The Public Image is Rotten (2018)

The Public Image is Rotten
Theatrical Performance
Domestic Box Office $11,293Details
International Box Office $3,173Details
Worldwide Box Office $14,466
Further financial details...

Synopsis

After the breakup of the Sex Pistols, John Lydon (a.k.a. Johnny Rotten), formed Public Image Ltd (Pil) – his groundbreaking band which has lived on nearly 15 times as long as his first one. He kept the band alive ever since, through personnel and stylistic changes, fighting to constantly reinvent new ways of approaching music, while adhering to radical ideals of artistic integrity. John Lydon has not only redefined music, but also the true meaning of originality.

Metrics

Opening Weekend:$8,052 (71.3% of total gross)
Legs:1.40 (domestic box office/biggest weekend)
Domestic Share:78.1% (domestic box office/worldwide)
Theater counts:1 opening theaters/1 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $13,356

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 16,301-16,400) 16,351 $11,293
All Time International Box Office (Rank 26,701-26,800) 26,713 $3,173
All Time Worldwide Box Office (Rank 31,401-31,500) 31,452 $14,466
All Time Domestic Highest Grossing Limited Release Movies (Rank 7,601-7,700) 7,681 $11,293

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: September 14th, 2018 (Limited) by Abramorama Films
International Releases: June 1st, 2018 (Wide), released as The Public Image Is Rotten (United Kingdom)
MPAA Rating: Not Rated
Running Time: 103 minutes
Comparisons: Create your own comparison chart…
Keywords: Punk Rock, Musicians, Archive Footage, Rock 'n' Roll, Rockumentary, 1980s, Singers, Biography, 1970s
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 14, 2018 68 $8,052   1 $8,052   $8,052 1
Oct 19, 2018 79 $1,438   1 $1,438   $11,293 6

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 14, 2018 70 $9,855   1 $9,855   $9,855 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 6/1/2018 $3,173 0 0 0 $3,173 6/7/2018
 
International Total$3,173 6/7/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

John Lydon    Himself

Interviewee(s)

Flea    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tabbert Fiiller    Director
Tyler Brodie    Producer
Hunter Gray    Producer
Phaedon Papadopoulos    Producer
Tabbert Fiiller    Producer
John Rambo Stevens    Executive Producer
Cameron Brodie    Executive Producer
Nicholas Shumaker    Executive Producer
Yamit Shimonovitz    Director of Photography

Theater Averages: Museum Sneaks away with First Place

September 20th, 2018

Museum

It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

After the breakup of the Sex Pistols, John Lydon (a.k.a. Johnny Rotten), formed Public Image Ltd (Pil) – his groundbreaking band which has lived on nearly 15 times as long as his first one. He kept the band alive ever since, through personnel and stylistic changes, fighting to constantly reinvent new ways of approaching music, while adhering to radical ideals of artistic integrity. John Lydon has not only redefined music, but also the true meaning of originality.

Metrics

Opening Weekend:$8,052 (71.3% of total gross)
Legs:1.40 (domestic box office/biggest weekend)
Domestic Share:78.1% (domestic box office/worldwide)
Theater counts:1 opening theaters/1 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $13,356

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 16,301-16,400) 16,351 $11,293
All Time International Box Office (Rank 26,701-26,800) 26,713 $3,173
All Time Worldwide Box Office (Rank 31,401-31,500) 31,452 $14,466
All Time Domestic Highest Grossing Limited Release Movies (Rank 7,601-7,700) 7,681 $11,293

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: September 14th, 2018 (Limited) by Abramorama Films
International Releases: June 1st, 2018 (Wide), released as The Public Image Is Rotten (United Kingdom)
MPAA Rating: Not Rated
Running Time: 103 minutes
Comparisons: Create your own comparison chart…
Keywords: Punk Rock, Musicians, Archive Footage, Rock 'n' Roll, Rockumentary, 1980s, Singers, Biography, 1970s
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production Countries: United States
Languages: English

Documentary Subject(s)

John Lydon    Himself

Interviewee(s)

Flea    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tabbert Fiiller    Director
Tyler Brodie    Producer
Hunter Gray    Producer
Phaedon Papadopoulos    Producer
Tabbert Fiiller    Producer
John Rambo Stevens    Executive Producer
Cameron Brodie    Executive Producer
Nicholas Shumaker    Executive Producer
Yamit Shimonovitz    Director of Photography

Theater Averages: Museum Sneaks away with First Place

September 20th, 2018

Museum

It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 14, 2018 68 $8,052   1 $8,052   $8,052 1
Oct 19, 2018 79 $1,438   1 $1,438   $11,293 6

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 14, 2018 70 $9,855   1 $9,855   $9,855 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 6/1/2018 $3,173 0 0 0 $3,173 6/7/2018
 
International Total$3,173 6/7/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.