editor | |
| Paul Hsu | Supervising Sound Editor | |
| Tom Fleischman | Re-recording Mixer | |
| Paul Hsu | Re-recording Mixer | |
| Suzana Peric | Music Editor | |
| David Menke | Score Producer | |
| Nick Wollage | Score Recordist | |
| Peter Cobbin | Score Mixer | |
| Kirsty Whalley | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Empires fall, love survives. When Michael, a brilliant medical student, meets Ana, their shared Armenian heritage sparks an attraction that explodes into a romantic rivalry between Michael and Ana’s boyfriend Chris, a famous American photojournalist dedicated to exposing political truth. As the Ottoman Empire crumbles into war-torn chaos, their conflicting passions must be deferred while they join forces to get their people to safety and survive themselves.
Metrics
| Opening Weekend: | $4,095,718 (49.8% of total gross) |
| Legs: | 2.01 (domestic box office/biggest weekend) |
| Domestic Share: | 77.9% (domestic box office/worldwide) |
| Production Budget: | $90,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 2,251 opening theaters/2,251 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,965,717 |
Movie Details
| Domestic Releases: | April 21st, 2017 (Wide) by Open Road |
| International Releases: | April 28th, 2017 (Wide) (United Kingdom)
April 28th, 2017 (Wide) (Russia (CIS)) April 28th, 2017 (Wide) (Argentina) May 5th, 2017 (Wide) (Poland) June 2nd, 2017 (Wide), released as Pažadas (Lithuania) ... Show all releases |
| Video Release: | July 18th, 2017 by Universal Home Entertainment |
| MPA Rating: | PG-13 for thematic material including war atrocities, violence and disturbing images, and for some sexuality. (Rating bulletin 2443 (Cert #50604), 9/21/2016) |
| Running Time: | 134 minutes |
| Plot point: | Crimes Against Humanity, Genocide, Investigative Journalist, Love Triangle, Refugee, War Crimes |
| Social setting: | World War I |
| Subgenre: | War Drama |
| Time period setting: | 1910s, Ottoman Empire |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Survival Pictures, Mike Medavoy Productions |
| Production Countries: | United States, Spain |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 21, 2017 | 9 | $4,095,718 | 2,251 | $1,820 | $4,095,718 | 1 | |
| Apr 28, 2017 | 15 | $1,443,046 | -65% | 2,251 | $641 | $7,067,064 | 2 |
| May 5, 2017 | 24 | $278,205 | -81% | 331 | $840 | $7,967,276 | 3 |
| May 12, 2017 | 37 | $85,575 | -69% | 110 | $778 | $8,186,236 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 20, 2017 | P | $200,000 | 0 | $200,000 | ||||
| Apr 21, 2017 | 6 | $1,441,951 | 2,251 | $641 | $1,441,951 | 1 | ||
| Apr 22, 2017 | 9 | $1,542,888 | +7% | 2,251 | $685 | $2,984,839 | 2 | |
| Apr 23, 2017 | 9 | $1,110,879 | -28% | 2,251 | $494 | $4,095,718 | 3 | |
| Apr 24, 2017 | 4 | $446,412 | -60% | 2,251 | $198 | $4,542,130 | 4 | |
| Apr 25, 2017 | 8 | $455,340 | +2% | 2,251 | $202 | $4,997,470 | 5 | |
| Apr 26, 2017 | 8 | $364,272 | -20% | 2,251 | $162 | $5,361,742 | 6 | |
| Apr 27, 2017 | 8 | $262,276 | -28% | 2,251 | $117 | $5,624,018 | 7 | |
| Apr 28, 2017 | 15 | $414,143 | +58% | -71% | 2,251 | $184 | $6,038,161 | 8 |
| Apr 29, 2017 | 15 | $604,649 | +46% | -61% | 2,251 | $269 | $6,642,810 | 9 |
| Apr 30, 2017 | 15 | $424,254 | -30% | -62% | 2,251 | $188 | $7,067,064 | 10 |
| May 1, 2017 | 14 | $140,004 | -67% | -69% | 2,251 | $62 | $7,207,068 | 11 |
| May 2, 2017 | 13 | $212,806 | +52% | -53% | 2,251 | $95 | $7,419,874 | 12 |
| May 3, 2017 | 13 | $147,102 | -31% | -60% | 2,251 | $65 | $7,566,976 | 13 |
| May 4, 2017 | 13 | $122,095 | -17% | -53% | 2,251 | $54 | $7,689,071 | 14 |
| May 5, 2017 | - | $66,756 | -45% | -84% | 331 | $202 | $7,755,827 | 15 |
| May 6, 2017 | - | $120,828 | +81% | -80% | 331 | $365 | $7,876,655 | 16 |
| May 7, 2017 | - | $90,621 | -25% | -79% | 331 | $274 | $7,967,276 | 17 |
| May 8, 2017 | - | $29,020 | -68% | -79% | 331 | $88 | $7,996,296 | 18 |
| May 9, 2017 | - | $44,401 | +53% | -79% | 331 | $134 | $8,040,697 | 19 |
| May 10, 2017 | - | $32,413 | -27% | -78% | 331 | $98 | $8,073,110 | 20 |
| May 11, 2017 | - | $27,551 | -15% | -77% | 331 | $83 | $8,100,661 | 21 |
| May 12, 2017 | - | $24,851 | -10% | -63% | 110 | $226 | $8,125,512 | 22 |
| May 13, 2017 | - | $33,549 | +35% | -72% | 110 | $305 | $8,159,061 | 23 |
| May 14, 2017 | - | $27,175 | -19% | -70% | 110 | $247 | $8,186,236 | 24 |
| May 15, 2017 | - | $8,696 | -68% | -70% | 110 | $79 | $8,194,932 | 25 |
| May 16, 2017 | - | $10,957 | +26% | -75% | 110 | $100 | $8,205,889 | 26 |
| May 17, 2017 | - | $9,533 | -13% | -71% | 110 | $87 | $8,215,422 | 27 |
| May 18, 2017 | - | $8,866 | -7% | -68% | 110 | $81 | $8,224,288 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 21, 2017 | 9 | $5,624,018 | 2,251 | $2,498 | $5,624,018 | 1 | |
| Apr 28, 2017 | 15 | $2,065,053 | -63% | 2,251 | $917 | $7,689,071 | 2 |
| May 5, 2017 | 24 | $411,590 | -80% | 331 | $1,243 | $8,100,661 | 3 |
| May 12, 2017 | 36 | $123,627 | -70% | 110 | $1,124 | $8,224,288 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/28/2017 | $64,663 | 0 | 0 | 0 | $131,159 | 1/1/2019 | |||
| Australia | 6/16/2017 | $104,809 | 46 | 46 | 246 | $421,145 | 8/14/2017 | |||
| France | 12/1/2017 | $155,500 | 0 | 0 | 0 | $155,500 | 6/28/2018 | |||
| Lithuania | 6/2/2017 | $2,201 | 55 | 55 | 56 | $5,248 | 11/29/2017 | |||
| Netherlands | 6/15/2017 | $35,288 | 35 | 35 | 119 | $112,978 | 7/11/2017 | |||
| Poland | 5/5/2017 | $33,699 | 0 | 0 | 0 | $33,699 | 1/1/2019 | |||
| Portugal | 12/29/2017 | $3,887 | 10 | 10 | 27 | $22,854 | 1/22/2018 | |||
| Russia (CIS) | 4/28/2017 | $214,884 | 439 | 439 | 841 | $678,148 | 1/1/2019 | |||
| Spain | 6/2/2017 | $189,963 | 189 | 207 | 594 | $535,595 | 8/31/2017 | |||
| United Kingdom | 4/28/2017 | $230,803 | 288 | 288 | 288 | $230,803 | 5/3/2017 | |||
| International Total | $2,327,129 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Oscar Isaac | Michael | |
| Charlotte Le Bon | Ana | |
| Christian Bale | Christopher Myers |
Supporting
| Daniel Gimenez Cacho | Reverend Dikran Antreassian | |
| Shohreh Aghdashloo | Marta Boghosian | |
| Marwan Kenzari | Emre Ogan | |
| Angela Sarafyan | Maral | |
| Rade Serbedzija | Mayor | |
| Tom Hollander | Garin | |
| Igal Naor | Mesrob | |
| Numan Acar | Mustafa | |
| Milene Mayer Gutierrez | Yeva | |
| Tamer Hassan | Faruk Pasha | |
| Alicia Borrachero | Lena | |
| Abel Folk | Harut | |
| Jean Reno | Admiral Fournet | |
| James Cromwell | Ambassador Morgenthau | |
| Kevork Malikyan | Vartan Boghosian | |
| Lucia Zorrilla | Tamar | |
| Roman Mitichyan | Van | |
| Carlos Miranda | Aaron Village Elder | |
| Armin Amiri | Captain Ali | |
| Stewart Scudamore | Ismet Ogan | |
| Andrew Tarbet | Pastor Merril | |
| Aharon Ipalé | Dr. Nazim | |
| Masis Kouyoumdjian | Armenian Priest | |
| Shnorhk Sargsyan | Komitas | |
| Ali El Aziz | Turkish Car Driver | |
| Aaron Neil | Talaat Pasha | |
| Ames Chanos | General Zyniker | |
| Anthony Rotsa | Ahmet the Student | |
| Paul Portelli | Angry Mob Man #1 | |
| Jean Marc Valente | Angry Mob Man #2 | |
| Julian Villagran | Armenian Soldier | |
| Juanan Moreno | Armenian Laborer | |
| Marco Khan | Burly Nightwatchman | |
| Stephen Buhagiar | Ferry Porter | |
| Nacho Aldeguer | Gulhane Party Guest | |
| Juan Portillo | Injured Armenian | |
| Simon Andreu | Old Peasant Woman | |
| Mariona Casanovas | Old Peasant Woman | |
| Mario Tardon | Prison Officer in Charge | |
| Pau Colera | Railway Sergeant | |
| Pedro Reyes | Senior Conscription Officer | |
| David Lifschitz | Conscription Officer | |
| Mario Opinato | Armenian Hotel Manager | |
| Rick Zingale | Turkish Merchant in Bazaar | |
| Nicolas Lori | University Lecturer | |
| Carlos Olalla | Surgeon | |
| Joe Depasquale | Constantinople Night Watchman | |
| Vic Tablian | Cattle Car Old Man | |
| Marta Navarro | Pera Belly Dancer | |
| Enya Dunne | Turkish Little Girl | |
| Azzdine Benaji | Turkish Boy Patient | |
| Alain Hernandez | Turkish Telegraph Officer | |
| Said Taibi | Turkish Officer at Party #1 | |
| David Fernandez Fabu | Turkish Officer at Party #2 | |
| Markus Oberhauser | German Aide-De-Camp | |
| Alex Van Der Meeberg | German Officer at Party | |
| Ayoub El Hilali | Ahmet Companion #1 | |
| Jonas Berami | Ahmet Companion #2 | |
| Luis Callejo | Turkish Intelligence Officer | |
| Gayane Asilbekyan | Fearful Armenian Woman | |
| Osman Soykut | Deputy Governor Mazhar | |
| Mariette Matoosian | Harut’s Wife | |
| Jonathan Pyatt | Morgenthau’s Aide | |
| Ara Malikian | Wedding Violinist | |
| Aren Shaheenian | Funeral Priest | |
| Paul Roig | Lookout Kid | |
| Teresa Abarca | Nightclub Dancer | |
| Derek Esrailian | Armenian Boy at Betrothal #1 | |
| Andrew Esrailian | Armenian Boy at Betrothal #2 | |
| Michael Stahl-David | Brad | |
| Celine Dayan-Bonilla | Maid of Honor | |
| Sandy Dell | Mother of the Groom | |
| Louis Branco | Older Orphan | |
| John Ressos | Older Orphan | |
| Alfredo Montez | Older Orphan | |
| Stefan Alexander | Older Orphan | |
| Jason Carubia | Older Orphan | |
| Ariana Tirelli | Older Orphan | |
| Alana Kyriak | Older Orphan | |
| Christina Carroll | Older Orphan | |
| Rafael Reyes | Older Orphan | |
| Esmeralda Frias | Older Orphan | |
| Dzmitry Patuk | Older Orphan | |
| Christophe Morabito | Older Orphan | |
| Christine Duke | Older Orphan | |
| Amanda Tenenzapf | Older Orphan |
Production and Technical Credits
| Terry George | Director | |
| George Swicord | Screenwriter | |
| Robin Swicord | Screenwriter | |
| Mike Medavoy | Producer | |
| Eric Esrailian | Producer | |
| William Horberg | Producer | |
| Kirk Kerkorian | Executive Producer | |
| Ralph Winter | Executive Producer | |
| Denise O'Dell | Executive Producer | |
| Mark Albela | Executive Producer | |
| Patricia L. Glaser | Executive Producer | |
| Sheri Sani | Executive Producer | |
| Dan Taylor | Executive Producer | |
| Anthony Mandekic | Executive Producer | |
| Javier Aguirresarobe | Director of Photography | |
| Benjamin Fernandez | Production Designer | |
| Steven Rosenblum | Editor | |
| Pierre-Yves Gayraud | Costume Designer | |
| Gabriel Yared | Composer | |
| Mark Russell | Visual Effects Supervisor | |
| Edward McGurn | Co-Producer | |
| Avy Kaufman | Casting Director | |
| John Hubbard | Casting Director | |
| Ros Hubbard | Casting Director | |
| Camilla Valentine Isola | Casting Director | |
| Salvador Yague | Unit Production Manager | |
| Ralph Winter | Unit Production Manager | |
| Lee Cleary | First Assistant Director | |
| David Arnold | Second Assistant Director | |
| Paul Jennings | Second Unit Director | |
| Paul Jennings | Stunt Coordinator | |
| Jordi Casares | Supervising Stunt Coordinator | |
| Lee Morrison | Stunt Coordinator | |
| Alison Beckett | Associate Producer | |
| Ian Bedford | Associate Producer | |
| Carla Garapedian | Associate Producer | |
| Alison Beckett | Post-Production Supervisor | |
| Didac Bono | Supervising Art Director | |
| Alejandro Fernandez | Art Director | |
| Oscar Sempere | Art Director | |
| Gabriel Liste | Art Director | |
| Renee Foley* | Script Supervisor | |
| Peter Glossop | Sound Mixer | |
| Pau Costa | Special Effects Supervisor | |
| Teresa Costa | Special Effects Coordinator | |
| Felix Rosell | Supervising Location Manager | |
| Juanan Clemente | Location Manager | |
| Ricardo Ferrari | Location Manager | |
| Pilar Revuelta | Set Decorator | |
| Bettina Seifert | Costume Supervisor | |
| Cristina Sopena | Costume Supervisor | |
| Ailbhe Lemass | Make up | |
| Mercedes Barbod | Production Manager | |
| Pilar Amer Fuster | Production Manager | |
| Jairo Murray | Second Assistant Director | |
| Cynthia E. Thornton* | Associate Editor | |
| Timothy Donovan | First Assistant Editor | |
| Agustin Serna | First Assistant Editor | |
| Monette Dubin | Visual Effects Producer | |
| Sarah Dowland | Visual Effects Producer | |
| Philip Stockton | Supervising Sound Editor | |
| Paul Hsu | Supervising Sound Editor | |
| Tom Fleischman | Re-recording Mixer | |
| Paul Hsu | Re-recording Mixer | |
| Suzana Peric | Music Editor | |
| David Menke | Score Producer | |
| Nick Wollage | Score Recordist | |
| Peter Cobbin | Score Mixer | |
| Kirsty Whalley | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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