The Queen's Corgi (2019)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $31,550,316 | Details |
| Worldwide Box Office | $31,550,316 | |
| OpusData ID: 397010100 More info... | ||
| Further financial details... | ||
Synopsis
Rex, one of the Queen’s most beloved corgis, escapes from the palace and immediately finds himself lost, with only a group of scrappy dogs to rely on. Forced to find his way back to his favourite Monarch, Rex begins an epic journey that will help him discover who he truly is.
Metrics
Movie Details
| International Releases: | February 14th, 2019 (Wide), released as Rex - Un Cucciolo a Palazzo (Italy)
February 15th, 2019 (Wide), released as Corgi (Netherlands) March 1st, 2019 (Wide), released as Psie veličenstvo (Slovakia) March 1st, 2019 (Wide), released as The Queen's Corgi (Poland) March 8th, 2019 (Wide), released as Psí veličenstvo (Czech Republic) ... Show all releases |
| Video Release: | May 12th, 2020 by Freestyle Digital Media, released as The Queen’s Corgi |
| MPA Rating: | PG for thematic content involving sexually suggestive material, rude humor, violence and some language. (Rating bulletin 2595 (Cert #52374), 9/11/2019) |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Missing Pet, Politicians, Royalty, Talking Animals |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Belgium |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/13/2019 | $101,325 | 193 | 193 | 504 | $471,255 | 8/29/2022 | |||
| Brazil | 9/6/2019 | $367,099 | 508 | 508 | 927 | $632,888 | 9/26/2019 | |||
| Bulgaria | 3/15/2019 | $30,507 | 0 | 0 | 0 | $144,360 | 6/5/2019 | |||
| China | 8/30/2019 | $1,750,000 | 16,788 | 16,788 | 16,788 | $2,161,616 | 9/30/2019 | |||
| Czech Republic | 3/8/2019 | $145,198 | 127 | 127 | 333 | $338,028 | 4/23/2019 | |||
| France | 4/12/2019 | $1,568,127 | 511 | 584 | 3,729 | $6,921,156 | 6/29/2019 | |||
| Germany | 5/3/2019 | $493,985 | 0 | 0 | 0 | $1,389,498 | 5/31/2019 | |||
| Italy | 2/14/2019 | $466,755 | 0 | 60 | 93 | $977,670 | 3/30/2019 | |||
| Lithuania | 3/22/2019 | $33,444 | 96 | 96 | 440 | $147,180 | 6/4/2019 | |||
| Mexico | 6/7/2019 | $432,185 | 0 | 0 | 0 | $794,564 | 10/19/2022 | |||
| Netherlands | 2/15/2019 | $301,548 | 127 | 140 | 1,975 | $5,739,291 | 6/11/2019 | |||
| New Zealand | 12/12/2019 | $325 | 1 | 54 | 193 | $54,627 | 10/19/2022 | |||
| Poland | 3/1/2019 | $500,413 | 187 | 187 | 935 | $2,537,486 | 4/6/2019 | |||
| Portugal | 4/5/2019 | $156,384 | 78 | 78 | 368 | $782,595 | 10/19/2022 | |||
| Russia (CIS) | 3/21/2019 | $1,344,544 | 1,317 | 1,317 | 3,925 | $3,247,647 | 5/31/2019 | |||
| Slovakia | 3/1/2019 | $6,619 | 14 | 75 | 246 | $196,111 | 6/4/2019 | |||
| South Korea | 12/24/2019 | $298,844 | 416 | 416 | 724 | $1,287,316 | 2/5/2020 | |||
| Spain | 3/8/2019 | $318,428 | 285 | 289 | 1,185 | $1,004,878 | 4/12/2019 | |||
| Turkey | 4/26/2019 | $65,004 | 259 | 269 | 740 | $242,393 | 7/11/2019 | |||
| United Kingdom | 7/5/2019 | $651,001 | 482 | 490 | 1,956 | $2,479,757 | 8/14/2019 | |||
| International Total | $31,550,316 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Leo Barakat | Rex | |
| Julie Walters | The Queen |
Supporting
| Jo Wyatt | ||
| Dino Andrade | ||
| Sheridan Smith | Wanda | |
| Matt Lucas | Charlie | |
| Tom Courtenay | The Duke of Edinburgh | |
| Sarah Hadland | Mitzy | |
| Debra Stephenson | Melania | |
| Colin McFarlane | Chief |
Production and Technical Credits
| Ben Stassen | Director | |
| Vincent Kesteloot | Director | |
| Rob Sprackling | Screenwriter | |
| Johnny Smith | Screenwriter | |
| Ben Stassen | Producer | |
| Vincent Kesteloot | Editor | |
| Ramin Djawadi | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Rex, one of the Queen’s most beloved corgis, escapes from the palace and immediately finds himself lost, with only a group of scrappy dogs to rely on. Forced to find his way back to his favourite Monarch, Rex begins an epic journey that will help him discover who he truly is.
Metrics
Movie Details
| International Releases: | February 14th, 2019 (Wide), released as Rex - Un Cucciolo a Palazzo (Italy)
February 15th, 2019 (Wide), released as Corgi (Netherlands) March 1st, 2019 (Wide), released as Psie veličenstvo (Slovakia) March 1st, 2019 (Wide), released as The Queen's Corgi (Poland) March 8th, 2019 (Wide), released as Psí veličenstvo (Czech Republic) ... Show all releases |
| Video Release: | May 12th, 2020 by Freestyle Digital Media, released as The Queen’s Corgi |
| MPA Rating: | PG for thematic content involving sexually suggestive material, rude humor, violence and some language. (Rating bulletin 2595 (Cert #52374), 9/11/2019) |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Missing Pet, Politicians, Royalty, Talking Animals |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Belgium |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/13/2019 | $101,325 | 193 | 193 | 504 | $471,255 | 8/29/2022 | |||
| Brazil | 9/6/2019 | $367,099 | 508 | 508 | 927 | $632,888 | 9/26/2019 | |||
| Bulgaria | 3/15/2019 | $30,507 | 0 | 0 | 0 | $144,360 | 6/5/2019 | |||
| China | 8/30/2019 | $1,750,000 | 16,788 | 16,788 | 16,788 | $2,161,616 | 9/30/2019 | |||
| Czech Republic | 3/8/2019 | $145,198 | 127 | 127 | 333 | $338,028 | 4/23/2019 | |||
| France | 4/12/2019 | $1,568,127 | 511 | 584 | 3,729 | $6,921,156 | 6/29/2019 | |||
| Germany | 5/3/2019 | $493,985 | 0 | 0 | 0 | $1,389,498 | 5/31/2019 | |||
| Italy | 2/14/2019 | $466,755 | 0 | 60 | 93 | $977,670 | 3/30/2019 | |||
| Lithuania | 3/22/2019 | $33,444 | 96 | 96 | 440 | $147,180 | 6/4/2019 | |||
| Mexico | 6/7/2019 | $432,185 | 0 | 0 | 0 | $794,564 | 10/19/2022 | |||
| Netherlands | 2/15/2019 | $301,548 | 127 | 140 | 1,975 | $5,739,291 | 6/11/2019 | |||
| New Zealand | 12/12/2019 | $325 | 1 | 54 | 193 | $54,627 | 10/19/2022 | |||
| Poland | 3/1/2019 | $500,413 | 187 | 187 | 935 | $2,537,486 | 4/6/2019 | |||
| Portugal | 4/5/2019 | $156,384 | 78 | 78 | 368 | $782,595 | 10/19/2022 | |||
| Russia (CIS) | 3/21/2019 | $1,344,544 | 1,317 | 1,317 | 3,925 | $3,247,647 | 5/31/2019 | |||
| Slovakia | 3/1/2019 | $6,619 | 14 | 75 | 246 | $196,111 | 6/4/2019 | |||
| South Korea | 12/24/2019 | $298,844 | 416 | 416 | 724 | $1,287,316 | 2/5/2020 | |||
| Spain | 3/8/2019 | $318,428 | 285 | 289 | 1,185 | $1,004,878 | 4/12/2019 | |||
| Turkey | 4/26/2019 | $65,004 | 259 | 269 | 740 | $242,393 | 7/11/2019 | |||
| United Kingdom | 7/5/2019 | $651,001 | 482 | 490 | 1,956 | $2,479,757 | 8/14/2019 | |||
| International Total | $31,550,316 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Leo Barakat | Rex | |
| Julie Walters | The Queen |
Supporting
| Jo Wyatt | ||
| Dino Andrade | ||
| Sheridan Smith | Wanda | |
| Matt Lucas | Charlie | |
| Tom Courtenay | The Duke of Edinburgh | |
| Sarah Hadland | Mitzy | |
| Debra Stephenson | Melania | |
| Colin McFarlane | Chief |
Production and Technical Credits
| Ben Stassen | Director | |
| Vincent Kesteloot | Director | |
| Rob Sprackling | Screenwriter | |
| Johnny Smith | Screenwriter | |
| Ben Stassen | Producer | |
| Vincent Kesteloot | Editor | |
| Ramin Djawadi | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.