Pure O (2024)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 668860100 More info... | ||
| Further financial details... | ||
Synopsis
Inspired by the filmmaker’s own story, an aspiring screenwriter and musician’s life quickly unravels when he is diagnosed with a crippling form of OCD. While struggling through his darkest hour, he must help himself, and those around him, tackle a litany of universal issues: grief, coming-of-age, addiction, redemption and the power of social connection.
Metrics
Movie Details
| Domestic Releases: | April 12th, 2024 (Limited) by Good Deed Entertainment |
| Running Time: | 118 minutes |
| Plot point: | Addiction, Coming of Age, Redemption |
| Subgenre: | Coming-of-Age Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Detention Films, Ambyth West Entertainment, Slated, Moo Studios |
| Production Countries: | United States |
| Languages: | English |
Leading
| Daniel Dorr | Cooper |
Supporting
| Hope Lauren | Emily | |
| Landry Bender | Rachel | |
| Jeffery A. Baker | Brandon | |
| Candice Renee | Nora | |
| Breon Gorman | Janice | |
| Timothy Landfield | Steve | |
| Isaac Nippert | Duke | |
| Devon Martinez | Tess | |
| Clint James | Rodney |
Production and Technical Credits
| Dillon Tucker | Director | |
| Dillon Tucker | Screenwriter | |
| Jay Burnley | Executive Producer | |
| Stephan Paternot | Executive Producer | |
| Jeremy Walton | Executive Producer | |
| David Lyons | Executive Producer | |
| Ricky Fosheim | Producer | |
| Dillon Tucker | Producer | |
| Ray Lee | Producer | |
| Allison Bryant | Producer | |
| Ricky Fosheim | Cinematographer | |
| Dillon Tucker | Editor | |
| Nick Jimenez | Sound Designer | |
| Dillon Tucker | Composer | |
| Caleb Veazey | Additional Music |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Inspired by the filmmaker’s own story, an aspiring screenwriter and musician’s life quickly unravels when he is diagnosed with a crippling form of OCD. While struggling through his darkest hour, he must help himself, and those around him, tackle a litany of universal issues: grief, coming-of-age, addiction, redemption and the power of social connection.
Metrics
Movie Details
| Domestic Releases: | April 12th, 2024 (Limited) by Good Deed Entertainment |
| Running Time: | 118 minutes |
| Plot point: | Addiction, Coming of Age, Redemption |
| Subgenre: | Coming-of-Age Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Detention Films, Ambyth West Entertainment, Slated, Moo Studios |
| Production Countries: | United States |
| Languages: | English |
Leading
| Daniel Dorr | Cooper |
Supporting
| Hope Lauren | Emily | |
| Landry Bender | Rachel | |
| Jeffery A. Baker | Brandon | |
| Candice Renee | Nora | |
| Breon Gorman | Janice | |
| Timothy Landfield | Steve | |
| Isaac Nippert | Duke | |
| Devon Martinez | Tess | |
| Clint James | Rodney |
Production and Technical Credits
| Dillon Tucker | Director | |
| Dillon Tucker | Screenwriter | |
| Jay Burnley | Executive Producer | |
| Stephan Paternot | Executive Producer | |
| Jeremy Walton | Executive Producer | |
| David Lyons | Executive Producer | |
| Ricky Fosheim | Producer | |
| Dillon Tucker | Producer | |
| Ray Lee | Producer | |
| Allison Bryant | Producer | |
| Ricky Fosheim | Cinematographer | |
| Dillon Tucker | Editor | |
| Nick Jimenez | Sound Designer | |
| Dillon Tucker | Composer | |
| Caleb Veazey | Additional Music |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.