A Quiet Passion (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $1,865,396 | Details |
| International Box Office | $2,266,123 | Details |
| Worldwide Box Office | $4,131,519 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $450,593 | |
| Blu-ray Sales (estimated) | $69,785 | |
| Total | $520,378 | |
| OpusData ID: 269830100 More info... | ||
| Further financial details... | ||
Synopsis
A portrait of Emily Dickinson as she personifies the wit, intellectual independence and pathos of the poet whose genius only came to be recognized after her death. A film that evokes Dickinson’s deep attachment to her close knit family along with the manners, mores and spiritual convictions of her time that she struggled with and transcended in her poetry.
Metrics
| Opening Weekend: | $45,825 (2.5% of total gross) |
| Legs: | 8.78 (domestic box office/biggest weekend) |
| Domestic Share: | 45.2% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/135 max. theaters, 5.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,487,190 |
Movie Details
| Domestic Releases: | April 14th, 2017 (Limited) by Music Box Films |
| International Releases: | October 7th, 2016 (Wide), released as Historia de una pasion (Spain)
April 7th, 2017 (Wide) (United Kingdom) April 24th, 2017 (Wide) (Bulgaria) May 5th, 2017 (Wide) (France) June 16th, 2017 (Wide) (Australia) ... Show all releases |
| Video Release: | July 11th, 2017 by Music Box Films Video |
| MPA Rating: | PG-13 for thematic elements, disturbing images and brief suggestive material. (Rating bulletin 2454 (Cert #50200), 12/7/2016) |
| Running Time: | 126 minutes |
| Plot point: | Artists, Biography, Poet, Writing and Writers |
| Social setting: | Civil War |
| Subgenre: | Historical Drama |
| Time period setting: | 1800s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Gibson & MacLeod, Weathervane Productions, Screen Flanders, Flanders Audiovisual Fund, Double Dutch International, Indomitable Entertainment, Hurricane Films, Potemkino , Scope Pictures |
| Production Countries: | United Kingdom, Belgium |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 39 | $45,825 | 6 | $7,638 | $45,825 | 1 | |
| Apr 21, 2017 | 37 | $70,473 | +54% | 13 | $5,421 | $147,890 | 2 |
| Apr 28, 2017 | 35 | $101,197 | +44% | 44 | $2,300 | $281,655 | 3 |
| May 5, 2017 | 28 | $160,346 | +58% | 84 | $1,909 | $492,280 | 4 |
| May 12, 2017 | 25 | $212,420 | +32% | 117 | $1,816 | $779,394 | 5 |
| May 19, 2017 | - | $202,731 | -5% | 135 | $1,502 | $1,081,006 | 6 |
| May 26, 2017 | 21 | $174,451 | -14% | 118 | $1,478 | $1,380,835 | 7 |
| Jun 2, 2017 | 26 | $100,912 | -42% | 98 | $1,030 | $1,618,107 | 8 |
| Jun 9, 2017 | 32 | $52,644 | -48% | 76 | $693 | $1,732,542 | 9 |
| Jun 16, 2017 | 43 | $25,608 | -51% | 37 | $692 | $1,793,132 | 10 |
| Jun 23, 2017 | 41 | $21,564 | -16% | 34 | $634 | $1,836,942 | 11 |
| Jun 30, 2017 | 64 | $4,242 | -80% | 7 | $606 | $1,855,666 | 12 |
| Jul 7, 2017 | 71 | $3,089 | -27% | 3 | $1,030 | $1,864,266 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 39 | $77,417 | 6 | $12,903 | $77,417 | 1 | |
| Apr 21, 2017 | 35 | $103,041 | +33% | 13 | $7,926 | $180,458 | 2 |
| Apr 28, 2017 | 34 | $151,476 | +47% | 45 | $3,366 | $331,934 | 3 |
| May 5, 2017 | 27 | $235,040 | +55% | 84 | $2,798 | $566,974 | 4 |
| May 12, 2017 | 26 | $311,301 | +32% | 117 | $2,661 | $878,275 | 5 |
| May 19, 2017 | 22 | $328,109 | +5% | 135 | $2,430 | $1,206,384 | 6 |
| May 26, 2017 | 20 | $310,811 | -5% | 122 | $2,548 | $1,517,195 | 7 |
| Jun 2, 2017 | 26 | $162,703 | -48% | 109 | $1,493 | $1,679,898 | 8 |
| Jun 9, 2017 | 30 | $87,626 | -46% | 82 | $1,069 | $1,767,524 | 9 |
| Jun 16, 2017 | 42 | $47,854 | -45% | 43 | $1,113 | $1,815,378 | 10 |
| Jun 23, 2017 | 42 | $36,046 | -25% | 37 | $974 | $1,851,424 | 11 |
| Jun 30, 2017 | 63 | $9,753 | -73% | 9 | $1,084 | $1,861,177 | 12 |
| Jul 7, 2017 | 75 | $4,219 | -57% | 3 | $1,406 | $1,865,396 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/7/2017 | $45,282 | 0 | 0 | 0 | $118,572 | 1/1/2019 | |||
| Australia | 6/16/2017 | $25,602 | 19 | 37 | 242 | $620,760 | 10/23/2017 | |||
| Bulgaria | 4/24/2017 | $1,297 | 0 | 0 | 0 | $5,424 | 2/26/2019 | |||
| France | 5/5/2017 | $135,772 | 0 | 0 | 0 | $379,517 | 6/27/2018 | |||
| Italy | 6/14/2018 | $79,973 | 0 | 0 | 0 | $353,253 | 8/30/2018 | |||
| South Korea | 11/22/2017 | $4,863 | 12 | 12 | 23 | $33,465 | 2/22/2018 | |||
| Spain | 10/7/2016 | $60,194 | 30 | 51 | 211 | $336,084 | 12/16/2016 | |||
| United Kingdom | 4/7/2017 | $98,356 | 49 | 49 | 169 | $419,048 | 7/26/2017 | |||
| International Total | $2,266,123 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Cynthia Nixon | Emily Dickinson | |
| Jennifer Ehle | Vinnie Dickinson |
Supporting
| Keith Carradine | Edward Dickinson | |
| Jodhi May | Susan Gilbert | |
| Emma Bell | Young Emily Dickinson | |
| Ducan Duff | Austin Dickinson | |
| Catherine Bailey | Vryling Buffam | |
| Joanna Bacon | Emily Norcross | |
| Rose Williams | Young Vinnie Dickinson |
Production and Technical Credits
| Terence Davies | Director | |
| Terence Davies | Screenwriter | |
| Roy Boulter | Producer | |
| Sol Papadopoulos | Producer | |
| Peter de Maegd | Co-Producer | |
| Tom Hameeuw | Co-Producer | |
| Andrea Gibson | Executive Producer | |
| Jason Van Eman | Executive Producer | |
| Ross Marroso | Executive Producer | |
| Ben McConley | Executive Producer | |
| Ron Moring | Executive Producer | |
| Jason Moring | Executive Producer | |
| Genevieve Lemal | Executive Producer | |
| Alain-Gilles Ianno | Executive Producer | |
| Stuart Pollok | Executive Producer | |
| Mary MacLeod | Co-Executive Producer | |
| Florian Hoffmeister | Director of Photography | |
| Merijn Sep | Production Designer | |
| Pia Di Ciaula | Editor | |
| Ian Neil | Music Supervisor | |
| Catherine Marchand | Costume Designer | |
| John Hubbard | Casting Director | |
| Ros Hubbard | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A portrait of Emily Dickinson as she personifies the wit, intellectual independence and pathos of the poet whose genius only came to be recognized after her death. A film that evokes Dickinson’s deep attachment to her close knit family along with the manners, mores and spiritual convictions of her time that she struggled with and transcended in her poetry.
Metrics
| Opening Weekend: | $45,825 (2.5% of total gross) |
| Legs: | 8.78 (domestic box office/biggest weekend) |
| Domestic Share: | 45.2% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/135 max. theaters, 5.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,487,190 |
Movie Details
| Domestic Releases: | April 14th, 2017 (Limited) by Music Box Films |
| International Releases: | October 7th, 2016 (Wide), released as Historia de una pasion (Spain)
April 7th, 2017 (Wide) (United Kingdom) April 24th, 2017 (Wide) (Bulgaria) May 5th, 2017 (Wide) (France) June 16th, 2017 (Wide) (Australia) ... Show all releases |
| Video Release: | July 11th, 2017 by Music Box Films Video |
| MPA Rating: | PG-13 for thematic elements, disturbing images and brief suggestive material. (Rating bulletin 2454 (Cert #50200), 12/7/2016) |
| Running Time: | 126 minutes |
| Plot point: | Artists, Biography, Poet, Writing and Writers |
| Social setting: | Civil War |
| Subgenre: | Historical Drama |
| Time period setting: | 1800s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Gibson & MacLeod, Weathervane Productions, Screen Flanders, Flanders Audiovisual Fund, Double Dutch International, Indomitable Entertainment, Hurricane Films, Potemkino , Scope Pictures |
| Production Countries: | United Kingdom, Belgium |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 39 | $45,825 | 6 | $7,638 | $45,825 | 1 | |
| Apr 21, 2017 | 37 | $70,473 | +54% | 13 | $5,421 | $147,890 | 2 |
| Apr 28, 2017 | 35 | $101,197 | +44% | 44 | $2,300 | $281,655 | 3 |
| May 5, 2017 | 28 | $160,346 | +58% | 84 | $1,909 | $492,280 | 4 |
| May 12, 2017 | 25 | $212,420 | +32% | 117 | $1,816 | $779,394 | 5 |
| May 19, 2017 | - | $202,731 | -5% | 135 | $1,502 | $1,081,006 | 6 |
| May 26, 2017 | 21 | $174,451 | -14% | 118 | $1,478 | $1,380,835 | 7 |
| Jun 2, 2017 | 26 | $100,912 | -42% | 98 | $1,030 | $1,618,107 | 8 |
| Jun 9, 2017 | 32 | $52,644 | -48% | 76 | $693 | $1,732,542 | 9 |
| Jun 16, 2017 | 43 | $25,608 | -51% | 37 | $692 | $1,793,132 | 10 |
| Jun 23, 2017 | 41 | $21,564 | -16% | 34 | $634 | $1,836,942 | 11 |
| Jun 30, 2017 | 64 | $4,242 | -80% | 7 | $606 | $1,855,666 | 12 |
| Jul 7, 2017 | 71 | $3,089 | -27% | 3 | $1,030 | $1,864,266 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 39 | $77,417 | 6 | $12,903 | $77,417 | 1 | |
| Apr 21, 2017 | 35 | $103,041 | +33% | 13 | $7,926 | $180,458 | 2 |
| Apr 28, 2017 | 34 | $151,476 | +47% | 45 | $3,366 | $331,934 | 3 |
| May 5, 2017 | 27 | $235,040 | +55% | 84 | $2,798 | $566,974 | 4 |
| May 12, 2017 | 26 | $311,301 | +32% | 117 | $2,661 | $878,275 | 5 |
| May 19, 2017 | 22 | $328,109 | +5% | 135 | $2,430 | $1,206,384 | 6 |
| May 26, 2017 | 20 | $310,811 | -5% | 122 | $2,548 | $1,517,195 | 7 |
| Jun 2, 2017 | 26 | $162,703 | -48% | 109 | $1,493 | $1,679,898 | 8 |
| Jun 9, 2017 | 30 | $87,626 | -46% | 82 | $1,069 | $1,767,524 | 9 |
| Jun 16, 2017 | 42 | $47,854 | -45% | 43 | $1,113 | $1,815,378 | 10 |
| Jun 23, 2017 | 42 | $36,046 | -25% | 37 | $974 | $1,851,424 | 11 |
| Jun 30, 2017 | 63 | $9,753 | -73% | 9 | $1,084 | $1,861,177 | 12 |
| Jul 7, 2017 | 75 | $4,219 | -57% | 3 | $1,406 | $1,865,396 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/7/2017 | $45,282 | 0 | 0 | 0 | $118,572 | 1/1/2019 | |||
| Australia | 6/16/2017 | $25,602 | 19 | 37 | 242 | $620,760 | 10/23/2017 | |||
| Bulgaria | 4/24/2017 | $1,297 | 0 | 0 | 0 | $5,424 | 2/26/2019 | |||
| France | 5/5/2017 | $135,772 | 0 | 0 | 0 | $379,517 | 6/27/2018 | |||
| Italy | 6/14/2018 | $79,973 | 0 | 0 | 0 | $353,253 | 8/30/2018 | |||
| South Korea | 11/22/2017 | $4,863 | 12 | 12 | 23 | $33,465 | 2/22/2018 | |||
| Spain | 10/7/2016 | $60,194 | 30 | 51 | 211 | $336,084 | 12/16/2016 | |||
| United Kingdom | 4/7/2017 | $98,356 | 49 | 49 | 169 | $419,048 | 7/26/2017 | |||
| International Total | $2,266,123 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Cynthia Nixon | Emily Dickinson | |
| Jennifer Ehle | Vinnie Dickinson |
Supporting
| Keith Carradine | Edward Dickinson | |
| Jodhi May | Susan Gilbert | |
| Emma Bell | Young Emily Dickinson | |
| Ducan Duff | Austin Dickinson | |
| Catherine Bailey | Vryling Buffam | |
| Joanna Bacon | Emily Norcross | |
| Rose Williams | Young Vinnie Dickinson |
Production and Technical Credits
| Terence Davies | Director | |
| Terence Davies | Screenwriter | |
| Roy Boulter | Producer | |
| Sol Papadopoulos | Producer | |
| Peter de Maegd | Co-Producer | |
| Tom Hameeuw | Co-Producer | |
| Andrea Gibson | Executive Producer | |
| Jason Van Eman | Executive Producer | |
| Ross Marroso | Executive Producer | |
| Ben McConley | Executive Producer | |
| Ron Moring | Executive Producer | |
| Jason Moring | Executive Producer | |
| Genevieve Lemal | Executive Producer | |
| Alain-Gilles Ianno | Executive Producer | |
| Stuart Pollok | Executive Producer | |
| Mary MacLeod | Co-Executive Producer | |
| Florian Hoffmeister | Director of Photography | |
| Merijn Sep | Production Designer | |
| Pia Di Ciaula | Editor | |
| Ian Neil | Music Supervisor | |
| Catherine Marchand | Costume Designer | |
| John Hubbard | Casting Director | |
| Ros Hubbard | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.