Queen Tut (2024)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 680130100 More info... | ||
| Further financial details... | ||
Synopsis
Following the loss of their closest loved ones, a newly-arrived Egyptian immigrant, and a trans drag mother, Malibu, find solace in the blossoming friendship they discover with each other.
Metrics
Movie Details
| Domestic Releases: | May 31st, 2024 (Limited) by Vortex Films |
| Geographical setting: | Toronto |
| Plot point: | LGBTQ+ |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Canada |
| Languages: | English |
Lead Ensemble Member
| Kiriana Stanton | ||
| Alexandra Billings | ||
| Ryan Ali | ||
| Selena Vyle | ||
| Thom Allison |
Production and Technical Credits
| Reem Morsi | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Following the loss of their closest loved ones, a newly-arrived Egyptian immigrant, and a trans drag mother, Malibu, find solace in the blossoming friendship they discover with each other.
Metrics
Movie Details
| Domestic Releases: | May 31st, 2024 (Limited) by Vortex Films |
| Geographical setting: | Toronto |
| Plot point: | LGBTQ+ |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Canada |
| Languages: | English |
Lead Ensemble Member
| Kiriana Stanton | ||
| Alexandra Billings | ||
| Ryan Ali | ||
| Selena Vyle | ||
| Thom Allison |
Production and Technical Credits
| Reem Morsi | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.