Que Horas Ela Volta? (2015)

Que Horas Ela Volta? poster
Theatrical Performance
Domestic Box Office $376,976Details
International Box Office $2,872,065Details
Worldwide Box Office $3,249,041
Home Market Performance
Est. Domestic DVD Sales $65,264 Details
Total Est. Domestic Video Sales $65,264
Further financial details...

Synopsis

THE SECOND MOTHER centers around Val, a hard-working live-in housekeeper in modern day Sao Paulo. Val is perfectly content to take care of every one of her wealthy employers' needs, from cooking and cleaning to being a surrogate mother to their teenage son, who she has raised since he was a toddler. But when Val's estranged daughter Jessica suddenly shows up the unspoken but intrinsic class barriers that exist within the home are thrown into disarray. Jessica is smart, confident, and ambitious, and refuses to accept the upstairs/downstairs dynamic, testing relationships and loyalties and forcing everyone to reconsider what family really means.

Metrics

Opening Weekend:$24,086 (6.4% of total gross)
Legs:7.54 (domestic box office/biggest weekend)
Domestic Share:11.6% (domestic box office/worldwide)
Production Budget:$1,200,000 (worldwide box office is 2.7 times production budget)
Theater counts:3 opening theaters/38 max. theaters, 4.9 weeks average run per theater
Infl. Adj. Dom. BO $482,060

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: August 28th, 2015 (Limited) by Oscilloscope Pictures, released as The Second Mother
International Releases: June 4th, 2015 (Wide) (Italy)
June 26th, 2015 (Wide) (France)
June 26th, 2015 (Wide) (Spain)
August 20th, 2015 (Wide) (Germany)
August 27th, 2015 (Wide) (Brazil)
... Show all releases
Video Release: January 12th, 2016 by Oscilloscope Video, released as The Second Mother
MPAA Rating: R for some language and brief drug use.
(Rating bulletin 2370, 4/21/2015)
Running Time: 110 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Upstairs / Downstairs, Class Warfare, Set in Brazil, São Paulo, Brazil, Dysfunctional Family, Sundance Film Festival 2015
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Oscilloscope Laboratories, Gullane, Africa Filmes, Globo Filmes
Production Countries: Brazil
Languages: Portuguese

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 28, 2015 57 $24,086   3 $8,029   $24,086 1
Sep 4, 2015 50 $48,827 +103% 15 $3,255   $85,498 2
Sep 11, 2015 51 $50,000 +2% 22 $2,273   $163,235 3
Sep 18, 2015 53 $40,553 -19% 27 $1,502   $216,881 4
Sep 25, 2015 51 $43,016 +6% 37 $1,163   $275,978 5
Oct 2, 2015 68 $16,805 -61% 22 $764   $313,834 6
Oct 9, 2015 63 $15,000 -11% 18 $833   $335,281 7
Oct 16, 2015 72 $8,000 -47% 13 $615   $345,584 8
Oct 23, 2015 77 $2,500 -69% 4 $625   $355,464 9
Oct 30, 2015 83 $1,210 -52% 4 $303   $358,913 10
Nov 6, 2015 88 $1,766 +46% 5 $353   $360,679 11
Nov 13, 2015 70 $6,023 +241% 8 $753   $370,023 12
Nov 20, 2015 90 $935 -84% 2 $468   $372,370 13
Dec 4, 2015 75 $1,631   5 $326   $375,713 15

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 28, 2015 58 $36,671   3 $12,224   $36,671 1
Sep 4, 2015 50 $76,564 +109% 15 $5,104   $113,235 2
Sep 11, 2015 52 $63,093 -18% 22 $2,868   $176,328 3
Sep 18, 2015 54 $57,081 -10% 22 $2,595   $233,409 4
Sep 25, 2015 51 $63,620 +11% 38 $1,674   $297,029 5
Oct 2, 2015 68 $23,252 -63% 22 $1,057   $320,281 6
Oct 9, 2015 66 $17,303 -26% 21 $824   $337,584 7
Oct 16, 2015 72 $15,380 -11% 18 $854   $352,964 8
Oct 23, 2015 79 $4,739 -69% 6 $790   $357,703 9
Oct 30, 2015 101 $1,210 -74% 6 $202   $358,913 10
Nov 6, 2015 84 $5,087 +320% 7 $727   $364,000 11
Nov 13, 2015 76 $7,435 +46% 8 $929   $371,435 12
Nov 20, 2015 96 $1,073 -86% 3 $358   $372,508 13
Nov 27, 2015 82 $1,574 +47% 2 $787   $374,082 14
Dec 4, 2015 83 $2,894 +84% 5 $579   $376,976 15

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/3/2016 $4,017 9 9 19 $7,840 11/30/2018
Australia 7/28/2016 $1,834 2 2 4 $4,900 8/8/2016
Austria 9/4/2015 $9,452 10 10 28 $29,063 9/30/2015
Brazil 8/27/2015 $103,431 82 149 633 $1,297,282 6/9/2016
France 6/26/2015 $167,360 0 0 0 $170,795 8/21/2018
Germany 8/20/2015 $86,973 0 91 265 $467,274 8/22/2018
Italy 6/4/2015 $0 0 4 7 $375,652 10/20/2015
Netherlands 9/10/2015 $15,600 16 17 68 $71,454 11/3/2015
Poland 9/11/2015 $8,083 0 0 0 $8,083 12/30/2018
Portugal 12/3/2015 $2,684 3 3 10 $20,521 6/9/2016
South Korea 11/13/2015 $4,777 0 0 0 $9,833 9/2/2018
Spain 6/26/2015 $56,591 26 48 200 $272,216 11/28/2018
Turkey 5/20/2016 $2,894 0 0 0 $10,491 12/31/2018
United Kingdom 9/4/2015 $63,768 12 12 38 $126,661 12/8/2015
 
International Total$2,872,065 12/31/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Regina Case    Val
Camila Mardila    Jessica

Supporting Cast

Lourenco Mutarelli    Carlos
Michel Joelsas    Fabinho
Helena Albergaria    Edna

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Anna Muylaert    Director
Anna Muylaert    Screenwriter
Caio Gullane    Producer
Fabiano Gullane    Producer
Debora Ivanov    Producer
Anna Muylaert    Producer
Caio Gullane    Executive Producer
Claudia Buschel    Executive Producer
Guel Arraes    Associate Producer
Marcos Pedroso    Production Designer
Thales Junqueira    Production Designer
Karen Harley    Editor
Fabio Trummer    Composer
Vitor Araujo    Composer
Barbara Alvarez    Director of Photography
Gabriela Cunha    Sound Mixer
Miriam Biderman    Sound Designer
Paulo Gama    Sound Mixer
Leticia Prisco    Assistant Director
Suzy Milstein    Assistant Director
Patricia Nelly    Post-Production Supervisor
Jair Neto    Production Manager
Andre Simonetti    Costume Designer
Claudia Kopke    Costume Designer
Patricia Faria    Casting Director
Marcos Freire    Make-up and Hair Designer
Andre Anastacio    Make-up and Hair Designer

Home Market Releases for January 12th, 2016

January 12th, 2016

David Bowie: Blackstar

It is a busy week for first run releases with four of them on this week's list. Of these, The Martian is the biggest and the best. It would have been the Pick of the Week except for two things. One, the screener is late. Two, David Bowie passed away over the weekend. He died after an 18-month battle with cancer and just two days after his last album came out. This is the the most poignant Rock'n'Roll death since Freddie Mercury and it seems fitting to give Blackstar the title of Pick of the Week. More...

Per Theater Chart: Grandma Takes Victory Lap

September 2nd, 2015

Grandma

Grandma remained on top of the per theater chart, which is impressive in its own right. While it is not uncommon for a movie to repeat on top of the overall box office, doing so on the per theater chart is a lot rarer. This is because the films most likely to win on the per theater chart are limited releases and if they do well enough to win, they tend to expand the following week. This is what happened with Grandma, which saw its theater count rise from 4 to 19, but its per theater average was still top at $15,330. The only other film in the $10,000 club was War Room, which earned an average of $10,001. That's cutting it really close. More...

Weekend Estimates: Compton Tops War Room for Third Win

August 30th, 2015

Straight Outta Compton

Straight Outta Compton will win a third weekend at the box office, according to studio estimates released on Sunday, but it won’t be without a struggle. The biopic lost on Friday to War Room, a faith-based film that opened in just 1,135 theaters, and the weekend race will finish with just a couple of million dollars between the two films, with Compton’s $13.2 million edging out War Room’s $11 million. Compton now has $134 million in the bank, making it the fifth-highest-grossing biographical film after American Sniper ($350 million), Lincoln ($182 million), A Beautiful Mind ($170 million), and Catch Me if You Can ($165 million). If you’re playing the Oscars game at home already, it’s worth noting that three of the four films above it received Best Picture nominations (Catch Me if You Can being the odd-one-out). More...

Limited and VOD Releases: Race to the Top

August 28th, 2015

Turbo Kid

There are practically no films on this week's list that I think have a shot at box office success. That's not to say there are no films earning great reviews, but all of them have something that will hold them back. Most of the time, it's a simultaneous Video on Demand run. This includes Turbo Kid (Video on Demand); Z for Zachariah (Video on Demand); and Queen of Earth (Video on Demand). All could find audiences, but they will find them on the home market. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

THE SECOND MOTHER centers around Val, a hard-working live-in housekeeper in modern day Sao Paulo. Val is perfectly content to take care of every one of her wealthy employers' needs, from cooking and cleaning to being a surrogate mother to their teenage son, who she has raised since he was a toddler. But when Val's estranged daughter Jessica suddenly shows up the unspoken but intrinsic class barriers that exist within the home are thrown into disarray. Jessica is smart, confident, and ambitious, and refuses to accept the upstairs/downstairs dynamic, testing relationships and loyalties and forcing everyone to reconsider what family really means.

Metrics

Opening Weekend:$24,086 (6.4% of total gross)
Legs:7.54 (domestic box office/biggest weekend)
Domestic Share:11.6% (domestic box office/worldwide)
Production Budget:$1,200,000 (worldwide box office is 2.7 times production budget)
Theater counts:3 opening theaters/38 max. theaters, 4.9 weeks average run per theater
Infl. Adj. Dom. BO $482,060

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: August 28th, 2015 (Limited) by Oscilloscope Pictures, released as The Second Mother
International Releases: June 4th, 2015 (Wide) (Italy)
June 26th, 2015 (Wide) (France)
June 26th, 2015 (Wide) (Spain)
August 20th, 2015 (Wide) (Germany)
August 27th, 2015 (Wide) (Brazil)
... Show all releases
Video Release: January 12th, 2016 by Oscilloscope Video, released as The Second Mother
MPAA Rating: R for some language and brief drug use.
(Rating bulletin 2370, 4/21/2015)
Running Time: 110 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Upstairs / Downstairs, Class Warfare, Set in Brazil, São Paulo, Brazil, Dysfunctional Family, Sundance Film Festival 2015
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Oscilloscope Laboratories, Gullane, Africa Filmes, Globo Filmes
Production Countries: Brazil
Languages: Portuguese

Leading Cast

Regina Case    Val
Camila Mardila    Jessica

Supporting Cast

Lourenco Mutarelli    Carlos
Michel Joelsas    Fabinho
Helena Albergaria    Edna

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Anna Muylaert    Director
Anna Muylaert    Screenwriter
Caio Gullane    Producer
Fabiano Gullane    Producer
Debora Ivanov    Producer
Anna Muylaert    Producer
Caio Gullane    Executive Producer
Claudia Buschel    Executive Producer
Guel Arraes    Associate Producer
Marcos Pedroso    Production Designer
Thales Junqueira    Production Designer
Karen Harley    Editor
Fabio Trummer    Composer
Vitor Araujo    Composer
Barbara Alvarez    Director of Photography
Gabriela Cunha    Sound Mixer
Miriam Biderman    Sound Designer
Paulo Gama    Sound Mixer
Leticia Prisco    Assistant Director
Suzy Milstein    Assistant Director
Patricia Nelly    Post-Production Supervisor
Jair Neto    Production Manager
Andre Simonetti    Costume Designer
Claudia Kopke    Costume Designer
Patricia Faria    Casting Director
Marcos Freire    Make-up and Hair Designer
Andre Anastacio    Make-up and Hair Designer

Home Market Releases for January 12th, 2016

January 12th, 2016

David Bowie: Blackstar

It is a busy week for first run releases with four of them on this week's list. Of these, The Martian is the biggest and the best. It would have been the Pick of the Week except for two things. One, the screener is late. Two, David Bowie passed away over the weekend. He died after an 18-month battle with cancer and just two days after his last album came out. This is the the most poignant Rock'n'Roll death since Freddie Mercury and it seems fitting to give Blackstar the title of Pick of the Week. More...

Per Theater Chart: Grandma Takes Victory Lap

September 2nd, 2015

Grandma

Grandma remained on top of the per theater chart, which is impressive in its own right. While it is not uncommon for a movie to repeat on top of the overall box office, doing so on the per theater chart is a lot rarer. This is because the films most likely to win on the per theater chart are limited releases and if they do well enough to win, they tend to expand the following week. This is what happened with Grandma, which saw its theater count rise from 4 to 19, but its per theater average was still top at $15,330. The only other film in the $10,000 club was War Room, which earned an average of $10,001. That's cutting it really close. More...

Weekend Estimates: Compton Tops War Room for Third Win

August 30th, 2015

Straight Outta Compton

Straight Outta Compton will win a third weekend at the box office, according to studio estimates released on Sunday, but it won’t be without a struggle. The biopic lost on Friday to War Room, a faith-based film that opened in just 1,135 theaters, and the weekend race will finish with just a couple of million dollars between the two films, with Compton’s $13.2 million edging out War Room’s $11 million. Compton now has $134 million in the bank, making it the fifth-highest-grossing biographical film after American Sniper ($350 million), Lincoln ($182 million), A Beautiful Mind ($170 million), and Catch Me if You Can ($165 million). If you’re playing the Oscars game at home already, it’s worth noting that three of the four films above it received Best Picture nominations (Catch Me if You Can being the odd-one-out). More...

Limited and VOD Releases: Race to the Top

August 28th, 2015

Turbo Kid

There are practically no films on this week's list that I think have a shot at box office success. That's not to say there are no films earning great reviews, but all of them have something that will hold them back. Most of the time, it's a simultaneous Video on Demand run. This includes Turbo Kid (Video on Demand); Z for Zachariah (Video on Demand); and Queen of Earth (Video on Demand). All could find audiences, but they will find them on the home market. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 28, 2015 57 $24,086   3 $8,029   $24,086 1
Sep 4, 2015 50 $48,827 +103% 15 $3,255   $85,498 2
Sep 11, 2015 51 $50,000 +2% 22 $2,273   $163,235 3
Sep 18, 2015 53 $40,553 -19% 27 $1,502   $216,881 4
Sep 25, 2015 51 $43,016 +6% 37 $1,163   $275,978 5
Oct 2, 2015 68 $16,805 -61% 22 $764   $313,834 6
Oct 9, 2015 63 $15,000 -11% 18 $833   $335,281 7
Oct 16, 2015 72 $8,000 -47% 13 $615   $345,584 8
Oct 23, 2015 77 $2,500 -69% 4 $625   $355,464 9
Oct 30, 2015 83 $1,210 -52% 4 $303   $358,913 10
Nov 6, 2015 88 $1,766 +46% 5 $353   $360,679 11
Nov 13, 2015 70 $6,023 +241% 8 $753   $370,023 12
Nov 20, 2015 90 $935 -84% 2 $468   $372,370 13
Dec 4, 2015 75 $1,631   5 $326   $375,713 15

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 28, 2015 58 $36,671   3 $12,224   $36,671 1
Sep 4, 2015 50 $76,564 +109% 15 $5,104   $113,235 2
Sep 11, 2015 52 $63,093 -18% 22 $2,868   $176,328 3
Sep 18, 2015 54 $57,081 -10% 22 $2,595   $233,409 4
Sep 25, 2015 51 $63,620 +11% 38 $1,674   $297,029 5
Oct 2, 2015 68 $23,252 -63% 22 $1,057   $320,281 6
Oct 9, 2015 66 $17,303 -26% 21 $824   $337,584 7
Oct 16, 2015 72 $15,380 -11% 18 $854   $352,964 8
Oct 23, 2015 79 $4,739 -69% 6 $790   $357,703 9
Oct 30, 2015 101 $1,210 -74% 6 $202   $358,913 10
Nov 6, 2015 84 $5,087 +320% 7 $727   $364,000 11
Nov 13, 2015 76 $7,435 +46% 8 $929   $371,435 12
Nov 20, 2015 96 $1,073 -86% 3 $358   $372,508 13
Nov 27, 2015 82 $1,574 +47% 2 $787   $374,082 14
Dec 4, 2015 83 $2,894 +84% 5 $579   $376,976 15

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/3/2016 $4,017 9 9 19 $7,840 11/30/2018
Australia 7/28/2016 $1,834 2 2 4 $4,900 8/8/2016
Austria 9/4/2015 $9,452 10 10 28 $29,063 9/30/2015
Brazil 8/27/2015 $103,431 82 149 633 $1,297,282 6/9/2016
France 6/26/2015 $167,360 0 0 0 $170,795 8/21/2018
Germany 8/20/2015 $86,973 0 91 265 $467,274 8/22/2018
Italy 6/4/2015 $0 0 4 7 $375,652 10/20/2015
Netherlands 9/10/2015 $15,600 16 17 68 $71,454 11/3/2015
Poland 9/11/2015 $8,083 0 0 0 $8,083 12/30/2018
Portugal 12/3/2015 $2,684 3 3 10 $20,521 6/9/2016
South Korea 11/13/2015 $4,777 0 0 0 $9,833 9/2/2018
Spain 6/26/2015 $56,591 26 48 200 $272,216 11/28/2018
Turkey 5/20/2016 $2,894 0 0 0 $10,491 12/31/2018
United Kingdom 9/4/2015 $63,768 12 12 38 $126,661 12/8/2015
 
International Total$2,872,065 12/31/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.