[Rec] 3: Genesis (2012)
| Theatrical Performance | ||
| Domestic Box Office | $9,600 | Details |
| International Box Office | $7,241,000 | Details |
| Worldwide Box Office | $7,250,600 | |
| OpusData ID: 174070100 More info... | ||
| Further financial details... | ||
Synopsis
Koldo and Clara are about to celebrate the most important day of their lives: their wedding. Everything appears to be running smoothly and the bride, the groom and their families are enjoying a wonderful day in the countryside until some of the guests start showing signs of a strange illness. Before they know what’s happening, the bride and groom find themselves in the middle of a hellish ordeal, as an uncontrollable torrent of violence is unleashed on the wedding. What started off as an idyllic day quickly descends into a nightmare of the worst kind...
Metrics
| Opening Weekend: | $3,001 (31.3% of total gross) |
| Legs: | 3.20 (domestic box office/biggest weekend) |
| Domestic Share: | 0.1% (domestic box office/worldwide) |
| Theater counts: | 8 opening theaters/8 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $14,424 |
Movie Details
| Domestic Releases: | September 7th, 2012 (Limited) by Magnet Pictures, released as [REC] 3: Genesis |
| International Releases: | March 30th, 2012 (Wide) (Spain)
April 4th, 2012 (Wide) (Belgium) April 13th, 2012 (Wide), released as [REC]³ El comienzo (Mexico) April 19th, 2012 (Wide) (Argentina) April 20th, 2012 (Wide) (Poland) ... Show all releases |
| Video Release: | November 6th, 2012 by Sony Pictures Home Entertainment, released as [REC] 3: Genesis |
| MPA Rating: | R for strong bloody horror violence and some language. (Rating bulletin 2227, 6/13/2012) |
| Running Time: | 80 minutes |
| Franchise: | [REC] |
| Cast, crew, or production detail: | Prequel |
| Plot point: | Demons, Possessed, Religious, Zombies |
| Social setting: | End of the World, Wedding Day |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Canal Plus, Filmax Entertainment |
| Production Countries: | Spain |
| Languages: | Spanish, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 7, 2012 | 87 | $3,001 | 8 | $375 | $3,001 | 1 | |
| Sep 14, 2012 | 94 | $1,444 | -52% | 4 | $361 | $5,186 | 2 |
| Sep 21, 2012 | 95 | $1,218 | -16% | 3 | $406 | $6,934 | 3 |
| Sep 28, 2012 | 101 | $1,258 | +3% | 2 | $629 | $8,973 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 7, 2012 | 89 | $3,742 | 8 | $468 | $3,742 | 1 | |
| Sep 14, 2012 | 98 | $1,974 | -47% | 4 | $494 | $5,716 | 2 |
| Sep 21, 2012 | 97 | $1,999 | +1% | 3 | $666 | $7,715 | 3 |
| Sep 28, 2012 | 103 | $1,885 | -6% | 2 | $943 | $9,600 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/19/2012 | $0 | 0 | 23 | 80 | $547,505 | 12/29/2018 | |||
| Belgium | 4/4/2012 | $0 | 0 | 2 | 2 | $124,650 | 12/6/2015 | |||
| Hong Kong | 5/17/2012 | $158,962 | 20 | 20 | 42 | $304,306 | 12/10/2015 | |||
| Mexico | 4/13/2012 | $0 | 0 | 189 | 695 | $2,125,524 | 12/10/2015 | |||
| Peru | 5/17/2012 | $228,523 | 63 | 63 | 142 | $518,771 | 12/29/2018 | |||
| Poland | 4/20/2012 | $0 | 0 | 84 | 137 | $285,273 | 12/29/2018 | |||
| Spain | 3/30/2012 | $279 | 1 | 1 | 1 | $2,781,480 | 4/4/2026 | |||
| Rest of World | $553,491 | |||||||||
| International Total | $7,241,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Leticia Dolera | Clara |
Supporting
| Diego Martin | Koldo | |
| Ismael Martinez | Rafa | |
| Alex Monner | Cousin Adrian | |
| Claire Baschet | Natalia | |
| Sr. B | Atun | |
| Jana Soler | Tita (Clara's Sister) | |
| Emilio Mencheta | Uncle Victor | |
| Adolf Bataller | Domingo | |
| Dolores Martin | Manoli |
Production and Technical Credits
| Paco Plaza | Director | |
| Julio Fernandez | Producer | |
| Luiso Berdejo | Screenwriter | |
| Paco Plaza | Screenwriter | |
| Julio Fernandez | Executive Producer | |
| Carlos Fernandez | Executive Producer | |
| Alberto Marini | Executive Producer | |
| Elisa Salinas | Associate Producer | |
| Eckenhardt Von Damn | Co-Executive Producer | |
| Jaume Balaguero | Creative Producer | |
| Teresa Gefaell | Line Producer | |
| Oriol Maymo | Line Producer | |
| Fernando Izquierdo | Assistant Director | |
| Pablo Rosso | Director of Photography | |
| Gemma Fauria | Art Director | |
| Gabriel Gutierrez | Sound Designer | |
| David Gallart | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Koldo and Clara are about to celebrate the most important day of their lives: their wedding. Everything appears to be running smoothly and the bride, the groom and their families are enjoying a wonderful day in the countryside until some of the guests start showing signs of a strange illness. Before they know what’s happening, the bride and groom find themselves in the middle of a hellish ordeal, as an uncontrollable torrent of violence is unleashed on the wedding. What started off as an idyllic day quickly descends into a nightmare of the worst kind...
Metrics
| Opening Weekend: | $3,001 (31.3% of total gross) |
| Legs: | 3.20 (domestic box office/biggest weekend) |
| Domestic Share: | 0.1% (domestic box office/worldwide) |
| Theater counts: | 8 opening theaters/8 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $14,424 |
Movie Details
| Domestic Releases: | September 7th, 2012 (Limited) by Magnet Pictures, released as [REC] 3: Genesis |
| International Releases: | March 30th, 2012 (Wide) (Spain)
April 4th, 2012 (Wide) (Belgium) April 13th, 2012 (Wide), released as [REC]³ El comienzo (Mexico) April 19th, 2012 (Wide) (Argentina) April 20th, 2012 (Wide) (Poland) ... Show all releases |
| Video Release: | November 6th, 2012 by Sony Pictures Home Entertainment, released as [REC] 3: Genesis |
| MPA Rating: | R for strong bloody horror violence and some language. (Rating bulletin 2227, 6/13/2012) |
| Running Time: | 80 minutes |
| Franchise: | [REC] |
| Cast, crew, or production detail: | Prequel |
| Plot point: | Demons, Possessed, Religious, Zombies |
| Social setting: | End of the World, Wedding Day |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Canal Plus, Filmax Entertainment |
| Production Countries: | Spain |
| Languages: | Spanish, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 7, 2012 | 87 | $3,001 | 8 | $375 | $3,001 | 1 | |
| Sep 14, 2012 | 94 | $1,444 | -52% | 4 | $361 | $5,186 | 2 |
| Sep 21, 2012 | 95 | $1,218 | -16% | 3 | $406 | $6,934 | 3 |
| Sep 28, 2012 | 101 | $1,258 | +3% | 2 | $629 | $8,973 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 7, 2012 | 89 | $3,742 | 8 | $468 | $3,742 | 1 | |
| Sep 14, 2012 | 98 | $1,974 | -47% | 4 | $494 | $5,716 | 2 |
| Sep 21, 2012 | 97 | $1,999 | +1% | 3 | $666 | $7,715 | 3 |
| Sep 28, 2012 | 103 | $1,885 | -6% | 2 | $943 | $9,600 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/19/2012 | $0 | 0 | 23 | 80 | $547,505 | 12/29/2018 | |||
| Belgium | 4/4/2012 | $0 | 0 | 2 | 2 | $124,650 | 12/6/2015 | |||
| Hong Kong | 5/17/2012 | $158,962 | 20 | 20 | 42 | $304,306 | 12/10/2015 | |||
| Mexico | 4/13/2012 | $0 | 0 | 189 | 695 | $2,125,524 | 12/10/2015 | |||
| Peru | 5/17/2012 | $228,523 | 63 | 63 | 142 | $518,771 | 12/29/2018 | |||
| Poland | 4/20/2012 | $0 | 0 | 84 | 137 | $285,273 | 12/29/2018 | |||
| Spain | 3/30/2012 | $279 | 1 | 1 | 1 | $2,781,480 | 4/4/2026 | |||
| Rest of World | $553,491 | |||||||||
| International Total | $7,241,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Leticia Dolera | Clara |
Supporting
| Diego Martin | Koldo | |
| Ismael Martinez | Rafa | |
| Alex Monner | Cousin Adrian | |
| Claire Baschet | Natalia | |
| Sr. B | Atun | |
| Jana Soler | Tita (Clara's Sister) | |
| Emilio Mencheta | Uncle Victor | |
| Adolf Bataller | Domingo | |
| Dolores Martin | Manoli |
Production and Technical Credits
| Paco Plaza | Director | |
| Julio Fernandez | Producer | |
| Luiso Berdejo | Screenwriter | |
| Paco Plaza | Screenwriter | |
| Julio Fernandez | Executive Producer | |
| Carlos Fernandez | Executive Producer | |
| Alberto Marini | Executive Producer | |
| Elisa Salinas | Associate Producer | |
| Eckenhardt Von Damn | Co-Executive Producer | |
| Jaume Balaguero | Creative Producer | |
| Teresa Gefaell | Line Producer | |
| Oriol Maymo | Line Producer | |
| Fernando Izquierdo | Assistant Director | |
| Pablo Rosso | Director of Photography | |
| Gemma Fauria | Art Director | |
| Gabriel Gutierrez | Sound Designer | |
| David Gallart | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.