Rabin, The Last Day (2016)
| Theatrical Performance | ||
| Domestic Box Office | $28,411 | Details |
| OpusData ID: 249530100 More info... | ||
| Further financial details... | ||
Synopsis
In the evening of Saturday, November 4, 1995, Prime Minister Yitzhak Rabin was assassinated with three bullets at the end of a huge political rally in the center of Tel-Aviv. His killer, apprehended at the scene, was a 25-year-old student (and observant Jew). But the following investigation reveals a frightening world that made this possible: a subculture of hate fueled by hysterical rhetoric, paranoia and political intrigue.
Metrics
| Opening Weekend: | $7,940 (27.9% of total gross) |
| Legs: | 3.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/5 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,289 |
Movie Details
| Domestic Releases: | January 29th, 2016 (Limited) by Kino Lorber |
| International Releases: | November 2nd, 2023 (Limited), released as O Último Dia de Itzhak Rabin (Brazil) |
| MPA Rating: | Not Rated |
| Running Time: | 153 minutes |
| Geographical setting: | Israel |
| Plot point: | Jewish, Muslims, Political Assassination |
| Social setting: | Israeli Palestinian Conflict |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | LGM Cinema, Les Films du Worso, France 2 Cinema, Orange Studio, Hamon Hafakot, Agav Films |
| Production Countries: | Israel, France |
| Languages: | English, Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 57 | $7,940 | 1 | $7,940 | $7,940 | 1 | |
| Feb 5, 2016 | 67 | $3,569 | -55% | 2 | $1,785 | $15,105 | 2 |
| Feb 12, 2016 | 86 | $798 | -78% | 1 | $798 | $18,857 | 3 |
| Mar 4, 2016 | 98 | $214 | 2 | $107 | $19,517 | 6 | |
| Mar 11, 2016 | 81 | $2,968 | +1,287% | 5 | $594 | $22,787 | 7 |
| Mar 18, 2016 | 91 | $1,502 | -49% | 3 | $501 | $25,668 | 8 |
| Apr 8, 2016 | 94 | $539 | 1 | $539 | $26,972 | 11 | |
| Apr 22, 2016 | 107 | $182 | 1 | $182 | $27,493 | 13 | |
| Apr 29, 2016 | 94 | $152 | -16% | 1 | $152 | $27,739 | 14 |
| Jun 10, 2016 | 94 | $470 | 1 | $470 | $28,411 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 55 | $11,536 | 1 | $11,536 | $11,536 | 1 | |
| Feb 5, 2016 | 65 | $6,523 | -43% | 2 | $3,262 | $18,059 | 2 |
| Feb 12, 2016 | 90 | $1,244 | -81% | 1 | $1,244 | $19,303 | 3 |
| Mar 4, 2016 | 104 | $516 | 2 | $258 | $19,819 | 6 | |
| Mar 11, 2016 | 91 | $4,347 | +742% | 5 | $869 | $24,166 | 7 |
| Mar 18, 2016 | 98 | $2,267 | -48% | 3 | $756 | $26,433 | 8 |
| Apr 8, 2016 | 103 | $878 | 1 | $878 | $27,311 | 11 | |
| Apr 22, 2016 | 114 | $276 | 1 | $276 | $27,587 | 13 | |
| Apr 29, 2016 | 112 | $152 | -45% | 1 | $152 | $27,739 | 14 |
| May 20, 2016 | 118 | $202 | 1 | $202 | $27,941 | 17 | |
| Jun 10, 2016 | 105 | $470 | 1 | $470 | $28,411 | 20 |
Leading
| Yitzhak Hiskiya | Head of the Commission |
Supporting
| Pini Mittelman | Commission Member | |
| Michael Warshaviak | Commission Member | |
| Einat Weitzman | Commission Lawyer | |
| Yogev Yefet | Rabin's Assassin | |
| Tomer Sisley | Rabin's Driver | |
| Ronen Keinan | Commission Lawyer | |
| Tomer Russo | Hospital Director | |
| Uri Gottlieb | Attorney General | |
| Ruti Asarsai | Police Spokeswoman |
Production and Technical Credits
| Amos Gitai | Director | |
| Amos Gitai | Screenwriter | |
| Marie Jose Sanselme | Screenwriter | |
| Eric Gautier | Cinematographer | |
| Ilan Moscovitch | Casting Director | |
| Yuval Orr | Editor | |
| Tahel Sofer | Editor | |
| Isabelle Ingold | Editor | |
| Miguel Merkin | Production Designer | |
| Alex Claude | Sound Designer | |
| Amit Poznansky | Composer | |
| Nir Alon | Sound Mixer | |
| Dany Bar Shay | Costume Designer | |
| Ziv Katanov | Make-up and Hair Designer | |
| Gadi Levy | Line Producer | |
| Shuki Friedman | Line Producer | |
| Benoit Quainon | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the evening of Saturday, November 4, 1995, Prime Minister Yitzhak Rabin was assassinated with three bullets at the end of a huge political rally in the center of Tel-Aviv. His killer, apprehended at the scene, was a 25-year-old student (and observant Jew). But the following investigation reveals a frightening world that made this possible: a subculture of hate fueled by hysterical rhetoric, paranoia and political intrigue.
Metrics
| Opening Weekend: | $7,940 (27.9% of total gross) |
| Legs: | 3.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/5 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,289 |
Movie Details
| Domestic Releases: | January 29th, 2016 (Limited) by Kino Lorber |
| International Releases: | November 2nd, 2023 (Limited), released as O Último Dia de Itzhak Rabin (Brazil) |
| MPA Rating: | Not Rated |
| Running Time: | 153 minutes |
| Geographical setting: | Israel |
| Plot point: | Jewish, Muslims, Political Assassination |
| Social setting: | Israeli Palestinian Conflict |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | LGM Cinema, Les Films du Worso, France 2 Cinema, Orange Studio, Hamon Hafakot, Agav Films |
| Production Countries: | Israel, France |
| Languages: | English, Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 57 | $7,940 | 1 | $7,940 | $7,940 | 1 | |
| Feb 5, 2016 | 67 | $3,569 | -55% | 2 | $1,785 | $15,105 | 2 |
| Feb 12, 2016 | 86 | $798 | -78% | 1 | $798 | $18,857 | 3 |
| Mar 4, 2016 | 98 | $214 | 2 | $107 | $19,517 | 6 | |
| Mar 11, 2016 | 81 | $2,968 | +1,287% | 5 | $594 | $22,787 | 7 |
| Mar 18, 2016 | 91 | $1,502 | -49% | 3 | $501 | $25,668 | 8 |
| Apr 8, 2016 | 94 | $539 | 1 | $539 | $26,972 | 11 | |
| Apr 22, 2016 | 107 | $182 | 1 | $182 | $27,493 | 13 | |
| Apr 29, 2016 | 94 | $152 | -16% | 1 | $152 | $27,739 | 14 |
| Jun 10, 2016 | 94 | $470 | 1 | $470 | $28,411 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 55 | $11,536 | 1 | $11,536 | $11,536 | 1 | |
| Feb 5, 2016 | 65 | $6,523 | -43% | 2 | $3,262 | $18,059 | 2 |
| Feb 12, 2016 | 90 | $1,244 | -81% | 1 | $1,244 | $19,303 | 3 |
| Mar 4, 2016 | 104 | $516 | 2 | $258 | $19,819 | 6 | |
| Mar 11, 2016 | 91 | $4,347 | +742% | 5 | $869 | $24,166 | 7 |
| Mar 18, 2016 | 98 | $2,267 | -48% | 3 | $756 | $26,433 | 8 |
| Apr 8, 2016 | 103 | $878 | 1 | $878 | $27,311 | 11 | |
| Apr 22, 2016 | 114 | $276 | 1 | $276 | $27,587 | 13 | |
| Apr 29, 2016 | 112 | $152 | -45% | 1 | $152 | $27,739 | 14 |
| May 20, 2016 | 118 | $202 | 1 | $202 | $27,941 | 17 | |
| Jun 10, 2016 | 105 | $470 | 1 | $470 | $28,411 | 20 |
Leading
| Yitzhak Hiskiya | Head of the Commission |
Supporting
| Pini Mittelman | Commission Member | |
| Michael Warshaviak | Commission Member | |
| Einat Weitzman | Commission Lawyer | |
| Yogev Yefet | Rabin's Assassin | |
| Tomer Sisley | Rabin's Driver | |
| Ronen Keinan | Commission Lawyer | |
| Tomer Russo | Hospital Director | |
| Uri Gottlieb | Attorney General | |
| Ruti Asarsai | Police Spokeswoman |
Production and Technical Credits
| Amos Gitai | Director | |
| Amos Gitai | Screenwriter | |
| Marie Jose Sanselme | Screenwriter | |
| Eric Gautier | Cinematographer | |
| Ilan Moscovitch | Casting Director | |
| Yuval Orr | Editor | |
| Tahel Sofer | Editor | |
| Isabelle Ingold | Editor | |
| Miguel Merkin | Production Designer | |
| Alex Claude | Sound Designer | |
| Amit Poznansky | Composer | |
| Nir Alon | Sound Mixer | |
| Dany Bar Shay | Costume Designer | |
| Ziv Katanov | Make-up and Hair Designer | |
| Gadi Levy | Line Producer | |
| Shuki Friedman | Line Producer | |
| Benoit Quainon | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.