Rampart (2012)
| Theatrical Performance | ||
| Domestic Box Office | $969,239 | Details |
| International Box Office | $571,101 | Details |
| Worldwide Box Office | $1,540,340 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,732,962 | |
| Blu-ray Sales (estimated) | $548,149 | |
| Total | $2,281,111 | |
| OpusData ID: 145380100 More info... | ||
| Further financial details... | ||
Synopsis
Los Angeles, 1999—Officer Dave Brown is a Vietnam vet and a Rampart Precinct cop, dedicated to doing “the people’s dirty work” and asserting his own code of justice, often blurring the lines between right and wrong to maintain his action-hero state of mind. When he gets caught on tape beating a suspect, he finds himself in a personal and emotional downward spiral as the consequences of his past sins and his refusal to change his ways in light of a department wide corruption scandal seal his fate. Brown internalizes his fear, anguish and paranoia as his world, complete with two ex-wives who are sisters, two daughters, an aging mentor dispensing bad advice, investigators galore, and a series of seemingly random women, starts making less and less sense. In the end, what is left is a human being stripped of all his pretense, machismo, chauvinism, arrogance, sexism, homophobia, racism, aggression, misanthropy; but is it enough to redeem him as a man?
Metrics
| Opening Weekend: | $60,446 (6.2% of total gross) |
| Legs: | 7.69 (domestic box office/biggest weekend) |
| Domestic Share: | 62.9% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/106 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,456,297 |
Movie Details
| Domestic Releases: | November 23rd, 2011 (Oscar Qualifying Run) by Alchemy February 10th, 2012 (Limited) by Alchemy |
| International Releases: | April 12th, 2012 (Wide) (United Arab Emirates)
June 7th, 2012 (Wide) (Portugal) |
| Video Release: | May 15th, 2012 by Alchemy |
| MPA Rating: | R for pervasive language, sexual content and some violence. (Rating bulletin 2196, 11/2/2011) |
| Running Time: | 103 minutes |
| Plot point: | Addiction, Bigotry, Corrupt Cops, Dysfunctional Family, Homeless, Relationships Gone Wrong, Sex Crimes |
| Social setting: | Film Noir |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Lightstream Pictures, Waypoint Entertainment, Thrid Mind Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2012 | 47 | $60,446 | 5 | $12,089 | $60,446 | 1 | |
| Feb 17, 2012 | 43 | $125,997 | +108% | 28 | $4,500 | $210,417 | 2 |
| Feb 24, 2012 | 44 | $98,394 | -22% | 45 | $2,187 | $375,487 | 3 |
| Mar 2, 2012 | 37 | $119,387 | +21% | 52 | $2,296 | $539,848 | 4 |
| Mar 9, 2012 | 43 | $74,900 | -37% | 58 | $1,291 | $663,355 | 5 |
| Mar 16, 2012 | 44 | $74,286 | -1% | 106 | $701 | $771,661 | 6 |
| Mar 23, 2012 | 54 | $30,600 | -59% | 67 | $457 | $834,706 | 7 |
| Mar 30, 2012 | 68 | $13,635 | -55% | 30 | $455 | $856,670 | 8 |
| Apr 6, 2012 | 64 | $17,630 | +29% | 40 | $441 | $874,300 | 9 |
| Apr 13, 2012 | 69 | $11,554 | -34% | 21 | $550 | $901,849 | 10 |
| Apr 20, 2012 | 88 | $3,192 | -72% | 7 | $456 | $910,473 | 11 |
| Apr 27, 2012 | 77 | $11,754 | +268% | 18 | $653 | $961,059 | 12 |
| May 4, 2012 | 90 | $3,626 | -69% | 10 | $363 | $969,239 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2012 | 50 | $84,420 | 5 | $16,884 | $84,420 | 1 | |
| Feb 17, 2012 | 43 | $192,673 | +128% | 28 | $6,881 | $277,093 | 2 |
| Feb 24, 2012 | 42 | $143,368 | -26% | 45 | $3,186 | $420,461 | 3 |
| Mar 2, 2012 | 34 | $167,994 | +17% | 52 | $3,231 | $588,455 | 4 |
| Mar 9, 2012 | 45 | $108,920 | -35% | 58 | $1,878 | $697,375 | 5 |
| Mar 16, 2012 | 45 | $106,731 | -2% | 106 | $1,007 | $804,106 | 6 |
| Mar 23, 2012 | 58 | $38,929 | -64% | 67 | $581 | $843,035 | 7 |
| Mar 30, 2012 | 72 | $13,635 | -65% | 30 | $455 | $856,670 | 8 |
| Apr 6, 2012 | 61 | $33,625 | +147% | 40 | $841 | $890,295 | 9 |
| Apr 13, 2012 | 69 | $16,986 | -49% | 21 | $809 | $907,281 | 10 |
| Apr 20, 2012 | 60 | $42,024 | +147% | 7 | $6,003 | $949,305 | 11 |
| Apr 27, 2012 | 76 | $16,308 | -61% | 18 | $906 | $965,613 | 12 |
| May 4, 2012 | 89 | $3,626 | -78% | 10 | $363 | $969,239 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 6/7/2012 | $0 | 0 | 1 | 1 | $315,158 | 12/10/2015 | |||
| United Arab Emirates | 4/12/2012 | $0 | 0 | 1 | 1 | $62,923 | 12/29/2018 | |||
| Rest of World | $193,020 | |||||||||
| International Total | $571,101 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Woody Harrelson | Dave Brown |
Supporting
| Ned Beatty | Hartshorn | |
| Ben Foster | Terry | |
| Anne Heche | Catherine | |
| Ice Cube | Kyle Timkins | |
| Cynthia Nixon | Barbara | |
| Sigourney Weaver | Joan Confrey | |
| Robin Wright | Linds Fentress | |
| Steve Buscemi | Bill Blago | |
| Robert Wisdom | Captain | |
| Brie Larson | Helen | |
| William Paul Clark | Barbara’s Boyfriend |
Production and Technical Credits
| Oren Moverman | Director | |
| Oren Moverman | Screenwriter | |
| James Ellroy | Screenwriter | |
| Lawrence Inglee | Producer | |
| Ben Foster | Producer | |
| Clark Peterson | Producer | |
| Ken Kao | Producer | |
| Paul Currie | Executive Producer | |
| Michael DeFranco | Executive Producer | |
| Mark Gordon | Executive Producer | |
| Garrett Kelleher | Executive Producer | |
| Lila Yacoub | Executive Producer | |
| Luca Borghese | Co-Producer | |
| Bobby Bukowski | Director of Photography | |
| David Wasco | Production Designer | |
| Jay Rabinowitz | Editor | |
| Catherine George | Costume Designer | |
| Dickon Hinchliffe | Composer | |
| Jim Black | Music Supervisor | |
| Laura Rosenthal | Casting Director | |
| Rachel Tenner | Casting Director | |
| Sandy Wasco* | Set Decorator | |
| William Paul Clark | Assistant Director | |
| William Paul Clark | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Los Angeles, 1999—Officer Dave Brown is a Vietnam vet and a Rampart Precinct cop, dedicated to doing “the people’s dirty work” and asserting his own code of justice, often blurring the lines between right and wrong to maintain his action-hero state of mind. When he gets caught on tape beating a suspect, he finds himself in a personal and emotional downward spiral as the consequences of his past sins and his refusal to change his ways in light of a department wide corruption scandal seal his fate. Brown internalizes his fear, anguish and paranoia as his world, complete with two ex-wives who are sisters, two daughters, an aging mentor dispensing bad advice, investigators galore, and a series of seemingly random women, starts making less and less sense. In the end, what is left is a human being stripped of all his pretense, machismo, chauvinism, arrogance, sexism, homophobia, racism, aggression, misanthropy; but is it enough to redeem him as a man?
Metrics
| Opening Weekend: | $60,446 (6.2% of total gross) |
| Legs: | 7.69 (domestic box office/biggest weekend) |
| Domestic Share: | 62.9% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/106 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,456,297 |
Movie Details
| Domestic Releases: | November 23rd, 2011 (Oscar Qualifying Run) by Alchemy February 10th, 2012 (Limited) by Alchemy |
| International Releases: | April 12th, 2012 (Wide) (United Arab Emirates)
June 7th, 2012 (Wide) (Portugal) |
| Video Release: | May 15th, 2012 by Alchemy |
| MPA Rating: | R for pervasive language, sexual content and some violence. (Rating bulletin 2196, 11/2/2011) |
| Running Time: | 103 minutes |
| Plot point: | Addiction, Bigotry, Corrupt Cops, Dysfunctional Family, Homeless, Relationships Gone Wrong, Sex Crimes |
| Social setting: | Film Noir |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Lightstream Pictures, Waypoint Entertainment, Thrid Mind Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2012 | 47 | $60,446 | 5 | $12,089 | $60,446 | 1 | |
| Feb 17, 2012 | 43 | $125,997 | +108% | 28 | $4,500 | $210,417 | 2 |
| Feb 24, 2012 | 44 | $98,394 | -22% | 45 | $2,187 | $375,487 | 3 |
| Mar 2, 2012 | 37 | $119,387 | +21% | 52 | $2,296 | $539,848 | 4 |
| Mar 9, 2012 | 43 | $74,900 | -37% | 58 | $1,291 | $663,355 | 5 |
| Mar 16, 2012 | 44 | $74,286 | -1% | 106 | $701 | $771,661 | 6 |
| Mar 23, 2012 | 54 | $30,600 | -59% | 67 | $457 | $834,706 | 7 |
| Mar 30, 2012 | 68 | $13,635 | -55% | 30 | $455 | $856,670 | 8 |
| Apr 6, 2012 | 64 | $17,630 | +29% | 40 | $441 | $874,300 | 9 |
| Apr 13, 2012 | 69 | $11,554 | -34% | 21 | $550 | $901,849 | 10 |
| Apr 20, 2012 | 88 | $3,192 | -72% | 7 | $456 | $910,473 | 11 |
| Apr 27, 2012 | 77 | $11,754 | +268% | 18 | $653 | $961,059 | 12 |
| May 4, 2012 | 90 | $3,626 | -69% | 10 | $363 | $969,239 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2012 | 50 | $84,420 | 5 | $16,884 | $84,420 | 1 | |
| Feb 17, 2012 | 43 | $192,673 | +128% | 28 | $6,881 | $277,093 | 2 |
| Feb 24, 2012 | 42 | $143,368 | -26% | 45 | $3,186 | $420,461 | 3 |
| Mar 2, 2012 | 34 | $167,994 | +17% | 52 | $3,231 | $588,455 | 4 |
| Mar 9, 2012 | 45 | $108,920 | -35% | 58 | $1,878 | $697,375 | 5 |
| Mar 16, 2012 | 45 | $106,731 | -2% | 106 | $1,007 | $804,106 | 6 |
| Mar 23, 2012 | 58 | $38,929 | -64% | 67 | $581 | $843,035 | 7 |
| Mar 30, 2012 | 72 | $13,635 | -65% | 30 | $455 | $856,670 | 8 |
| Apr 6, 2012 | 61 | $33,625 | +147% | 40 | $841 | $890,295 | 9 |
| Apr 13, 2012 | 69 | $16,986 | -49% | 21 | $809 | $907,281 | 10 |
| Apr 20, 2012 | 60 | $42,024 | +147% | 7 | $6,003 | $949,305 | 11 |
| Apr 27, 2012 | 76 | $16,308 | -61% | 18 | $906 | $965,613 | 12 |
| May 4, 2012 | 89 | $3,626 | -78% | 10 | $363 | $969,239 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 6/7/2012 | $0 | 0 | 1 | 1 | $315,158 | 12/10/2015 | |||
| United Arab Emirates | 4/12/2012 | $0 | 0 | 1 | 1 | $62,923 | 12/29/2018 | |||
| Rest of World | $193,020 | |||||||||
| International Total | $571,101 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Woody Harrelson | Dave Brown |
Supporting
| Ned Beatty | Hartshorn | |
| Ben Foster | Terry | |
| Anne Heche | Catherine | |
| Ice Cube | Kyle Timkins | |
| Cynthia Nixon | Barbara | |
| Sigourney Weaver | Joan Confrey | |
| Robin Wright | Linds Fentress | |
| Steve Buscemi | Bill Blago | |
| Robert Wisdom | Captain | |
| Brie Larson | Helen | |
| William Paul Clark | Barbara’s Boyfriend |
Production and Technical Credits
| Oren Moverman | Director | |
| Oren Moverman | Screenwriter | |
| James Ellroy | Screenwriter | |
| Lawrence Inglee | Producer | |
| Ben Foster | Producer | |
| Clark Peterson | Producer | |
| Ken Kao | Producer | |
| Paul Currie | Executive Producer | |
| Michael DeFranco | Executive Producer | |
| Mark Gordon | Executive Producer | |
| Garrett Kelleher | Executive Producer | |
| Lila Yacoub | Executive Producer | |
| Luca Borghese | Co-Producer | |
| Bobby Bukowski | Director of Photography | |
| David Wasco | Production Designer | |
| Jay Rabinowitz | Editor | |
| Catherine George | Costume Designer | |
| Dickon Hinchliffe | Composer | |
| Jim Black | Music Supervisor | |
| Laura Rosenthal | Casting Director | |
| Rachel Tenner | Casting Director | |
| Sandy Wasco* | Set Decorator | |
| William Paul Clark | Assistant Director | |
| William Paul Clark | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.