Queer (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $2,837,173 | Details |
| International Box Office | $3,621,975 | Details |
| Worldwide Box Office | $6,459,148 | |
| OpusData ID: 698750100 More info... | ||
| Further financial details... | ||
Synopsis
1950. William Lee, an American expat in Mexico City, spends his days almost entirely alone, except for a few contacts with other members of the small American community. His encounter with Eugene Allerton, an expat former soldier, new to the city, shows him, for the first time, that it might be finally possible to establish an intimate connection with somebody.
Metrics
| Opening Weekend: | $200,951 (7.1% of total gross) |
| Legs: | 3.59 (domestic box office/biggest weekend) |
| Domestic Share: | 43.9% (domestic box office/worldwide) |
| Theater counts: | 7 opening theaters/460 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,000,226 |
Movie Details
| Domestic Releases: | November 27th, 2024 (Limited) by A24 |
| International Releases: | December 12th, 2024 (Limited) (Mexico)
December 12th, 2024 (Limited) (Brazil) December 13th, 2024 (Limited) (United Kingdom) January 1st, 2025 (Limited) (Spain) January 2nd, 2025 (Limited) (Germany) ... Show all releases |
| Video Release: | January 14th, 2025 by A24 |
| MPA Rating: | R for strong sexual content, graphic nudity, strong drug content, language and brief violence. (Rating bulletin 2857 (cert #55170), 10/23/2024) |
| Running Time: | 135 minutes |
| Film festival: | Venice Film Festival 2024 |
| Geographical setting: | Mexico, Mexico City |
| Plot point: | Addiction, LGBTQ+, Narcotics, Romance |
| Release detail: | Festival Acquisition |
| Subgenre: | Historical Drama |
| Time period setting: | 1940s, 1950s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2024 | - | $200,951 | 7 | $28,707 | $307,661 | 1 | |
| Dec 6, 2024 | - | $405,910 | +102% | 47 | $8,636 | $866,523 | 2 |
| Dec 13, 2024 | - | $790,954 | +95% | 460 | $1,719 | $1,924,063 | 3 |
| Dec 20, 2024 | - | $364,240 | -54% | 379 | $961 | $2,837,173 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 27, 2024 | - | $79,473 | 7 | $11,353 | $79,473 | 1 | ||
| Nov 28, 2024 | - | $27,237 | -66% | 7 | $3,891 | $106,710 | 2 | |
| Nov 29, 2024 | - | $68,789 | +153% | 7 | $9,827 | $175,499 | 3 | |
| Nov 30, 2024 | - | $68,582 | n/c | 7 | $9,797 | $244,081 | 4 | |
| Dec 1, 2024 | - | $63,580 | -7% | 7 | $9,083 | $307,661 | 5 | |
| Dec 2, 2024 | - | $29,376 | -54% | 7 | $4,197 | $337,037 | 6 | |
| Dec 3, 2024 | - | $25,645 | -13% | 7 | $3,664 | $362,682 | 7 | |
| Dec 4, 2024 | - | $25,597 | n/c | -68% | 7 | $3,657 | $388,279 | 8 |
| Dec 5, 2024 | - | $72,334 | +183% | +166% | 7 | $10,333 | $460,613 | 9 |
| Dec 6, 2024 | - | $162,258 | +124% | +136% | 47 | $3,452 | $622,871 | 10 |
| Dec 7, 2024 | - | $131,704 | -19% | +92% | 47 | $2,802 | $754,575 | 11 |
| Dec 8, 2024 | - | $111,948 | -15% | +76% | 47 | $2,382 | $866,523 | 12 |
| Dec 13, 2024 | - | $281,980 | +74% | 460 | $613 | $1,415,089 | 17 | |
| Dec 14, 2024 | - | $267,881 | -5% | +103% | 460 | $582 | $1,682,970 | 18 |
| Dec 15, 2024 | - | $241,093 | -10% | +115% | 460 | $524 | $1,924,063 | 19 |
| Dec 20, 2024 | - | $109,152 | -61% | 379 | $288 | $2,582,085 | 24 | |
| Dec 21, 2024 | - | $134,257 | +23% | -50% | 379 | $354 | $2,716,342 | 25 |
| Dec 22, 2024 | - | $120,831 | -10% | -50% | 379 | $319 | $2,837,173 | 26 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 22, 2024 | 16 | $106,710 | 7 | $15,244 | $106,710 | 1 | |
| Nov 29, 2024 | 16 | $353,903 | +232% | 7 | $50,558 | $460,613 | 2 |
| Dec 6, 2024 | 15 | $672,496 | +90% | 47 | $14,308 | $1,133,109 | 3 |
| Dec 13, 2024 | 10 | $1,339,824 | +99% | 47 | $28,507 | $2,472,933 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/6/2025 | $47,299 | 40 | 36 | 40 | $249,498 | 4/4/2026 | |||
| Czech Republic | 3/6/2025 | $8,571 | 52 | 52 | 52 | $26,848 | 4/4/2026 | |||
| Finland | 4/25/2025 | $26,336 | 36 | 38 | 130 | $104,569 | 4/21/2026 | |||
| Italy | 4/17/2025 | $57,244 | 0 | 0 | 0 | $1,270,154 | 4/4/2026 | |||
| Netherlands | 1/23/2025 | $127,386 | 53 | 54 | 206 | $454,379 | 2/17/2025 | |||
| New Zealand | 4/3/2025 | $12,010 | 31 | 31 | 0 | $38,547 | 4/4/2026 | |||
| Portugal | 6/19/2025 | $8,498 | 16 | 16 | 33 | $25,676 | 4/4/2026 | |||
| Romania | 3/21/2025 | $5,943 | 24 | 24 | 0 | $14,366 | 4/4/2026 | |||
| Slovakia | 6/26/2025 | $2,088 | 15 | 15 | 20 | $6,268 | 4/4/2026 | |||
| South Korea | 6/20/2025 | $80,017 | 235 | 235 | 0 | $192,236 | 4/6/2026 | |||
| Spain | 1/1/2025 | $73,658 | 77 | 77 | 178 | $286,704 | 1/23/2025 | |||
| United Kingdom | 12/13/2024 | $370,095 | 213 | 213 | 351 | $952,730 | 1/14/2025 | |||
| International Total | $3,621,975 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniel Craig | William Lee | |
| Drew Starkey | Eugene Allerton |
| Jason Schwartzman | Joe |
Leading
| Lesley Manville | Dr. Cotter |
Production and Technical Credits
| Luca Guadagnino | Director | |
| Justin Kuritzkes | Screenwriter | |
| William S. Burroughs | Story based on the novel by | |
| Lorenzo Mieli | Producer | |
| Luca Guadagnino | Producer | |
| Jessica Ronane | Casting Director | |
| Luis Rosales | Casting Director | |
| Maurillo Mangano | Casting Director | |
| Valentina Materiale | Casting Director | |
| Trent Reznor | Composer | |
| Atticus Ross | Composer | |
| Jonathan Anderson | Costume Designer | |
| Marco Costa | Editor | |
| Stefano Baisi | Production Designer | |
| Sayombhu Mukdeeprom | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
1950. William Lee, an American expat in Mexico City, spends his days almost entirely alone, except for a few contacts with other members of the small American community. His encounter with Eugene Allerton, an expat former soldier, new to the city, shows him, for the first time, that it might be finally possible to establish an intimate connection with somebody.
Metrics
| Opening Weekend: | $200,951 (7.1% of total gross) |
| Legs: | 3.59 (domestic box office/biggest weekend) |
| Domestic Share: | 43.9% (domestic box office/worldwide) |
| Theater counts: | 7 opening theaters/460 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,000,226 |
Movie Details
| Domestic Releases: | November 27th, 2024 (Limited) by A24 |
| International Releases: | December 12th, 2024 (Limited) (Mexico)
December 12th, 2024 (Limited) (Brazil) December 13th, 2024 (Limited) (United Kingdom) January 1st, 2025 (Limited) (Spain) January 2nd, 2025 (Limited) (Germany) ... Show all releases |
| Video Release: | January 14th, 2025 by A24 |
| MPA Rating: | R for strong sexual content, graphic nudity, strong drug content, language and brief violence. (Rating bulletin 2857 (cert #55170), 10/23/2024) |
| Running Time: | 135 minutes |
| Film festival: | Venice Film Festival 2024 |
| Geographical setting: | Mexico, Mexico City |
| Plot point: | Addiction, LGBTQ+, Narcotics, Romance |
| Release detail: | Festival Acquisition |
| Subgenre: | Historical Drama |
| Time period setting: | 1940s, 1950s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2024 | - | $200,951 | 7 | $28,707 | $307,661 | 1 | |
| Dec 6, 2024 | - | $405,910 | +102% | 47 | $8,636 | $866,523 | 2 |
| Dec 13, 2024 | - | $790,954 | +95% | 460 | $1,719 | $1,924,063 | 3 |
| Dec 20, 2024 | - | $364,240 | -54% | 379 | $961 | $2,837,173 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 27, 2024 | - | $79,473 | 7 | $11,353 | $79,473 | 1 | ||
| Nov 28, 2024 | - | $27,237 | -66% | 7 | $3,891 | $106,710 | 2 | |
| Nov 29, 2024 | - | $68,789 | +153% | 7 | $9,827 | $175,499 | 3 | |
| Nov 30, 2024 | - | $68,582 | n/c | 7 | $9,797 | $244,081 | 4 | |
| Dec 1, 2024 | - | $63,580 | -7% | 7 | $9,083 | $307,661 | 5 | |
| Dec 2, 2024 | - | $29,376 | -54% | 7 | $4,197 | $337,037 | 6 | |
| Dec 3, 2024 | - | $25,645 | -13% | 7 | $3,664 | $362,682 | 7 | |
| Dec 4, 2024 | - | $25,597 | n/c | -68% | 7 | $3,657 | $388,279 | 8 |
| Dec 5, 2024 | - | $72,334 | +183% | +166% | 7 | $10,333 | $460,613 | 9 |
| Dec 6, 2024 | - | $162,258 | +124% | +136% | 47 | $3,452 | $622,871 | 10 |
| Dec 7, 2024 | - | $131,704 | -19% | +92% | 47 | $2,802 | $754,575 | 11 |
| Dec 8, 2024 | - | $111,948 | -15% | +76% | 47 | $2,382 | $866,523 | 12 |
| Dec 13, 2024 | - | $281,980 | +74% | 460 | $613 | $1,415,089 | 17 | |
| Dec 14, 2024 | - | $267,881 | -5% | +103% | 460 | $582 | $1,682,970 | 18 |
| Dec 15, 2024 | - | $241,093 | -10% | +115% | 460 | $524 | $1,924,063 | 19 |
| Dec 20, 2024 | - | $109,152 | -61% | 379 | $288 | $2,582,085 | 24 | |
| Dec 21, 2024 | - | $134,257 | +23% | -50% | 379 | $354 | $2,716,342 | 25 |
| Dec 22, 2024 | - | $120,831 | -10% | -50% | 379 | $319 | $2,837,173 | 26 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 22, 2024 | 16 | $106,710 | 7 | $15,244 | $106,710 | 1 | |
| Nov 29, 2024 | 16 | $353,903 | +232% | 7 | $50,558 | $460,613 | 2 |
| Dec 6, 2024 | 15 | $672,496 | +90% | 47 | $14,308 | $1,133,109 | 3 |
| Dec 13, 2024 | 10 | $1,339,824 | +99% | 47 | $28,507 | $2,472,933 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/6/2025 | $47,299 | 40 | 36 | 40 | $249,498 | 4/4/2026 | |||
| Czech Republic | 3/6/2025 | $8,571 | 52 | 52 | 52 | $26,848 | 4/4/2026 | |||
| Finland | 4/25/2025 | $26,336 | 36 | 38 | 130 | $104,569 | 4/21/2026 | |||
| Italy | 4/17/2025 | $57,244 | 0 | 0 | 0 | $1,270,154 | 4/4/2026 | |||
| Netherlands | 1/23/2025 | $127,386 | 53 | 54 | 206 | $454,379 | 2/17/2025 | |||
| New Zealand | 4/3/2025 | $12,010 | 31 | 31 | 0 | $38,547 | 4/4/2026 | |||
| Portugal | 6/19/2025 | $8,498 | 16 | 16 | 33 | $25,676 | 4/4/2026 | |||
| Romania | 3/21/2025 | $5,943 | 24 | 24 | 0 | $14,366 | 4/4/2026 | |||
| Slovakia | 6/26/2025 | $2,088 | 15 | 15 | 20 | $6,268 | 4/4/2026 | |||
| South Korea | 6/20/2025 | $80,017 | 235 | 235 | 0 | $192,236 | 4/6/2026 | |||
| Spain | 1/1/2025 | $73,658 | 77 | 77 | 178 | $286,704 | 1/23/2025 | |||
| United Kingdom | 12/13/2024 | $370,095 | 213 | 213 | 351 | $952,730 | 1/14/2025 | |||
| International Total | $3,621,975 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniel Craig | William Lee | |
| Drew Starkey | Eugene Allerton |
| Jason Schwartzman | Joe |
Leading
| Lesley Manville | Dr. Cotter |
Production and Technical Credits
| Luca Guadagnino | Director | |
| Justin Kuritzkes | Screenwriter | |
| William S. Burroughs | Story based on the novel by | |
| Lorenzo Mieli | Producer | |
| Luca Guadagnino | Producer | |
| Jessica Ronane | Casting Director | |
| Luis Rosales | Casting Director | |
| Maurillo Mangano | Casting Director | |
| Valentina Materiale | Casting Director | |
| Trent Reznor | Composer | |
| Atticus Ross | Composer | |
| Jonathan Anderson | Costume Designer | |
| Marco Costa | Editor | |
| Stefano Baisi | Production Designer | |
| Sayombhu Mukdeeprom | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.