Queen of the Ring (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $555,000 | Details |
| International Box Office | $58 | Details |
| Worldwide Box Office | $555,058 | |
| OpusData ID: 710440100 More info... | ||
| Further financial details... | ||
Synopsis
An extraordinary, true-life tale that follows Mildred Burke, the legendary professional wrestler and single mom who defied incredible odds to become the first million-dollar female athlete and longest reigning champion at a time when the sport was banned across most of America.
Metrics
| Opening Weekend: | $380,000 (68.5% of total gross) |
| Legs: | 1.46 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 825 opening theaters/825 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $555,000 |
Movie Details
| Domestic Releases: | March 7th, 2025 (Wide) by Sumerian |
| International Releases: | September 19th, 2025 (Wide), released as Queen Of The Ring (United Kingdom) |
| MPA Rating: | PG-13 for violence including domestic violence, strong language, suggestive material and smoking. (Rating bulletin 2865 (cert #55306), 12/28/2024) |
| Running Time: | 130 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | Kentucky, United States |
| Plot point: | Female Athlete, Female Athlete in a Male Dominated Sport, Sexism, Underdog, Wrestling |
| Subgenre: | Biographical Drama |
| Time period setting: | 1930s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | - | $380,000 | 825 | $461 | $380,000 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | - | $140,000 | 825 | $170 | $140,000 | 1 | |
| Mar 8, 2025 | - | $135,000 | -4% | 825 | $164 | $275,000 | 2 |
| Mar 9, 2025 | - | $105,000 | -22% | 825 | $127 | $380,000 | 3 |
| Mar 10, 2025 | - | $43,000 | -59% | 825 | $52 | $423,000 | 4 |
| Mar 11, 2025 | - | $61,000 | +42% | 825 | $74 | $484,000 | 5 |
| Mar 12, 2025 | - | $41,000 | -33% | 825 | $50 | $525,000 | 6 |
| Mar 13, 2025 | - | $30,000 | -27% | 825 | $36 | $555,000 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | 15 | $555,000 | 825 | $673 | $555,000 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 9/19/2025 | $58 | 2 | 2 | 4 | $58 | 4/6/2026 | |||
| International Total | $58 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emily Bett Rickards | Mildred Burke |
Supporting
| Cara Buono | Bertha | |
| Josh Lucas | Billy Wolfe | |
| Francesca Eastwood | Mae Young | |
| Walton Goggins | Jack Pfefer | |
| Tyler Posey | G. Bill | |
| Marie Avgeropoulos | Elvira Snodgrass | |
| Deborah Ann Woll | Gladys Gillem | |
| Adam Demos | Gorgeous George | |
| Martin Kove | Al Haft | |
| Kelli Berglund | Nell Stewart | |
| Gavin Casalegno | Joe Jr. |
Production and Technical Credits
| Ash Avildsen | Director | |
| Ash Avildsen | Screenwriter | |
| Alston Ramsay | Screenwriter | |
| Jeff Leen | Story Creator | |
| Aimee Schoof | Producer | |
| Isen Robbins | Producer | |
| B.D. Gunnell | Producer | |
| Ash Avildsen | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An extraordinary, true-life tale that follows Mildred Burke, the legendary professional wrestler and single mom who defied incredible odds to become the first million-dollar female athlete and longest reigning champion at a time when the sport was banned across most of America.
Metrics
| Opening Weekend: | $380,000 (68.5% of total gross) |
| Legs: | 1.46 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 825 opening theaters/825 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $555,000 |
Movie Details
| Domestic Releases: | March 7th, 2025 (Wide) by Sumerian |
| International Releases: | September 19th, 2025 (Wide), released as Queen Of The Ring (United Kingdom) |
| MPA Rating: | PG-13 for violence including domestic violence, strong language, suggestive material and smoking. (Rating bulletin 2865 (cert #55306), 12/28/2024) |
| Running Time: | 130 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | Kentucky, United States |
| Plot point: | Female Athlete, Female Athlete in a Male Dominated Sport, Sexism, Underdog, Wrestling |
| Subgenre: | Biographical Drama |
| Time period setting: | 1930s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | - | $380,000 | 825 | $461 | $380,000 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | - | $140,000 | 825 | $170 | $140,000 | 1 | |
| Mar 8, 2025 | - | $135,000 | -4% | 825 | $164 | $275,000 | 2 |
| Mar 9, 2025 | - | $105,000 | -22% | 825 | $127 | $380,000 | 3 |
| Mar 10, 2025 | - | $43,000 | -59% | 825 | $52 | $423,000 | 4 |
| Mar 11, 2025 | - | $61,000 | +42% | 825 | $74 | $484,000 | 5 |
| Mar 12, 2025 | - | $41,000 | -33% | 825 | $50 | $525,000 | 6 |
| Mar 13, 2025 | - | $30,000 | -27% | 825 | $36 | $555,000 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | 15 | $555,000 | 825 | $673 | $555,000 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 9/19/2025 | $58 | 2 | 2 | 4 | $58 | 4/6/2026 | |||
| International Total | $58 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emily Bett Rickards | Mildred Burke |
Supporting
| Cara Buono | Bertha | |
| Josh Lucas | Billy Wolfe | |
| Francesca Eastwood | Mae Young | |
| Walton Goggins | Jack Pfefer | |
| Tyler Posey | G. Bill | |
| Marie Avgeropoulos | Elvira Snodgrass | |
| Deborah Ann Woll | Gladys Gillem | |
| Adam Demos | Gorgeous George | |
| Martin Kove | Al Haft | |
| Kelli Berglund | Nell Stewart | |
| Gavin Casalegno | Joe Jr. |
Production and Technical Credits
| Ash Avildsen | Director | |
| Ash Avildsen | Screenwriter | |
| Alston Ramsay | Screenwriter | |
| Jeff Leen | Story Creator | |
| Aimee Schoof | Producer | |
| Isen Robbins | Producer | |
| B.D. Gunnell | Producer | |
| Ash Avildsen | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.