Radio Days (1987)
| Theatrical Performance | ||
| Domestic Box Office | $14,792,779 | Details |
| OpusData ID: 30570100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,522,423 (10.3% of total gross) |
| Legs: | 9.43 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $16,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 128 opening theaters/488 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $42,789,338 |
Movie Details
| Domestic Releases: | January 30th, 1987 (Wide) by Orion Pictures |
| Video Release: | November 6th, 2001 by MGM Video |
| MPA Rating: | PG |
| Running Time: | 85 minutes |
| Cast, crew, or production detail: | Directing Yourself, Screenplay Written By the Star, Voiceover/Narration |
| Plot point: | Coming of Age, Jewish |
| Subgenre: | Comedy Drama |
| Time period setting: | 1930s, 1940s |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 1987 | 10 | $1,522,423 | 128 | $11,894 | $1,522,423 | 1 | |
| Feb 6, 1987 | 11 | $1,318,002 | -13% | 135 | $9,763 | $3,421,661 | 2 |
| Feb 13, 1987 | 10 | $1,354,494 | +3% | 140 | $9,675 | $5,166,048 | 3 |
| Feb 20, 1987 | 8 | $1,569,079 | +16% | 417 | $3,763 | $6,997,195 | 4 |
| Feb 27, 1987 | 10 | $1,317,628 | -16% | 488 | $2,700 | $8,273,897 | 5 |
| Mar 6, 1987 | 12 | $964,160 | -27% | 467 | $2,065 | $10,106,040 | 6 |
| Mar 13, 1987 | 15 | $664,305 | -31% | 355 | $1,871 | $11,078,727 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 1987 | 9 | $2,103,659 | 128 | $16,435 | $2,103,659 | 1 | |
| Feb 6, 1987 | 8 | $1,707,895 | -19% | 135 | $12,651 | $3,811,554 | 2 |
| Feb 13, 1987 | 10 | $1,616,562 | -5% | 140 | $11,547 | $5,428,116 | 3 |
| Feb 20, 1987 | 10 | $1,528,153 | -5% | 417 | $3,665 | $6,956,269 | 4 |
| Feb 27, 1987 | 10 | $2,185,611 | +43% | 488 | $4,479 | $9,141,880 | 5 |
| Mar 6, 1987 | 11 | $1,272,542 | -42% | 467 | $2,725 | $10,414,422 | 6 |
| Jeff Daniels | Biff Baxter | |
| Seth Green | Joe | |
| William H. Macy | Radio Voice (voice) | |
| Dianne Wiest | Bea | |
| Wallace Shawn | Masked Avenger | |
| Danny Aiello | Rocco | |
| Kenneth Mars | Rabbi Baumel | |
| Mercedes Ruehl | Ad Men | |
| Mia Farrow | Sally White | |
| Tony Roberts | 'Silver Dollar' Emcee | |
| Woody Allen | Narrator | |
| Larry David | Communist Neighbor | |
| Julie Kavner | Mother | |
| Richard Portnow | Sy | |
| Mike Starr | Burglar |
Cameo
| Diane Keaton | New Year's Singer |
Production and Technical Credits
| Woody Allen | Director | |
| Woody Allen | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $1,522,423 (10.3% of total gross) |
| Legs: | 9.43 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $16,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 128 opening theaters/488 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $42,789,338 |
Movie Details
| Domestic Releases: | January 30th, 1987 (Wide) by Orion Pictures |
| Video Release: | November 6th, 2001 by MGM Video |
| MPA Rating: | PG |
| Running Time: | 85 minutes |
| Cast, crew, or production detail: | Directing Yourself, Screenplay Written By the Star, Voiceover/Narration |
| Plot point: | Coming of Age, Jewish |
| Subgenre: | Comedy Drama |
| Time period setting: | 1930s, 1940s |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 1987 | 10 | $1,522,423 | 128 | $11,894 | $1,522,423 | 1 | |
| Feb 6, 1987 | 11 | $1,318,002 | -13% | 135 | $9,763 | $3,421,661 | 2 |
| Feb 13, 1987 | 10 | $1,354,494 | +3% | 140 | $9,675 | $5,166,048 | 3 |
| Feb 20, 1987 | 8 | $1,569,079 | +16% | 417 | $3,763 | $6,997,195 | 4 |
| Feb 27, 1987 | 10 | $1,317,628 | -16% | 488 | $2,700 | $8,273,897 | 5 |
| Mar 6, 1987 | 12 | $964,160 | -27% | 467 | $2,065 | $10,106,040 | 6 |
| Mar 13, 1987 | 15 | $664,305 | -31% | 355 | $1,871 | $11,078,727 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 1987 | 9 | $2,103,659 | 128 | $16,435 | $2,103,659 | 1 | |
| Feb 6, 1987 | 8 | $1,707,895 | -19% | 135 | $12,651 | $3,811,554 | 2 |
| Feb 13, 1987 | 10 | $1,616,562 | -5% | 140 | $11,547 | $5,428,116 | 3 |
| Feb 20, 1987 | 10 | $1,528,153 | -5% | 417 | $3,665 | $6,956,269 | 4 |
| Feb 27, 1987 | 10 | $2,185,611 | +43% | 488 | $4,479 | $9,141,880 | 5 |
| Mar 6, 1987 | 11 | $1,272,542 | -42% | 467 | $2,725 | $10,414,422 | 6 |
| Jeff Daniels | Biff Baxter | |
| Seth Green | Joe | |
| William H. Macy | Radio Voice (voice) | |
| Dianne Wiest | Bea | |
| Wallace Shawn | Masked Avenger | |
| Danny Aiello | Rocco | |
| Kenneth Mars | Rabbi Baumel | |
| Mercedes Ruehl | Ad Men | |
| Mia Farrow | Sally White | |
| Tony Roberts | 'Silver Dollar' Emcee | |
| Woody Allen | Narrator | |
| Larry David | Communist Neighbor | |
| Julie Kavner | Mother | |
| Richard Portnow | Sy | |
| Mike Starr | Burglar |
Cameo
| Diane Keaton | New Year's Singer |
Production and Technical Credits
| Woody Allen | Director | |
| Woody Allen | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.