Przysięga Ireny (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $1,193,687 | Details |
| International Box Office | $257,528 | Details |
| Worldwide Box Office | $1,451,215 | |
| OpusData ID: 637600100 More info... | ||
| Further financial details... | ||
Synopsis
In Nazi-occupied Poland, a young woman uses her new position as a German officer's housekeeper to help her Jewish friends.
Metrics
| Legs: | 14.11 (domestic box office/biggest weekend) |
| Domestic Share: | 82.3% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $1,262,294 |
Movie Details
| Domestic Releases: | April 15th, 2024 (Limited) by Quiver, released as Irena’s Vow |
| International Releases: | May 31st, 2024 (Limited), released as La Promesa de Irene (Spain)
October 17th, 2024 (Limited), released as O Voto de Irena (Portugal) January 30th, 2025 (Limited), released as Przysięga Ireny (Что скрывает Ирен?) (Russia (CIS)) August 21st, 2025 (Limited), released as Irena’s Vow (Australia) ... Show all releases |
| Video Release: | May 14th, 2024 by Showtime Entertainment, released as Irena’s Vow |
| MPA Rating: | R for some strong violence and brief sexuality. (Rating bulletin 2798 (cert #54626), 8/30/2023) |
| Running Time: | 121 minutes |
| Geographical setting: | Poland |
| Plot point: | Crimes Against Humanity, Genocide, Jewish, Nurse |
| Social setting: | World War II |
| Subgenre: | War Drama |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Quiver Distribution Inc., Elevation Pictures, Darius Films, K&K Film Selekt, Entract Studios, Polish Film Institute, TVP S.A., FINA , MKIDN |
| Production Countries: | Poland, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2024 | - | $84,572 | 71 | $1,191 | $1,096,197 | 4 | |
| May 17, 2024 | - | $23,980 | -72% | 48 | $500 | $1,164,759 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 3, 2024 | 24 | $114,614 | 73 | $1,570 | $1,011,625 | 4 | |
| May 10, 2024 | 23 | $129,154 | +13% | 73 | $1,769 | $1,140,779 | 5 |
| May 17, 2024 | 27 | $35,232 | -73% | 51 | $691 | $1,176,011 | 6 |
| May 24, 2024 | 33 | $12,482 | -65% | 51 | $245 | $1,188,493 | 7 |
| May 31, 2024 | 40 | $5,194 | -58% | 11 | $472 | $1,193,687 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/21/2025 | $25,401 | 88 | 88 | 0 | $76,970 | 4/6/2026 | |||
| Portugal | 10/17/2024 | $7,471 | 14 | 14 | 23 | $18,362 | 11/12/2024 | |||
| Spain | 5/31/2024 | $41,324 | 75 | 75 | 176 | $162,196 | 6/20/2024 | |||
| International Total | $257,528 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sophie Nelisse | Irena Gut | |
| Dougray Scott |
Supporting
| Andrzej Seweryn | ||
| Maciej Nawrocki | ||
| Sharon Azrieli |
Production and Technical Credits
| Louise Archambault | Director | |
| Dan Gordon | Screenwriter | |
| Dan Gordon | Story Creator | |
| Beata Pisula | Producer | |
| Tim Ringuette | Producer | |
| Nicholas Tabarrok | Producer | |
| Berry Meyerowitz | Producer | |
| Jeff Sackman | Producer | |
| Consulting Producer* | Producer | |
| Robert Kaczmarek | Co-Producer | |
| Malgorzata Matuszewska | Co-Producer | |
| Andrzej Burakowski | Co-Producer | |
| Noah Segal | Executive Producer | |
| Laurie May | Executive Producer | |
| John K. MacDonald | Executive Producer | |
| Eleanor Wiebe | Executive Producer | |
| Don DePoe | Executive Producer | |
| Michael Feehan | Executive Producer | |
| Sharon Azrieli | Executive Producer | |
| Alexandra Streliski | Composer | |
| Arthur Tarnowski | Editor | |
| Malgorzata Zacharaks | Costume Designer | |
| Joanna Bialousz | Production Designer | |
| Paul Sarossy | Director of Photography | |
| Monika Jozwik | Casting Director | |
| Melissa A. Smith | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In Nazi-occupied Poland, a young woman uses her new position as a German officer's housekeeper to help her Jewish friends.
Metrics
| Legs: | 14.11 (domestic box office/biggest weekend) |
| Domestic Share: | 82.3% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $1,262,294 |
Movie Details
| Domestic Releases: | April 15th, 2024 (Limited) by Quiver, released as Irena’s Vow |
| International Releases: | May 31st, 2024 (Limited), released as La Promesa de Irene (Spain)
October 17th, 2024 (Limited), released as O Voto de Irena (Portugal) January 30th, 2025 (Limited), released as Przysięga Ireny (Что скрывает Ирен?) (Russia (CIS)) August 21st, 2025 (Limited), released as Irena’s Vow (Australia) ... Show all releases |
| Video Release: | May 14th, 2024 by Showtime Entertainment, released as Irena’s Vow |
| MPA Rating: | R for some strong violence and brief sexuality. (Rating bulletin 2798 (cert #54626), 8/30/2023) |
| Running Time: | 121 minutes |
| Geographical setting: | Poland |
| Plot point: | Crimes Against Humanity, Genocide, Jewish, Nurse |
| Social setting: | World War II |
| Subgenre: | War Drama |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Quiver Distribution Inc., Elevation Pictures, Darius Films, K&K Film Selekt, Entract Studios, Polish Film Institute, TVP S.A., FINA , MKIDN |
| Production Countries: | Poland, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2024 | - | $84,572 | 71 | $1,191 | $1,096,197 | 4 | |
| May 17, 2024 | - | $23,980 | -72% | 48 | $500 | $1,164,759 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 3, 2024 | 24 | $114,614 | 73 | $1,570 | $1,011,625 | 4 | |
| May 10, 2024 | 23 | $129,154 | +13% | 73 | $1,769 | $1,140,779 | 5 |
| May 17, 2024 | 27 | $35,232 | -73% | 51 | $691 | $1,176,011 | 6 |
| May 24, 2024 | 33 | $12,482 | -65% | 51 | $245 | $1,188,493 | 7 |
| May 31, 2024 | 40 | $5,194 | -58% | 11 | $472 | $1,193,687 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/21/2025 | $25,401 | 88 | 88 | 0 | $76,970 | 4/6/2026 | |||
| Portugal | 10/17/2024 | $7,471 | 14 | 14 | 23 | $18,362 | 11/12/2024 | |||
| Spain | 5/31/2024 | $41,324 | 75 | 75 | 176 | $162,196 | 6/20/2024 | |||
| International Total | $257,528 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sophie Nelisse | Irena Gut | |
| Dougray Scott |
Supporting
| Andrzej Seweryn | ||
| Maciej Nawrocki | ||
| Sharon Azrieli |
Production and Technical Credits
| Louise Archambault | Director | |
| Dan Gordon | Screenwriter | |
| Dan Gordon | Story Creator | |
| Beata Pisula | Producer | |
| Tim Ringuette | Producer | |
| Nicholas Tabarrok | Producer | |
| Berry Meyerowitz | Producer | |
| Jeff Sackman | Producer | |
| Consulting Producer* | Producer | |
| Robert Kaczmarek | Co-Producer | |
| Malgorzata Matuszewska | Co-Producer | |
| Andrzej Burakowski | Co-Producer | |
| Noah Segal | Executive Producer | |
| Laurie May | Executive Producer | |
| John K. MacDonald | Executive Producer | |
| Eleanor Wiebe | Executive Producer | |
| Don DePoe | Executive Producer | |
| Michael Feehan | Executive Producer | |
| Sharon Azrieli | Executive Producer | |
| Alexandra Streliski | Composer | |
| Arthur Tarnowski | Editor | |
| Malgorzata Zacharaks | Costume Designer | |
| Joanna Bialousz | Production Designer | |
| Paul Sarossy | Director of Photography | |
| Monika Jozwik | Casting Director | |
| Melissa A. Smith | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.