Rapid Fire (1992)
| Theatrical Performance | ||
| Domestic Box Office | $14,356,479 | Details |
| OpusData ID: 31110100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $4,815,850 (33.5% of total gross) |
| Legs: | 2.98 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,828 opening theaters/1,829 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,125,724 |
Movie Details
| Domestic Releases: | August 21st, 1992 (Wide) by 20th Century Fox |
| MPA Rating: | R for violence, language and sexuality. |
| Running Time: | 95 minutes |
| Geographical setting: | Thailand |
| Plot point: | Corrupt Cops, Crime Boss, Mafia, Narcotics, Romance |
| Social setting: | Witness Protection |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 1992 | 3 | $4,815,850 | 1,828 | $2,634 | $4,815,850 | 1 | |
| Aug 28, 1992 | 6 | $2,330,408 | -52% | 1,829 | $1,274 | $9,033,166 | 2 |
| Sep 4, 1992 | 9 | $1,871,215 | -20% | 1,456 | $1,285 | $11,842,082 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 1992 | 3 | $6,702,758 | 1,828 | $3,667 | $6,702,758 | 1 | |
| Aug 28, 1992 | 6 | $3,268,109 | -51% | 1,829 | $1,787 | $9,970,867 | 2 |
| Brandon Lee | Jake Lo | |
| Powers Boothe | Mace Ryan | |
| Richard Schiff | Art teacher | |
| Raymond J. Barry | Agent Frank Stewart | |
| Tzi Ma | Kinman Tau |
Production and Technical Credits
| Dwight H. Little | Director | |
| Alan McElroy | Screenwriter | |
| Christopher Young | Composer | |
| Hector C. Gika* | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $4,815,850 (33.5% of total gross) |
| Legs: | 2.98 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,828 opening theaters/1,829 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,125,724 |
Movie Details
| Domestic Releases: | August 21st, 1992 (Wide) by 20th Century Fox |
| MPA Rating: | R for violence, language and sexuality. |
| Running Time: | 95 minutes |
| Geographical setting: | Thailand |
| Plot point: | Corrupt Cops, Crime Boss, Mafia, Narcotics, Romance |
| Social setting: | Witness Protection |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 1992 | 3 | $4,815,850 | 1,828 | $2,634 | $4,815,850 | 1 | |
| Aug 28, 1992 | 6 | $2,330,408 | -52% | 1,829 | $1,274 | $9,033,166 | 2 |
| Sep 4, 1992 | 9 | $1,871,215 | -20% | 1,456 | $1,285 | $11,842,082 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 1992 | 3 | $6,702,758 | 1,828 | $3,667 | $6,702,758 | 1 | |
| Aug 28, 1992 | 6 | $3,268,109 | -51% | 1,829 | $1,787 | $9,970,867 | 2 |
| Brandon Lee | Jake Lo | |
| Powers Boothe | Mace Ryan | |
| Richard Schiff | Art teacher | |
| Raymond J. Barry | Agent Frank Stewart | |
| Tzi Ma | Kinman Tau |
Production and Technical Credits
| Dwight H. Little | Director | |
| Alan McElroy | Screenwriter | |
| Christopher Young | Composer | |
| Hector C. Gika* | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.