Puzzle (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $2,031,242 | Details |
| International Box Office | $235,611 | Details |
| Worldwide Box Office | $2,266,853 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $23,307 | |
| Total | $23,307 | |
| OpusData ID: 320540100 More info... | ||
| Further financial details... | ||
Synopsis
After years of concerning herself exclusively with the needs and wants of her husband Louie and sons Ziggy and Gabe, Agnes has found something that she wants to do. Stepping out of her domestic bubble to pursue her new hobby, Agnes meets Robert, a wealthy, reclusive inventor who immediately recognizes her talent and recruits her as his partner for an upcoming world jigsaw tournament. Each day she spends out in the world, puzzling and conversing with Robert, takes Agnes further along on the road to a new understanding of herself and her strengths. With that understanding come new insights and an assertiveness that finds her speaking out on her own behalf and pushing back against the assumptions and routines that have until now defined her role in her family. Ultimately, Agnes will decide for herself what comes next.
Metrics
| Opening Weekend: | $61,214 (3.0% of total gross) |
| Legs: | 5.75 (domestic box office/biggest weekend) |
| Domestic Share: | 89.6% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/265 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,666,697 |
Movie Details
| Domestic Releases: | July 27th, 2018 (Limited) by Sony Pictures Classics |
| International Releases: | September 7th, 2018 (Limited) (United Kingdom)
October 4th, 2018 (Wide) (Singapore) November 15th, 2018 (Wide) (Brazil) November 30th, 2018 (Wide) (Australia) November 30th, 2018 (Wide) (South Africa) ... Show all releases |
| Video Release: | November 13th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2521 (Cert #51544), 4/4/2018) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Film festival: | Sundance Film Festival 2018 |
| Plot point: | Catholic, Delayed Adulthood, Dysfunctional Family, Intellectual Pursuits, Tournament |
| Subgenre: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Big Beach, Olive Productions, Rosto Inc |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 34 | $61,214 | 5 | $12,243 | $61,214 | 1 | |
| Aug 3, 2018 | 32 | $122,786 | +101% | 16 | $7,674 | $220,124 | 2 |
| Aug 10, 2018 | 29 | $161,847 | +32% | 44 | $3,678 | $444,010 | 3 |
| Aug 17, 2018 | 25 | $212,704 | +31% | 108 | $1,969 | $728,323 | 4 |
| Aug 24, 2018 | 23 | $353,449 | +66% | 265 | $1,334 | $1,190,554 | 5 |
| Aug 31, 2018 | 31 | $187,757 | -47% | 213 | $881 | $1,575,087 | 6 |
| Sep 7, 2018 | 33 | $93,835 | -50% | 131 | $716 | $1,794,430 | 7 |
| Sep 14, 2018 | 46 | $37,937 | -60% | 60 | $632 | $1,888,228 | 8 |
| Sep 21, 2018 | 55 | $17,277 | -54% | 29 | $596 | $1,928,103 | 9 |
| Sep 28, 2018 | 56 | $36,131 | +109% | 101 | $358 | $1,975,636 | 10 |
| Oct 5, 2018 | 67 | $7,222 | -80% | 22 | $328 | $2,005,515 | 11 |
| Oct 12, 2018 | 66 | $5,545 | -23% | 16 | $347 | $2,015,891 | 12 |
| Oct 19, 2018 | 71 | $2,596 | -53% | 4 | $649 | $2,021,163 | 13 |
| Oct 26, 2018 | 74 | $3,804 | +47% | 8 | $476 | $2,026,265 | 14 |
| Nov 2, 2018 | 89 | $686 | -82% | 2 | $343 | $2,028,346 | 15 |
| Nov 9, 2018 | 87 | $645 | -6% | 2 | $323 | $2,029,340 | 16 |
| Nov 16, 2018 | 72 | $1,568 | +143% | 2 | $784 | $2,031,242 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 34 | $97,338 | 5 | $19,468 | $97,338 | 1 | |
| Aug 3, 2018 | 33 | $184,825 | +90% | 44 | $4,201 | $282,163 | 2 |
| Aug 10, 2018 | 30 | $233,456 | +26% | 44 | $5,306 | $515,619 | 3 |
| Aug 17, 2018 | 26 | $321,486 | +38% | 108 | $2,977 | $837,105 | 4 |
| Aug 24, 2018 | 23 | $550,225 | +71% | 265 | $2,076 | $1,387,330 | 5 |
| Aug 31, 2018 | 31 | $313,265 | -43% | 213 | $1,471 | $1,700,595 | 6 |
| Sep 7, 2018 | 34 | $149,696 | -52% | 131 | $1,143 | $1,850,291 | 7 |
| Sep 14, 2018 | 44 | $60,535 | -60% | 60 | $1,009 | $1,910,826 | 8 |
| Sep 21, 2018 | 51 | $28,679 | -53% | 29 | $989 | $1,939,505 | 9 |
| Sep 28, 2018 | 55 | $58,788 | +105% | 101 | $582 | $1,998,293 | 10 |
| Oct 5, 2018 | 68 | $12,053 | -79% | 22 | $548 | $2,010,346 | 11 |
| Oct 12, 2018 | 68 | $8,221 | -32% | 16 | $514 | $2,018,567 | 12 |
| Oct 19, 2018 | 72 | $3,894 | -53% | 4 | $974 | $2,022,461 | 13 |
| Oct 26, 2018 | 73 | $5,199 | +34% | 8 | $650 | $2,027,660 | 14 |
| Nov 2, 2018 | 86 | $1,035 | -80% | 2 | $518 | $2,028,695 | 15 |
| Nov 9, 2018 | 87 | $979 | -5% | 2 | $490 | $2,029,674 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/30/2018 | $1,825 | 1 | 2 | 8 | $8,322 | 4/4/2026 | |||
| Brazil | 11/15/2018 | $20,200 | 13 | 14 | 35 | $39,984 | 1/3/2019 | |||
| Singapore | 10/4/2018 | $0 | 0 | 1 | 2 | $4,328 | 10/23/2018 | |||
| South Africa | 11/30/2018 | $3,393 | 5 | 5 | 22 | $20,148 | 1/10/2019 | |||
| Sweden | 12/24/2018 | $0 | 0 | 8 | 17 | $31,498 | 1/23/2019 | |||
| United Kingdom | 9/7/2018 | $30,477 | 86 | 86 | 100 | $113,447 | 4/4/2026 | |||
| Rest of World | $17,884 | |||||||||
| International Total | $235,611 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kelly Macdonald | Agnes | |
| Irrfan Khan | Robert |
Supporting
| David Denman | Louie | |
| Bubba Weiler | Ziggy | |
| Austin Abrams | Gabe | |
| Liv Hewson | Nicki | |
| Helen Piper Coxe | Ezster | |
| Mandela Bellamy | Grocery Clerk | |
| Lori Hammel | Fanny | |
| Lawrence Arancio | Train Conductor |
Production and Technical Credits
| Marc Turtletaub | Director | |
| Oren Moverman | Screenwriter | |
| Polly Mann | Screenwriter | |
| Natalia Smirnoff | Story based on the film by Rompecabezas by | |
| Wren Arthur | Producer | |
| Guy Stodel | Producer | |
| Marc Turtletaub | Producer | |
| Peter Saraf | Producer | |
| Steve Buscemi | Executive Producer | |
| Christopher Norr | Director of Photography | |
| Roshelle Berliner | Production Designer | |
| Catherine Haight | Editor | |
| Mirren Gordon-Crozier | Costume Designer | |
| Dustin O'Halloran | Composer | |
| Susan Jacobs | Music Supervisor | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After years of concerning herself exclusively with the needs and wants of her husband Louie and sons Ziggy and Gabe, Agnes has found something that she wants to do. Stepping out of her domestic bubble to pursue her new hobby, Agnes meets Robert, a wealthy, reclusive inventor who immediately recognizes her talent and recruits her as his partner for an upcoming world jigsaw tournament. Each day she spends out in the world, puzzling and conversing with Robert, takes Agnes further along on the road to a new understanding of herself and her strengths. With that understanding come new insights and an assertiveness that finds her speaking out on her own behalf and pushing back against the assumptions and routines that have until now defined her role in her family. Ultimately, Agnes will decide for herself what comes next.
Metrics
| Opening Weekend: | $61,214 (3.0% of total gross) |
| Legs: | 5.75 (domestic box office/biggest weekend) |
| Domestic Share: | 89.6% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/265 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,666,697 |
Movie Details
| Domestic Releases: | July 27th, 2018 (Limited) by Sony Pictures Classics |
| International Releases: | September 7th, 2018 (Limited) (United Kingdom)
October 4th, 2018 (Wide) (Singapore) November 15th, 2018 (Wide) (Brazil) November 30th, 2018 (Wide) (Australia) November 30th, 2018 (Wide) (South Africa) ... Show all releases |
| Video Release: | November 13th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2521 (Cert #51544), 4/4/2018) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Film festival: | Sundance Film Festival 2018 |
| Plot point: | Catholic, Delayed Adulthood, Dysfunctional Family, Intellectual Pursuits, Tournament |
| Subgenre: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Big Beach, Olive Productions, Rosto Inc |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 34 | $61,214 | 5 | $12,243 | $61,214 | 1 | |
| Aug 3, 2018 | 32 | $122,786 | +101% | 16 | $7,674 | $220,124 | 2 |
| Aug 10, 2018 | 29 | $161,847 | +32% | 44 | $3,678 | $444,010 | 3 |
| Aug 17, 2018 | 25 | $212,704 | +31% | 108 | $1,969 | $728,323 | 4 |
| Aug 24, 2018 | 23 | $353,449 | +66% | 265 | $1,334 | $1,190,554 | 5 |
| Aug 31, 2018 | 31 | $187,757 | -47% | 213 | $881 | $1,575,087 | 6 |
| Sep 7, 2018 | 33 | $93,835 | -50% | 131 | $716 | $1,794,430 | 7 |
| Sep 14, 2018 | 46 | $37,937 | -60% | 60 | $632 | $1,888,228 | 8 |
| Sep 21, 2018 | 55 | $17,277 | -54% | 29 | $596 | $1,928,103 | 9 |
| Sep 28, 2018 | 56 | $36,131 | +109% | 101 | $358 | $1,975,636 | 10 |
| Oct 5, 2018 | 67 | $7,222 | -80% | 22 | $328 | $2,005,515 | 11 |
| Oct 12, 2018 | 66 | $5,545 | -23% | 16 | $347 | $2,015,891 | 12 |
| Oct 19, 2018 | 71 | $2,596 | -53% | 4 | $649 | $2,021,163 | 13 |
| Oct 26, 2018 | 74 | $3,804 | +47% | 8 | $476 | $2,026,265 | 14 |
| Nov 2, 2018 | 89 | $686 | -82% | 2 | $343 | $2,028,346 | 15 |
| Nov 9, 2018 | 87 | $645 | -6% | 2 | $323 | $2,029,340 | 16 |
| Nov 16, 2018 | 72 | $1,568 | +143% | 2 | $784 | $2,031,242 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 34 | $97,338 | 5 | $19,468 | $97,338 | 1 | |
| Aug 3, 2018 | 33 | $184,825 | +90% | 44 | $4,201 | $282,163 | 2 |
| Aug 10, 2018 | 30 | $233,456 | +26% | 44 | $5,306 | $515,619 | 3 |
| Aug 17, 2018 | 26 | $321,486 | +38% | 108 | $2,977 | $837,105 | 4 |
| Aug 24, 2018 | 23 | $550,225 | +71% | 265 | $2,076 | $1,387,330 | 5 |
| Aug 31, 2018 | 31 | $313,265 | -43% | 213 | $1,471 | $1,700,595 | 6 |
| Sep 7, 2018 | 34 | $149,696 | -52% | 131 | $1,143 | $1,850,291 | 7 |
| Sep 14, 2018 | 44 | $60,535 | -60% | 60 | $1,009 | $1,910,826 | 8 |
| Sep 21, 2018 | 51 | $28,679 | -53% | 29 | $989 | $1,939,505 | 9 |
| Sep 28, 2018 | 55 | $58,788 | +105% | 101 | $582 | $1,998,293 | 10 |
| Oct 5, 2018 | 68 | $12,053 | -79% | 22 | $548 | $2,010,346 | 11 |
| Oct 12, 2018 | 68 | $8,221 | -32% | 16 | $514 | $2,018,567 | 12 |
| Oct 19, 2018 | 72 | $3,894 | -53% | 4 | $974 | $2,022,461 | 13 |
| Oct 26, 2018 | 73 | $5,199 | +34% | 8 | $650 | $2,027,660 | 14 |
| Nov 2, 2018 | 86 | $1,035 | -80% | 2 | $518 | $2,028,695 | 15 |
| Nov 9, 2018 | 87 | $979 | -5% | 2 | $490 | $2,029,674 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/30/2018 | $1,825 | 1 | 2 | 8 | $8,322 | 4/4/2026 | |||
| Brazil | 11/15/2018 | $20,200 | 13 | 14 | 35 | $39,984 | 1/3/2019 | |||
| Singapore | 10/4/2018 | $0 | 0 | 1 | 2 | $4,328 | 10/23/2018 | |||
| South Africa | 11/30/2018 | $3,393 | 5 | 5 | 22 | $20,148 | 1/10/2019 | |||
| Sweden | 12/24/2018 | $0 | 0 | 8 | 17 | $31,498 | 1/23/2019 | |||
| United Kingdom | 9/7/2018 | $30,477 | 86 | 86 | 100 | $113,447 | 4/4/2026 | |||
| Rest of World | $17,884 | |||||||||
| International Total | $235,611 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kelly Macdonald | Agnes | |
| Irrfan Khan | Robert |
Supporting
| David Denman | Louie | |
| Bubba Weiler | Ziggy | |
| Austin Abrams | Gabe | |
| Liv Hewson | Nicki | |
| Helen Piper Coxe | Ezster | |
| Mandela Bellamy | Grocery Clerk | |
| Lori Hammel | Fanny | |
| Lawrence Arancio | Train Conductor |
Production and Technical Credits
| Marc Turtletaub | Director | |
| Oren Moverman | Screenwriter | |
| Polly Mann | Screenwriter | |
| Natalia Smirnoff | Story based on the film by Rompecabezas by | |
| Wren Arthur | Producer | |
| Guy Stodel | Producer | |
| Marc Turtletaub | Producer | |
| Peter Saraf | Producer | |
| Steve Buscemi | Executive Producer | |
| Christopher Norr | Director of Photography | |
| Roshelle Berliner | Production Designer | |
| Catherine Haight | Editor | |
| Mirren Gordon-Crozier | Costume Designer | |
| Dustin O'Halloran | Composer | |
| Susan Jacobs | Music Supervisor | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.