Pupille (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $1,737 | Details |
| International Box Office | $6,826,088 | Details |
| Worldwide Box Office | $6,827,825 | |
| OpusData ID: 389280100 More info... | ||
| Further financial details... | ||
Synopsis
In Safe Hands throws us deep into the milieu of the French social assistance services where the fate of one baby boy exposes the conflicting conundrums faced by many women—those giving up their babies and those desperate to have their own. When baby Theo’s birth mother surrenders him to adoption, child protection services, and officers such as Karine, are called to action, and the harsh realities of the adoption process are pulled into sharp focus. Karine entrusts Theo to Jean—no stranger to the foster system himself—who takes on the responsibility of the newborn until a suitable home can be found. Meanwhile, Alice has never given up the fight to be a mother and faces the prospect of this dream finally coming true, although nothing is certain.
Metrics
| Opening Weekend: | $1,737 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 0.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,272 |
Movie Details
| Domestic Releases: | July 26th, 2019 (Limited) by Distrib Films, released as In Safe Hands |
| International Releases: | December 7th, 2018 (Wide) (France)
March 8th, 2019 (Wide), released as In Safe Hands (Australia) May 3rd, 2019 (Wide), released as Kūdikis (Lithuania) May 3rd, 2019 (Wide), released as En buenas manos (Spain) May 31st, 2019 (Limited), released as In Safe Hands (United Kingdom) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 107 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tresor Films, Chi-Fou-Mi Productions |
| Production Countries: | France, Belgium |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2019 | 58 | $1,737 | 1 | $1,737 | $1,737 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/29/2019 | $4,643 | 20 | 20 | 20 | $6,863 | 1/3/2020 | |||
| Australia | 3/8/2019 | $0 | 0 | 10 | 10 | $1,986 | 4/9/2019 | |||
| France | 12/7/2018 | $1,604,385 | 379 | 474 | 2,095 | $6,666,533 | 2/1/2019 | |||
| Lithuania | 5/3/2019 | $639 | 19 | 19 | 20 | $1,443 | 10/2/2019 | |||
| New Zealand | 11/21/2019 | $231 | 2 | 3 | 13 | $5,344 | 10/19/2022 | |||
| Portugal | 8/23/2019 | $2,404 | 8 | 8 | 16 | $4,813 | 10/19/2022 | |||
| Spain | 5/3/2019 | $52,188 | 29 | 51 | 80 | $136,244 | 5/16/2019 | |||
| United Kingdom | 5/31/2019 | $2,862 | 2 | 2 | 2 | $2,862 | 6/6/2019 | |||
| International Total | $6,826,088 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sandrine Kiberlain | Karine | |
| Gilles Lellouche | Jean | |
| Elodie Bouchez | Alice |
Supporting
| Olivia Cote | Lydie | |
| Miou-Miou | ||
| Stefi Celma | ||
| Youssef Hajdi | ||
| Clothilde Mollet | Mathilde | |
| Leila Muse |
Production and Technical Credits
| Jeanne Herry | Director | |
| Jeanne Herry | Screenwriter | |
| Vincent Mazel | Producer | |
| Johann George | Production Designer | |
| Francis Vesin | Editor | |
| Pascal Sangla | Composer | |
| Sofia El Fani | Director of Photography | |
| Marie Le Garrec | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In Safe Hands throws us deep into the milieu of the French social assistance services where the fate of one baby boy exposes the conflicting conundrums faced by many women—those giving up their babies and those desperate to have their own. When baby Theo’s birth mother surrenders him to adoption, child protection services, and officers such as Karine, are called to action, and the harsh realities of the adoption process are pulled into sharp focus. Karine entrusts Theo to Jean—no stranger to the foster system himself—who takes on the responsibility of the newborn until a suitable home can be found. Meanwhile, Alice has never given up the fight to be a mother and faces the prospect of this dream finally coming true, although nothing is certain.
Metrics
| Opening Weekend: | $1,737 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 0.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,272 |
Movie Details
| Domestic Releases: | July 26th, 2019 (Limited) by Distrib Films, released as In Safe Hands |
| International Releases: | December 7th, 2018 (Wide) (France)
March 8th, 2019 (Wide), released as In Safe Hands (Australia) May 3rd, 2019 (Wide), released as Kūdikis (Lithuania) May 3rd, 2019 (Wide), released as En buenas manos (Spain) May 31st, 2019 (Limited), released as In Safe Hands (United Kingdom) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 107 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tresor Films, Chi-Fou-Mi Productions |
| Production Countries: | France, Belgium |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2019 | 58 | $1,737 | 1 | $1,737 | $1,737 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/29/2019 | $4,643 | 20 | 20 | 20 | $6,863 | 1/3/2020 | |||
| Australia | 3/8/2019 | $0 | 0 | 10 | 10 | $1,986 | 4/9/2019 | |||
| France | 12/7/2018 | $1,604,385 | 379 | 474 | 2,095 | $6,666,533 | 2/1/2019 | |||
| Lithuania | 5/3/2019 | $639 | 19 | 19 | 20 | $1,443 | 10/2/2019 | |||
| New Zealand | 11/21/2019 | $231 | 2 | 3 | 13 | $5,344 | 10/19/2022 | |||
| Portugal | 8/23/2019 | $2,404 | 8 | 8 | 16 | $4,813 | 10/19/2022 | |||
| Spain | 5/3/2019 | $52,188 | 29 | 51 | 80 | $136,244 | 5/16/2019 | |||
| United Kingdom | 5/31/2019 | $2,862 | 2 | 2 | 2 | $2,862 | 6/6/2019 | |||
| International Total | $6,826,088 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sandrine Kiberlain | Karine | |
| Gilles Lellouche | Jean | |
| Elodie Bouchez | Alice |
Supporting
| Olivia Cote | Lydie | |
| Miou-Miou | ||
| Stefi Celma | ||
| Youssef Hajdi | ||
| Clothilde Mollet | Mathilde | |
| Leila Muse |
Production and Technical Credits
| Jeanne Herry | Director | |
| Jeanne Herry | Screenwriter | |
| Vincent Mazel | Producer | |
| Johann George | Production Designer | |
| Francis Vesin | Editor | |
| Pascal Sangla | Composer | |
| Sofia El Fani | Director of Photography | |
| Marie Le Garrec | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.