Que Horas Ela Volta? (2015)
| Theatrical Performance | ||
| Domestic Box Office | $376,976 | Details |
| International Box Office | $2,872,065 | Details |
| Worldwide Box Office | $3,249,041 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $69,212 | |
| Total | $69,212 | |
| OpusData ID: 224290100 More info... | ||
| Further financial details... | ||
Synopsis
THE SECOND MOTHER centers around Val, a hard-working live-in housekeeper in modern day Sao Paulo. Val is perfectly content to take care of every one of her wealthy employers' needs, from cooking and cleaning to being a surrogate mother to their teenage son, who she has raised since he was a toddler. But when Val's estranged daughter Jessica suddenly shows up the unspoken but intrinsic class barriers that exist within the home are thrown into disarray. Jessica is smart, confident, and ambitious, and refuses to accept the upstairs/downstairs dynamic, testing relationships and loyalties and forcing everyone to reconsider what family really means.
Metrics
| Opening Weekend: | $24,086 (6.4% of total gross) |
| Legs: | 7.54 (domestic box office/biggest weekend) |
| Domestic Share: | 11.6% (domestic box office/worldwide) |
| Production Budget: | $1,200,000 (worldwide box office is 2.7 times production budget) |
| Theater counts: | 3 opening theaters/38 max. theaters, 4.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $534,827 |
Movie Details
| Domestic Releases: | August 28th, 2015 (Limited) by Oscilloscope Pictures, released as The Second Mother |
| International Releases: | June 4th, 2015 (Wide) (Italy)
June 26th, 2015 (Wide) (Spain) June 26th, 2015 (Wide) (France) August 20th, 2015 (Wide) (Germany) August 27th, 2015 (Wide) (Brazil) ... Show all releases |
| Video Release: | January 12th, 2016 by Oscilloscope Video, released as The Second Mother |
| MPA Rating: | R for some language and brief drug use. (Rating bulletin 2370, 4/21/2015) |
| Running Time: | 110 minutes |
| Film festival: | Sundance Film Festival 2015 |
| Geographical setting: | São Paulo, Brazil, Brazil |
| Plot point: | Class Warfare, Dysfunctional Family |
| Social setting: | Upstairs / Downstairs |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Oscilloscope Laboratories, Gullane, Africa Filmes, Globo Filmes |
| Production Countries: | Brazil |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 57 | $24,086 | 3 | $8,029 | $24,086 | 1 | |
| Sep 4, 2015 | 50 | $48,827 | +103% | 15 | $3,255 | $85,498 | 2 |
| Sep 11, 2015 | 51 | $50,000 | +2% | 22 | $2,273 | $163,235 | 3 |
| Sep 18, 2015 | 53 | $40,553 | -19% | 27 | $1,502 | $216,881 | 4 |
| Sep 25, 2015 | 51 | $43,016 | +6% | 37 | $1,163 | $275,978 | 5 |
| Oct 2, 2015 | 68 | $16,805 | -61% | 22 | $764 | $313,834 | 6 |
| Oct 9, 2015 | 63 | $15,000 | -11% | 18 | $833 | $335,281 | 7 |
| Oct 16, 2015 | 72 | $8,000 | -47% | 13 | $615 | $345,584 | 8 |
| Oct 23, 2015 | 77 | $2,500 | -69% | 4 | $625 | $355,464 | 9 |
| Oct 30, 2015 | 83 | $1,210 | -52% | 4 | $303 | $358,913 | 10 |
| Nov 6, 2015 | 88 | $1,766 | +46% | 5 | $353 | $360,679 | 11 |
| Nov 13, 2015 | 70 | $6,023 | +241% | 8 | $753 | $370,023 | 12 |
| Nov 20, 2015 | 90 | $935 | -84% | 2 | $468 | $372,370 | 13 |
| Dec 4, 2015 | 75 | $1,631 | 5 | $326 | $375,713 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 58 | $36,671 | 3 | $12,224 | $36,671 | 1 | |
| Sep 4, 2015 | 50 | $76,564 | +109% | 15 | $5,104 | $113,235 | 2 |
| Sep 11, 2015 | 52 | $63,093 | -18% | 22 | $2,868 | $176,328 | 3 |
| Sep 18, 2015 | 54 | $57,081 | -10% | 22 | $2,595 | $233,409 | 4 |
| Sep 25, 2015 | 51 | $63,620 | +11% | 38 | $1,674 | $297,029 | 5 |
| Oct 2, 2015 | 68 | $23,252 | -63% | 22 | $1,057 | $320,281 | 6 |
| Oct 9, 2015 | 66 | $17,303 | -26% | 21 | $824 | $337,584 | 7 |
| Oct 16, 2015 | 72 | $15,380 | -11% | 18 | $854 | $352,964 | 8 |
| Oct 23, 2015 | 79 | $4,739 | -69% | 6 | $790 | $357,703 | 9 |
| Oct 30, 2015 | 101 | $1,210 | -74% | 6 | $202 | $358,913 | 10 |
| Nov 6, 2015 | 84 | $5,087 | +320% | 7 | $727 | $364,000 | 11 |
| Nov 13, 2015 | 76 | $7,435 | +46% | 8 | $929 | $371,435 | 12 |
| Nov 20, 2015 | 96 | $1,073 | -86% | 3 | $358 | $372,508 | 13 |
| Nov 27, 2015 | 82 | $1,574 | +47% | 2 | $787 | $374,082 | 14 |
| Dec 4, 2015 | 83 | $2,894 | +84% | 5 | $579 | $376,976 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/3/2016 | $4,017 | 9 | 9 | 19 | $7,840 | 11/30/2018 | |||
| Australia | 7/28/2016 | $1,834 | 2 | 2 | 4 | $4,900 | 8/8/2016 | |||
| Austria | 9/4/2015 | $9,452 | 10 | 10 | 28 | $29,063 | 9/30/2015 | |||
| Brazil | 8/27/2015 | $103,431 | 82 | 149 | 633 | $1,297,282 | 6/9/2016 | |||
| France | 6/26/2015 | $167,360 | 0 | 0 | 0 | $170,795 | 8/21/2018 | |||
| Germany | 8/20/2015 | $86,973 | 0 | 91 | 265 | $467,274 | 8/22/2018 | |||
| Italy | 6/4/2015 | $0 | 0 | 4 | 7 | $375,652 | 10/20/2015 | |||
| Netherlands | 9/10/2015 | $15,600 | 16 | 17 | 68 | $71,454 | 11/3/2015 | |||
| Poland | 9/11/2015 | $8,083 | 0 | 0 | 0 | $8,083 | 12/30/2018 | |||
| Portugal | 12/3/2015 | $2,684 | 3 | 3 | 10 | $20,521 | 6/9/2016 | |||
| South Korea | 11/13/2015 | $4,777 | 0 | 0 | 0 | $9,833 | 9/2/2018 | |||
| Spain | 6/26/2015 | $56,591 | 26 | 48 | 200 | $272,216 | 11/28/2018 | |||
| Turkey | 5/20/2016 | $2,894 | 0 | 0 | 0 | $10,491 | 12/31/2018 | |||
| United Kingdom | 9/4/2015 | $63,768 | 12 | 12 | 38 | $126,661 | 12/8/2015 | |||
| International Total | $2,872,065 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Regina Case | Val | |
| Camila Mardila | Jessica |
Supporting
| Lourenco Mutarelli | Carlos | |
| Michel Joelsas | Fabinho | |
| Helena Albergaria | Edna |
Production and Technical Credits
| Anna Muylaert | Director | |
| Anna Muylaert | Screenwriter | |
| Caio Gullane | Producer | |
| Fabiano Gullane | Producer | |
| Debora Ivanov | Producer | |
| Anna Muylaert | Producer | |
| Caio Gullane | Executive Producer | |
| Claudia Buschel | Executive Producer | |
| Guel Arraes | Associate Producer | |
| Marcos Pedroso | Production Designer | |
| Thales Junqueira | Production Designer | |
| Karen Harley | Editor | |
| Fabio Trummer | Composer | |
| Vitor Araujo | Composer | |
| Barbara Alvarez | Director of Photography | |
| Gabriela Cunha | Sound Mixer | |
| Miriam Biderman | Sound Designer | |
| Paulo Gama | Sound Mixer | |
| Leticia Prisco | Assistant Director | |
| Suzy Milstein | Assistant Director | |
| Patricia Nelly | Post-Production Supervisor | |
| Jair Neto | Production Manager | |
| Andre Simonetti | Costume Designer | |
| Claudia Kopke | Costume Designer | |
| Patricia Faria | Casting Director | |
| Marcos Freire | Make-up and Hair Designer | |
| Andre Anastacio | Make-up and Hair Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
THE SECOND MOTHER centers around Val, a hard-working live-in housekeeper in modern day Sao Paulo. Val is perfectly content to take care of every one of her wealthy employers' needs, from cooking and cleaning to being a surrogate mother to their teenage son, who she has raised since he was a toddler. But when Val's estranged daughter Jessica suddenly shows up the unspoken but intrinsic class barriers that exist within the home are thrown into disarray. Jessica is smart, confident, and ambitious, and refuses to accept the upstairs/downstairs dynamic, testing relationships and loyalties and forcing everyone to reconsider what family really means.
Metrics
| Opening Weekend: | $24,086 (6.4% of total gross) |
| Legs: | 7.54 (domestic box office/biggest weekend) |
| Domestic Share: | 11.6% (domestic box office/worldwide) |
| Production Budget: | $1,200,000 (worldwide box office is 2.7 times production budget) |
| Theater counts: | 3 opening theaters/38 max. theaters, 4.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $534,827 |
Movie Details
| Domestic Releases: | August 28th, 2015 (Limited) by Oscilloscope Pictures, released as The Second Mother |
| International Releases: | June 4th, 2015 (Wide) (Italy)
June 26th, 2015 (Wide) (Spain) June 26th, 2015 (Wide) (France) August 20th, 2015 (Wide) (Germany) August 27th, 2015 (Wide) (Brazil) ... Show all releases |
| Video Release: | January 12th, 2016 by Oscilloscope Video, released as The Second Mother |
| MPA Rating: | R for some language and brief drug use. (Rating bulletin 2370, 4/21/2015) |
| Running Time: | 110 minutes |
| Film festival: | Sundance Film Festival 2015 |
| Geographical setting: | São Paulo, Brazil, Brazil |
| Plot point: | Class Warfare, Dysfunctional Family |
| Social setting: | Upstairs / Downstairs |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Oscilloscope Laboratories, Gullane, Africa Filmes, Globo Filmes |
| Production Countries: | Brazil |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 57 | $24,086 | 3 | $8,029 | $24,086 | 1 | |
| Sep 4, 2015 | 50 | $48,827 | +103% | 15 | $3,255 | $85,498 | 2 |
| Sep 11, 2015 | 51 | $50,000 | +2% | 22 | $2,273 | $163,235 | 3 |
| Sep 18, 2015 | 53 | $40,553 | -19% | 27 | $1,502 | $216,881 | 4 |
| Sep 25, 2015 | 51 | $43,016 | +6% | 37 | $1,163 | $275,978 | 5 |
| Oct 2, 2015 | 68 | $16,805 | -61% | 22 | $764 | $313,834 | 6 |
| Oct 9, 2015 | 63 | $15,000 | -11% | 18 | $833 | $335,281 | 7 |
| Oct 16, 2015 | 72 | $8,000 | -47% | 13 | $615 | $345,584 | 8 |
| Oct 23, 2015 | 77 | $2,500 | -69% | 4 | $625 | $355,464 | 9 |
| Oct 30, 2015 | 83 | $1,210 | -52% | 4 | $303 | $358,913 | 10 |
| Nov 6, 2015 | 88 | $1,766 | +46% | 5 | $353 | $360,679 | 11 |
| Nov 13, 2015 | 70 | $6,023 | +241% | 8 | $753 | $370,023 | 12 |
| Nov 20, 2015 | 90 | $935 | -84% | 2 | $468 | $372,370 | 13 |
| Dec 4, 2015 | 75 | $1,631 | 5 | $326 | $375,713 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 58 | $36,671 | 3 | $12,224 | $36,671 | 1 | |
| Sep 4, 2015 | 50 | $76,564 | +109% | 15 | $5,104 | $113,235 | 2 |
| Sep 11, 2015 | 52 | $63,093 | -18% | 22 | $2,868 | $176,328 | 3 |
| Sep 18, 2015 | 54 | $57,081 | -10% | 22 | $2,595 | $233,409 | 4 |
| Sep 25, 2015 | 51 | $63,620 | +11% | 38 | $1,674 | $297,029 | 5 |
| Oct 2, 2015 | 68 | $23,252 | -63% | 22 | $1,057 | $320,281 | 6 |
| Oct 9, 2015 | 66 | $17,303 | -26% | 21 | $824 | $337,584 | 7 |
| Oct 16, 2015 | 72 | $15,380 | -11% | 18 | $854 | $352,964 | 8 |
| Oct 23, 2015 | 79 | $4,739 | -69% | 6 | $790 | $357,703 | 9 |
| Oct 30, 2015 | 101 | $1,210 | -74% | 6 | $202 | $358,913 | 10 |
| Nov 6, 2015 | 84 | $5,087 | +320% | 7 | $727 | $364,000 | 11 |
| Nov 13, 2015 | 76 | $7,435 | +46% | 8 | $929 | $371,435 | 12 |
| Nov 20, 2015 | 96 | $1,073 | -86% | 3 | $358 | $372,508 | 13 |
| Nov 27, 2015 | 82 | $1,574 | +47% | 2 | $787 | $374,082 | 14 |
| Dec 4, 2015 | 83 | $2,894 | +84% | 5 | $579 | $376,976 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/3/2016 | $4,017 | 9 | 9 | 19 | $7,840 | 11/30/2018 | |||
| Australia | 7/28/2016 | $1,834 | 2 | 2 | 4 | $4,900 | 8/8/2016 | |||
| Austria | 9/4/2015 | $9,452 | 10 | 10 | 28 | $29,063 | 9/30/2015 | |||
| Brazil | 8/27/2015 | $103,431 | 82 | 149 | 633 | $1,297,282 | 6/9/2016 | |||
| France | 6/26/2015 | $167,360 | 0 | 0 | 0 | $170,795 | 8/21/2018 | |||
| Germany | 8/20/2015 | $86,973 | 0 | 91 | 265 | $467,274 | 8/22/2018 | |||
| Italy | 6/4/2015 | $0 | 0 | 4 | 7 | $375,652 | 10/20/2015 | |||
| Netherlands | 9/10/2015 | $15,600 | 16 | 17 | 68 | $71,454 | 11/3/2015 | |||
| Poland | 9/11/2015 | $8,083 | 0 | 0 | 0 | $8,083 | 12/30/2018 | |||
| Portugal | 12/3/2015 | $2,684 | 3 | 3 | 10 | $20,521 | 6/9/2016 | |||
| South Korea | 11/13/2015 | $4,777 | 0 | 0 | 0 | $9,833 | 9/2/2018 | |||
| Spain | 6/26/2015 | $56,591 | 26 | 48 | 200 | $272,216 | 11/28/2018 | |||
| Turkey | 5/20/2016 | $2,894 | 0 | 0 | 0 | $10,491 | 12/31/2018 | |||
| United Kingdom | 9/4/2015 | $63,768 | 12 | 12 | 38 | $126,661 | 12/8/2015 | |||
| International Total | $2,872,065 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Regina Case | Val | |
| Camila Mardila | Jessica |
Supporting
| Lourenco Mutarelli | Carlos | |
| Michel Joelsas | Fabinho | |
| Helena Albergaria | Edna |
Production and Technical Credits
| Anna Muylaert | Director | |
| Anna Muylaert | Screenwriter | |
| Caio Gullane | Producer | |
| Fabiano Gullane | Producer | |
| Debora Ivanov | Producer | |
| Anna Muylaert | Producer | |
| Caio Gullane | Executive Producer | |
| Claudia Buschel | Executive Producer | |
| Guel Arraes | Associate Producer | |
| Marcos Pedroso | Production Designer | |
| Thales Junqueira | Production Designer | |
| Karen Harley | Editor | |
| Fabio Trummer | Composer | |
| Vitor Araujo | Composer | |
| Barbara Alvarez | Director of Photography | |
| Gabriela Cunha | Sound Mixer | |
| Miriam Biderman | Sound Designer | |
| Paulo Gama | Sound Mixer | |
| Leticia Prisco | Assistant Director | |
| Suzy Milstein | Assistant Director | |
| Patricia Nelly | Post-Production Supervisor | |
| Jair Neto | Production Manager | |
| Andre Simonetti | Costume Designer | |
| Claudia Kopke | Costume Designer | |
| Patricia Faria | Casting Director | |
| Marcos Freire | Make-up and Hair Designer | |
| Andre Anastacio | Make-up and Hair Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.