Qui rido io (2021)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $1,694,059 | Details |
| Worldwide Box Office | $1,694,059 | |
| OpusData ID: 517250100 More info... | ||
| Further financial details... | ||
Synopsis
At the beginning of the 20th century, in Belle Époque Naples, theatres and the cinema were thriving and the great comic actor Eduardo Scarpetta is the box office king. Known in the Neapolitan theater for his cheeky alter egos, Scarpetta’s larger-than-life stage productions were matched only by his eccentric personal life. Composed of wives, partners, lovers, legitimate and illegitimate children, Scarpetta’s home situation resembled one of his comedies more than a traditional family. In 1904, at the height of his popularity, the comedian risked everything by staging a parody of the great Italian poet, Gabriele D’Annunzio. Booed and hissed from the stage by younger rivals, Scarpetta was sued for plagiarism, leading to the first ever copyright lawsuit in Italy. Despite the draining years of legal troubles and familial strife, Scarpetta fought not only for his craft but for his legacy as one of the great thespians of Italian theater.
Metrics
Movie Details
| Domestic Releases: | November 25th, 2022 (Limited) by Film Movement, released as King of Laughter |
| International Releases: | September 9th, 2021 (Wide) (Italy)
May 5th, 2022 (Wide), released as O Rei do Riso (Portugal) June 17th, 2022 (Wide), released as Aquí me río yo (Spain) May 4th, 2023 (Limited), released as The King of Laughter (New Zealand) ... Show all releases |
| Video Release: | November 25th, 2022 by 101 Distribution, released as The King of Laughter |
| Running Time: | 133 minutes |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | Italy, Spain |
| Languages: | Italian |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 9/9/2021 | $371,057 | 0 | 0 | 0 | $1,686,173 | 10/20/2022 | |||
| New Zealand | 5/4/2023 | $0 | 0 | 2 | 12 | $2,027 | 11/26/2023 | |||
| Portugal | 5/5/2022 | $1,764 | 3 | 3 | 11 | $5,859 | 6/29/2022 | |||
| International Total | $1,694,059 | 11/26/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Mario Martone | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
At the beginning of the 20th century, in Belle Époque Naples, theatres and the cinema were thriving and the great comic actor Eduardo Scarpetta is the box office king. Known in the Neapolitan theater for his cheeky alter egos, Scarpetta’s larger-than-life stage productions were matched only by his eccentric personal life. Composed of wives, partners, lovers, legitimate and illegitimate children, Scarpetta’s home situation resembled one of his comedies more than a traditional family. In 1904, at the height of his popularity, the comedian risked everything by staging a parody of the great Italian poet, Gabriele D’Annunzio. Booed and hissed from the stage by younger rivals, Scarpetta was sued for plagiarism, leading to the first ever copyright lawsuit in Italy. Despite the draining years of legal troubles and familial strife, Scarpetta fought not only for his craft but for his legacy as one of the great thespians of Italian theater.
Metrics
Movie Details
| Domestic Releases: | November 25th, 2022 (Limited) by Film Movement, released as King of Laughter |
| International Releases: | September 9th, 2021 (Wide) (Italy)
May 5th, 2022 (Wide), released as O Rei do Riso (Portugal) June 17th, 2022 (Wide), released as Aquí me río yo (Spain) May 4th, 2023 (Limited), released as The King of Laughter (New Zealand) ... Show all releases |
| Video Release: | November 25th, 2022 by 101 Distribution, released as The King of Laughter |
| Running Time: | 133 minutes |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | Italy, Spain |
| Languages: | Italian |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 9/9/2021 | $371,057 | 0 | 0 | 0 | $1,686,173 | 10/20/2022 | |||
| New Zealand | 5/4/2023 | $0 | 0 | 2 | 12 | $2,027 | 11/26/2023 | |||
| Portugal | 5/5/2022 | $1,764 | 3 | 3 | 11 | $5,859 | 6/29/2022 | |||
| International Total | $1,694,059 | 11/26/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Mario Martone | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.