The Quiet Ones (2014)
| Theatrical Performance | ||
| Domestic Box Office | $8,509,867 | Details |
| International Box Office | $9,903,937 | Details |
| Worldwide Box Office | $18,413,804 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $958,010 | |
| Blu-ray Sales (estimated) | $315,786 | |
| Total | $1,273,796 | |
| OpusData ID: 190850100 More info... | ||
| Further financial details... | ||
Synopsis
Tucked away in an estate outside of London, Professor Coupland along with a team of university students conduct an “experiment” on Jane Harper, a young girl who harbors unspeakable secrets. What dark forces they uncover are more terrifying than any of them expected.
Metrics
| Opening Weekend: | $3,880,053 (45.6% of total gross) |
| Legs: | 2.19 (domestic box office/biggest weekend) |
| Domestic Share: | 46.2% (domestic box office/worldwide) |
| Production Budget: | $200,000 (worldwide box office is 92.1 times production budget) |
| Theater counts: | 2,027 opening theaters/2,027 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,457,524 |
Movie Details
| Domestic Releases: | April 25th, 2014 (Wide) by Lionsgate, released as The Quiet Ones |
| International Releases: | April 11th, 2014 (Wide) (United Kingdom) |
| Video Release: | August 19th, 2014 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for intense sequences of violence and terror, sexual content, thematic material, language, and smoking throughout. (Rating bulletin 2268, 4/16/2013) |
| Running Time: | 98 minutes |
| Plot point: | Haunting, Paranormal Investigation, Possessed |
| Social setting: | Supernatural |
| Source material: | Based on an UNTRUE Story |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Hammer Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 25, 2014 | 7 | $3,880,053 | 2,027 | $1,914 | $3,880,053 | 1 | |
| May 2, 2014 | 8 | $1,994,670 | -49% | 2,027 | $984 | $6,755,702 | 2 |
| May 9, 2014 | 16 | $719,214 | -64% | 1,133 | $635 | $7,995,603 | 3 |
| May 16, 2014 | 29 | $161,124 | -78% | 341 | $473 | $8,357,463 | 4 |
| May 23, 2014 | 47 | $38,757 | -76% | 92 | $421 | $8,447,658 | 5 |
| May 30, 2014 | 47 | $27,135 | -30% | 72 | $377 | $8,496,112 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 25, 2014 | 6 | $1,528,345 | 2,027 | $754 | $1,528,345 | 1 | ||
| Apr 26, 2014 | 8 | $1,584,994 | +4% | 2,027 | $782 | $3,113,339 | 2 | |
| Apr 27, 2014 | 11 | $766,714 | -52% | 2,027 | $378 | $3,880,053 | 3 | |
| Apr 28, 2014 | 10 | $221,237 | -71% | 2,027 | $109 | $4,101,290 | 4 | |
| Apr 29, 2014 | 12 | $262,924 | +19% | 2,027 | $130 | $4,364,214 | 5 | |
| Apr 30, 2014 | 13 | $203,950 | -22% | 2,027 | $101 | $4,568,164 | 6 | |
| May 1, 2014 | 10 | $192,868 | -5% | 2,027 | $95 | $4,761,032 | 7 | |
| May 2, 2014 | 7 | $677,890 | +251% | -56% | 2,027 | $334 | $5,438,922 | 8 |
| May 3, 2014 | 8 | $881,907 | +30% | -44% | 2,027 | $435 | $6,320,829 | 9 |
| May 4, 2014 | 11 | $434,873 | -51% | -43% | 2,027 | $215 | $6,755,702 | 10 |
| May 5, 2014 | 10 | $131,171 | -70% | -41% | 2,027 | $65 | $6,886,873 | 11 |
| May 6, 2014 | 11 | $161,248 | +23% | -39% | 2,027 | $80 | $7,048,121 | 12 |
| May 7, 2014 | 12 | $130,187 | -19% | -36% | 2,027 | $64 | $7,178,308 | 13 |
| May 8, 2014 | 13 | $98,081 | -25% | -49% | 2,027 | $48 | $7,276,389 | 14 |
| May 9, 2014 | 13 | $248,652 | +154% | -63% | 1,133 | $219 | $7,525,041 | 15 |
| May 10, 2014 | 15 | $318,102 | +28% | -64% | 1,133 | $281 | $7,843,143 | 16 |
| May 11, 2014 | - | $152,460 | -52% | -65% | 1,133 | $135 | $7,995,603 | 17 |
| May 12, 2014 | 15 | $54,900 | -64% | -58% | 1,133 | $48 | $8,050,503 | 18 |
| May 13, 2014 | 15 | $61,978 | +13% | -62% | 1,133 | $55 | $8,112,481 | 19 |
| May 14, 2014 | 16 | $50,118 | -19% | -62% | 1,133 | $44 | $8,162,599 | 20 |
| May 15, 2014 | - | $33,740 | -33% | -66% | 1,133 | $30 | $8,196,339 | 21 |
| May 16, 2014 | - | $52,611 | +56% | -79% | 341 | $154 | $8,248,950 | 22 |
| May 17, 2014 | - | $74,764 | +42% | -76% | 341 | $219 | $8,323,714 | 23 |
| May 18, 2014 | - | $33,749 | -55% | -78% | 341 | $99 | $8,357,463 | 24 |
| May 19, 2014 | - | $12,686 | -62% | -77% | 341 | $37 | $8,370,149 | 25 |
| May 20, 2014 | - | $14,884 | +17% | -76% | 341 | $44 | $8,385,033 | 26 |
| May 21, 2014 | - | $12,713 | -15% | -75% | 341 | $37 | $8,397,746 | 27 |
| May 22, 2014 | - | $11,155 | -12% | -67% | 341 | $33 | $8,408,901 | 28 |
| May 23, 2014 | - | $9,754 | -13% | -81% | 92 | $106 | $8,418,655 | 29 |
| May 24, 2014 | - | $16,737 | +72% | -78% | 92 | $182 | $8,435,392 | 30 |
| May 25, 2014 | - | $12,266 | -27% | -64% | 92 | $133 | $8,447,658 | 31 |
| May 26, 2014 | - | $9,482 | -23% | -25% | 92 | $103 | $8,457,140 | 32 |
| May 27, 2014 | - | $4,292 | -55% | -71% | 92 | $47 | $8,461,432 | 33 |
| May 28, 2014 | - | $3,988 | -7% | -69% | 92 | $43 | $8,465,420 | 34 |
| May 29, 2014 | - | $3,557 | -11% | -68% | 92 | $39 | $8,468,977 | 35 |
| May 30, 2014 | - | $7,523 | +111% | -23% | 72 | $104 | $8,476,500 | 36 |
| May 31, 2014 | - | $12,163 | +62% | -27% | 72 | $169 | $8,488,663 | 37 |
| Jun 1, 2014 | - | $7,449 | -39% | -39% | 72 | $103 | $8,496,112 | 38 |
| Jun 2, 2014 | - | $3,398 | -54% | -64% | 72 | $47 | $8,499,510 | 39 |
| Jun 3, 2014 | - | $3,562 | +5% | -17% | 72 | $49 | $8,503,072 | 40 |
| Jun 4, 2014 | - | $3,275 | -8% | -18% | 72 | $45 | $8,506,347 | 41 |
| Jun 5, 2014 | - | $3,520 | +7% | -1% | 72 | $49 | $8,509,867 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 25, 2014 | 8 | $4,761,032 | 2,027 | $2,349 | $4,761,032 | 1 | |
| May 2, 2014 | 8 | $2,515,357 | -47% | 2,027 | $1,241 | $7,276,389 | 2 |
| May 9, 2014 | 16 | $919,950 | -63% | 1,133 | $812 | $8,196,339 | 3 |
| May 16, 2014 | 29 | $212,562 | -77% | 341 | $623 | $8,408,901 | 4 |
| May 23, 2014 | 44 | $60,076 | -72% | 92 | $653 | $8,468,977 | 5 |
| May 30, 2014 | 47 | $40,890 | -32% | 72 | $568 | $8,509,867 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 4/11/2014 | $0 | 0 | 15 | 15 | $2,091,275 | 10/9/2020 | |||
| Rest of World | $7,812,662 | |||||||||
| International Total | $9,903,937 | 10/9/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Jared Harris | Professor Joseph Coupland | |
| Sam Claflin | Brian McNeil | |
| Erin Richards | Krissi Dalton | |
| Rory Fleck-Byrne | Harry Abrams | |
| Olivia Cooke | Jane Harper | |
| Laurie Calvert | Phillip | |
| Aldo Maland | David Q | |
| Max Pirkis | David Q (Older) | |
| Tracy Ray | David Q's Mother | |
| Richard Cunningham | Provost | |
| Eileen Nicholas | Angry Neighbor | |
| Rebecca Scott | Student #1 | |
| Aretha Ayeh | Student 112 | |
| Max Mackintosh | Student #3 | |
| Harman Singh | Student #4 | |
| Ben Holden | Doctor |
Production and Technical Credits
| John Pogue | Director | |
| Craig Rosenberg | Screenwriter | |
| Oren Moverman | Screenwriter | |
| John Pogue | Screenwriter | |
| Tom De Ville | Story Creator | |
| James Gay-Rees | Producer | |
| Simon Oakes | Producer | |
| Tobin Armbrust | Producer | |
| Steven Chester Prince | Producer | |
| Ben Holden | Producer | |
| Nigel Sinclair | Executive Producer | |
| Guy East | Executive Producer | |
| Marc Schipper | Executive Producer | |
| Jillian Longnecker | Executive Producer | |
| Alex Brunner | Executive Producer | |
| Kevin Matusow | Executive Producer | |
| Kate Bacon | Executive Producer | |
| Carissa Buffel | Executive Producer | |
| Matyas Erdely | Director of Photography | |
| Matthew Gant | Production Designer | |
| Glenn Garland | Editor | |
| Lucas Vidal | Composer | |
| Camille Benda | Costume Designer | |
| Sasha Robertson | Casting Director | |
| Mark Fenn | First Assistant Director | |
| Penny Davis | Assistant Director | |
| Danny Albury | Assistant Director | |
| Tina Pawlik | Line Producer | |
| Livia Rao | Production Manager | |
| Caroline Barclay | Art Director | |
| Anita Gupta | Set Decorator | |
| Joe Barcham | Standby Art Director | |
| Eleanor Landgrebe | Costume Supervisor | |
| Jayne Greenwood | Hair and Make Up Supervisor | |
| Henry Milliner | Recordist | |
| Neil Jenkins | Special Effects Supervisor | |
| Paul Wanklin | Special Effects Technician | |
| Chris Harris | Stills Photographer | |
| Andy Bennett | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Tucked away in an estate outside of London, Professor Coupland along with a team of university students conduct an “experiment” on Jane Harper, a young girl who harbors unspeakable secrets. What dark forces they uncover are more terrifying than any of them expected.
Metrics
| Opening Weekend: | $3,880,053 (45.6% of total gross) |
| Legs: | 2.19 (domestic box office/biggest weekend) |
| Domestic Share: | 46.2% (domestic box office/worldwide) |
| Production Budget: | $200,000 (worldwide box office is 92.1 times production budget) |
| Theater counts: | 2,027 opening theaters/2,027 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,457,524 |
Movie Details
| Domestic Releases: | April 25th, 2014 (Wide) by Lionsgate, released as The Quiet Ones |
| International Releases: | April 11th, 2014 (Wide) (United Kingdom) |
| Video Release: | August 19th, 2014 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for intense sequences of violence and terror, sexual content, thematic material, language, and smoking throughout. (Rating bulletin 2268, 4/16/2013) |
| Running Time: | 98 minutes |
| Plot point: | Haunting, Paranormal Investigation, Possessed |
| Social setting: | Supernatural |
| Source material: | Based on an UNTRUE Story |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Hammer Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 25, 2014 | 7 | $3,880,053 | 2,027 | $1,914 | $3,880,053 | 1 | |
| May 2, 2014 | 8 | $1,994,670 | -49% | 2,027 | $984 | $6,755,702 | 2 |
| May 9, 2014 | 16 | $719,214 | -64% | 1,133 | $635 | $7,995,603 | 3 |
| May 16, 2014 | 29 | $161,124 | -78% | 341 | $473 | $8,357,463 | 4 |
| May 23, 2014 | 47 | $38,757 | -76% | 92 | $421 | $8,447,658 | 5 |
| May 30, 2014 | 47 | $27,135 | -30% | 72 | $377 | $8,496,112 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 25, 2014 | 6 | $1,528,345 | 2,027 | $754 | $1,528,345 | 1 | ||
| Apr 26, 2014 | 8 | $1,584,994 | +4% | 2,027 | $782 | $3,113,339 | 2 | |
| Apr 27, 2014 | 11 | $766,714 | -52% | 2,027 | $378 | $3,880,053 | 3 | |
| Apr 28, 2014 | 10 | $221,237 | -71% | 2,027 | $109 | $4,101,290 | 4 | |
| Apr 29, 2014 | 12 | $262,924 | +19% | 2,027 | $130 | $4,364,214 | 5 | |
| Apr 30, 2014 | 13 | $203,950 | -22% | 2,027 | $101 | $4,568,164 | 6 | |
| May 1, 2014 | 10 | $192,868 | -5% | 2,027 | $95 | $4,761,032 | 7 | |
| May 2, 2014 | 7 | $677,890 | +251% | -56% | 2,027 | $334 | $5,438,922 | 8 |
| May 3, 2014 | 8 | $881,907 | +30% | -44% | 2,027 | $435 | $6,320,829 | 9 |
| May 4, 2014 | 11 | $434,873 | -51% | -43% | 2,027 | $215 | $6,755,702 | 10 |
| May 5, 2014 | 10 | $131,171 | -70% | -41% | 2,027 | $65 | $6,886,873 | 11 |
| May 6, 2014 | 11 | $161,248 | +23% | -39% | 2,027 | $80 | $7,048,121 | 12 |
| May 7, 2014 | 12 | $130,187 | -19% | -36% | 2,027 | $64 | $7,178,308 | 13 |
| May 8, 2014 | 13 | $98,081 | -25% | -49% | 2,027 | $48 | $7,276,389 | 14 |
| May 9, 2014 | 13 | $248,652 | +154% | -63% | 1,133 | $219 | $7,525,041 | 15 |
| May 10, 2014 | 15 | $318,102 | +28% | -64% | 1,133 | $281 | $7,843,143 | 16 |
| May 11, 2014 | - | $152,460 | -52% | -65% | 1,133 | $135 | $7,995,603 | 17 |
| May 12, 2014 | 15 | $54,900 | -64% | -58% | 1,133 | $48 | $8,050,503 | 18 |
| May 13, 2014 | 15 | $61,978 | +13% | -62% | 1,133 | $55 | $8,112,481 | 19 |
| May 14, 2014 | 16 | $50,118 | -19% | -62% | 1,133 | $44 | $8,162,599 | 20 |
| May 15, 2014 | - | $33,740 | -33% | -66% | 1,133 | $30 | $8,196,339 | 21 |
| May 16, 2014 | - | $52,611 | +56% | -79% | 341 | $154 | $8,248,950 | 22 |
| May 17, 2014 | - | $74,764 | +42% | -76% | 341 | $219 | $8,323,714 | 23 |
| May 18, 2014 | - | $33,749 | -55% | -78% | 341 | $99 | $8,357,463 | 24 |
| May 19, 2014 | - | $12,686 | -62% | -77% | 341 | $37 | $8,370,149 | 25 |
| May 20, 2014 | - | $14,884 | +17% | -76% | 341 | $44 | $8,385,033 | 26 |
| May 21, 2014 | - | $12,713 | -15% | -75% | 341 | $37 | $8,397,746 | 27 |
| May 22, 2014 | - | $11,155 | -12% | -67% | 341 | $33 | $8,408,901 | 28 |
| May 23, 2014 | - | $9,754 | -13% | -81% | 92 | $106 | $8,418,655 | 29 |
| May 24, 2014 | - | $16,737 | +72% | -78% | 92 | $182 | $8,435,392 | 30 |
| May 25, 2014 | - | $12,266 | -27% | -64% | 92 | $133 | $8,447,658 | 31 |
| May 26, 2014 | - | $9,482 | -23% | -25% | 92 | $103 | $8,457,140 | 32 |
| May 27, 2014 | - | $4,292 | -55% | -71% | 92 | $47 | $8,461,432 | 33 |
| May 28, 2014 | - | $3,988 | -7% | -69% | 92 | $43 | $8,465,420 | 34 |
| May 29, 2014 | - | $3,557 | -11% | -68% | 92 | $39 | $8,468,977 | 35 |
| May 30, 2014 | - | $7,523 | +111% | -23% | 72 | $104 | $8,476,500 | 36 |
| May 31, 2014 | - | $12,163 | +62% | -27% | 72 | $169 | $8,488,663 | 37 |
| Jun 1, 2014 | - | $7,449 | -39% | -39% | 72 | $103 | $8,496,112 | 38 |
| Jun 2, 2014 | - | $3,398 | -54% | -64% | 72 | $47 | $8,499,510 | 39 |
| Jun 3, 2014 | - | $3,562 | +5% | -17% | 72 | $49 | $8,503,072 | 40 |
| Jun 4, 2014 | - | $3,275 | -8% | -18% | 72 | $45 | $8,506,347 | 41 |
| Jun 5, 2014 | - | $3,520 | +7% | -1% | 72 | $49 | $8,509,867 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 25, 2014 | 8 | $4,761,032 | 2,027 | $2,349 | $4,761,032 | 1 | |
| May 2, 2014 | 8 | $2,515,357 | -47% | 2,027 | $1,241 | $7,276,389 | 2 |
| May 9, 2014 | 16 | $919,950 | -63% | 1,133 | $812 | $8,196,339 | 3 |
| May 16, 2014 | 29 | $212,562 | -77% | 341 | $623 | $8,408,901 | 4 |
| May 23, 2014 | 44 | $60,076 | -72% | 92 | $653 | $8,468,977 | 5 |
| May 30, 2014 | 47 | $40,890 | -32% | 72 | $568 | $8,509,867 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 4/11/2014 | $0 | 0 | 15 | 15 | $2,091,275 | 10/9/2020 | |||
| Rest of World | $7,812,662 | |||||||||
| International Total | $9,903,937 | 10/9/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Jared Harris | Professor Joseph Coupland | |
| Sam Claflin | Brian McNeil | |
| Erin Richards | Krissi Dalton | |
| Rory Fleck-Byrne | Harry Abrams | |
| Olivia Cooke | Jane Harper | |
| Laurie Calvert | Phillip | |
| Aldo Maland | David Q | |
| Max Pirkis | David Q (Older) | |
| Tracy Ray | David Q's Mother | |
| Richard Cunningham | Provost | |
| Eileen Nicholas | Angry Neighbor | |
| Rebecca Scott | Student #1 | |
| Aretha Ayeh | Student 112 | |
| Max Mackintosh | Student #3 | |
| Harman Singh | Student #4 | |
| Ben Holden | Doctor |
Production and Technical Credits
| John Pogue | Director | |
| Craig Rosenberg | Screenwriter | |
| Oren Moverman | Screenwriter | |
| John Pogue | Screenwriter | |
| Tom De Ville | Story Creator | |
| James Gay-Rees | Producer | |
| Simon Oakes | Producer | |
| Tobin Armbrust | Producer | |
| Steven Chester Prince | Producer | |
| Ben Holden | Producer | |
| Nigel Sinclair | Executive Producer | |
| Guy East | Executive Producer | |
| Marc Schipper | Executive Producer | |
| Jillian Longnecker | Executive Producer | |
| Alex Brunner | Executive Producer | |
| Kevin Matusow | Executive Producer | |
| Kate Bacon | Executive Producer | |
| Carissa Buffel | Executive Producer | |
| Matyas Erdely | Director of Photography | |
| Matthew Gant | Production Designer | |
| Glenn Garland | Editor | |
| Lucas Vidal | Composer | |
| Camille Benda | Costume Designer | |
| Sasha Robertson | Casting Director | |
| Mark Fenn | First Assistant Director | |
| Penny Davis | Assistant Director | |
| Danny Albury | Assistant Director | |
| Tina Pawlik | Line Producer | |
| Livia Rao | Production Manager | |
| Caroline Barclay | Art Director | |
| Anita Gupta | Set Decorator | |
| Joe Barcham | Standby Art Director | |
| Eleanor Landgrebe | Costume Supervisor | |
| Jayne Greenwood | Hair and Make Up Supervisor | |
| Henry Milliner | Recordist | |
| Neil Jenkins | Special Effects Supervisor | |
| Paul Wanklin | Special Effects Technician | |
| Chris Harris | Stills Photographer | |
| Andy Bennett | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.