Rachel and the Stranger (1948)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 457250100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Domestic Releases: | September 18th, 1948 (Limited) by RKO Radio Pictures |
| Video Release: | April 21st, 2020 by Warner Archive |
| MPA Rating: | Not Rated Approved |
| Running Time: | 80 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Loretta Young | ||
| William Holden | ||
| Robert Mitchum |
Production and Technical Credits
| Norman Foster | Director | |
| Waldo Salt | Screenwriter | |
| Richard Berger | Producer | |
| Les Millbrook | Editor | |
| Roy Webb | Composer | |
| Maury Gertsman | Director of Photography | |
| Albert D’Agostino | Art Director | |
| Jack Okey | Art Director | |
| Walter E. Keller | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
Movie Details
| Domestic Releases: | September 18th, 1948 (Limited) by RKO Radio Pictures |
| Video Release: | April 21st, 2020 by Warner Archive |
| MPA Rating: | Not Rated Approved |
| Running Time: | 80 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Loretta Young | ||
| William Holden | ||
| Robert Mitchum |
Production and Technical Credits
| Norman Foster | Director | |
| Waldo Salt | Screenwriter | |
| Richard Berger | Producer | |
| Les Millbrook | Editor | |
| Roy Webb | Composer | |
| Maury Gertsman | Director of Photography | |
| Albert D’Agostino | Art Director | |
| Jack Okey | Art Director | |
| Walter E. Keller | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.